The Horseman
June 29th 2010 04:44
A grimy darkened street, a siren wails in the background, voices call out, a young girl walks nervously along the edge of the brick wall, past graffiti-strewn rollerdoors. She stops behind a large garbage container; she counts out her remaining dollars, tears rolling down her cheeks. She wipes them away and walks off. A van drives down a lonely stretch of road. The young girl is on her mobile making a life-changing call. The van pulls into a rural driveway and pulls up beside a small nondescript home. The young girl is being lead up some stairs in a warehouse, she looks nervous. The driver of the van is at the front door of the home, dressed as pest control. A man answers the door; the pest controller is ushered in and proceeds to beat the living daylights out of the man. He wants the truth: who was responsible for his daughter’s sexual degradation and subsequent death by overdose. His name is Christian and he’s about to descend into hell and take as many of the bastards down along the way …
Young filmmaker Steven Kastrissios has delivered a powerhouse debut feature about as brutal and relentless a revenge flick as I’ve ever seen. The Horseman (2008) takes no prisoners and pulls no punches; it’s a hardboiled journey into the darkness of the soul where vengeance offers little in the way of consolation, only provides distraction from the pain of the loss of one so dear. It’s a low-budget, but technically superb movie. All of the production values are top notch; the making of featurette on the DVD reveals how the production team had employed ingenuity on such a tight budget and schedule using strictly local (Queensland) talent.
The Horseman apparently is reference to the Four Horsemen of the Apocalypse; Christian must therefore be Death. Or perhaps War. He’s certainly gone into battle against those he sees are to be held accountable, but he’s also a determined harbinger of death. His teenage daughter Jessica is dead after having performed in a porn video and taken drugs with the men who performed in it with her. Christian proceeds to murder these men and those that were involved in the video’s distribution in an act of cleansing the world from these ruthless, heartless pornographers.
There’s nothing new in the premise here, we’ve seen it numerous times before, most notably in Get Carter, Death Wish, Hardcore, and The Limey. In all of these movies a man who loses one or more members of his family (usually a wife, lover, or daughter) takes it upon himself to act as judge, jury and executioner. While The Horseman may not be as calculating as Get Carter, or as stylish as The Limey, it’s not as repugnant as Death Wish or as soulless as Hardcore. What it lacks in originality The Horseman makes up in ferocity. Director Kastrissios, who was the screenwriter and editor, as well as the movie’s digital colourist (specifically grading the raw HD material so that it has a more filmic quality), has made a very impressive movie that, despite implausible moments, paces well, sports a decent score and solid performances from the lead actors; chiefly Peter Marshall as Christian, newcomer Caroline Marohasy as Alice, a young runaway hitchhiker whom Christian befriends as his ersatz daughter, and Brad McMurray as Derek, the pornographer head honcho.
The movie also features many wince-inducing fight scenes. However, it’s the combination of the movie's ultra-realism and the intensity of the brawling that I have a bone of contention with. In reality it only takes one strong, vicious left hook to smash a man’s jaw; yet middle-aged Christian takes a thorough pounding, time and time again, and even manages to dispatch three strong young men single-handedly. He also employs creative torture methods which seem a trifle elaborate for a man seemingly blinded by fury. However it seems these are part and parcel within the dark poetic licence that drives the revenge flick sub-genre. In fact, so extreme is the level of brutality that a blackly comic tone rears its head, whether intentional or not, and I found myself smirking at the absurdity of Christian's violent plight.
What does work is how Christian’s initially nasty demeanor is softened in the eyes of the audience when events take a turn for the worse after Alice and Christian are pulled over by one of Queensland’s dodgiest and most dangerous men in blue. Christian’s questionable ethics are no longer viewed in such a harsh light as the more inherently darker evils are presented and unleashed.
Kastrissios will be a name to watch, part of Australia's pounding new wave, as The Horseman kicks some serious ass like a wronged mule in a foul mood. But watch out, it’s not for the fainthearted or the squeamish; the violence, while not especially gory, is definitely of the hardened ultra variety.
Here's the trailer:
Young filmmaker Steven Kastrissios has delivered a powerhouse debut feature about as brutal and relentless a revenge flick as I’ve ever seen. The Horseman (2008) takes no prisoners and pulls no punches; it’s a hardboiled journey into the darkness of the soul where vengeance offers little in the way of consolation, only provides distraction from the pain of the loss of one so dear. It’s a low-budget, but technically superb movie. All of the production values are top notch; the making of featurette on the DVD reveals how the production team had employed ingenuity on such a tight budget and schedule using strictly local (Queensland) talent.
The Horseman apparently is reference to the Four Horsemen of the Apocalypse; Christian must therefore be Death. Or perhaps War. He’s certainly gone into battle against those he sees are to be held accountable, but he’s also a determined harbinger of death. His teenage daughter Jessica is dead after having performed in a porn video and taken drugs with the men who performed in it with her. Christian proceeds to murder these men and those that were involved in the video’s distribution in an act of cleansing the world from these ruthless, heartless pornographers.
There’s nothing new in the premise here, we’ve seen it numerous times before, most notably in Get Carter, Death Wish, Hardcore, and The Limey. In all of these movies a man who loses one or more members of his family (usually a wife, lover, or daughter) takes it upon himself to act as judge, jury and executioner. While The Horseman may not be as calculating as Get Carter, or as stylish as The Limey, it’s not as repugnant as Death Wish or as soulless as Hardcore. What it lacks in originality The Horseman makes up in ferocity. Director Kastrissios, who was the screenwriter and editor, as well as the movie’s digital colourist (specifically grading the raw HD material so that it has a more filmic quality), has made a very impressive movie that, despite implausible moments, paces well, sports a decent score and solid performances from the lead actors; chiefly Peter Marshall as Christian, newcomer Caroline Marohasy as Alice, a young runaway hitchhiker whom Christian befriends as his ersatz daughter, and Brad McMurray as Derek, the pornographer head honcho.
The movie also features many wince-inducing fight scenes. However, it’s the combination of the movie's ultra-realism and the intensity of the brawling that I have a bone of contention with. In reality it only takes one strong, vicious left hook to smash a man’s jaw; yet middle-aged Christian takes a thorough pounding, time and time again, and even manages to dispatch three strong young men single-handedly. He also employs creative torture methods which seem a trifle elaborate for a man seemingly blinded by fury. However it seems these are part and parcel within the dark poetic licence that drives the revenge flick sub-genre. In fact, so extreme is the level of brutality that a blackly comic tone rears its head, whether intentional or not, and I found myself smirking at the absurdity of Christian's violent plight.
What does work is how Christian’s initially nasty demeanor is softened in the eyes of the audience when events take a turn for the worse after Alice and Christian are pulled over by one of Queensland’s dodgiest and most dangerous men in blue. Christian’s questionable ethics are no longer viewed in such a harsh light as the more inherently darker evils are presented and unleashed.
Kastrissios will be a name to watch, part of Australia's pounding new wave, as The Horseman kicks some serious ass like a wronged mule in a foul mood. But watch out, it’s not for the fainthearted or the squeamish; the violence, while not especially gory, is definitely of the hardened ultra variety.
Here's the trailer:
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Comment by The Master
Comment by Matt Shea
20/20 Filmsight
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Screen Adventure
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Film & TV on DVD
I will certainly check it out as it sounds right up my dark, "Dead Man's Shoes" alley.
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