Sweeney Todd: The Demon Barber of Fleet Street
January 9th 2008 00:16
Now my friends, let’s get somethin’ straight. I don’t like musicals. Never have, never will. I can tolerate the odd one, if the mood and atmosphere is right, perhaps a song or two tickles me fancy, but generally, if a movie’s a musical you won’t find me ‘avin’ a butcher’s hook …
But, there are exceptions to the rule, and this ‘ere is one of ‘em: Sweeney Todd: The Demon Barber of Fleet Street (2007). Directed by Tim Burton and starring Johnny Depp. Well, well, well, who would’ve thought? It works a damn bloody treat, goes straight for the jugular, if you’ll pardon the pun.
As legend would ‘ave it Sweeney Todd was once a man called Benjamin Barker, a masterful barber in ol’ London town, with a beautiful wife and wee baby girl. But nasty Judge Turpin had his sights set on the bonny lass, and with his unctuous henchman Bamford he shipped Barker off to an Antipodean penal colony on a trumped-up charge, in order to steal his wife Lucy.
Barker serves fifteen long ‘ard years. But he’s set on revenge. He escapes and returns to England a dark and dangerous and changed man. He is Sweeney Todd … the demon barber of Fleet Street. With the help of his old landlord Mrs. Lovett, the pie-maker who lived below his salon, he exacts his sweet bloody revenge, with the help of his trusty razor-bladed friends.
But madness lurks not far from sight in the filthy shadows and the sewer shite. Sweeney Todd is obsessed by his hatred and it consumes his soul. Will he ever get back what was stolen from him?
Some say Sweeny Todd really existed, that he murdered around 160 people in 18th century London. But most likely he’s the creation of Thomas Peckett Prest who wrote of him in a story published in 1846. He’d slit the customer’s throats (but only if they had no relatives) while they sat in his barber’s chair, then send their bodies down a chute into the cellar where they were chopped up and used as filling in meat pies by his accomplice, a widowed baker.
The story was adapted into a play titled The Demon Barber of Fleet Street shortly after. The cult of personality that was Sweeney Todd began to rival real-life serial killer Jack the Ripper. Playwright Christopher Bond turned the story into a far more elaborate stage play in 1973, adding the Barker/Turpin revenge plot. Then in 1979, using the play as a template, legendary composer and lyricist Stephen Sondheim with Hugh Wheeler brought the story to a wider audience as a stage musical.
Although the story has been produced for film and television nearly ten times since 1926, finally, the piercing high notes and dark dulcet tones of Sweeney Todd make it to the big screen in fully dramatic form, captured sensationally by Tim Burton. Watching the movie one realises Burton is the perfect choice, even if he, like my good self, is not a fan of musicals.
I’m not familiar with the Sondheim version. Apparently screenwriter John Logan has sliced away a large portion of the musical, paring it back to focus on the triangle of Sweeney Todd, Mrs. Lovett and young Toby, the orphan whom is befriended by Sweeney Todd. There are, in fact, two love stories at work; the unrequited affections Lovett has for Todd, and the blossoming romance between young Anthony, the sailor who rescued Sweeney from the sea, and Todd’s teenage daughter Johanna. However these are now sub-plots.
Tim Burton has achieved some stunning work. With Dante Ferretti’s extraordinary production design (the film has been shot on mostly huge sets, with minimal green screen work) and the brooding, yet striking cinematography and camerawork by Darius Wolski, the movie is undeniably a "Tim Burton" movie. This is Johnny Depp’s sixth movie with Burton, and possibly his finest performance yet in a Burton film (second only to Ed Wood). What is clearly astounding is how good a singer Depp is! The song My Friends, which Helena Bonham Carter accompanies him, is almost worth the price of admission alone. A slightly odd recommendation I know, but I found it utterly captivating.
The movie flaunts a strong English cast consisting of Helena Bonham Carter, Alan Rickman, Timothy Spall, and Sacha Baron Cohen as the flamboyantly hilarious Italian rival barber Pirelli, also newcomers Jamie Campbell Bower, Jane Wisener, Laura Michelle Kelly and young Ed Sanders. But it is Depp who shines, adding yet another notch to his exceptional career belt.
In gleeful fashion director Burton doesn’t shy from the bloodletting which is part and parcel to the story. We see every throat slit in glorious detail, and a fine job too, I couldn’t tell if it was a superb prosthetic job, or careful CGI work. Curiously the colour of the blood has been adjusted to a less realistic hue (brighter, more scarlet), reminding me of early Dario Argento movies, no doubt to appease American censors who act adversely to dark, realistic-looking blood. Still it’s a violent and macabre movie, and definitely not one for the kids, even if the characters do break out into charming song every five minutes.
To be truthful I’m not a huge fan of Tim Burton’s movies. I like several of his earlier movies, but most of them grate on me. He is an acquired taste, to be sure. But I rate Sweeney Todd as one of his best. It’s perhaps a little long, but that’s a minor gripe. Sweeney Todd is a fascinating hybrid; a slasher musical that gleams in the dark. It’s blackly funny too. I take my top hat off to Burton. Well done ol’ chap, bravo!
Here is the theatrical trailer:
Here is an excerpt of My Friends in an unusually high-res clip:
But, there are exceptions to the rule, and this ‘ere is one of ‘em: Sweeney Todd: The Demon Barber of Fleet Street (2007). Directed by Tim Burton and starring Johnny Depp. Well, well, well, who would’ve thought? It works a damn bloody treat, goes straight for the jugular, if you’ll pardon the pun.
As legend would ‘ave it Sweeney Todd was once a man called Benjamin Barker, a masterful barber in ol’ London town, with a beautiful wife and wee baby girl. But nasty Judge Turpin had his sights set on the bonny lass, and with his unctuous henchman Bamford he shipped Barker off to an Antipodean penal colony on a trumped-up charge, in order to steal his wife Lucy.
Barker serves fifteen long ‘ard years. But he’s set on revenge. He escapes and returns to England a dark and dangerous and changed man. He is Sweeney Todd … the demon barber of Fleet Street. With the help of his old landlord Mrs. Lovett, the pie-maker who lived below his salon, he exacts his sweet bloody revenge, with the help of his trusty razor-bladed friends.
But madness lurks not far from sight in the filthy shadows and the sewer shite. Sweeney Todd is obsessed by his hatred and it consumes his soul. Will he ever get back what was stolen from him?
Some say Sweeny Todd really existed, that he murdered around 160 people in 18th century London. But most likely he’s the creation of Thomas Peckett Prest who wrote of him in a story published in 1846. He’d slit the customer’s throats (but only if they had no relatives) while they sat in his barber’s chair, then send their bodies down a chute into the cellar where they were chopped up and used as filling in meat pies by his accomplice, a widowed baker.
The story was adapted into a play titled The Demon Barber of Fleet Street shortly after. The cult of personality that was Sweeney Todd began to rival real-life serial killer Jack the Ripper. Playwright Christopher Bond turned the story into a far more elaborate stage play in 1973, adding the Barker/Turpin revenge plot. Then in 1979, using the play as a template, legendary composer and lyricist Stephen Sondheim with Hugh Wheeler brought the story to a wider audience as a stage musical.
Although the story has been produced for film and television nearly ten times since 1926, finally, the piercing high notes and dark dulcet tones of Sweeney Todd make it to the big screen in fully dramatic form, captured sensationally by Tim Burton. Watching the movie one realises Burton is the perfect choice, even if he, like my good self, is not a fan of musicals.
I’m not familiar with the Sondheim version. Apparently screenwriter John Logan has sliced away a large portion of the musical, paring it back to focus on the triangle of Sweeney Todd, Mrs. Lovett and young Toby, the orphan whom is befriended by Sweeney Todd. There are, in fact, two love stories at work; the unrequited affections Lovett has for Todd, and the blossoming romance between young Anthony, the sailor who rescued Sweeney from the sea, and Todd’s teenage daughter Johanna. However these are now sub-plots.
Tim Burton has achieved some stunning work. With Dante Ferretti’s extraordinary production design (the film has been shot on mostly huge sets, with minimal green screen work) and the brooding, yet striking cinematography and camerawork by Darius Wolski, the movie is undeniably a "Tim Burton" movie. This is Johnny Depp’s sixth movie with Burton, and possibly his finest performance yet in a Burton film (second only to Ed Wood). What is clearly astounding is how good a singer Depp is! The song My Friends, which Helena Bonham Carter accompanies him, is almost worth the price of admission alone. A slightly odd recommendation I know, but I found it utterly captivating.
The movie flaunts a strong English cast consisting of Helena Bonham Carter, Alan Rickman, Timothy Spall, and Sacha Baron Cohen as the flamboyantly hilarious Italian rival barber Pirelli, also newcomers Jamie Campbell Bower, Jane Wisener, Laura Michelle Kelly and young Ed Sanders. But it is Depp who shines, adding yet another notch to his exceptional career belt.
In gleeful fashion director Burton doesn’t shy from the bloodletting which is part and parcel to the story. We see every throat slit in glorious detail, and a fine job too, I couldn’t tell if it was a superb prosthetic job, or careful CGI work. Curiously the colour of the blood has been adjusted to a less realistic hue (brighter, more scarlet), reminding me of early Dario Argento movies, no doubt to appease American censors who act adversely to dark, realistic-looking blood. Still it’s a violent and macabre movie, and definitely not one for the kids, even if the characters do break out into charming song every five minutes.
To be truthful I’m not a huge fan of Tim Burton’s movies. I like several of his earlier movies, but most of them grate on me. He is an acquired taste, to be sure. But I rate Sweeney Todd as one of his best. It’s perhaps a little long, but that’s a minor gripe. Sweeney Todd is a fascinating hybrid; a slasher musical that gleams in the dark. It’s blackly funny too. I take my top hat off to Burton. Well done ol’ chap, bravo!
Here is the theatrical trailer:
Here is an excerpt of My Friends in an unusually high-res clip:
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Comment by Damo
For the Sake of Argument
My Apologetics
However Burton did a good job with The Nightmare Before Christmas.
Planet of the Apes? Hmmm....Very down market.
Comment by Cibbuano
20/20 Filmsight
Science News
Hunt Famous
Orble Post of the Day
Fat Cult
Techbreak
Comment by Bryn
Horrorphile
Cibby, yeah, next week ... relish it like Mrs. Lovett's tasty meat pies! Mmmmmmm!
Comment by Wayne F
Bucket Movies
I salute Burton's attempt to do a horror musical I think it's a great idea. I'm a big fan of this movies and it's going to be interesting to see his touch when he films the live-action version of Alice in Wonderland.
Comment by Michaelie
Flick Wit
Great post, Bryn.
Michaelie
Comment by Tracy
Movies and Life
I've been waiting for this one. How did you wangle seeing it early?
Tracy
Comment by JohnDoe
Film & TV on DVD
Comment by Bryn
Horrorphile
Tracy, I've been a film critic for fifteen years, so I get invited to media screenings (although I still seem to miss many of them)
Comment by Anonymous
Comment by Anonymous
Comment by Tracy
Movies and Life
Comment by Bryn
Horrorphile
Comment by Anonymous
Comment by Bryn
Horrorphile
check out my post on "50 horror movies you should see before you DIE!" which is listed in the Spotlight Post column on the left of my blog below Categories ...
You can also check out my Orble profile (click on my name "Bryn" found at the very bottom of my blog) where I list my top twenty favourite horror movies ... That should give you a little something to chew on ...
Comment by D. Armenta
The Florida Keys and Everglades
The Black Sheep Chronicles
What constitutes bad manners?
The male mystique
Debate Fan
L.A.M.P.
P.S.-Funny thing about Depp for me; I liked him way back before it was cool to like him, and that was because I saw him in Ed Wood. Now that everyone's on the Depp bandwagon, I wantto stop liking him, but then he comes out with a great one like this!
Comment by Bryn
Horrorphile
Comment by D. Armenta
The Florida Keys and Everglades
The Black Sheep Chronicles
What constitutes bad manners?
The male mystique
Debate Fan
L.A.M.P.
Cooooooooolllll!!!!!! I'll be watching you and JD for reviews...
Comment by Bryn
Horrorphile
Comment by JohnDoe
Film & TV on DVD
Comment by Anonymous
Comment by Bryn
Horrorphile