[REC]
August 26th 2008 01:20
Damn, the Spanish are good. And I’m not just talking about the architecture, the tapas, the vino and the cerveza. They make bloody good horror movies too. They possess a bold and feverish approach which seems to often elude Hollywood and beyond. Not always, but often.
[REC] (2007) can be compared to numerous existing horror movies, primarily the work of George Romero; I’m talking about the flesh-eating undead. But [REC] also nods its head to the infectious rage disease of 28 Days Later (2001), whilst the movie’s cinema verite visual stylistic takes a few pages from the books of The Blair Witch Project (1999) and Cloverfield (2008). [REC] is flawed, but it’s a rough little gem.
Plucky (not to mention spunky) young television presenter Angela Vidal (Manuela Velasco) and her cameraman colleague Pablo (he’s never seen and no one is credited to playing the character) are doing a piece on the night-shift at a Barcelona fire station for the programme While You’re Asleep and hoping for a little emergency action to spice things up.
Sure enough, the alarm bells ring in the wee hours and they’re off to rescue an older woman supposedly trapped in her apartment. When they get to the building the police are already there, suggesting the scene could be more serious than first thought. Inside the woman’s apartment they discover she’s covered in blood, deranged and dangerous. In fact, she’s raging ravenous and she chomps down on the neck of one of the police officers.
Everyone retreats, but not before one of the firemen gets bitten also. The two men have become infected. Adding a serious dilemma to the situation is when the rescue team, including Angela and Pablo, are confronted by the building entrance having been sealed shut. The entire building has been quarantined.
One by one the surviving occupants of the building and the rescuers are turned into rabid vicious beasts of prey. Meanwhile the whole ghastly experience is being videotaped by Pablo. Yup, despite the chaos and deadly threat, manages to keep the camera rolling. It’s a handy and important narrative licence for the movie to work so urgently and effectively as a horror movie.
[REC] is short; not even 80 minutes long. It’s a lean mean killing machine. Plot mechanics are pared back so vehemently one wonders if the original treatment ran longer than a paragraph. Directors Jaume Balagueró and Paco Plaza (each independently established) have cleverly tapped a throbbing juglar, pulsing with the tainted blood of a good old-fashioned things that go bump in the night flick. Sure, it’s not wholly original, and characterizations are cardboard thin, but the filmmakers work the trappings, for the most part, skillfully and efficiently.
Because the entire running time of the film takes place in real time (except for the handful of moments when Pablo turns the camera off, then turns it on again), and what the audience see is what he is taping, then the only sound is the location sound. The movie has no score to speak of. This is a risqué thing to do for a horror movie, but the directors pull it off.
The movie’s final ten or so minutes are when the tension and suspense is ratcheted up, and a series of revelations (spoiler pun unintended) present themselves to Angela and Pablo after they break into the penthouse apartment which had supposedly been abandoned by the owner. Inside they find the walls plastered with newspaper clippings detailing the case of a demonically possessed girl, church sanctions, and scientific experimentation. It seems like they stumbled onto a can of real nasty worms.
My only major gripe is that the blood - and there’s a fair amount of it – wasn’t convincing enough. I’m a stickler for fake blood looking as real as possible. I let some horror practitioners off the hook (Dario Argento being one) for using very fake looking blood, but that’s usually when other elements are so fantastical I let that indiscretion slide. However when it comes to zombie-and vampire-styled movies you gotta get the blood right. The blood consistency in [REC] looks too gloopy, and there’s something wrong with the colour too.
But blood gripe aside [REC] kicks some butt, especially the second half. Manuela Velasco holds fort solidly, even though has the capacity to annoy, and the support cast are proficient. Let’s hope there’s enough left of Velasco to command the sequel which is already in pre-production. Whether the Hollywood remake, Quarantine (they probably didn’t call it [REC] ‘cos Joe Average would think it’s an experimental art film), will come close to capturing the same sense of genuine terror, chaos and urgency is another story.
Here's the original teaser trailer (which, once you've seen the actual movie, appears to have been shot especially for the trailer):
And here's the trailer (which reveals the movie's final moment!!!) for Quarantine, due for release in the US in October:
[REC] (2007) can be compared to numerous existing horror movies, primarily the work of George Romero; I’m talking about the flesh-eating undead. But [REC] also nods its head to the infectious rage disease of 28 Days Later (2001), whilst the movie’s cinema verite visual stylistic takes a few pages from the books of The Blair Witch Project (1999) and Cloverfield (2008). [REC] is flawed, but it’s a rough little gem.
Plucky (not to mention spunky) young television presenter Angela Vidal (Manuela Velasco) and her cameraman colleague Pablo (he’s never seen and no one is credited to playing the character) are doing a piece on the night-shift at a Barcelona fire station for the programme While You’re Asleep and hoping for a little emergency action to spice things up.
Sure enough, the alarm bells ring in the wee hours and they’re off to rescue an older woman supposedly trapped in her apartment. When they get to the building the police are already there, suggesting the scene could be more serious than first thought. Inside the woman’s apartment they discover she’s covered in blood, deranged and dangerous. In fact, she’s raging ravenous and she chomps down on the neck of one of the police officers.
Everyone retreats, but not before one of the firemen gets bitten also. The two men have become infected. Adding a serious dilemma to the situation is when the rescue team, including Angela and Pablo, are confronted by the building entrance having been sealed shut. The entire building has been quarantined.
One by one the surviving occupants of the building and the rescuers are turned into rabid vicious beasts of prey. Meanwhile the whole ghastly experience is being videotaped by Pablo. Yup, despite the chaos and deadly threat, manages to keep the camera rolling. It’s a handy and important narrative licence for the movie to work so urgently and effectively as a horror movie.
[REC] is short; not even 80 minutes long. It’s a lean mean killing machine. Plot mechanics are pared back so vehemently one wonders if the original treatment ran longer than a paragraph. Directors Jaume Balagueró and Paco Plaza (each independently established) have cleverly tapped a throbbing juglar, pulsing with the tainted blood of a good old-fashioned things that go bump in the night flick. Sure, it’s not wholly original, and characterizations are cardboard thin, but the filmmakers work the trappings, for the most part, skillfully and efficiently.
Because the entire running time of the film takes place in real time (except for the handful of moments when Pablo turns the camera off, then turns it on again), and what the audience see is what he is taping, then the only sound is the location sound. The movie has no score to speak of. This is a risqué thing to do for a horror movie, but the directors pull it off.
The movie’s final ten or so minutes are when the tension and suspense is ratcheted up, and a series of revelations (spoiler pun unintended) present themselves to Angela and Pablo after they break into the penthouse apartment which had supposedly been abandoned by the owner. Inside they find the walls plastered with newspaper clippings detailing the case of a demonically possessed girl, church sanctions, and scientific experimentation. It seems like they stumbled onto a can of real nasty worms.
My only major gripe is that the blood - and there’s a fair amount of it – wasn’t convincing enough. I’m a stickler for fake blood looking as real as possible. I let some horror practitioners off the hook (Dario Argento being one) for using very fake looking blood, but that’s usually when other elements are so fantastical I let that indiscretion slide. However when it comes to zombie-and vampire-styled movies you gotta get the blood right. The blood consistency in [REC] looks too gloopy, and there’s something wrong with the colour too.
But blood gripe aside [REC] kicks some butt, especially the second half. Manuela Velasco holds fort solidly, even though has the capacity to annoy, and the support cast are proficient. Let’s hope there’s enough left of Velasco to command the sequel which is already in pre-production. Whether the Hollywood remake, Quarantine (they probably didn’t call it [REC] ‘cos Joe Average would think it’s an experimental art film), will come close to capturing the same sense of genuine terror, chaos and urgency is another story.
Here's the original teaser trailer (which, once you've seen the actual movie, appears to have been shot especially for the trailer):
And here's the trailer (which reveals the movie's final moment!!!) for Quarantine, due for release in the US in October:
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Comment by Lara M
Love Speaks
Comment by Bryn
Horrorphile
Comment by Damo
For the Sake of Argument
My Apologetics
I looks in tense.
I like intense.
Comment by Bethany
Martian Movies
Good find, I'll have to check this one out soon. I am finding a growing fondness for Spanish horror- it helps that I half-understand the language.
Comment by Bryn
Horrorphile
Have you seen The Orphanage ...? Excellent ghost story.
Comment by Bethany
Martian Movies
I used to live in Texas, and through classes and exposure I've learned a bit of Spanish. I can converse well enough to get a point across in a tourist sense, I think. But I also understand a lot more than I actually speak.
Comment by JohnDoe
Film & TV on DVD
Found some scenes very intense and the authentic feel that comes from this approach works to elevate the impact of attacks.
On the Spanish hporror kick I have to agree they are delivering quality beyond Del Torro's Cronos and Devil's Backbone....one called faust 5.0 was enjpoyable as a rework of the classic story
Comment by Bryn
Horrorphile