Session 9
July 27th 2010 23:18
Director Brad Anderson’s impressive debut feature, Session 9 (2001) deals with the slow-burn wrath of insanity, the pickled psyche ruined by the error of one’s ways, aggravated by circumstance and surroundings … and possessed by something beyond the realm of the natural. Session 9 is a chamber piece superbly acted and directed and shot on an expertly realised low-budget. Anderson would go on to direct another impressively disturbing portrait of madness and despair, The Machinist (2004) starring Christian Bale. Although Session 9 doesn’t have the slick look of the follow-up feature, it’s drenched in an assured command of atmosphere and dread, enough for a half dozen features.
Danvers State Insane Asylum, Massachusetts. Phil (David Caruso) and Gordon (Peter Mullan) take on the job of asbestos removal from the mental hospital, a massive building which has been closed since the mid-80s. They recruit three others to help; Mike (Stephen Gevedon), Hank (Josh Lucas) and young Jeff (Brendon Sexton III). If they get it down in a week they each get a $10,000 bonus. Game on.
During lunch break on the first day Mike spills the beans on the building’s closure: a demonic possession and sex-abuse scandal which involved a patient by the name of Mary Hobbes. This story places a quiet shroud of dread over the group. Further complications arise with Gordon’s preoccupation with his wife and baby; a breakdown in the marriage and Phil’s concern over Hank’s liability (and resentment that Hank stole his girlfriend). It doesn’t help that Mike discovers the taped doctor’s interviews with Mary Hobbes, and having done law school he can’t help his fascination, so secretly starts making notes. Meanwhile Hank uncovers a hidden stash of valuable old coins stashed in a crumbling wall and sneaks back after dark to loot. Instead he’s confronted by something else.
The extraordinary location – the Danvers asylum – and the fact that the demonic possession is inspired by the true case of the nearby Amirault family, which dealt with Satanism and sexual shenanigans, enhances the movie’s atmosphere and authenticity ten-fold. Brad Anderson’s consummate handling of the visual narrative (he edited the movie as well), and the solid performances of his actors, particularly Peter Mullan and Stephen Gevedon, but also, surprisingly, David Caruso (in the most likeable role of his career). But big props must go to the sublimely creepy score by the Climax Golden Twins (and a special mention to the inclusion of the Lou Barlow track over the end credits), a truly magickal addition to the movie’s mood and tone.
A sub-plot involving a homeless woman squatting within the building was jettisoned during the movie’s final cut and there are references to this that linger in the movie, such as curious point of view shots. Her character was to become more and more apparent and her involvement culminated in her killing Gordon at movie’s end; however test audiences confused her to be the spectre of Mary Hobbes so Anderson cut her out entirely. And good riddance, I say.
As Mike listens to the recorded tapes of the doctor (the austere voice of Lonnie Farmer) and Mary (Jurian Hughes), the voices of Mary’s alter-egos begin to bewitch the building. There’s young Princess and there’s young Billy. Something terrible happened several decades earlier; a horrific incident, an act of bloodthirsty revenge over a prank gone wrong. But there’s someone else involved: Simon. Simon doesn’t make himself known until Mike reaches the tape marked “Session 9” … Simon hides within the weak and wounded.
Anderson shot Session 9 on the new technology of the time; Sony’s 24P HD video, which shoots at 24-frames-per-second, like film (as opposed to the 30-fps of conventional US NTSC video). This enabled Anderson’s cinematographer Uta Briesewitz to effectively capture the movie with available light, bringing the movie’s darkness to light (so to speak). The helicopter shots that reveal the full spread of the enormous Victorian-style building, including its peculiar bat-like east and west wings sprouting off on either side adds that final touch of the truly ominous.
Session 9 is a genuinely creepy and psychologically disturbing tale of madness and murder, highly recommended for those who like their tales of the unhinged uncompromising, yet still swathed with a strong element of the mysterious, and who dig a little ocular lobotomy horror.
Here's the trailer:
Danvers State Insane Asylum, Massachusetts. Phil (David Caruso) and Gordon (Peter Mullan) take on the job of asbestos removal from the mental hospital, a massive building which has been closed since the mid-80s. They recruit three others to help; Mike (Stephen Gevedon), Hank (Josh Lucas) and young Jeff (Brendon Sexton III). If they get it down in a week they each get a $10,000 bonus. Game on.
During lunch break on the first day Mike spills the beans on the building’s closure: a demonic possession and sex-abuse scandal which involved a patient by the name of Mary Hobbes. This story places a quiet shroud of dread over the group. Further complications arise with Gordon’s preoccupation with his wife and baby; a breakdown in the marriage and Phil’s concern over Hank’s liability (and resentment that Hank stole his girlfriend). It doesn’t help that Mike discovers the taped doctor’s interviews with Mary Hobbes, and having done law school he can’t help his fascination, so secretly starts making notes. Meanwhile Hank uncovers a hidden stash of valuable old coins stashed in a crumbling wall and sneaks back after dark to loot. Instead he’s confronted by something else.
The extraordinary location – the Danvers asylum – and the fact that the demonic possession is inspired by the true case of the nearby Amirault family, which dealt with Satanism and sexual shenanigans, enhances the movie’s atmosphere and authenticity ten-fold. Brad Anderson’s consummate handling of the visual narrative (he edited the movie as well), and the solid performances of his actors, particularly Peter Mullan and Stephen Gevedon, but also, surprisingly, David Caruso (in the most likeable role of his career). But big props must go to the sublimely creepy score by the Climax Golden Twins (and a special mention to the inclusion of the Lou Barlow track over the end credits), a truly magickal addition to the movie’s mood and tone.
A sub-plot involving a homeless woman squatting within the building was jettisoned during the movie’s final cut and there are references to this that linger in the movie, such as curious point of view shots. Her character was to become more and more apparent and her involvement culminated in her killing Gordon at movie’s end; however test audiences confused her to be the spectre of Mary Hobbes so Anderson cut her out entirely. And good riddance, I say.
As Mike listens to the recorded tapes of the doctor (the austere voice of Lonnie Farmer) and Mary (Jurian Hughes), the voices of Mary’s alter-egos begin to bewitch the building. There’s young Princess and there’s young Billy. Something terrible happened several decades earlier; a horrific incident, an act of bloodthirsty revenge over a prank gone wrong. But there’s someone else involved: Simon. Simon doesn’t make himself known until Mike reaches the tape marked “Session 9” … Simon hides within the weak and wounded.
Anderson shot Session 9 on the new technology of the time; Sony’s 24P HD video, which shoots at 24-frames-per-second, like film (as opposed to the 30-fps of conventional US NTSC video). This enabled Anderson’s cinematographer Uta Briesewitz to effectively capture the movie with available light, bringing the movie’s darkness to light (so to speak). The helicopter shots that reveal the full spread of the enormous Victorian-style building, including its peculiar bat-like east and west wings sprouting off on either side adds that final touch of the truly ominous.
Session 9 is a genuinely creepy and psychologically disturbing tale of madness and murder, highly recommended for those who like their tales of the unhinged uncompromising, yet still swathed with a strong element of the mysterious, and who dig a little ocular lobotomy horror.
Here's the trailer:
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Comment by David O'Connell
20/20 Filmsight
Screen Fanatic
Comment by JohnDoe
Film & TV on DVD
I saw this film on DVD when it was first released and found it creepy. Your review means I will revisit it shortly and probably try to write my own thoughts, but it will be tough to top this one.
Also as I said before....."David Caruso, who knew"?
Comment by Bryn
Horrorphile
Comment by Spring-Heeled Jack
Over.Exposure
Comment by Bryn
Horrorphile
Comment by JohnDoe
Film & TV on DVD
Comment by Someone
Evil Pleasures
Random Musings on Life, Love and Everything
Let's Get Down To Business
Comment by katiekate93
FYI to any of your readers who may make it out this way - Danvers State Hospital is still standing....now known as the Avalon Danvers condo complex
Comment by Bryn
Horrorphile