La Bête (The Beast)
February 6th 2008 04:26
“Banned for 30 years!” is always a good sign a movie is going to be either high art or deep trash. High art because it’s approach to the subject matter was years ahead of its time, or deep trash because the shocking and lurid nature of the subject matter is treated in a pretentious or, more often, unintentionally absurd fashion.
In the case of La Bête (1975) a French forest-and-mansion-bound phantasy of the most beastly indulgences, the late Polish director Walerian Borowczyk’s ludicrous tale is somewhere in between; a netherworld of turgid dressing room dramatics and animalistic lust and desire bordering on the macabre.
I saw this movie many, many years ago late one night on television! Surely it can’t have been the version I just rented, God knows that would have been considered radical programming for New Zealand, even if it was in the World Cinema slot (similar to Australia’s lenient SBS). I do remember a fair amount of the Euro bush on display, and the large bear-like animal with large erection chasing a frightened woman through the trees as more and more of her Victorian-style outfit was torn off by probing branches and the beast’s claws!
Yes La Bête is a beast all of its own. No other movie quite like it. I could argue it’s an acquired taste, but that just makes it all sound that much more lurid. Leave your sensibilities at the door would be a sensible suggestion, and keep your tongue gently probing into the side of your cheek.
The plot of the film is slight to say the least; Pierre de l’Esperance (Guy Trejan), the patriarch of a wealthy, but crumbling Aristocratic family has his spirits raised when an English heiress, Lucy Broadhurst (Lisbeth Hummel) agrees to marry his son, Mathurin (Pierre Benedetti). The young woman and her aunt Virginia (Elizabeth Kaza) travel to the French countryside to meet with the family, however several complications arise.
Whilst she explores the estate Lucy discovers a secret family history and later dreams of musical fancies, in particular the pretty countess Romilda (Sirpa Lane) abandoning her harpsichord to find a lost wee lamb, then being stalked by a large sexually-ravenous beast that first skins the lamb, then lusts after Romilda herself. Much later Lucy comes to realise that the man she is to marry might very well be the beast of her (naughty) dreams himself. Oh, the humanity!
La Bête began life as an 18-minute short filmed in 1973 and intended for the director’s ambitious erotic mélange Immoral Tales (1974). But in the end the director chose not to use it (and wisely so, for Immoral Tales is better for it). Borowczyk decided to construct a feature around the short.
Borowczyk is a nutcase who adores his music as much as he does the bottom half of the female form. His stylistics are like a perverse cross between Tinto Brass, Roman Polanski and David Lynch. He makes art films for the dirty mac brigade, and don’t we love him for it. A pretty film about bestiality, how utterly charming! So sexually contentious is this piece of Euro trash that it features the kind of images one normally sees in a hardcore sex flick; full frontal male and female nudity (alright nothing new there), but a huge erect penis and cum shots! Yes, but because they’re faked ejaculations from a hairy animal it’s considered “art”.
Still, the director doesn't suffer offended fools gladly, kicking his film off with an extended sequence of a large black stallion rogering several mares. Not only does the long schlong make several appearances, but there’s even a startling shot of the mare’s pulsating pudenda, eagerly awaiting the equine stud’s throbbing member!
I’m getting carried away here. Ahem. It’s Borowczyk, I swear. His damn films penetrate the mind like a bad feverish dream; the Lynch connection. You can’t help but return to the more outrageous, dark, and sexually-charged elements of his movies. The sumptuous colour cinematography only provokes the matter!
But in all honesty The Beast is not a good film. A strange and peculiar curiosity, oh yes. A satirical dream of animal ravishing, and amusing inter-racial (and inter-species) couplings, that suggests – like only a male European director of the 70s can – that women fantasise about being raped by bear-like beasts with enormous leaking erections until eventually the animal expires and the woman escapes with barely a scratch upon her alabaster thigh.
Yes, this movie is now available at your local Blockbuster. But, trust me, you’ve be warned! If you die of laughter, that’s not so bad I guess … But really, it’s not that funny, it’s incredibly silly, and tedious when it’s not.
Here's the original theatrical trailer in all its perverse oddity:
In the case of La Bête (1975) a French forest-and-mansion-bound phantasy of the most beastly indulgences, the late Polish director Walerian Borowczyk’s ludicrous tale is somewhere in between; a netherworld of turgid dressing room dramatics and animalistic lust and desire bordering on the macabre.
I saw this movie many, many years ago late one night on television! Surely it can’t have been the version I just rented, God knows that would have been considered radical programming for New Zealand, even if it was in the World Cinema slot (similar to Australia’s lenient SBS). I do remember a fair amount of the Euro bush on display, and the large bear-like animal with large erection chasing a frightened woman through the trees as more and more of her Victorian-style outfit was torn off by probing branches and the beast’s claws!
Yes La Bête is a beast all of its own. No other movie quite like it. I could argue it’s an acquired taste, but that just makes it all sound that much more lurid. Leave your sensibilities at the door would be a sensible suggestion, and keep your tongue gently probing into the side of your cheek.
The plot of the film is slight to say the least; Pierre de l’Esperance (Guy Trejan), the patriarch of a wealthy, but crumbling Aristocratic family has his spirits raised when an English heiress, Lucy Broadhurst (Lisbeth Hummel) agrees to marry his son, Mathurin (Pierre Benedetti). The young woman and her aunt Virginia (Elizabeth Kaza) travel to the French countryside to meet with the family, however several complications arise.
Whilst she explores the estate Lucy discovers a secret family history and later dreams of musical fancies, in particular the pretty countess Romilda (Sirpa Lane) abandoning her harpsichord to find a lost wee lamb, then being stalked by a large sexually-ravenous beast that first skins the lamb, then lusts after Romilda herself. Much later Lucy comes to realise that the man she is to marry might very well be the beast of her (naughty) dreams himself. Oh, the humanity!
La Bête began life as an 18-minute short filmed in 1973 and intended for the director’s ambitious erotic mélange Immoral Tales (1974). But in the end the director chose not to use it (and wisely so, for Immoral Tales is better for it). Borowczyk decided to construct a feature around the short.
Borowczyk is a nutcase who adores his music as much as he does the bottom half of the female form. His stylistics are like a perverse cross between Tinto Brass, Roman Polanski and David Lynch. He makes art films for the dirty mac brigade, and don’t we love him for it. A pretty film about bestiality, how utterly charming! So sexually contentious is this piece of Euro trash that it features the kind of images one normally sees in a hardcore sex flick; full frontal male and female nudity (alright nothing new there), but a huge erect penis and cum shots! Yes, but because they’re faked ejaculations from a hairy animal it’s considered “art”.
Still, the director doesn't suffer offended fools gladly, kicking his film off with an extended sequence of a large black stallion rogering several mares. Not only does the long schlong make several appearances, but there’s even a startling shot of the mare’s pulsating pudenda, eagerly awaiting the equine stud’s throbbing member!
I’m getting carried away here. Ahem. It’s Borowczyk, I swear. His damn films penetrate the mind like a bad feverish dream; the Lynch connection. You can’t help but return to the more outrageous, dark, and sexually-charged elements of his movies. The sumptuous colour cinematography only provokes the matter!
But in all honesty The Beast is not a good film. A strange and peculiar curiosity, oh yes. A satirical dream of animal ravishing, and amusing inter-racial (and inter-species) couplings, that suggests – like only a male European director of the 70s can – that women fantasise about being raped by bear-like beasts with enormous leaking erections until eventually the animal expires and the woman escapes with barely a scratch upon her alabaster thigh.
Yes, this movie is now available at your local Blockbuster. But, trust me, you’ve be warned! If you die of laughter, that’s not so bad I guess … But really, it’s not that funny, it’s incredibly silly, and tedious when it’s not.
Here's the original theatrical trailer in all its perverse oddity:
| 121 |
| Vote |
Subscribe to this blog

























Comment by Damo
For the Sake of Argument
My Apologetics
I see endless sessions of therapy to get over it.
I shall take you advice and pass it up.
Comment by Michaelie
Flick Wit
Michaelie
Comment by Cibbuano
20/20 Filmsight
Science News
Hunt Famous
Orble Post of the Day
Fat Cult
Techbreak
Your post brings back memories... I think I've seen Immoral Tales when I was quite young! Did it have a short about a young woman that gets seduced by the devil?
Comment by Bryn
Horrorphile
Michaelie, "strangely disappointed", yes, I quite agree, that's kind of what I felt. The production values in some areas are excellent, the location shooting, production design, the mood control, Borowczyk is certainly a talented director, although this is not his best work. I think the satrical edge was blunted by the movie's structure and intent (ie the less than compelling story around the original set-piece). His Immoral Tales is a more accomplished film (and more erotic). However his dark, perverse take on the Jekyll and Hyde story (Dr. Jekyll and his Women, 1981) is the movie I'm very much looking foward to watching; a very hard film to find, very controversial, and I found a copy, which I'll review in weeks to come ...
Cibby, of course you would ... Not sure about the woman being seduced by the devil, but SBS has no doubt played it. Four stories including one where a young woman locked in her bedroom enjoys the delights of a large cucumber!! And one which stars Pablo Picasso's daughter Paloma as the infamous Elizabeth Bathory ...
Comment by KylieW
Celebrity Obsession
Comment by Bryn
Horrorphile
Comment by Cibbuano
20/20 Filmsight
Science News
Hunt Famous
Orble Post of the Day
Fat Cult
Techbreak
You know I'm going to find it though.
I'm almost certain that I've seen the part about Elizabeth Bathory, though.
Comment by Bryn
Horrorphile
Comment by Ryan T.
Comment by Bryn
Horrorphile
the difference in running time is actually to do with the PAL vs. NTSC variable. NZ runs on the PAL system, which means running time is slightly longer.
Comment by Ryan T.
Comment by Bryn
Horrorphile
American VCR and DVD players operate on a different frames per second rate. The US system is called NTSC, the version which we have in Australia (and also in the UK) is known as PAL. They are not mutually compatible. Thus NTSC has a shorter running time, even though the movie itself has not been edited. Hope that makes sense.
Comment by Ryan T.
Comment by Bryn
Horrorphile