The Eye
September 25th 2008 00:39
Hong Kong twin brothers Danny and Oxide Pang are directors with style to burn. Danny also works as an editor (he cut the influential Infernal Affairs, remade by Scorsese as The Departed), and Oxide directed Ab-normal Beauty (2004). Generally they do movies together, and The Eye (2002) was their breakthrough movie, a ghost story reminiscent of The Sixth Sense (1999) but oh so much better.
Its original Cantonese title is Gin Gwai (or Jian Gui in Mandarin), and it’s a HK/Thailand co-production, with additonal UK financing. But the Pang brothers work in an Asian-Euro crossover-style, which makes their movies easily digestible to a wider audience. The DVD (from Eastern Eye) edition I own has the credits in English, yet the movie’s dialogue is in Chinese and Thai (with a few lines in English).
Mun (Sin-Je "Angelica" Lee) is a young blind woman who has just received a cornea transplant from an unknown donor. The operation enables her to see for the first time in as long as she can remember. Everything seems hunky dory, Mun befriends a young tuma-suffering girl Yingying (Yit Lay So) at the hospital, and Mun’s mother and sister seem happy that she can finally be able to move forward in life entirely on her own.
But all is not good. Mun’s vision is being affected by spectres. She sees ghostly figures; some are genuinely terrifying, while others appear more mundane and peripheral. She witnesses a dark figure assisting an elderly woman from the ward, and later realises the woman had died and she was watching the woman cross to the other side.
Mun’s visions become more and more unsettling and nightmarish, with a young boy, the victim of suicide, plaguing her. Mun’s personal physician, Dr. Wah (Lawrence Chou) becomes increasingly concerned for her well-being, despite his superior, Dr. Lo (Edmund Chen) expressing doubt over her sanity. At the request of Mun’s distraught family Dr. Wah travels with Mun to Thailand to track down the cornea donor, a young woman named Ling, but not before Mun makes the startlingly discovery that the face she sees in the mirror is not her own …
They meet with Ling’s heartbroken mother (Sue Yuen Wang) who tells them of Ling’s tragic life; cursed as a village witch-girl, and after failing to save the village from a fire, Ling committed suicide. Because she has Ling’s eyes Mun is cursed with seeing dead people with issues, trapped in a limbo. But she is also “blessed” with foresight, and it this foresight which comes to an explosive head during the movie’s final ten minutes.
The Eye crackles with disquieting slow-burn ferocity. Like Ringu (1998) it builds and releases, builds a little more, then exhales again, rises further into the darkness, and finally comes full circle. The opening sequence to The Eye is also the closing sequence; it forms its own poetic sphere. The cinematography is lush, with great mise-en-scene, and excellent editing. The music is a little over-the-top, even kitsch in a few scenes, but the dramatics prevent any cheese from ruining the taste of coppery fear.
Sin-Je Lee is excellent as Mun, displaying a vulnerability and great emotional depth. I wasn’t so convinced by Lawrence Chou as the doctor, he barely looked out of his teens, but his performance carried him through. Yit Lay So as Yingying provided solid support in the movie’s first half.
As in all good Asian horror, there are several superbly engineered scare scenes, you just can’t bet a great ghostly apparition for sheer palpable terror! The Pang brothers are skilled in using just the right amount of CGI to provide the effect required without over-playing their hand. The more subtle the creeping unknown is the more powerful the apprehension and dread becomes.
The plot of The Eye appears to come to a conclusion, but moves into an unexpected, and brilliantly executed, finale which brings together all the stories key elements, and as I mentioned earlier, ties the movie’s main thread together. It’s a beautifully told story. I’m very keen to see how David Moreau and Xavier Palud (the brilliant directors of Ils aka Them) have re-envisioned the remake starring Jessica Alba. Keep your eyes peeled, I’ll be reviewing that tomorrow.
Here's the US trailer:
Here's the infamous elevator scene in its entirety:
Its original Cantonese title is Gin Gwai (or Jian Gui in Mandarin), and it’s a HK/Thailand co-production, with additonal UK financing. But the Pang brothers work in an Asian-Euro crossover-style, which makes their movies easily digestible to a wider audience. The DVD (from Eastern Eye) edition I own has the credits in English, yet the movie’s dialogue is in Chinese and Thai (with a few lines in English).
Mun (Sin-Je "Angelica" Lee) is a young blind woman who has just received a cornea transplant from an unknown donor. The operation enables her to see for the first time in as long as she can remember. Everything seems hunky dory, Mun befriends a young tuma-suffering girl Yingying (Yit Lay So) at the hospital, and Mun’s mother and sister seem happy that she can finally be able to move forward in life entirely on her own.
But all is not good. Mun’s vision is being affected by spectres. She sees ghostly figures; some are genuinely terrifying, while others appear more mundane and peripheral. She witnesses a dark figure assisting an elderly woman from the ward, and later realises the woman had died and she was watching the woman cross to the other side.
Mun’s visions become more and more unsettling and nightmarish, with a young boy, the victim of suicide, plaguing her. Mun’s personal physician, Dr. Wah (Lawrence Chou) becomes increasingly concerned for her well-being, despite his superior, Dr. Lo (Edmund Chen) expressing doubt over her sanity. At the request of Mun’s distraught family Dr. Wah travels with Mun to Thailand to track down the cornea donor, a young woman named Ling, but not before Mun makes the startlingly discovery that the face she sees in the mirror is not her own …
They meet with Ling’s heartbroken mother (Sue Yuen Wang) who tells them of Ling’s tragic life; cursed as a village witch-girl, and after failing to save the village from a fire, Ling committed suicide. Because she has Ling’s eyes Mun is cursed with seeing dead people with issues, trapped in a limbo. But she is also “blessed” with foresight, and it this foresight which comes to an explosive head during the movie’s final ten minutes.
The Eye crackles with disquieting slow-burn ferocity. Like Ringu (1998) it builds and releases, builds a little more, then exhales again, rises further into the darkness, and finally comes full circle. The opening sequence to The Eye is also the closing sequence; it forms its own poetic sphere. The cinematography is lush, with great mise-en-scene, and excellent editing. The music is a little over-the-top, even kitsch in a few scenes, but the dramatics prevent any cheese from ruining the taste of coppery fear.
Sin-Je Lee is excellent as Mun, displaying a vulnerability and great emotional depth. I wasn’t so convinced by Lawrence Chou as the doctor, he barely looked out of his teens, but his performance carried him through. Yit Lay So as Yingying provided solid support in the movie’s first half.
As in all good Asian horror, there are several superbly engineered scare scenes, you just can’t bet a great ghostly apparition for sheer palpable terror! The Pang brothers are skilled in using just the right amount of CGI to provide the effect required without over-playing their hand. The more subtle the creeping unknown is the more powerful the apprehension and dread becomes.
The plot of The Eye appears to come to a conclusion, but moves into an unexpected, and brilliantly executed, finale which brings together all the stories key elements, and as I mentioned earlier, ties the movie’s main thread together. It’s a beautifully told story. I’m very keen to see how David Moreau and Xavier Palud (the brilliant directors of Ils aka Them) have re-envisioned the remake starring Jessica Alba. Keep your eyes peeled, I’ll be reviewing that tomorrow.
Here's the US trailer:
Here's the infamous elevator scene in its entirety:
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Comment by Jason King
Sydney Table
Salty Popcorn
Total Randomness
Comment by Damo
For the Sake of Argument
My Apologetics
The man with the half caved in face in the elevator was just chilling.
Good stuff and would see it again.
Comment by Bryn
Horrorphile
Jason, I'm a gluton for punishment ... By the way, since you loved Funny Games, you should probably check out Captivity ...
Comment by Jason King
Sydney Table
Salty Popcorn
Total Randomness
Comment by Bryn
Horrorphile