Vampyros Lesbos
July 9th 2008 01:06
The full German title of this “psycho-sexadelic horror freakout” translates as Lesbian Vampires: The Heiress of Dracula. Director Jesus “Jess” Franco, arguably the most prolific European director ever, constantly revisited the genre of vampirism. He also loved lesbianism, so if he could combine the two – as he frequently did - even better (Erotikill – such a great title – was probably his most carnal incarnation of “lesbian vampires”).
Vampyros Lesbos (1971), a West German-Spanish co-production, takes elements of Bram Stoker’s short story Dracula’s Guest and throws them into a heady, funereal brew of dream-states and hypnosis, carnal fever and rampant delusional desire. There’s Linda Westinghouse (Ewa Strömberg), a young “American” lawyer working in a law office in Istanbul. She dreams of an exotic sensual brunette who entices her sexually. An inheritance job takes her to Anatolia, a small island of the coast of Turkey, where she meets Count Nadine Kordy (Soledad Miranda, billed as Susann Korda), who is the sole recipient of the estate of Count Dracula of Hungary.
Linda soon realises that Nadine is the same woman who is bewitching her in her dreams, and she can’t get enough of it. It seems neither can Nadine, who has another victim, Agra, who is being treated by Dr. Seward (Dennis Price), and whilst thrashing about on the floor of her sanitarium room cries out for the Queen of the Night.
Linda is seduced and bitten on the neck by Nadine. Later she awakens and finds herself under the care of Dr. Seward. Her boyfriend Omar (Andrés Monales, billed as Victor Feldman) arrives, but Linda remembers virtually nothing of her trip to Anatolia, except the image of Nadine, naked, floating on her back in her huge swimming pool, her long red scarf rippling in the water like a snake.
Linda goes missing, so Omar enlists the help of Linda’s shrink in trying to find her. Linda is being held by Memmet (Jesus Franco), who was Agra’s husband before she became bewitched by Nadine. Memmet has fallen for Linda, but Linda only wants to find Nadine.
Enough of the plot hysterics, Vampyros Lesbos is more about the sum of its parts. It is deeeeeep trash, the kind that only comes out of the heart of Europe during that gloriously weird period between the late 60s and the late 70s. But the deeper the trash, the more hypnotic it becomes, and Vampyros Lesbos, with all it’s dreadful camera fudging (clumsy crash zooms, focus irregularity, schonky colour grading) and dire dialogue dubbing, is a rough diamond, a true jewel of badness.
There are two primal, err ... primary reasons why the movie is so memorable; one is the psychedelic Eastern-jazz-rock soundtrack which culminates in the cult favourite piece The Lions and the Cucumber, (which Tarantino featured in homage in Jackie Brown), used during the avant-garde burlesque performance between Nadine and a nude human mannequin (a scene which features twice in the movie).
The other reason is Susann Korda aka Soledad Miranda, a stunning-looking svelte Spanish actor who died tragically in a road accident at the tender age of 27 not long after working on the movie. She may only have one expression as Countess Nadine, but boy, it’s an alluring doozy (she also looks fantastic in the nude ... just quietly, I’m a big fan of the bush, ahem)! Okay, there’s another reason too, the interior design of the Countess home, it’s crazy styles indeed, especially the red hanging ceiling, like something out of a Dr. Seuss book.
Vampyros Lesbos's softcore romps are too stylized to be genuinely erotic, but they provide a definite dreamy sensuality. The horror element is kept to an absolute minimum, yet the nightmare madness is quietly evident. The only graphic touch – ocular violence - comes right at the end. Apart from the provocative music, the organ grinding and Moog squelching, and the presence of the Countess, draped in her long silky robes and skimpy sheer underwear, with her long eyelashes and abyss eyes, the movie does have many memorable images of indulgent visual poetry and symbolism (the scorpian and the butterfly)like the kind that re-flash in your mind after a peculiar, arousing dream.
Vampyros Lesbos glints in the pale moonlight, shadows creeping over goosebumped inner thighs, crushed velvet curtains pulled aside to reveal snatches of carnality, lurid sensationalism and cinematic surrealism from an era passed by.
Here's the original German trailer:
Here's an extended montage of Soledad Miranda's scenes (sans nudity):
Vampyros Lesbos DVD is courtesy of Umbrella Entertainment, many thanks!
Vampyros Lesbos (1971), a West German-Spanish co-production, takes elements of Bram Stoker’s short story Dracula’s Guest and throws them into a heady, funereal brew of dream-states and hypnosis, carnal fever and rampant delusional desire. There’s Linda Westinghouse (Ewa Strömberg), a young “American” lawyer working in a law office in Istanbul. She dreams of an exotic sensual brunette who entices her sexually. An inheritance job takes her to Anatolia, a small island of the coast of Turkey, where she meets Count Nadine Kordy (Soledad Miranda, billed as Susann Korda), who is the sole recipient of the estate of Count Dracula of Hungary.
Linda soon realises that Nadine is the same woman who is bewitching her in her dreams, and she can’t get enough of it. It seems neither can Nadine, who has another victim, Agra, who is being treated by Dr. Seward (Dennis Price), and whilst thrashing about on the floor of her sanitarium room cries out for the Queen of the Night.
Linda is seduced and bitten on the neck by Nadine. Later she awakens and finds herself under the care of Dr. Seward. Her boyfriend Omar (Andrés Monales, billed as Victor Feldman) arrives, but Linda remembers virtually nothing of her trip to Anatolia, except the image of Nadine, naked, floating on her back in her huge swimming pool, her long red scarf rippling in the water like a snake.
Linda goes missing, so Omar enlists the help of Linda’s shrink in trying to find her. Linda is being held by Memmet (Jesus Franco), who was Agra’s husband before she became bewitched by Nadine. Memmet has fallen for Linda, but Linda only wants to find Nadine.
Enough of the plot hysterics, Vampyros Lesbos is more about the sum of its parts. It is deeeeeep trash, the kind that only comes out of the heart of Europe during that gloriously weird period between the late 60s and the late 70s. But the deeper the trash, the more hypnotic it becomes, and Vampyros Lesbos, with all it’s dreadful camera fudging (clumsy crash zooms, focus irregularity, schonky colour grading) and dire dialogue dubbing, is a rough diamond, a true jewel of badness.
There are two primal, err ... primary reasons why the movie is so memorable; one is the psychedelic Eastern-jazz-rock soundtrack which culminates in the cult favourite piece The Lions and the Cucumber, (which Tarantino featured in homage in Jackie Brown), used during the avant-garde burlesque performance between Nadine and a nude human mannequin (a scene which features twice in the movie).
The other reason is Susann Korda aka Soledad Miranda, a stunning-looking svelte Spanish actor who died tragically in a road accident at the tender age of 27 not long after working on the movie. She may only have one expression as Countess Nadine, but boy, it’s an alluring doozy (she also looks fantastic in the nude ... just quietly, I’m a big fan of the bush, ahem)! Okay, there’s another reason too, the interior design of the Countess home, it’s crazy styles indeed, especially the red hanging ceiling, like something out of a Dr. Seuss book.
Vampyros Lesbos's softcore romps are too stylized to be genuinely erotic, but they provide a definite dreamy sensuality. The horror element is kept to an absolute minimum, yet the nightmare madness is quietly evident. The only graphic touch – ocular violence - comes right at the end. Apart from the provocative music, the organ grinding and Moog squelching, and the presence of the Countess, draped in her long silky robes and skimpy sheer underwear, with her long eyelashes and abyss eyes, the movie does have many memorable images of indulgent visual poetry and symbolism (the scorpian and the butterfly)like the kind that re-flash in your mind after a peculiar, arousing dream.
Vampyros Lesbos glints in the pale moonlight, shadows creeping over goosebumped inner thighs, crushed velvet curtains pulled aside to reveal snatches of carnality, lurid sensationalism and cinematic surrealism from an era passed by.
Here's the original German trailer:
Here's an extended montage of Soledad Miranda's scenes (sans nudity):
Vampyros Lesbos DVD is courtesy of Umbrella Entertainment, many thanks!
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Comment by Cibbuano
20/20 Filmsight
Science News
Hunt Famous
Orble Post of the Day
Fat Cult
Techbreak
I saw this released in Australia for $20, but I didn't pick it up. I might have to now. Scorching!
Comment by David O'Connell
Screen Fanatic
Comment by Bryn
Horrorphile
David, yeah no doubt you did see it on SBS, very much their grab-bag. But remember it was made in 1970. It shows more flesh (read: pubes) than most American movies of the time did, but the sex is strictly on the softcore level. Jess Franco made numerous hardcore flicks after this, but sadly none of them with Ms. Soledad Miranda. May she rest in nude peace.
Comment by Ayda
Phantasmelodia
Middle East is better known for its fantasy or occult elements (like witchcraft for instance). You should check this entry about Ihsan Oktay Anar whose fabulous-beyond-words novel The Atlas of Misty Continents (it has French and German, even Korean translations but not English, I think. Such a shame really) is a superb piece of Ottoman fantasy with a One Thousand and One Nights-ish (aka Arabian Nights) aura. If they could make a meal out of such ingredients, I'm sure that would have been a fresh course for the horror audience. And, I refuse to take the pathetic Wishmaster into consideration.
Comment by Bryn
Horrorphile
Comment by Jason Egan
Quizzical
Comment by Bryn
Horrorphile
Comment by LipsLament
I do understand the underground nature of these types of films in the 70's even to the point where i think many are still considered so. Otherwise i'm sure they would be a lot easier to get in Australia. But as long as there are ways and means, Jesus's and many other exploitation directors will not be forgotten(i'm looking at you Joe D'Amato). And I hope Jess keeps popping them out until he's 100!!
Comment by Bryn
Horrorphile
Comment by LipsLament
He's definitely one of my faves. How can you go past movies like Porno Holocaust, Bui Omega and Caligula: Th Untold Story. They certainly don't make them like that any more, do they?
Comment by Bryn
Horrorphile
Comment by LipsLament
Comment by Bryn
Horrorphile
Comment by Bethany
Martian Movies
I don't think Vampyros Lesbos will be a name I forget easily, though...
And whew boy is that last image a steamy one- you pick them well Bryn.
Comment by Bryn
Horrorphile