The Girl with the Dragon Tattoo
April 29th 2010 01:44
This movie was eluding me like a sly war criminal, but I finally got to see it last night on the big screen, and it exceeded expectations; a thoroughly enthralling, tense, intense, disturbing murder mystery thriller with stunning performances and assured direction and pacing. I haven’t read the novel (part one of the Millennium trilogy by Swedish author Stieg Larsson), which by all reports is much better (nothing surprising there), but I will most certainly be reading it now, along with the rest of the trilogy.
Swedish director Niels Arden Oplev works from a screenplay adaptation by Nikolaj Arcel and Rasmus Heisterberg. The Girl with the Dragon Tattoo (2009) is a controlled and intelligent narrative; two plots that merge and become one quest and hunt for the truth, to expose a serial killer’s identity. Disgraced Millennium magazine journalist, Mikael Blomkvist (Michael Nyqvist), is hired to dig deep into the files, and family history of frail old Henrik Vanger (Sven-Bertil Taube), of the wealthy Vanger Group, to find his 16-year-old daughter’s supposed murderer (since she vanished forty years earlier).
Meanwhile, young lone wolf computer hacker Lisbeth Salander (Noomi Repace), a punk with a big chip on her shoulder, becomes embroiled in Blomkvist’s mission, and when she unravels an important clue he was unable to detect, he enlists her help; it seems Lisbeth has a few demons in her closet she wishes to purge herself. The Vanger clan is a dysfunctional group, to say the least, and it isn’t long before they discover the disappearance of Harriet Vanger (Julia Spoore, with Ewa Froling as the older version) is only the tip of a deadly iceberg, with a slippery surface.
Three of the Vanger brothers were Nazis. Several young girls were viciously killed, their bodies mutilated in ritualistic fashion. The closer Mikael and Lisbeth get the more dangerous their job becomes. Lisbeth is already nursing wounds from a particularly nasty incident involving her legal guardian, since she is on psychiatric parole (a sub-plot that rears its ugly truth further down the track). She has a savage bone to pick with men who hate women. However Blomkvist is honest, genuine, vunerable, and she finds herself attracted to that, even though her preference is female.
The Girl with the Dragon Tattoo, definitely a striking a title, appears a little misleading, as the movie’s main plot doesn’t focus on her, yet by movie’s end she has become a most curious player. What is the significance of the extraordinary ink marking of the mythological creature that spreads across her back, its powerful tail tracing down the back of her thigh? There’s only one moment in the movie where the camera lingers on her tattoo, the scene itself a sensual, but disquieting diversion. The novel and movie’s original title translates as Men Who Hate Women, a very confronting, wrathful implication. In many ways it’s a more apt title, but it makes for a much harder sell in the notoriously difficult world of film distribution.
The second novel in the trilogy translates as The Girl Who Played with Fire, and the third, roughly as The Dream That Blew Up. They were made into movies at the same time, but directed by Daniel Alfredson, each one following the further (mis)adventures of Lisbeth, her involvement with Mikael Blomkvist, and her confrontations with the Swedish authorities.
The sub-plot of Lisbeth and her guardian bothered me; Lisbeth’s mistreatment and rape and her subsequent revenge seemed strangely unnecessary since the audience already knew she was troubled, and capable of violence and ruthlessness. I can only assume that one or both of the subsequent movies will return to this narrative thread (the trailer to part two appears to confirm this). My other gripe was that the last quarter of the movie seemed rushed, and the very end felt tagged on, most likely as a bridge toward the next movie. But in itself this was a grating “Hollywood” device. Because I haven’t yet read the novel, I’m very curious as to how frayed the edges of the various narrative threads are left. It all appeared rather too neat and tidy for my liking. Especially considering how uncompromising the movie had been up until the frightening climax and its emotional aftermath.
Reservations aside, The Girl With the Dragon Tattoo is a top-notch thriller, beautifully shot, superbly acted and directed, and essential viewing for those who like strong-flavoured, dark European fare, regardless of whether you’ve read the novel or not.
Here's the UK trailer:
Here's the trailer for The Girl Who Played with Fire:
And here's the trailer for The Girl Who Kicked the Hornet's Nest:
Swedish director Niels Arden Oplev works from a screenplay adaptation by Nikolaj Arcel and Rasmus Heisterberg. The Girl with the Dragon Tattoo (2009) is a controlled and intelligent narrative; two plots that merge and become one quest and hunt for the truth, to expose a serial killer’s identity. Disgraced Millennium magazine journalist, Mikael Blomkvist (Michael Nyqvist), is hired to dig deep into the files, and family history of frail old Henrik Vanger (Sven-Bertil Taube), of the wealthy Vanger Group, to find his 16-year-old daughter’s supposed murderer (since she vanished forty years earlier).
Meanwhile, young lone wolf computer hacker Lisbeth Salander (Noomi Repace), a punk with a big chip on her shoulder, becomes embroiled in Blomkvist’s mission, and when she unravels an important clue he was unable to detect, he enlists her help; it seems Lisbeth has a few demons in her closet she wishes to purge herself. The Vanger clan is a dysfunctional group, to say the least, and it isn’t long before they discover the disappearance of Harriet Vanger (Julia Spoore, with Ewa Froling as the older version) is only the tip of a deadly iceberg, with a slippery surface.
Three of the Vanger brothers were Nazis. Several young girls were viciously killed, their bodies mutilated in ritualistic fashion. The closer Mikael and Lisbeth get the more dangerous their job becomes. Lisbeth is already nursing wounds from a particularly nasty incident involving her legal guardian, since she is on psychiatric parole (a sub-plot that rears its ugly truth further down the track). She has a savage bone to pick with men who hate women. However Blomkvist is honest, genuine, vunerable, and she finds herself attracted to that, even though her preference is female.
The Girl with the Dragon Tattoo, definitely a striking a title, appears a little misleading, as the movie’s main plot doesn’t focus on her, yet by movie’s end she has become a most curious player. What is the significance of the extraordinary ink marking of the mythological creature that spreads across her back, its powerful tail tracing down the back of her thigh? There’s only one moment in the movie where the camera lingers on her tattoo, the scene itself a sensual, but disquieting diversion. The novel and movie’s original title translates as Men Who Hate Women, a very confronting, wrathful implication. In many ways it’s a more apt title, but it makes for a much harder sell in the notoriously difficult world of film distribution.
The second novel in the trilogy translates as The Girl Who Played with Fire, and the third, roughly as The Dream That Blew Up. They were made into movies at the same time, but directed by Daniel Alfredson, each one following the further (mis)adventures of Lisbeth, her involvement with Mikael Blomkvist, and her confrontations with the Swedish authorities.
The sub-plot of Lisbeth and her guardian bothered me; Lisbeth’s mistreatment and rape and her subsequent revenge seemed strangely unnecessary since the audience already knew she was troubled, and capable of violence and ruthlessness. I can only assume that one or both of the subsequent movies will return to this narrative thread (the trailer to part two appears to confirm this). My other gripe was that the last quarter of the movie seemed rushed, and the very end felt tagged on, most likely as a bridge toward the next movie. But in itself this was a grating “Hollywood” device. Because I haven’t yet read the novel, I’m very curious as to how frayed the edges of the various narrative threads are left. It all appeared rather too neat and tidy for my liking. Especially considering how uncompromising the movie had been up until the frightening climax and its emotional aftermath.
Reservations aside, The Girl With the Dragon Tattoo is a top-notch thriller, beautifully shot, superbly acted and directed, and essential viewing for those who like strong-flavoured, dark European fare, regardless of whether you’ve read the novel or not.
Here's the UK trailer:
Here's the trailer for The Girl Who Played with Fire:
And here's the trailer for The Girl Who Kicked the Hornet's Nest:
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Comment by Catherine Stebbins
Thoughts from a Cinephile
Thoughts from a TV Watcher
Comment by David O'Connell
20/20 Filmsight
Screen Fanatic
Very interesting to see how David Fincher's remake pans out and the apparent casting of Carey Mulligan as Lisbeth is not a bad choice at all. I reckon she's pretty damn brilliant to be honest as An Education ably demonstrated. Of course it'd be even better if they'd just leave the original alone to begin with but I suppose this project could be in worse hands!
Comment by Bryn
Horrorphile
David, actually it wasn't that I had a problem with the violence, in fact I thought it was handled very well, but that I felt left in the lurch with what the intention of that sub-plot was. Having watched the trailer to Played with Fire, I see that the character of the guardian returns, so it obviously does have more significance than is actually revealed in Dragon Tattoo. The overall impression ones comes away with at the end of Dragon Tattoo is that Lisbeth is one very dark and troubled horse.
I didn't know David Fincher was directing the Hollywood version, but it's good to know it's in such performance capable and visually arresting hands, although, of course, Hollywood should just leave the damn originals alone!!! No other country except America feels it necessary to "dumb down" foreign-language movies to pander to their own broader audiences. But then again, America does have a stupidly large proportion of the movie-going public with zero tolerance for a movie not spoken in Yankee accents. And executive producers smile all the way to the bank, so therein lies The Hollywood Rub.
No offence to those Americans who actually don't mind having to read sub-titles or concentrate a little harder to understand a broad Australian accent or Cockney one.
Comment by Matt Shea
Comment by The Master
Comment by Bryn
Horrorphile
Matser, that's okay, no offence taken. I should probably put a "disclaimer" on my blog: I've always maintained the criteria that the movies I cover are what I call "nightmare movies", as opposed to horror movies. So I include movies that aren't traditionally considered straight horror movies, but they contain a tone or atmosphere or content that is nightmarish. The Girl with the Dragon Tattoo certainly fits that criteria.
If you check through my archives you'll come across numerous movies that you wouldn't consider horror, but are what I call nightmare movies.
Comment by The Master
Comment by Bryn
Horrorphile
Comment by Bryn
Horrorphile
Comment by JohnDoe
Film & TV on DVD
I have the book for this on the bedside table after numerous recommendations. The film too has been receiving the 'JD will enjoy this" tag from other friends so onto my DVD list it will go...cool to read you excited about a new delight.
Comment by Bryn
Horrorphile
yeah, you will like most definitely, and very curious to know your thoughts too, on a few aspects.
Comment by JohnDoe
Film & TV on DVD
I have just posted a review for the film that seems to echo your own in most respects. Though I didn't go into the finer points of the Guardian for fear of spoilers....you know me always fencing in my creativity with strict format
Comment by ShaunK
Screen Adventure
How does the Hornets Nest one fit into the series?
Comment by Bryn
Horrorphile
Hornet's Nest is the third movie. I think the original novel's title translates to something like The Dream Bubble Has Burst.