Some things WICKED this way come?
April 29th 2008 00:38
Ever since the resurgence in modern horror movies took audiences by the throat and throttled them you can count on numerous new titles being released every month, mostly straight to DVD, but some manage to squeeze a short theatrical season if they’re lucky. Who knows when this glut of turgid filmmaking will subside?
It seems clueless producers and the ilk (who actually fancy themselves as zeitgeist puppeteers) have the notion that horror movies are the easiest and most profitable genre to plunder. Well, on one hand they’re right; horror movies can be made cheaply and effectively, and they can, if the marketing campaign is savvy and the movie was cast just so, make a killing at the box office. But more often than not the filmmakers botch it up from the get go.
Horror movies might appear to be a stroll in the park at night for greedy executives, but what they don’t understand is that horror movies are actually one of the most difficult genres to get right. What I mean is the successful combination and execution of the key elements; content, cast, tone, dialogue, special effects, soundtrack, ending. I suppose you can apply this school of thought to every cinematic genre, but for horror it’s that much more important, especially when you’re making it on the smell of an oily rag.
It is imperative on a low-budget horror movie to have these factors of the highest calibre humanly possible. This means an interesting/intriguing premise, a group of good actors, consistency of tone (ie dark and nasty, playful and schlocky), sharp, concise dialogue, impressive special effects (if you’re using them), resonant music, and a memorable ending.
A lot of filmmakers think with horror movies you can get away with average to cringe-inducing dialogue and acting, graphic, but really shoddy special effects, and mediocre to poor lighting, as long as there’s some nudity, drug use, brutal violence, excessive profanity, and, of course, some kind of overtly nasty premise.
Wrong!
But time and time again we see lame and uninspiring remakes of movies that were great, or at least pretty good, the first time round, or we have directors like Uwe Boll soiling the shelves of the video store.
I few new titles, that have either been recently released or are about to be, have caught my eye. They sound promising, but whether they’re any good we’ll just have to wait and see. And I’m not talking about the remakes of Prom Night (1980), Friday the 13th (1980), or My Bloody Valentine (1981).
The Cottage, starring Doug (Pinhead) Bradley and Andy (King Kong, Gollum) Serkis, is an over-the-top UK comedy about a group of kidnappers who cross paths with a psychopathic farmer. Expect much gory mayhem and rural fromage from acclaimed second-time director Paul Andrew Williams.
Diary of the Dead is zombie maestro George Romero’s answer to the disappointing box office he received with Land of the Dead; a low-budget, inventive, pseudo-doco about a group of young horror filmmakers dealing with trying to make a movie, and the initial outbreak of the zombie plague. This has been getting rave reviews, I can’t wait!
Dying Breed is Australian Jody Dwyer’s feature debut and uses part of the real history of Tasmanian cannibal Alexander Pearce who was hanged in 1824 after escaping from a penal colony with seven other inmates only to emerge from the impenetrable forests alone, but with chunks of human flesh in his pockets.
Frontiere(s). Rated NC-17 in America, which is often the kiss of death for box office (but is actually the kiss of life to horrorphiles), this French/Swiss co-pro directed by Xaxier Gens deals rather frankly with a gang of thieves who flee Paris during the violent aftermath of a political election and seek shelter at an Inn, only to discover, much to their abject horror, it is run by a group of sadistic neo-Nazis. This sounds very confronting and drenched in atmosphere.
Midnight Meat Train is based on a short story by Clive Barker about a NYC photographer tracking down a cannibal serial killer, it has an eclectic cast which includes Brooke Shields, Tony Curran, and Vinnie Jones. It’s an American production helmed by a Japanese man, Ryuhei Kitamura. “The most terrifying ride you’ll ever take” says the tagline. Bold statement, but I’m feeling lucky.
Outpost In war-torn Eastern Europe, a world-weary group of mercenaries discover a long-hidden secret in an abandoned WWII bunker. Methinks this is another flesh-eating feature, seems cannibalism is the new black in horror (suddenly I have a flash of Cannibal Holocaust being remade and my stomach turns!) Directed by another newbie Steve Barker, it’s a UK production that’s being receiving solid reviews for its acting and screenplay. Not to mention the marrow-sucking.
The Wolf Man Okay, so it’s a remake, but it looks like this could howl and whine with the best of them. Directed by hirsute-loving Joe Johnston, written by Andrew Kevin (Se7en) Walker, and starring Benicio Del Toro as the man who bays at the full moon. It co-stars Anthony Hopkins, Emily Blunt and Hugo Weaving. Get excited, get, get excited!
And finally, with severed tongue-in-cheek we have ...
Zombie Strippers According to imdb.com the plot goes something like this: In the not too distant future a secret government re-animation chemo-virus gets released into conservative Sartre, Nebraska and lands in an underground strip club. As the virus begins to spread, turning the strippers into "Super Zombie Strippers" the girls struggle with whether or not to conform to the new "fad" even if it means there's no turning back. It’s a comedy directed by Jay Lee and starring Jenna Jameson and Robert Englund. ‘Nuff Said.
Here's the trailer for Midnight Meat Train:
And here's the trailer for Zombie Strippers:
It seems clueless producers and the ilk (who actually fancy themselves as zeitgeist puppeteers) have the notion that horror movies are the easiest and most profitable genre to plunder. Well, on one hand they’re right; horror movies can be made cheaply and effectively, and they can, if the marketing campaign is savvy and the movie was cast just so, make a killing at the box office. But more often than not the filmmakers botch it up from the get go.
Horror movies might appear to be a stroll in the park at night for greedy executives, but what they don’t understand is that horror movies are actually one of the most difficult genres to get right. What I mean is the successful combination and execution of the key elements; content, cast, tone, dialogue, special effects, soundtrack, ending. I suppose you can apply this school of thought to every cinematic genre, but for horror it’s that much more important, especially when you’re making it on the smell of an oily rag.
It is imperative on a low-budget horror movie to have these factors of the highest calibre humanly possible. This means an interesting/intriguing premise, a group of good actors, consistency of tone (ie dark and nasty, playful and schlocky), sharp, concise dialogue, impressive special effects (if you’re using them), resonant music, and a memorable ending.
A lot of filmmakers think with horror movies you can get away with average to cringe-inducing dialogue and acting, graphic, but really shoddy special effects, and mediocre to poor lighting, as long as there’s some nudity, drug use, brutal violence, excessive profanity, and, of course, some kind of overtly nasty premise.
Wrong!
But time and time again we see lame and uninspiring remakes of movies that were great, or at least pretty good, the first time round, or we have directors like Uwe Boll soiling the shelves of the video store.
I few new titles, that have either been recently released or are about to be, have caught my eye. They sound promising, but whether they’re any good we’ll just have to wait and see. And I’m not talking about the remakes of Prom Night (1980), Friday the 13th (1980), or My Bloody Valentine (1981).
The Cottage, starring Doug (Pinhead) Bradley and Andy (King Kong, Gollum) Serkis, is an over-the-top UK comedy about a group of kidnappers who cross paths with a psychopathic farmer. Expect much gory mayhem and rural fromage from acclaimed second-time director Paul Andrew Williams.
Diary of the Dead is zombie maestro George Romero’s answer to the disappointing box office he received with Land of the Dead; a low-budget, inventive, pseudo-doco about a group of young horror filmmakers dealing with trying to make a movie, and the initial outbreak of the zombie plague. This has been getting rave reviews, I can’t wait!
Dying Breed is Australian Jody Dwyer’s feature debut and uses part of the real history of Tasmanian cannibal Alexander Pearce who was hanged in 1824 after escaping from a penal colony with seven other inmates only to emerge from the impenetrable forests alone, but with chunks of human flesh in his pockets.
Frontiere(s). Rated NC-17 in America, which is often the kiss of death for box office (but is actually the kiss of life to horrorphiles), this French/Swiss co-pro directed by Xaxier Gens deals rather frankly with a gang of thieves who flee Paris during the violent aftermath of a political election and seek shelter at an Inn, only to discover, much to their abject horror, it is run by a group of sadistic neo-Nazis. This sounds very confronting and drenched in atmosphere.
Midnight Meat Train is based on a short story by Clive Barker about a NYC photographer tracking down a cannibal serial killer, it has an eclectic cast which includes Brooke Shields, Tony Curran, and Vinnie Jones. It’s an American production helmed by a Japanese man, Ryuhei Kitamura. “The most terrifying ride you’ll ever take” says the tagline. Bold statement, but I’m feeling lucky.
Outpost In war-torn Eastern Europe, a world-weary group of mercenaries discover a long-hidden secret in an abandoned WWII bunker. Methinks this is another flesh-eating feature, seems cannibalism is the new black in horror (suddenly I have a flash of Cannibal Holocaust being remade and my stomach turns!) Directed by another newbie Steve Barker, it’s a UK production that’s being receiving solid reviews for its acting and screenplay. Not to mention the marrow-sucking.
The Wolf Man Okay, so it’s a remake, but it looks like this could howl and whine with the best of them. Directed by hirsute-loving Joe Johnston, written by Andrew Kevin (Se7en) Walker, and starring Benicio Del Toro as the man who bays at the full moon. It co-stars Anthony Hopkins, Emily Blunt and Hugo Weaving. Get excited, get, get excited!
And finally, with severed tongue-in-cheek we have ...
Zombie Strippers According to imdb.com the plot goes something like this: In the not too distant future a secret government re-animation chemo-virus gets released into conservative Sartre, Nebraska and lands in an underground strip club. As the virus begins to spread, turning the strippers into "Super Zombie Strippers" the girls struggle with whether or not to conform to the new "fad" even if it means there's no turning back. It’s a comedy directed by Jay Lee and starring Jenna Jameson and Robert Englund. ‘Nuff Said.
Here's the trailer for Midnight Meat Train:
And here's the trailer for Zombie Strippers:
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Comment by Cibbuano
Hunt Famous
Orble Post of the Day
Fat Cult
Techbreak
Comment by Bryn
Horrorphile
Comment by Damo
I am not sure about the Stripper Zombies.
Schlock?
Dying Breed- I think there have been a few episodes of convict cannibalism in Australia. One in WA after a ship wreck.
Comment by D. Armenta
The Florida Keys and Everglades
The Black Sheep Chronicles
What constitutes bad manners?
The male mystique
Debate Fan
L.A.M.P.
Zombie strippers, that has promise of being funny as hell if handled right..and oh, how many sick jokes can we make with that? The mind boggles....
Comment by D. Armenta
The Florida Keys and Everglades
The Black Sheep Chronicles
What constitutes bad manners?
The male mystique
Debate Fan
L.A.M.P.
Comment by Bryn
Horrorphile
Armenta, first pic is from Zombie Strippers.