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“Monsters do exist; in us and among us. They walk in our shadow. They can prey on us more as we fear them less. We should know. We created them.” --- George A. Romero

THE GOREGASM TEST

October 12th 2007 05:05
blood
You might have heard of the G-Spot. There are in fact two. One is of a sexual nature, pertaining to an elusive, erotically-charged and deeply sensitive part of the female anatomy. The other is a level of almost perverse appreciation for the darkest of cinema taboo treats: the Gore Spot.

When this gore spot is reached, the gratification one experiences from the psychological state of understanding the visual and aural levels of intense uber-violence and physical destruction can be described as a goregasm.

Have you experienced a goregasm?

It’s a short test. Here’s how to find out.

barometer
Each question is followed by several answer options. Choose the option that best describes your own sensibilities or an experience you’ve had. Each option is allocated a mark. Tally up the marks which are hidden below the questions to reach a total score. That total score is your g-stain. If your g-stain is 69 or over then you’ve experienced a goregasm. Hell, you might not even know you'd had one!

1. While watching Ruggero Deodato’s Cannibal Holocaust (1980) with several mates …
a) … you interject with remarks of disgust every time an animal is treated cruelly or killed on-screen.
b) … you gasp in genuine horror at the sight of the native woman impaled on the large stick.
c) … you wince in mock pain, but continue to watch, during the castration scene of the American man.

2. Whenever the topic of conversation at a dinner party turns to horror movies …
a) … you immediately blurt out that your favourite director is George Romero.
b) … you openly admit that find yourself strangely aroused during the lawnmower zombie carnage in Braindead (1991).
c) … you complain bitterly about the savage butchering of many of the Golden Age of modern horror movies.

Alien chestburster
3. On your birthday your best friend suddenly announces that they think the infant alien bursting from Kane’s stomach in Alien (1979) is more effective and more horrifying than the scene in The Thing (1982) where Norris’s chest cavity opens up, etc and he turns into a thing. You reply by saying …
a) … “You’re only saying that because of the genuinely alarmed expressions of the actors.”
b) …“Carlo Rambaldi had his blood down pat, I’ll give him that, but Rob Bottin’s alien gore ate Alien for breakfast!”
c) … “I can’t decide. They are both equally brilliant. How can even think of comparing them?!”

4. You feel Halloween (1978) is probably one of the five greatest horror movies ever made. Yet it features no graphic bloodletting. You query this by thinking …
a) … Michael Myers is beyond graphic violence. He is Horror Nirvana; a state of perpetual intent without need for detailed illustration.
b) … John Carpenter maintains a sense of implied ultra-violence throughout the entire movie with the score and camerawork, few directors could come close to this.
c) … John Carpenter didn’t have the budget for elaborate special effects make-up, so rather then attempt something which would’ve looked dodgy, he opted for atmosphere and tension.

5. Whilst scanning the shelves of the local video store you notice with concern that there are a lot of straight-to-DVD horror titles these days, many of which you later discover have been made on a shoestring budget and are utter crap. You start to ponder …
a) … if you could get away with making a snuff movie and passing it off as a post-modern reality TV show gone horribly awry.
b) … will there ever be another Lucio Fulci?
c) … just how important to the consumer is the label “unrated”, and how pissed off you are that an “unrated” version of My Bloody Valentine (1981) may never surface.

Tom Savini with some of his handiwork
6. You champion the special effects make-up of Tom Savini because …
a) … he’s the only make-up wizard who’s been able to achieve an arm amputation with such realism (Day of the Dead, 1985)
b) … he was a combat photographer in Vietnam, if anyone can get gore right, Savini can, and did.
c) … he’s the King of Prosthetics, and no CGI will ever replace his legendary work.

7. You’re given the opportunity to program a grindhouse drive-in double feature. Your selection is …
a) Land of the Dead (unrated, 2005) & La Terza Madre (unrated, 2007)
b) The Return of the Living Dead (1985) & The Amityville Horror (1979)
c) H.P. Lovecraft’s Re-Animator (1985) & The Evil Dead (1982)


ANSWER MARKS BELOW (highlight):
1. a) 3 b) 9 c) 5
2. a) 9 b) 13 c) 8
3. a) 6 b) 4 c) 8
4. a) 3 b) 6 c) 11
5. a) 9 b) 7 c) 13
6. a) 8 b) 6 c) 4
7. a) 13 b) 4 c) 9


G-STAIN SCORE:
33 … HORROR BAMBI - You’re a gore charlatan. You prefer gags than guts. Don’t waste your time in the Darkness.
34 – 52 … BLOOD HUNTER - You like the smell of copper in the morning. It smells of victory. But you’re not sure about having intestines wrapped around your feet.
53 – 68 … VISCERAL FREAK - No pain, no gain. For you torture porn is the new black. Keepin’ it visceral is keepin’ it real.
69 – 75 … GOREHOUND - You’ve reached the Gore Spot! Can you feel the goregasm?

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Black Sheep movie poster
It’s always a bonus when you know the director of a movie as a friend or acquaintance. It means you can squeeze some juicy anecdotes and behind-the-scenes info, and even some exclusive pics!

With the New Zealand horror fauna flick Black Sheep digging gory hooves and bleating all manner of bloody chaos around the world I threw some questions at its first time feature writer/director Jonathan King, who lives in my old stomping ground, windy Wellington.

Horrorphile: How did Black Sheep first come about? What enabled you to get the financing for it?

Jonathan King
Jonty King: The idea for Black Sheep really just popped into my head one day: “New Zealand”, “horror movie”, “sheep”. As soon as I put those elements together I realised I had something -- and I know what kind of film it had to be: scary and funny. Then, as I thought about it some more, everything else just bubbled up from within the idea; Why are the sheep going bad? Because of genetic engineering. That gave me the greenie characters and a lot more humour. The last piece of the puzzle was who is the main character? Someone who was afraid of sheep was the perfect person for that!

Financiers responded immediately to the pitch. Internationally people knew about New Zealand's connection with sheep and saw it as a fresh horror idea. Here, the New Zealand Film Commission thought it was a good script and supported it from the first draft. Our challenge was to make sure the script delivered the kind of movie you'd hope to see when you heard the idea.

H: Have you always been interested in horror movies? If so, what horror movies and directors do you admire?

JK: The Evil Dead and Dawn of the Dead were seminal horror movie experiences for me. Later An American Werewolf in London, which had a big affect on the tone of this. Jaws and The Birds are films that played into it as well. My formative movie-going experiences were with films that transported me to another time or place: Star Wars, later Brazil. Going back to older films: Cat People, The Haunting, Citizen Kane, these were films that had a real effect on me.
Black Sheep mid-transformation

H: Black Sheep's combination of horror and comedy is very reminiscent of Peter Jackson’s early films, in particular Bad Taste and Braindead. What influence did Jackson and these movies have on you?

JK: I was influenced by Braindead and Bad Taste. But, more than just the films themselves, I was really influenced by the fact that someone made films like that in New Zealand, in the city where I live. Also how he made Bad Taste - for no money, in the weekends - was a great inspiration to keep going when I was learning how to be a filmmaker: if he could do it like that, then I could too, if I had to (in the end I didn't have to).

H: They say working with children and animals can be a nightmare. How difficult was it working with real sheep? Were there sheep wranglers, or even sheep whisperers on location?

JK: Yeah, it was a bit of a nightmare! We had amazing sheep wranglers, but there is a limit to what sheep will do. There's a lot of footage on the cutting room floor of sheep running in the wrong direction, stopping for a bit of grass or looking generally kind of lame.

H: What festivals has it played at? Has it scooped any awards?

JK: We had our world premiere at the Toronto Film Festival in the Midnight Madness section. Since then it's played in fantastic film festivals in Spain, France, Belgium and the Netherlands, South by Southwest in Austin Texas, and Tribeca in New York. I've just been to FrightFest in London. The film won the Audience Prize and the Jury Prize at the Gerardmer Fantastic Film Festival in France and the Silver Raven at the Brussels International Fantastic Film Festival.

H: How much of the film’s budget was set aside for SFX? Was this the most expensive part of the movie?

JK: I guess proportionally it was ... it all adds up! Just being on the land was expensive and difficult.

H: When you were writing the screenplay did you consciously think “I want to make a cult movie, what elements do I need to put into it to assure this kind of status”?

JK: No, definitely not. I had a fun, distinctive idea. I just wanted to make the best version of that idea that I could. Its strange or distinctive nature was what helped get it made. I didn't want to bland it out, but nor did I put stuff in just to be “culty” or weird.
Black Sheep killer ram

H: At the screening I was at, several people walked out, presumably they couldn’t stomach the movie’s outrageous splatstick. What do you say to that?

JK: Pussies! I wonder what they were expecting …?

H: Would you ever make a straight horror movie? Or would you prefer to move into another genre entirely?

JK: I want to keep making fantastic films. I doubt I'll go and do a straight romance or kitchen-sink drama. I would love to make a scarier film than Black Sheep was, but I'm not sure I'll ever do a completely straight horror film, I want to elevate or twist it in some way. All comes down to the story, really …

H: Will there by an unrated shearer’s, er sorry, director’s cut for the DVD market?

JK: DVD will have Making Of, Deleted Scenes, Bloopers and, hopefully, some cool Weta concept art ... but, no, the cut is the cut!

H: You’ve co-penned another horror, The Tattooist. What else do you have on the horizon? Black Sheep 2: Killer Lambs, or Ram’s Revenge, perhaps?

JK: The Tattooist is out in NZ now. Not all of our work made it to the screen. I hope it does well, but can't say I have a big stake in it. Next up I hope to shoot an adaptation of Maurice Gee's Under the Mountain, working, again, with Weta Workshop and with Matthew Grainger whom I wrote The Tattooist with.


A special thanks to Jonathan for his time and additional Black Sheep pics.
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What's your DEMON NAME?

August 30th 2007 01:23
Night of the Demon
It’s my fiancé’s birthday today … we’ve been up most of the night already. Cooked up a feast, drank loads of wine, listened to my i-river playing through its songs alphabetically. I have hundreds loaded. We only got up to the “c”s …

My fiancé is on a three week holiday, having just finished a major project at work. We’re about to head off to brunch with her folks. This afternoon will be a boozy affair. Tonight I’ll be taking her to dinner at La Grande Bouffe, a fabulous modern French restaurant in Balmain, where we can be really indulgent and naughty. No rest for the wicked.

demon
I’m in a playful, mischievous mood, and so in keeping I’m posting a link to a Demon Name Generator. It’s actually from the same site as the Werewolf Name Generator. That Rum and Monkey lot. I tried to find a fresh one, but I couldn’t find one that used your existing name as a base. They all were designed for role-playing games, and could generated numerous ones without the aid of your own name.

“Ever wondered what name you'd be given if you ever turned in to an evil demon and tried to destroy the earth? Thought not but this is here so you don't have to worry …”

You can choose “male”, “female” or “something inbetween”.

My demon name is Badhorn Flamefoot.

My fiance’s name is Forktongue Heartguzzeler.

Hmmmm. Very silly. I sound like a character out of Badjelly the Witch, or The Hobbit. The name doesn’t sound particularly scary or menacing. Oh well, I’m not too fussed. My partner’s name is misspelt and sounds like something out of Harry bloody Potter! Oh dear!

Well, enough pontificating, we’ve got all manner of things to devour and chaos to create. Perhaps we’ll see you at the demon shindig tonight? Getting’ doooooowwwwwwwwn!
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What's your WEREWOLF NAME?

August 27th 2007 23:41
full harvest moon
OOOOOWWWWWWWWWWWW!!!!! It’s the full moon tonight!! And it’s a lunar eclipse as well!! Yiiiiiiiikes, all the freaks and lunatics will be out tonight! You’d better run, run, run, run …. Run like Hell!!! Cos I’m comin’ … comin’ … comin’ to getcha!!!!

Tis a pity I don’t live up in the Blue Mountains, cos that’s where you get to see the full effect of the blood red moon! Here in Sydney city the ever increasing “light pollution” dampens the effect, and the ghostly shadow across the surface of the moon is lost to earthly city eyes


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FEAR of the FATAL JOYRIDE

August 13th 2007 23:56
I live joyrides, but I haven’t been on one in years. I’m not talking about hooning around in a stolen car. I’m talking about sideshow thrill rides in an amusement park, yknow, the Ferris Wheel, Ghost Train, Round-Up, The Octopus, or my favourite, the rollercoaster.
Steel Dragon 2000 rollercoaster
Steel Dragon 2000
The thing is, I’ve actually never been on a proper rollercoaster. It’s kinda embarassing, but true. Well, that’s not entirely true. I have been on a couple of rollercoasters; a small one in my hometown, but it hardly counts, as it wasn’t very high at all, probably ten metres at its highest point. I did go on Space Mountain in Disneyland, but that’s enclosed and in the dark. It was pretty thrilling nevertheless, but not your traditional rollercoaster.

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What's your VAMPIRE NAME?

August 10th 2007 00:19
Vampire illustration by George Patsouras
I was searching through my “favourites” list and came across a curious link. I can’t remember who sent it to me, but the word “vampire” re-piqued my interest, so I opened it up and explored a little further.

It’s a homepage belonging to a 31-year-old English writer called Emma Davies who lives in a cottage in Derbyshire and hopes to be a successful writer one day. In the meantime she is a computer programmer by day and a poet and short story writer by night


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The classic Steenbeck editing bench
If you work in the film industry, especially if you work in the editing departments of post production you’ll know that frequently the trailer for a movie is not cut together by the same editor or editors as those who worked on the actual feature film.

Often executive producers will interfere in a movie’s intended audience by employing people whose perspectives are considered fresh and invigorating so as to capture an audience who otherwise might not have expressed any desire whatsoever in seeing the movie based on its poster art, title, premise, or the actors who are in it


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What turns a GOOD dream BAD?

July 24th 2007 23:58
The Descent
I’ve been a bit sick of late. Not that God awful flu that is attacking people left right and centre, including many a good Orbler, but a straight down the line cold; one of those three-to-four dayers. But the cold symptoms are lingering. I’ve probably only got myself to blame, as I had a hard-days-night "working" over the weekend (the hours and times of a professional DJ can be taxing on the mind, body and soul).

I attempted to sweat it out last night. My partner and I used a second duvet (I’m a Kiwi, “dooner” sounds like something you give a baby to play with in the bassinet) and I wore a long-sleeved top. Actually that was more due to it being damn bloody cold outside! The result was a fitful night of sleep and an early morning of turbulent dreaming


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APOCALYPSE ... what?

July 5th 2007 04:04
Adam and God's finger
Here’s a concept: The end of the world. The Christians know it as Armageddon or Judgement Day. Other less committed types might refer to it as an all consuming apocalypse, conjuring up iconographic cinematic images of the arrival of the Four Horsemen. REM weren’t too fussed about it, they said they felt fine. But what exactly will happen?

Apocalypse Now
Director Francis Ford Coppola took the mythical novel by Joseph Conrad, Heart of Darkness, and adapted its key premise into an anti-war statement, but more accurately, a statement about humankind’s judgement against humankind. Coppola called his film Apocalypse Now, and used the Vietnam War as a metaphor for a kind of Hell on Earth


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The COLOUR of BLOOD

June 4th 2007 05:54
A still from the movie Oculto
There’s good blood and there’s bad blood. I’m not talking about the ethics of tissue or the moral issues of congealing AB Negative. I’m talking about the colour, the hue, the consistency, the realism of blood when created by the special effects team in a horror movie.

You’d think it would be a relatively easy thing to do, but it’s not. The reason why I believe it is a lot harder than people think is because there are many horror movie’s that get it wrong! The blood is too bright, too scarlet, too thin, not thick enough, not messy enough


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An innocent blackboard, but in reality a cruel instrument of torture!
"Ve hav vays of making you tok!” … These are the humorous lines spoken throughout the course of cinema, usually muttered by a military officer in uniform, or a crazed megalomaniac keen for world domination. But there’s nothing funny about torture.

Most torture is designed to create intense pain without necessarily resulting in death. However there are acts of torture which are designed to specifically kill the victim, albeit slowly, thus extending the victim’s throes of death, purely for the sadistic pleasure of the torturers or torturers’ instructors


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Why DO I love the blood and thunder?

February 8th 2007 23:21
Grand Guignol theatre poster art
I wasn’t properly loved by my parents. I was constantly bullied at primary school. I was teased and taunted by my high school peers. I skipped university classes to smoke pot and steal car radios. I could only have sex with prostitutes. I found solace in downing a bottle of bourbon. I gravitated toward empty parks at night to leer at passing women. My only real friend was the hunting knife I stole from my father which I spent long periods sharpening the Japanese blade and polishing the whale bone handle.

Yup, I’m really a serial killer masquerading as a well-adjusted freelance writer. Horror movies are just an outlet to curb the bloodlust that swells inside of me. Watch out. I might just know where you live


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I, ZOMBIE

August 30th 2006 02:23
If there’s a particular favourite “monster” in horror movies it’d probably the flesh-tearing, gut-munching, cannibalistic undead. Yes, ye ole zombieeeee!!!!!

Sure, I dig vampires, I’m particularly fond of werewolves, and I admire alien beasts, but for sheer gruesome chutzpah you gotta love the living lead


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All hail the FINAL GIRL

August 28th 2006 12:57
The stalking and slashing sub-genre within the modern horror film began with Italy’s Twitch of the Death Nerve (1971) aka Bay of Blood aka Carnage. Directed with visual flair by the legendary Mario Bava and featuring a high body count, this was the original blueprint for what would eventually become known as the stalk’n’slash genre, sometimes referred to as slice’n’dice, or in its most comprehensive tag; slasher movies.

A Canadian film called Black Christmas (1974) further honed this architecture of bloodletting. Although most of the movies in this sub-genre featured quite pedestrian direction, there were definitely some standouts. Most notable is John Carpenter’s seminal “BOO!” machine Halloween (1978). This landmark horror movie was the single most successful independent film ever made (if you exclude Deep Throat (1972) which beats it hands down, but we’re not here to discuss the revenue made by sleazy grind-house … um, or are we


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WITCH in the machine

August 25th 2006 00:35
Italy’s legendary maestro of the macabre, Dario Argento, is in the midst of something special. More then 25 years since the release of his fiery tale of witches in New York and Rome he’s finally at the helm making the final third part to his cult trilogy known affectionately as “The Three Mothers”.

After many years of fans repeatedly asking the same question, “When is Argento going to bring it home?!” he’s finally begun to hammer the final nails into the coffin. The Mother of Tears is in production


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The dying art of EXPRESSIONISM

August 22nd 2006 22:56
Two primary elements within the visual grammar of horror movies is the use of light and shadow, allowing us when to see, and when not to see. They create a mood and ephemeral texture in which to paint our fears.

There are the things that go bump in the night, like the Blair Witch. And there are the ghastly spectres of the daytime, such as the serial killer Jigsaw


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Eye of the MONSTER

August 21st 2006 00:41
Horror movies deal with some kind of “monster” and the danger and dread it invokes. As well as all the death it invariably delivers.

The “monster” comes in all shapes and sizes. Sometimes the “monster” is not even seen, only suggested. And this can be even more terrifying. But only occasionally does a screenwriter pull this trick off, because more often than not the audience will demand the money shot (in horror movies we’d probably call this the monster shot


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Horror - the BLACK SHEEP of cinema

August 16th 2006 22:32
What is the horror movie genre really about?

Well, for starters, just to whet your bloodlust, it’s about scaring the bejesus out of you. But more specifically, it’s about confronting your fears within the confines of a safe environment, like a cinema, or your living room, or if you are in for the “grind house” experience, then a dodgy drive-in (but you gotta scout around for those


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Moderated by Bryn
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