The Girl Next Door
October 1st 2009 22:58
Not to be confused with the lame adolescent comedy of the same name starring Elisha Cuthbert, The Girl Next Door (2007) is based on the book by Jack Ketchum which in turn is based on real events which occurred in America in the 60s (though the book and movie has the events take place in the 50s). Both movies feature a distractingly striking young woman in the lead and are essentially TV movies in regards to their no-frills visual style, but I digress …
Middle-aged David Moran (William Atherton) studies an innocent painting and is reminded of his childhood, and of the horrendous crimes he witnessed when he was a young teenager. He’d prefer not to remember them, for he failed to save a girl with whom he’d fallen in love with, but one cannot change the past. And so the flashback unfolds …
Young David (Daniel Manche) is befriended by his new neighbour 16-year-old Megan Loughlin (Blythe Auffarth). She is so pretty and carefree that David is immediately smitten. Megan and her invalid young sister Susan (Madeline Taylor) are orphans and are living in the foster care of Ruth Chandler (Blanche Baker) and her three sons, Willie (Graham Patrick Martin), Donny (Benjamin Ross Kaplan) and Ralphie (Austin Williams). As David soon discovers Ruth is a disturbed woman with an evil and corrupt control and influence over her sons. Ruth despises both Megan and Susan, but makes it her pet project to humiliate and torture Megan, whom she sees as a dangerous temptation; a manipulative slut.
Ruth, with the willing assistance of her teenaged sons – with David and Susan watching on in incredulity – imprison Megan in the basement of the house, bind and torture her, culminating in allowing neighbouring bully Eddie (Michael Zegan) to rape her in front of the rest of the children, including two other teenage girls, and (in the movie’s most ghastly moment) mutilate her (female circumcision). That this appalling crime actually took place only fuels one’s disgust at human kind.
While the calibre of many of the supporting performances is average, Blythe Auffarth shines. Her role is emotionally and physically demanding and she is a brave actress. Certainly she is one to watch and deserves great things. Blanche Baker is excellent as the monster utterly bereft of morality or humanity. Her motives are dark and unfathomable. And of course, that David stalls in his efforts to try and save Megan and her sister creates frustration and immense sadness by movie’s end.
The real life crime took place in 1965 in Indiana. The victim’s name was Sylvia Likens. The instigator's name was Gertrude Baniszewski. Another movie also released in 2007 (America has a very strange habit of duplicating its potentially successful movies simultaneously), An American Crime, follows the real events more closely, but is less sensational in its depiction. It stars Catherine Keener as Gertrude and Ellen Page as Sylvia. I have yet to see this version, and as good as Ellen is, she’ll have to be very good indeed to better the performance of Auffarth.
The Girl Next Door, despite its narrative repetitions and theatrical trappings, is a truly disturbing and horrific account. Many questions remain unanswered at movie’s end, leaving the viewer lingering on the abyss, but the central issues resonant so strongly; insanity and manipulation, corruption of morality, the perceived triumph of evil over good; this is one nightmarish study of suburban hell guaranteed to shock. It always fascinates me how directors (and casting agents primarily) manage to get children to act in such overtly adult situations without psychological repercussions. There are several scenes in this movie with violent/sexual content involving children that would have most parents very alarmed and distressed. The character of Megan is meant to be 16-years-old and Blythe Auffarth looks the age, but was in fact 22-years-old, but the younger children can't be much older than the ages they're playing.
Here's the trailer:
Middle-aged David Moran (William Atherton) studies an innocent painting and is reminded of his childhood, and of the horrendous crimes he witnessed when he was a young teenager. He’d prefer not to remember them, for he failed to save a girl with whom he’d fallen in love with, but one cannot change the past. And so the flashback unfolds …
Young David (Daniel Manche) is befriended by his new neighbour 16-year-old Megan Loughlin (Blythe Auffarth). She is so pretty and carefree that David is immediately smitten. Megan and her invalid young sister Susan (Madeline Taylor) are orphans and are living in the foster care of Ruth Chandler (Blanche Baker) and her three sons, Willie (Graham Patrick Martin), Donny (Benjamin Ross Kaplan) and Ralphie (Austin Williams). As David soon discovers Ruth is a disturbed woman with an evil and corrupt control and influence over her sons. Ruth despises both Megan and Susan, but makes it her pet project to humiliate and torture Megan, whom she sees as a dangerous temptation; a manipulative slut.
Ruth, with the willing assistance of her teenaged sons – with David and Susan watching on in incredulity – imprison Megan in the basement of the house, bind and torture her, culminating in allowing neighbouring bully Eddie (Michael Zegan) to rape her in front of the rest of the children, including two other teenage girls, and (in the movie’s most ghastly moment) mutilate her (female circumcision). That this appalling crime actually took place only fuels one’s disgust at human kind.
While the calibre of many of the supporting performances is average, Blythe Auffarth shines. Her role is emotionally and physically demanding and she is a brave actress. Certainly she is one to watch and deserves great things. Blanche Baker is excellent as the monster utterly bereft of morality or humanity. Her motives are dark and unfathomable. And of course, that David stalls in his efforts to try and save Megan and her sister creates frustration and immense sadness by movie’s end.
The real life crime took place in 1965 in Indiana. The victim’s name was Sylvia Likens. The instigator's name was Gertrude Baniszewski. Another movie also released in 2007 (America has a very strange habit of duplicating its potentially successful movies simultaneously), An American Crime, follows the real events more closely, but is less sensational in its depiction. It stars Catherine Keener as Gertrude and Ellen Page as Sylvia. I have yet to see this version, and as good as Ellen is, she’ll have to be very good indeed to better the performance of Auffarth.
The Girl Next Door, despite its narrative repetitions and theatrical trappings, is a truly disturbing and horrific account. Many questions remain unanswered at movie’s end, leaving the viewer lingering on the abyss, but the central issues resonant so strongly; insanity and manipulation, corruption of morality, the perceived triumph of evil over good; this is one nightmarish study of suburban hell guaranteed to shock. It always fascinates me how directors (and casting agents primarily) manage to get children to act in such overtly adult situations without psychological repercussions. There are several scenes in this movie with violent/sexual content involving children that would have most parents very alarmed and distressed. The character of Megan is meant to be 16-years-old and Blythe Auffarth looks the age, but was in fact 22-years-old, but the younger children can't be much older than the ages they're playing.
Here's the trailer:
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Comment by JohnDoe
Film & TV on DVD
Actually have this and American Crime on my netflix list as as a scheduled double feature. i think they are about 3 weeks down the line...only have about 400 movies in that list
Good to have your reviews back!
Comment by Bryn
Horrorphile
Comment by Anonymous
Kemi~
Comment by Bryn
Horrorphile
I've not heard of Jack Ketchum before ... what are his other publications?
Comment by Natalina
My Life My Muse
Beta Girl Blog
I recall as I watched the bonus features... or maybe it was something on HBO, that there were special precautions taken with the kids on the set. When one kid would do a scene the others would be isolated and certain camera angles would be used to give the appearance that the children were doing things that they actually weren't aware of. The kids never really knew the plot of the movie. As nice as that all sounds... I think it's a bit hard to swallow as some scenes would have been impossible to shoot without the kids at least being exposed to SOME horrific situations.
Overall this was difficult to watch but very well executed and I completely agree with you that the main actress was exceptional.
I second JD's sentiments. So nice to have you back!
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Comment by Anonymous
You definitely need to read Off Season (it's about canniblism), because that's what got me hooked. Ketchum is brutal in his portrayals, but he doesn't let the reader off the hook no matter what. If you'd like to check him out further, go to his website and take a look around.
Good to see you too stranger.
Kemi~
Comment by Bryn
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Comment by Anonymous
Good luck finding some Ketchum. I think you'll love it.
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Comment by Bryn
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Comment by JohnDoe
Film & TV on DVD
I actually watched this as a double on DVD with An American Crime starring Catherine Keener as the abusive matriarch and Ellen Page as the victim. Really interesting seeing the same basic story from two completely opposite tact.
Girl is much more of a traditional horror film where as American Crime is a classier more traditional "based on a true story" type. Both equally disturbing and deserving of attention.
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