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"I RECOGNISE TERROR AS THE FINEST EMOTION AND SO I WILL TRY TO TERRORISE THE READER. BUT IF I CANNOT TERRIFY, I WILL TRY TO HORRIFY, AND IF I CANNOT HORRIFY, I'LL GO FOR THE GROSS-OUT. I'M NOT PROUD." --- STEPHEN KING ::::::::::::: Spoilers for plot points and resolutions can occur within my movie reviews with or without warning. Read at your own risk.

WILLIAM FRIEDKIN's thirteen MUST-SEE horror movies

March 5th 2009 01:43
I found an interesting list on Entertainment Weekly from October of last year compiled by acclaimed original movie brat William Friedkin who made The Exorcist (1973) and the hugely under-rated and rarely seen Sorcerer (1977, a remake of cult French nerve-shredder The Wages of Fear), as well as the exceptional crime thrillers The French Connection and To Live and Die in L.A. (1985, which I plan to review in the future, along with Sorcerer when I find a decent edition on DVD).
Profondo Rosso aka Deep Red
Friedkin was asked to select thirteen must-see horror movies and make a statement on each. A few choice picks, and a few I haven’t seen, but I was most taken by Friedkin’s acknowledgment and praise of Dario Argento, who shares with Friedkin (and his fellow movie brat Brian DePalma) a love of pure cinema storytelling (ie a strong visual style, often relying just on sound and image). Argento was the only director on the list who had two movies.

Suspiria (1977) and Deep Red (1975) are the most pure horror films on this list. The other films I've named have a lot to say about basic human values, and the things that bring about evil. These two films are just finely tuned machines to scare the hell out of you. And they do. They are the classic blood-spattered slasher films that have been imitated, copied, and remade without credit. They're strictly in the realm of fantasy, but Argento, being the great living master of horror, is so talented that they'll scare anyone who sees them.
Suspiria
These two films are just finally tuned machines to scare the hell out of you. And they do. They are the classic blood-spattered slasher films that have been imitated, copied, and remade without credit. They're strictly in the realm of fantasy, but Argento, being the great living master of horror, is so talented that they'll scare anyone who sees them.''


The other movies on Friedkin’s list were Psycho (1960), Alien (1979), Rosemary's Baby (1968), Diabolique (1955), Onibaba (1964), La Boucher (1970, The Butcher), Funny Games (1997), The Lodger (1944), The Spiral Staircase (1946), The Texas Chain Saw Massacre (1974), and one of the scariest (and new personal favourite) movies of recent years, Ils (2006, Them).

Ils aka Them
“If you'll notice, most of the films on my list are from many, many years ago. For the most part, I'm not interested in horror films that I see today. But Them is an exception. It's based on a true story, and similar to Funny Games, it's about some young people who go around a small vacation town and kidnap various visitors, take them to a house, torture them, and kill them. For the entire length of the picture, you have no idea who's doing this or why, and then the final scene kind of explains it. Those sequences of hunting, capturing, and torturing are really among the most brilliant that I've ever seen.''

For the rest of Friedkin's comments click here

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5 Comments. [ Add A Comment ]

Comment by Damo

March 5th 2009 07:00
Bryn
I think that you send him a nasty letter and tell him where he wrong.

How could he leave off Freaks?

Comment by Cibbuano

March 5th 2009 23:07
It's always interesting to hear directors talk about the films that inspire them, especially when he's praising Argento!

Comment by Bryn

March 6th 2009 04:29
Damo ... c'mon then. let's here yours! it's about bloody time!

Cibby, indeed, indeed ... and great he mentioned Them too ... fucking great flick!

Comment by JohnDoe

April 21st 2009 03:46
Cool compendium to my Sorcerer review, I may link next time Im on my own site,,,,no doubts Friedkin has taste!

Comment by Bryn

April 21st 2009 04:23
JD, indeed. By all means link ahead my friend

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