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“Night brings terror. Strange, alien forms move restlessly across the face of the earth. Fear, horror and death follow in their wake. The sky is dark; the moon has not yet risen; the stars seem too frightened to shine ..." --- Drake Douglas (introduction to Horrors)

STRANGE DARK DREAMS

April 16th 2008 05:23
The Holy Mountain
Pulling inspiration from John Doe’s superb review of David Lynch’s seminal Blue Velvet, and stirred on by the excellent analysis of Alejandro Jodorowsky’s infamous El Topo by The All Seeing Eye, I found myself swimming in the turbulent and troubling deep waters of cinema’s darker, weirder moments. What were the strangest?

There were only two directors groping and pulling me down into that whirlpool and into the abyss; Jodorowsky and Lynch.

I’ve seen all of David Lynch’s features. He’s consistently the most intriguing fabricator of cinematic spectres in North American cinema. Martin Scorsese may be the verbose visceralist, Jim Jarmusch the minimal artiste, the Coen brothers the wry humourists, but David Lynch is the dark dreamer, the nightmare conjuror par excellence.

And from just below the border, is the filmmaker who has dabbled so gloriously with the surreal; loco Mexican Jodorowsky. I’ve seen three of the four features he’s delivered and they are about as enigmatic and grotesque and brilliant as cinema can get.

So here are seven movies that are guaranteed to fuck your mind right up, and one sentence each to describe their ingenious madness.

ALEJANDRO JODOROWSKY
El Topo
1. El Topo (1971)
The gunfighter El Topo (The Mole) and his young son ride through a desert on a mission to find and defeat four master gunmen, while two mysterious women attempt to thwart his quest, and religion and violence collide.

2. The Holy Mountain (1973)
A Christ-like figure wanders through grotesque scenarios filled with religious and sacrilegious imagery, where he meets a mystical guide who introduces him to seven wealthy and powerful individuals, each representing a planet in the solar system.

Santa Sangre
3. Santa Sangre (1989)
A young man, confined in a mental hospital, experiences flashbacks showing him being traumatised in the family circus by his philandering knife-wielding father, and his religious fanatic of a mother.

DAVID LYNCH
Eraserhead
1. Eraserhead (1976)
Henry Spencer tries to survive his industrial environment, his frustrated girlfriend, her loony parents, his seductive neighbour, and the unbearable screams of his newly-born mutant child.
Lost Highway
2. Lost Highway (1997)
A free-jazz saxophonist is framed for the murder of his wife and sent to prison, where he inexplicably morphs into a young mechanic and begins leading a new, but very precarious existence.
Mulholland Dr.
3. Mulholland Dr. (2001)
After a car-wreck on the winding Mulholland Drive renders a woman amnesic, she and an earnest Hollywood-hopeful search for clues and answers across Los Angeles in a series of mis-adventures which twist darker and darker.

4. Inland Empire (2006)
An actor’s perception of reality becomes increasingly distorted and fearsome as she finds herself falling for her co-star in a remake of an unfinished Polish production that was supposedly cursed.

Of course there are other movies which defy logical description, coherent synopsis, or any kind of rational explanation. But anyone who truly loves the dark dream-fabric potency of cinema keeps coming back to these mutant babies.


Thanks to Internet Movie Database for the plot outline blurbs some of which I re-shaped.

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Comments
11 Comments. [ Add A Comment ]

Comment by Cheryl J

April 16th 2008 09:07
Mutant babies, what a perfect description!

Comment by Damo

April 16th 2008 10:51
I was just thinking the other day that we just don't get enough movies with mutant babies.

Comment by JohnDoe

April 16th 2008 10:56
Another fine list you fanged fiend, I love em all..(No surprise there I'm sure)...lets throw a bit of Werner Herzog in, a dash of Jacob's Ladder and a splash of Cronenberg to make the broth complete.

Comment by Bryn

April 17th 2008 06:54
Mutant babies, yum, yum ...

JD, well, if you're gonna add Jacob's Ladder, then why not Donnie Darko ...

Cronenberg and Herzog generally follow more conventional narratives, albeit the subject matter is fucked up ... whereas the movie's I've selected actually break conventional narrative rules ...

Comment by KylieW

April 17th 2008 07:31
Oh I do love a list! Some definite strange ones in there!

Comment by JohnDoe

April 17th 2008 07:40
Hi Bryn,

I was actually think of Cronenberg's Naked Lunch and Herzog's more experimental works...but hey it's all quality dreams/nightmares to me.

Donnie could have gone in the stew, but i felt we already had enough meat and veges to make an appetizing meal

Comment by Bryn

April 17th 2008 22:42
JD, Naked Lunch, of course, how could I miss that one! Imagine if Cronenberg had attempted to film the novel as it is!!! And yes, Herzog has done exerimental work, another amiss ... How embarrassing!

Comment by Mountain Fog

April 18th 2008 05:41
Eraserhead takes the cake for me!

However, having seen Repulsion, at the age of 12, that was one hell of an experience!

Oh, and I agree, Naked Lunch..

cheers

fog

Comment by Bryn

April 20th 2008 08:18
There is nothing like Eraserhead ... and never will be.

Comment by D. Armenta

April 28th 2008 22:56
Whew, Eraserhead..never forget that one, ever ever. Blue Velvet, ditto.

Not because there are severed ears in common, but I found that odd scene in Reservoir Dogs ( with the cheery Stealer's Wheel tune "Stuck in the Middle with You" adding an extra bizarre feel) in this category--at least that scene.

I also seem to recall a weird little movie in the 80s--was it "Toxic Avenger'? Been too long........

Anything based on Kafka's work is bound to be a mindfuck, haha!


Comment by Bryn

April 29th 2008 00:54
Armenta, yeah Troma's first feature was The Toxic Avenger, a twisted little flick that was.

Have you heard of Steven Soderbergh's Kafka? It was the feature he made directly after sex, lies and videotape, starring Jeremy Irons, but it wasn't distributed properly and sunk without a trace.

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