Shadow Of The Vampire
June 18th 2009 00:59
Legend has it that German Expressionist director F.W. Murnau made a Faustian pact with his star Max Schreck whilst filming one of the greatest vampire tales of all-time: Nosferatu: A Symphony of Horror (1922). If we’re to believe the events of Shadow of the Vampire (2000), Schreck was a real vampire whom Murnau believed would infuse his motion picture with an unprecedented level of authenticity and provide its silver (nitrate) lining with a supernatural kudos. In return Schreck would get the neck of his female star Greta … for real.
Director E. Elias Merhige, who made the extraordinary and otherworldly avant garde Begotten (1990) dispatches any overt surrealist touches, in favour of a more conventional style of narrative. However he elicits superbly stylized performances from the entire cast; John Malkovich revels in his usual histrionics, but brings to megalomaniacal life the role of Murnau, a tortured and driven cineaste artiste, but it is Willem Dafoe as Schreck who not only captures the role of Graf Orlock with effortlessness, but as Schreck he brings the man (rather ironically) creepily and passionately alive.
Eddie Izzard and Catherine McCormack are both excellent as the intense Gustav and arrogant lush Greta respectively, Cary Elwes is surprisingly endearing as replacement cinematographer Wagner, and cult favourite Udo Kier adds his own distinct Bavarian flavour as anxious producer Grau. It’s a perfectly cast movie.
The screenplay by Steven Katz (the working title was Burned To Light) is a delicate, hazy portrait of desperation and obsession. Just who is the real monster here; Schreck or Murnau? Certainly Schreck is portrayed as a truly grotesque character that has only one thing on his mind: the luscious swan neck of Greta, although several other crew members fall foul of his bloodlust alolng the way, most notably the movie’s first director of photography Muller (Ronan Vibert). There is the blackest sense of humour lying just below the surface, dark as midnight on a moonless night.
Of course if you’ve seen Nosferatu this dramatisation of the making of that movie will no doubt be all the more fascinating. Murnau wanted to make Bram Stoker’s brilliant novel Dracula, but the Stoker estate refused him permission, so he simply changed the name of the vampire to Graf (Count) Orlock and the movie title to Nosferatu (phantom of the night). If you’re not familiar with either Nosferatu or the tale of Dracula (what rock have you been living under?!), Shadow of the Vampire will still entertain indeed. It’s swiftly-paced and has delightful moments of floating menace and richly-etched characterisations.
Nicolas Cage was co-producer, and I couldn’t help wondering if he’d imagined himself playing Murnau (no doubt he’d have relished playing over-the-top just as Malkovich does, but Malkovich has that nasty edge Cage simply doesn’t possess). Apparently Dafoe was always first choice to play Schreck, and he was nominated for a Supporting Actor Academy Award for his amazing performance. The movie was also nominated for Best Make-Up. It was nominated for and won numerous other international awards.
The Region 4 DVD transfer was of grainy low-quality, but there are plenty of extras to get your teeth into. It would make a great double feature with Nosferatu itself. Perhaps even make it a triple with Coppola’s theatrically-stylised attempt at the novel Bram Stoker’s Dracula (2002). Rather curiously Elwes stars in both Shadow and Dracula, and Kier starred as the Count in Jess Franco’s Dracula Cerca Sangue Di Vergine ... E Morì Di Sete!!! (1974) and as a vampire in Blade (1998).
Here is the trailer:
Shadow Of The Vampire DVD is courtesy of Madman Entertainment, many thanks!
Director E. Elias Merhige, who made the extraordinary and otherworldly avant garde Begotten (1990) dispatches any overt surrealist touches, in favour of a more conventional style of narrative. However he elicits superbly stylized performances from the entire cast; John Malkovich revels in his usual histrionics, but brings to megalomaniacal life the role of Murnau, a tortured and driven cineaste artiste, but it is Willem Dafoe as Schreck who not only captures the role of Graf Orlock with effortlessness, but as Schreck he brings the man (rather ironically) creepily and passionately alive.
Eddie Izzard and Catherine McCormack are both excellent as the intense Gustav and arrogant lush Greta respectively, Cary Elwes is surprisingly endearing as replacement cinematographer Wagner, and cult favourite Udo Kier adds his own distinct Bavarian flavour as anxious producer Grau. It’s a perfectly cast movie.
The screenplay by Steven Katz (the working title was Burned To Light) is a delicate, hazy portrait of desperation and obsession. Just who is the real monster here; Schreck or Murnau? Certainly Schreck is portrayed as a truly grotesque character that has only one thing on his mind: the luscious swan neck of Greta, although several other crew members fall foul of his bloodlust alolng the way, most notably the movie’s first director of photography Muller (Ronan Vibert). There is the blackest sense of humour lying just below the surface, dark as midnight on a moonless night.
Of course if you’ve seen Nosferatu this dramatisation of the making of that movie will no doubt be all the more fascinating. Murnau wanted to make Bram Stoker’s brilliant novel Dracula, but the Stoker estate refused him permission, so he simply changed the name of the vampire to Graf (Count) Orlock and the movie title to Nosferatu (phantom of the night). If you’re not familiar with either Nosferatu or the tale of Dracula (what rock have you been living under?!), Shadow of the Vampire will still entertain indeed. It’s swiftly-paced and has delightful moments of floating menace and richly-etched characterisations.
Nicolas Cage was co-producer, and I couldn’t help wondering if he’d imagined himself playing Murnau (no doubt he’d have relished playing over-the-top just as Malkovich does, but Malkovich has that nasty edge Cage simply doesn’t possess). Apparently Dafoe was always first choice to play Schreck, and he was nominated for a Supporting Actor Academy Award for his amazing performance. The movie was also nominated for Best Make-Up. It was nominated for and won numerous other international awards.
The Region 4 DVD transfer was of grainy low-quality, but there are plenty of extras to get your teeth into. It would make a great double feature with Nosferatu itself. Perhaps even make it a triple with Coppola’s theatrically-stylised attempt at the novel Bram Stoker’s Dracula (2002). Rather curiously Elwes stars in both Shadow and Dracula, and Kier starred as the Count in Jess Franco’s Dracula Cerca Sangue Di Vergine ... E Morì Di Sete!!! (1974) and as a vampire in Blade (1998).
Here is the trailer:
Shadow Of The Vampire DVD is courtesy of Madman Entertainment, many thanks!
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Comment by Natalina
My Life My Muse
Beta Girl Blog
I would be content to watch Willem Dafoe read a Farmer's Almanac, as he is one of the greatest actors and personalities ever. He MADE this movie.
Strangely, many of the people to whom I have recommended this flick didn't like it. I can't understand why.
Comment by Damo
This film I saw come through before Copella's flick and I was a bit reluctant to see it.
I wish I had have taken the time to see this. It looks rustic and haunting at the same time.
Comment by Bryn
Horrorphile
Comment by Bryn
Horrorphile
Comment by Natalina
My Life My Muse
Beta Girl Blog
Here's that sketch from SNL. You'll appreciate it! "When I was a child, we used to suck on pennies. And it was a delight." Too funny!
Comment by Bryn
Horrorphile
That SNL clip is refusing to upload ... grrr!
You'd love Sheltering Sky! That settles it, I'm gonna have to get a copy to review (I should've a long time ago!).
Comment by Natalina
My Life My Muse
Beta Girl Blog
Hmmm. I though NBC vids were viewable in Australia. Here's the link.
Really Long Link
Comment by JohnDoe
Film & TV on DVD
Comment by Bryn
Horrorphile