Read + Write + Report
Home | Start a blog | About Orble | FAQ | Sites | Writers | Advertise | My Orble | Login
 
“Monsters do exist; in us and among us. They walk in our shadow. They can prey on us more as we fear them less. We should know. We created them.” --- George A. Romero

Roadgames

July 10th 2008 01:14
Roadgames poster art
A dust-obscured psycho-thriller that plays cleverly with horror conventions, with a sly nod to Hitchcock, and a healthy dose of black humour, Roadgames (1981), directed by the late Richard Franklin and starring Stacey Keach and Jamie Lee Curtis, was the most expensive Australian production in the early 80s.

Pat Quid (Keach) is an independent truckie with a rig full of pork on his way to Perth. His companion is a dingo called Boswell (real name revealed in the end credits as Killer). Pat’s not your typical truckie (“Just because I drive a truck doesn’t make me a truck driver”), he quotes poetry, plays the banjo and harmonica, and, since he doesn’t pop the usual pills to keep him awake on the long hauls he invents invigorating mind games to pass the time, such as making up backgrounds histories of the funny folk that pass him on the lonely stretches of highway, or having philosophical (one-way) conversations with Boswell.

Roadgames Stacey Keach
Stacey Keach as Pat Quid
But there is trouble on the road. A serial killer (Grant Page) is murdering hitchhikers (novel hotel scene at movie’s start), dismembering their bodies and burying the parts on the side of the road. And the psychopath drives a dark green shagmobile (van). It’s third time lucky for young “Hitch” (Curtis) when Pat decides to pull over and give her a ride. She’s plucky and witty and the two of them bond. They pontificate about the green van and its driver, finding themselves in a tense situation at a gas station when Pamela aka “Hitch”, decides to poke around in the unlocked van which they discover is also at the station. Of course, the situation gets out of control, and Pat soon is in hot pursuit.

Roadgames Jamie Lee Curtis
Jamie Lee Curtis as Hitch
Written by Everett De Roche, who penned the recent Storm Warning (2007) as well as the wild pork horror Razorback (1984), Roadgames is well–paced and well-shot, and features one of Stacey Keach’s most engaging performances. Young Jamie Lee Curtis, who would return in scream queen mode the same year in Halloween II (1978), doesn’t have a huge amount of screen time, but her charisma is strong, bouncing nicely off Keach. There is a hint of romance, which provides enough mild sexual tension to keep their relationship as the beguiling anchor through the movie’s second half.

Roadgames Killer
Killer as Boswell
The flowery orchestral score by Brian May (no, not Queen’s May) is one of the few elements that obviously dates the movie (apart from the distinctly English-Australian accents on the radio, and the mention that hitchhiking is illegal … perhaps it still is??). The other notable quirk (oddly popular amongst Australasian movies of this period) is having the police as slight buffoons.

For a movie about a nasty serial killer Roadgames isn’t graphic at all, what violence there is happens off-screen, apart from a scuffle at film’s end. However director Franklin skillfully ratchets up the suspense and suggests brutal violence could erupt on several occasions. His use of Hitchcockian visual motifs (mistaken identities, hallucination, juxtaposing comedy against jeopardy) makes a lot of sense when you know Franklin was a huge fan of Hitchcock.
Roadgames Grant Page and Angie La Bozetta
The serial killer (Grant Page) behind an unsuspecting victim (Angie La Bozetta)
Whilst studying at the University of Southern California in the late 60s Franklin orchestrated a Q&A with the legend for a screening of Rope. Hitchcock in turn invited Franklin to watch him work on the set of Topaz. Many years later Franklin got to direct the very belated sequel Psycho II (1983).
Roadgames Stacey Keach and Jamie Lee Curtis
Pat and Pamela aka Hitch enjoy the great taste of an Aussie meat pie
Apparently Quentin Tarantino is a huge fan of Roadgames, and one can see why; the affable, slightly off-beat characters, the convention twists of well-worn sub-genres, a solid visual narrative, and a playful, mischievous sense of humour. Hardly a classic, and definitely a movie of its time, but one that hasn’t aged badly as so many others of that period and similar ilk have done.

Here's the American trailer:


Roadgames DVD couresty of Umbrella Entertainment, many thanks!
61
Vote
Shared on
   


Vampyros Lesbos

July 9th 2008 01:06
MATURE CONTENT
   


The Funhouse

July 8th 2008 00:27
The Funhouse movie poster
The Funhouse (1981) is a relatively innocuous ride, but it has potential. I can see this being remade with greater measures of oomph! eeek! and boo-yah! There is a lot of scary fun to be had at the carnival, and although director Tobe Hooper claims to really like the movie, he could have made it so much better. All the ingredients are there, but out clunks a mediocre movie.

Four teenagers head to the local fair on a double date; Amy (Elizabeth Burridge) and Buzz (Cooper Huckabee), Liz (Largo Woodruff [what is it with American actor's names?!]) and Richie (Miles Chapin). The two guys look like they’re in their late 20s, but there’s nothing new there.
The Funhouse Elizabeth Burridge and Shawn Carson
Amy (Elizabeth Burridge) is given a scare by her kid brother Joey (Shawn Carson)
We first meet Amy at her home where she’s about to shower. Her fresh face looks so young, that when she disrobes and reveals a very ample bosom it’s rather disconcerting. Someone is stalking through the house; their POV shows them take a knife from a sheath on a bedroom wall, then puts a clown mask to their face, hmmm, Halloween(1978) anyone?
?!
The Funhouse Cooper Huckabee and Elizabeth Burridge
Buzz (Cooper Huckabee) and Amy gawk at one of the Freakshow exhibits
The stalker then enters the bathroom and (in homage) pulls back the shower curtain and attempts to stab young Amy. But the knife blade bends instead of penetrates, aha, it’s made of soft plastic! Amy pulls the mask off to reveal her mischievous kid brother Joey (Shawn Carson). He sure must have got an eyeful! Amy swears she’s gonna get him!
The Funhouse Largo Woodruff and Miles Chapin
Liz (Largo Woodruff) and Ritchie (Miles Chapin) trundle into The Funhouse
The four adolescents (I use that word tenuously) wander around, visit palm-reader Madame Zena (Sylvia Miles), Marco the Magician (William Finley), and the Freakshow exhibits which includes a cow with a cleft palette and another with two heads (no special effects make-up there!), then Richie suggests it would be really cool if they hide inside the Funhouse ride overnight as a kind of dare to themselves.
The Funhouse Cooper Huckabee, Elizabeth Burridge, Largo Woodruff and Miles Chapin
Buzz, Amy, Liz and Ritchie hide out in The Funhouse
The girls are in for a laugh, so they smoke a joint behind one of the carnival tents and jump onto a couple of Funhouse carts. The Funhouse is basically what was called the Ghost Train at the fairs I used to go to as a boy; crazy mechanical puppets and eerie sound effects in the dark as you’re shunted around on what feels like a labyrinthine miniature train track, eventually bursting out at the exit in a state of frightened excitation.
The Funhouse Wayne Doba and Sylvia Miles
Below the couples, Frankenstein's Monster (Wayne Dobo) attacks Madame Zena (Sylvia Miles)
What started as a lark quickly turns dangerous and deadly after they witness a murder, stupidly Ritchie steals money belonging to a freaky man in a Frankenstein mask (Wayne Doba), and then when the freaky man’s father, Conrad Straker (Kevin Conway), one of the carnival barkers, sees a lighter dropped through the cracks in the ceiling by Ritchie he sends his freaky son to get them.
The Funhouse Wayne Doba
The Monster without his mask
But not before the freaky son tears off his Frankenstein mask to reveal an even more hideous visage underneath; a demonic-looking face split in half, almost as if he might be the half-human offspring of the cleft-palette cow! The special effects mask designed by Rick Baker and applied by Craig Reardon is very disappointing though. It simply looks like another mask. I guess the budget didn’t leave much for Rick to play with, unlike An American Werewolf in London, released the same year.

So the two couples are terrorized by the monster, whilst Amy’s kid brother, who made the curious decision to sneak out of home and follow them to the carnival, I guess he had a bad feeling.

Apparently Steven Speilberg asked Tobe Hooper to direct E.T. but Hooper turned the offer down because he was already committed to doing The Funhouse (1981). Speilberg got him for the next movie; Poltergeist (1982), although rumour has it Speilberg was on-set most of the time calling the shots.
The Funhouse Elizabeth Burridge
Amy screams for help in vain
The cast are mediocre at best, but there are three stand-outs: Elizabeth Burridge has genuine charisma, Kevin Conway has a ball (playing all three carnie barkers), and Sylvia Miles hams it up before being strangled in her skimpy gypsy attire.
The Funhouse Cooper Huckabee and Kevin Conway
Conrad Straker (Kevin Conway) is pinned
The Funhouse is rated R in Australia (no one under 18 is allowed to view the movie), which is very odd as there is seems to be nothing in the movie that fits the criteria for such a high rating. I’d love to know why it has received such extreme censorship. There’s a scene of pot-smoking, a couple of scenes of bare breasts, a little swearing, and some moderate violence; but no graphic blood-letting or gore, and certainly no full-frontal nudity, sex, or sexual violence. Very strange, perhaps it’s a mis-rating?
The Funhouse Elizabeth Burridge
The final girl is given a final chill outside The Funhouse
It’s not that Tobe Hooper is an incompetent director, far from it, but The Funhouse just doesn’t deliver the goods. It could be remade with the whole nightmare carnival element ramped-up and exploited to the max. Remember carnivals are full of weirdo carnies and extreme joyrides; the fear factor needs to be smashed with a hammer so that it shoots high and hits the bell. Hooper dabbles with the scares, but ultimately delivers with a whimper, not a bang, the movie by no means being the terror-ride it should’ve been.

Perhaps it’s that silly freak mask, it just failed on all levels, and he’s the monster we’re meant to be scared of. The Funhouse puppets (genuine articles from the turn-of-the-century) are neat though, and there’s a fantastic rising crane-shot halfway through the movie that for cinephiles is almost worth the price of admission. If I’d been the camera-operator, damn, I’d have been scared!

Here's the original trailer:


The Funhouse DVD is courtesy of Umbrella Entertainment, many thanks!
79
Vote
Shared on
   


Eaten Alive

July 7th 2008 02:12
Eaten Alive movie poster
Tobe Hooper’s Eaten Alive (1977) is a strange brew. Desperately trashy, yet undeniably eerie, it lingers in the mind for days after viewing, like the mood of a creepy dream. It was known as Death Trap in the U.K. (and on the notorious video nasties list) and alternately in the U.S. as Horror Hotel.

Judd (Neville Brand) owns the run-down Starlight Hotel on the edge of the Bayou. Running alongside the porch is a murky pool where Judd keeps his pet alligator (although he claims it to be an African croc). Judd is a extremely dodgy, disheveled man with sex-crimes on his mind. All he needs is suitable clientele


[ Click here to read more ]
74
Vote
Shared on
   


The Texas Chainsaw Massacre 2

July 4th 2008 04:38
The Texas Chainsaw Massacre 2 DVD cover art
‘Tis peculiar the way one’s appreciation for art changes as you get older. Some things you liked immensely when you were younger you can no longer tolerate, while other things you didn’t have time for when you were young, as an older person you now see great merit in.

When director Tobe Hooper brought the buzz back it went down like a ton of bricks. The Texas Chainsaw Massacre 2 (1986) polarised audiences and critics, split them down the middle like Leatherface and his trusty chainsaw. Over the years the movie garnered a cult following, partially due to the fact that the movie had been butchered both by the censors, but also by Hooper himself, having to comply to the executive producers who weren’t happy with shooting script, and also that Hooper felt the movie was uneven in its pacing, so certain scenes had to jettisoned


[ Click here to read more ]
60
Vote
Shared on
   


The Texas Chainsaw Massacre

July 3rd 2008 02:12
The Texas Chainsaw Massacre movie poster
Yes, it’s about time I reviewed this seminal piece of modern horror. Along with Night of the Living Dead (1968) and The Exorcist (1973), The Texas Chainsaw Massacre (1974) cemented the new “hardcore” style of filmmaking in the horror genre. The modern horror movie was here to stay, although this landmark wasn’t wholly recognised at the time. In fact The Texas Chainsaw Massacre suffered terribly at the hands of censors and distributors.

The movie wasn’t released uncut outside of America until 1978 where it was released in West Germany under the title Bloodright in Texas. It was banned in Australasia until 1982 and in the UK until 1999. In Japan the movie was re-titled The Devil of Punishment. Curiously producer/director Tobe Hooper hoped to receive a PG rating from the MPAA so he purposefully kept the on-screen violence to a moderate level and omitted any expletives from the dialogue. However, and rightly so, the MPAA refused to give the movie anything lower than an R


[ Click here to read more ]
99
Vote
Shared on
   


13 (Tzameti)

July 1st 2008 01:53
13 Tzameti movie poster
Finally getting a DVD release down under in a few months, writer/director Géla Babluani’s stark and brutal thriller 13 (2005). Tzameti is Georgian for “13”, which is the director’s nationality), and it's a superbly-etched nightmare that spells deep trouble for inherent gamblers and reckless opportunists.

Sébastien (director’s brother George Babluani) is a 22-year-old renovator employed to work on a villa to help his poverty-stricken family. He needs some big bucks fast, and fixing r0of tiles ain’t gonna get him rich anytime soon. So when he inadvertently overhears an intriguing conversation whilst on the roof, through a hole in the ceiling, between Godon’s wife (Olga Legrand) and a colleague of Godon’s. Sébastien pricks his ears


[ Click here to read more ]
56
Vote
   


Basket Case

June 30th 2008 06:06
Basket Case movie poster
There’s dreadful, and then there’s real bad. There’s the cheap and nasty, and then there’s the deep trash. Frank Henelotter’s cult “classic” Basket Case (1982) is a movie unto itself. Exploitation horror pushed beyond the realms of good taste into a dark alley of unadulterated rubbish. It is done with such glee and conviction you can’t help but watch the movie slide across the floor leaving a slimy trail of God knows what.

Duane Bradley (Kevin Van Hentenryck) arrives in Manhattan with a wad of cash and a big wicker basket. He immediately finds the cheapest hotel on the lower blocks. Inside his basket is Belial, his Siamese twin removed when he was an adolescent, now a very hungry, very twisted and very mad little freakazoid. Duane, with the help of Belial, has an agenda of revenge against the surgeons who dumped his brother in the garbage. Yes, Basket Case is full of ripe irony


[ Click here to read more ]
88
Vote
   


Deadly Blessing

June 26th 2008 01:07
Deadly Blessing movie poster
Director Wes Craven - a wildly uneven filmmaker if ever there was one – had made two notorious low-budget shockers (both of them over-rated in my books, despite their cult followings), Last House on the Left (1972) and The Hills Have Eyes (1977), before he made Deadly Blessing (1981), a creepy tale of nasty rural religious shenanigans.

Striking young Martha Schmidt (Maren Jensen) is married to farmer Jim, who has become untangled from a neighbouring religious cult, the Hittites (an Amish-like sect). But there is bad blood between Jim and his father Isaiah (Ernest Borgnine), the strict leader of the cult. Unfortunately early in the piece Jim becomes victim to a tractor “accident” and poor Martha is left to fend for her own


[ Click here to read more ]
95
Vote
   


I Love Sarah Jane

June 24th 2008 00:11
I Love Sarah Jane movie poster
I didn’t get to see many short films at the 55th Sydney Film Festival this year, partly because I ended up seeing a lot of screeners (DVDs for media use), and also most of the films I saw on the big screen weren’t accompanied by a short. Festivals are generally the only time you’ll get to see short films (it’s also the only time you’ll get to see those oddball documentaries that don’t run feature length), so I’m always hoping there’ll be a short before hand, because they can often be pure bloody gold.

Last year’s Spider (co-written and directed by Nash Edgerton) was a gem, or the year before Six Shooter (2004, written and directed by Martin McDonagh), which ended up winning an Oscar. This year a superb horror short played before Donkey Punch (2008). I completely forgot to mention it in my review, so I’ve decided on giving it its own post. Last year some time I did a post on the Kiwi zombie short Zombie Movie (2005), made by Ben Stenbeck and some special effects blokes who had been working on the Lord of the Rings trilogy


[ Click here to read more ]
69
Vote
   


Funny Games (2007)

June 23rd 2008 02:30
Funny Games 2007 movie poster
In a kneecap … er, I mean nutshell: wealthy middle-class family, Ann (Naomi Watts), husband George (Tim Roth) and young son Georgie (Devon Gearhart), arrive at their Long Island holiday home (which rather oddly doesn’t have a landline). Whilst George and son set up the small yacht Ann is surprised by the arrival of a young man, Peter (Brady Corbet) in white golf gloves, apparently staying with neighbours, who asks politely for eggs. Another young man, Paul (Michael Pitt) also in whites, arrives. The awkward situation quickly turns sour and Ann, sensing danger, demands the young men leave the premises. But it’s too late. Let the games begin.

German writer/director Michael Haneke made the original Funny Games eleven years ago. I saw it in 1998, didn’t like it at all and gave it a scathing review in Sydney street-press magazine Revolver (now called The Brag), spouting vitriolic statements such as “Haneke thinks he’s being very clever with his so-called art critique on the state of violence and bourgeois manners, but in reality all he’s created is a thoroughly intolerant and inexplicable film that fails to deliver whatever message he’s hidden under all the smugness and arrogance.” In the same review I described Haneke as a “self-styled executioner of convention” and I questioned why audiences should have to endure naturalistic and protracted ugliness so that we can question the attitude of cinema violence as entertainment


[ Click here to read more ]
89
Vote
   


A Complete History of My Sexual Failures Chris Waitt
As I come to the end of my Sydney Film Festival coverage for 2008 I’ve decided to end the week on an upbeat note, albeit desperately, achingly, wincingly, wrenchingly funny. If you’ve been following my blog you’ll notice I generally don’t gravitate toward horror-comedies, unless they’re of the black kind, or they’re a dark satire, there are the odd exceptions of course.

A Complete History of My Sexual Failures (2008) is not a horror movie. It’s an hilarious documentary about one man’s love-life-as-nightmare. In a way it’s his bleeding heart as horror movie turned into a very cleverly packaged therapy session and sold as a post-youtube, realityTV odyssey of the Id. Actually it’s not that pretentious at all, it’s actually very accessible, but for those who’d prefer not to see a lanky man having his cock and balls whipped full frontal by a dominatrix then I’d probably recommend something a little less, er … revealing


[ Click here to read more ]
72
Vote
   


Storm Warning

June 19th 2008 00:59
Storm Warning DVD cover
Melbourne director Jamie Blanks was the Aussie boy done good when he was catapulted into the American horror limelight with his debut feature Urban Legend (1998). But unfortunately the movie was no good, and neither was his follow up Valentine (2001). So, I when I saw he was behind this release from Dimension Films' straight-to-DVD Extreme division I wasn’t too surprised. I wasn't expecting great things, despite finding the cover image striking. Of course, the back cover also stated that the movie featured "some of the most intensely brutal scenes imaginable." Yeah, right, pull the other one, it’s got bloody bells on it.

Storm Warning (2006) is an Aussie production, was completed a couple of years ago, and has spent the last year doing the International festival circuit (but not down under!) Apparently, according to the DVD front cover, it won a Best Special Effects award at the L.A. Screamfest last year. My interest was piqued a little more


[ Click here to read more ]
36
Vote
   


1972 Andes plane crash site and survivors as seen by rescue helicopters
I first read the non-fiction book Alive: The Story of the Andes Survivors by Piers Paul Read during high school holidays one summer. It was a powerful and chilling read and the book and its photos have remained etched in my mind ever since. Years later I saw the Hollywood movie Alive (1993), based on the book, and as effective as parts of it were, it didn’t come anywhere near the dark haunting profundity of the book (of note: there was a Mexican exploitation flick made in 1976 which was renamed Survive! for American audiences).

Now, more thirty-five years after the tragedy a definitive documentary has been produced, and it’s a tour-de-force of harrowing poetic imagery and raw immediate emotion. Stranded, conceived and directed by Gonzalo Arijon, screening as part of the 55th Sydney Film Festival who is a friend and neighbour of the survivors (all of whom have chosen to remain living in close proximity to each other in the Uruguayan community they were raised in), tells a terrible true tale of bone-numbing grief and utter depair, and of extraordinary courage and extreme bravery. It is a testament to faith in the human spirit


[ Click here to read more ]
119
Vote
   


The Square

June 17th 2008 00:55
The Square official site artwork
It follows more along the crooked lines of a modern noir than a horror, but it is most definitely a nightmare movie; it even features a couple of brief, but nerve-jangling actual nightmares for the central character. Sydney-based director Nash Edgerton’s debut feature, The Square (2008), is a highly accomplished genre-piece that smirks and slaps in all the right places. It’s one of only twelve features in the 55th Sydney Film Festival that are part of its new international competition. The Square ticks all my boxes!

The Square David Roberts and Claire van der Boom
David Roberts as Raymond and Claire van der Boom as Carla
Raymond Yale (David Roberts) is a middle-aged foreman on a construction site. He’s married, but he’s having an affair with his much younger neighbour, Carla Smith (Claire van de Boom), who’s married to criminal Greg. The adultery is adding anxiety to Raymond’s already stressful work load. Carla discovers Greg has stashed a duffle bag full of cash in the ceiling of the laundry, obviously stolen. Carla makes the decision to steal the loot and makes Raymond an ultimatum; they should run away together, but her house needs to burn to the ground in order to hide the theft of the money. Raymond baulks initially, but when Carla breaks off the affair, he realises he’s in too deep, and so the dominos start to fall


[ Click here to read more ]
87
Vote
   


A Very British Gangster

June 16th 2008 09:34
A Very British Gangster movie poster
Investigative undercover journalist and documentary filmmaker Donal MacIntyre has made a thoroughly compelling and rather intriguing portrait/case study of notorious Manchester criminal Dominic Noonan (an ex-pat Irishman who changed his name by deed poll to the anagram Lattlay Fottfoy, which stands for Look After Those That Look After You, Fuck Off Those That Fuck Off You). Yes, Noonan’s a charming fellow.

A Very British Gangster (2007) screening at the 55th Sydney Film Festival is ultimately less about Noonan and his extended clan and more about the dire situation that is the world we live in, or to be precise, the Madchester I’m glad I don’t live in! The poor part of Manchester where Noonan was born and raised is a rough and very dangerous place. There are even feral kids which has urged director MacIntyre to delve further into that particular social disease, but that’s another story


[ Click here to read more ]
50
Vote
   


Kurôzu zero (Crows: Episode 0)

June 12th 2008 00:26
Crows: Episode 0 movie poster
I’m a big fan of Japanese lunatic director Takashi Miike. I’ve only seen a handful of the dozens of features he’s made, but I like what I’ve seen. In the 55th Sydney Film Festival there are two new Miike movies; the first which screened was Crows: Episode 0 (2007); what appears will be a series of movies about gangland - high school style. The second is Sukiyaki Western Django (his first English-language film which screens tonight).

Crows is not strictly a horror movie, but there is a dark, urban nightmarish, ultra-violent edge to the movie which makes it suitable material for my blog. Unfortunately I am unable to make the screening of Miike’s spaghetti-sushi western, but fellow movie Orble Cibbuano promises to tackle that one


[ Click here to read more ]
72
Vote
   


Pen Choo Kub Pee (The Unseeable)

June 11th 2008 00:33
The Unseeable movie poster
From respected Thai director Wisit Sasanatieng (Tears of the Black Tiger), and playing as part of the 55th Sydney Film Festival, comes a languid ghost story, The Unseeable (2006), set in a haunted house on the outskirts of 1930s Bangkok.

Young pregnant peasant woman, Nualjan (gorgeous Siraphun Warranajinda), arrives at a grand house, surrounded by lush green gardens, looking for work and shelter. Her husband had left on a mission and never returned. Although the housekeeper, the older Miss Somjit (Tassawan Senewong) is very strict and rather menacing, Nuan quickly finds an ally in sympathetic maid Choy (Visa Konska


[ Click here to read more ]
84
Vote
   


Donkey Punch

June 10th 2008 01:50
Donkey Punch movie poster
I do like a movie that skillfully works a low-budget. Donkey Punch (2008), which played at the 55th Sydney Film Festival, is fresh from Warp-X, set-up to produce cheap, but effective and commercially successful movies. It’s a horror-thriller that plays aggressively with numerous conventions. It’s not a wholly surprising movie, and it’s not that scary, but the production values and performances of its young, good-looking cast are solid, which lifts its game higher than a lot of the other flotsam and jetsam out there.

Three spunky girls from Leeds, England, are holidaying (read: partaying) in sun-bleached Mallorca, Spain. Lisa (Sian Breckin) and Kim (Jaime Winstone, daughter of Ray) are keen for their friend Tammi (Nicola Burley) to forget her recent break-up, so they can all let their hair down (and their bikinis to follow!). At a bar they meet three likely lads; matinee idol Josh (Julian Morris), sleazy DJ Bluey (Tom Burke), and newbie Marcus (Jay Taylor


[ Click here to read more ]
62
Vote
   


Fear(s) of the Dark movie poster
The monochromatic animated adult tales in the anthology feature Fear(s) of the Dark playing in the 55th Sydney Film Festival are some of the most inspired work I’ve seen in a long time. Numerous international animator/directors create their own stylistic nightmare realm, which are separated by simple, but striking geometric moving patterns which work as interludes between the stories.

Fear(s) of the Dark
The introductory tale created by Blutch is less a story and more an extended dialogue-free vignette which is broken up over the course of the whole movie. It features a creepy skeletal aristocrat walking his huge ferocious hounds across a landscape and through villages where each hound takes turns savaging some poor victim


[ Click here to read more ]
82
Vote
   


Moderated by Bryn