Read + Write + Report
Home | Start a blog | About Orble | FAQ | Sites | Writers | Advertise | My Orble | Login
 
“The actual world is so shitty that horror is the perfect genre to express the most honest and concrete things … More than ever, horror should embody the absolute escape from the lies of official society. The genre has a great opportunity to be really countercultural again after years of having been softened by the cynical postmodernism of our times.” --- Pascal Laugier

Saturn 3

July 1st 2009 01:52
Saturn 3 movie poster
This tragic piece of cosmic debris holds a special place in my cine heart, and it is a fitting week that I review it, if anything just to pay tribute to the svelte sexiness of Farrah Fawcett, because as a movie Saturn 3 (1980) is not very good. It’s deep trash; hopelessly derivative, with a clunky narrative and dodgy special effects. Yet, I can’t shake the movie. I come back to it periodically, mostly out of curiosity, as the movie has a fascinating history.

The basic plot has Benson (Harvey Keitel), a psychopath on a mission, killing Captain James (Douglas Lambert) gruesomely (with little regard for plausibility), then impersonating the astronaut. He travels to Saturn 3 (is it an asteroid or is it Titan, it’s never made clear) with his large trusty canister (which, inexplicably, wasn’t sucked out into space in the bizarre locker-room-cum-airlock). Upon arrival he introduces himself to the two neo-hippie scientists in charge of a large hydroponic research station (Earth is over-populated and food is now being sourced off-world); Adam (Kirk Douglas) and his partner Alex (Farrah Fawcett). There’s also Alex’s mutt, Sally, and a couple of service robots in the facility.
Saturn 3 Farrah Fawcett
Farrah Fawcett as Alex
While contact with Earth is blocked due to a 22-day eclipse, Benson aka James makes immediate lustful eyes for Alex (hey, who wouldn’t?) and repeatedly tries, in the most uncouth and vain manner, to get into Alex’s jumpsuit, much to Adam’s restrained chagrin. While he bides his time Benson assembles and initiates the helper, Hector, the first in the "Demi-God" series of robots. Hector is an eight-foot tall humanoid hulk with red and blue liquid in tubing running from foot to head (well, actually Hector doesn’t have a head, instead a pair of electric eyes on a swivel-stick), and metal casing protecting the canister Benson brought with him which is revealed to hold a massive amount of brain tissue taken from fetuses – thus perfect for programming. However, Benson prefers to have Hector operate from direct input; a flesh-jack at the base of Benson’s neck (the so-called cortical stack, if you’ve read the brilliant sf novel Altered Carbon), thus Benson communicates and instructs Hector, brain to brain.
Saturn 3 Kirk Douglas
Kirk Douglas as Adam
Of course this means Hector is infused with Benson’s unhinged, homicidal nature, so it isn’t long before Hector is on the rampage and although Benson is accountable, the huge whirring killer-bot is out of his control. First to go is Sally. Adam manages to knock Hector out of commission, and pulls rank (he’s a Major, and believes Benson to be Captain James), ordering Benson to dis-assemble Hector and return to Earth. But Hector's brain uses a bit of “Bluetooth” hanky-panky and instructs the service robots to re-assemble the parts. Then it’s back to the terrorising game.
Saturn 3 Harvey Keitel
Harvey Keitel as Benson
Saturn 3 was the project of legendary production designer John Barry (Star Wars, Superman), who envisioned a lush and dark precautionary tale of the future. He provided the story and was the movie’s initial director. However the budget was cut back during production because of spiraling costs on Raise the Titantic! (from the same film company). According to imdb Barry was fired after creative disputes with Kirk Douglas, however I’ve also read that it was Barry's untimely death during production that led to legendary director Stanley (Singin' in the Rain) Donen take over. Donen apparently wanted to downplay the exploitation elements of the movie, so unfortunately a couple of intense scenes were cut before release: Adam and Alex killing Benson in a fantasy sequence (possibly after dropping the classic Blue Dreamer pills) and a rather gory sequence where Hector dismantles Benson’s body, which would explain the memorable shot of Hector with Benson’s severed head slotted over his/its own swivel-stick head.
Saturn 3 departure lounge
Catwalk fashion production or spacecraft departure foyer?
Saturn 3 Douglas Lambert
Captain James suited up, about to die
The last quarter of the movie is incredibly clunky and the ending is very abrupt. There’s also a big jump in the narrative time-line which leaves the viewer going “Huh?”. With seven assistant directors and six assistant editors I can’t help but wonder what the movie’s original rough cut was like; no doubt far more interesting, visceral and dramatic. The screenplay was penned by renowned British author Martin Amis, although you certainly wouldn’t pick it.
Saturn 3 Harvey Keitel, Farrah Fawcett, Kirk Douglas
Benson introduces Alex and Adam to Hector
However, for all the dodgy parts of the movie there are elements that are intriguing, even cool. While the opening spacecraft sequence is shamelessly lifted wholesale from Star Wars, the font used for the title which precedes it is way funky. Benson’s approach to the asteroid/moon is B-grade indeed, but the decontamination chamber effect is visually striking. Adam and Alex’s outfits - costumes really - are risible (Farrah’s wardrobe and hair design is lifted straight from the pages of Vogue, yet her character is meant to be entirely naïve), yet Benson’s green spacesuit is very cyber-industrial-chic. The design of Hector, apparently inspired by the drawings of Da Vinci, is creepy and menacing, but unfortunately the “metal” is about as plastic-looking as you can get.
Saturn 3 Harvey Keitel, Farrah Fawcett
Benson instructs Hector to remove a live chip from Alex's eye
There are only three main actors (if you don’t count Douglas Lambert’s token appearance), and the performances are uniformly horrible. Not surprisingly the movie was nominated for three Golden Raspberry awards: Worst Actor (Douglas), Worst Actress (Fawcett) and Worst Movie. Kirk Douglas pulls more ridiculous facial expressions than a clown, Farrah spends more time delivering a wimpy “Uh” or “Oh” rather than her soft-spoken drivel, while Harvey Keitel appears to be sleepwalking, and, very oddly, had his voice re-dubbed by British actor Roy Dotrice. Curiously there is no complete cast list credited at the end of the movie, so Douglas Lambert is never credited, and the poor fool who stumbled around inside Hector was never given due credit.
Saturn 3 Kirk Douglas, Farrah Fawcett, Harvey Keitel
Adam challenges Hector to a game of chess
Saturn 3 Kirk Douglas
Adam gets down and dirty ...
Still, Elmer Bernstein’s score is okay, and hey, you get to see a brief glimpse of Farrah’s lovely naked breast, and then her sumptuous nude body in silhouette (which set my pubescent mind racing when I first saw it)! Mind you, you’re also subjected to 64-year-old Kirk wrestling Harvey buck naked. Yes, Saturn 3 seriously malfunctions, its body dragged around like Achilles did through Troy with the slain body of Hector; Martin Amis throwing a little literary metaphoric weight when he has Adam explain to Alex the connection. The movie was shamelessly trying to capitalise on the horror-sf success of Alien (1979), yet has none of Ridley’s expert command over look, feel, mood, and tone. Some of Hector’s robot moves are impressive executed, and the gore effects, especially the severing of Benson’s hand and Captain James’ demise, are decent, but the rest of the effects are mutton dressed as lamb (crazy to think the movie was released in a 70mm blow-up!)
Saturn 3 Kirk Douglas, Farrah Fawcett
... and Alex is forced to restrain him in her teddy
I think I’ve rambled enough about this piece of space junk. However I only hope one day a special edition gets released with all the deleted scenes, director’s commentary, and Harvey and/or Kirk commentary. It might sound out of place, but the movie deserves better treatment. The DVD I have is a disappointing full-frame, no frills release that has the audacity to put “Screen Classics” on the cover. Bizarre.

Even better; a remake, or should I say re-envisioning, with a bigger cast, and more adult content. I might even start work on a spec screenplay myself!

Here's the original trailer (featuring Farrah in alluring fetish attire, cut from the release):


Saturn 3 French movie poster
Curious French poster

Saturn 3 title credit
Several fonts were used for promotion, but the best was the actual title credit

Saturn 3 tattoo
Alex's ultra-stylish off-world tattoo design

Saturn 3 Farrah Fawcett
Farrah Fawcett R.I.P. 1957 - 2009






73
Vote
   


Otesánek (Little Otik)

June 30th 2009 07:00
Little Otik movie poster
Another strange, grotesque and disturbing tale of domesticity gone horribly wrong from inspired Czech Republic filmmaker Jan Svankmajer, Little Otik (2000) is based on a Eastern European fairytale, albeit one of the darker, grimmer ones, and although mostly live action it does utilise Svankmajer’s penchant for stop-motion weirdness when it comes to depicting the monstrous eponymous child.

When a couple, Karel (Jan Hartl) and Bozena (Veronika Zilková), learn that they cannot bear any children it causes the wife great distress and in denial she pretends she is pregnant. The husband tries to ease his wife’s suffering by presenting her with a pretend infant which he’s fashioned from a large tree root. She takes to it like a suckling to mother’s milk, which only aggravates the problem.
Little Otik Veronika Zilkova
Veronika Zilkova as Bozena
A supernatural turn of events sees the wooden baby come to life and swiftly starts to eat the couple out of house and home. No amount of milk and baby food is sufficient. Then the poor cat is consumed, and little Otik, or Otesánek, as Karel sarcastically calls it (referring to the dark tale), has grown substantially. Soon enough Bozena is making frequent trips to the local butcher and boiling up large hunks of meat to satisfy their insatiable little ‘un.
Little Otik Jan Hartl
Jan Hartl as Karel with Otesánek aka Little Otik
Events take a turn for the worse when the postman and a social worker go missing, and the couple’s neighbour’s become suspicious, especially grumpy veggie caretaker (Dagmar Stríbrná), and precocious young Alzbetka (Kristina Adamcová), who after hearing Karel referring to his child as little Otik, and observing him make a fake phone call to the hospital, makes a connection after reading the ghastly tale of the couple whose conjured baby, Otesánek, eats everything in its path, from its parents, to horses and shepherds, and herds of pigs and sheep. The baby grows to enormous size, and then arrives at a cabbage patch and its fearless grower.
Little Otik Otesánek
Little Otik is a hungry little boy!
Svankmajer’s movies are curious productions. On one hand they’re brilliantly accomplished on what seems like very modest budgets. On the other they often come across as only semi-professional, shot in standard 1:1.33 ratio, with clunky mise-en-scene (curiously he loves close-ups of mouths) and overdubbing. All his movies use post-synch sound, which does provide a heightened sense of the surreal, making the overall atmosphere feel like a dream, or nightmare to be precise.
Little Otik Kristina Adamkova
Kristina Adamkova as Alzbetka
His casting is spot on, and Little Otik features great performances from the female leads; Zilková, Adamcová and Stríbrná. I’d like to say that the actor playing little Otik steals the show, but he’s simply an animated character, but with spindly roots for fingers and toes, a branch knot for a mouth, with a hideous slavering tongue, crooked teeth and single eye that occasionally pops into the mouth to have a gander. The whole visual concept of little Otik is creepy as hell.

Little Otik Jitka Smutna
Jitka Smutna as the insistent social worker
Svankmajer, who also penned the screenplay, adapted the tale from the work of a popular 19th Century Czech author called Karel Jaromír Erben. I’m curious if all his so-called fairytales were as twisted and horrible as Little Otik. Certainly Svankmajer was impressed, and it makes sense since his previous movies have been adaptations of the myth of Faust and Lewis Carroll’s Alice in Wonderland.
Little Otik Little Otik fairytale
The monster baby from the original fairytale
Speaking of Carroll's Alice, I’ve been excited about Tim Burton’s latest project, although I’ve only just discovered he’s not sticking to the original story. He’s calling it Tim Burton’s Alice in Wonderland, which doesn’t sit well with me, since he screwed around with Planet of the Apes and it turned out miserably. But more on Burton’s version of Wonderland further down the track.

Here's the trailer (American, but don't let it bother you):


Little Otik DVD is courtesy of Siren Visual, many thanks!
84
Vote
   


Splinter

June 24th 2009 01:39
Splinter movie poster
I missed the screening of Splinter (2008) at the recent A Night Of Horror international film festival here in Sydney. It turned out to win three festival awards; Best Actor (Shea Wigham), Best Special Effects and Best Film. I ended up ordering the DVD from the States, I couldn’t wait for a local release (who knows when that could happen).

I was very impressed indeed. It’s a relatively conservative affair; set almost entirely in and around a lone Oklahoma gas station, with a cast of only six actors, and a running time of just over 80 minutes. But it makes up for its budgetary constraints with a tight script, solid acting from a charismatic cast, and inventive special effects that skillfully blend good old fashioned gruesome prosthetic appliances and sly CGI work. There’s plenty of dark blood and bodily goo, and a few sensationally wince-inducing moments.
Splinter Paulo Costanzo, Jill Wagner, Shea Wigham
Paulo Costanzo as Seth, Jill Wagner as Polly and Shea Wigham as Dennis
Seth (Paulo Costanzo), a wimpy biology thesis student, and his spunky girlfriend Polly (Jill Wagner) pull off the road to set up tent for a romantic sex-under-the-stars weekend, but Seth accidentally breaks the tent. He was more keen on a motel anyway, so much to Polly’s disappointment, they head back out on the road. Next thing they know they’ve been carjacked by a dangerous escaped convict Dennis (Shea Wigham) and his strung-out meth addict girlfriend Lacey (Rachel Kerbs).
Splinter parasite victim
Not what you want to find in the gas station toilet
After running over some very strange roadkill which freaks Lacey and Seth out and causes an oil leak, the two couples are forced to pull into a gas station for fuel and repairs. The lone station attendant is nowhere to be found. Well, actually, Lacey discovers him on the floor in the outside toilet, looking decidedly worse for wear covered in blood and gore, with huge black spikes protruding from him, begging to be killed. Something very nasty is going on, and it’s about to get a whole lot worse.
Splinter hand
Dance of the parasitic hand
Splinter is a monster movie that pulls influences from a variety of classic and not-so-classic horror movies. The first that came to mind was Prophecy (1979), suggesting chemical interference with the land has resulted in a mutant form of parasite, in this case a voracious and relentless creature that turns living beings into ghastly, hideous mutilated hosts that are still alive, but no longer human. There is also inspiration from John Carpenter’s The Thing (1982), where parts of the parasitic creature can be broken off and become their own living entity. There’s actually a direct reference with a severed hand with broken fingers scuttling around the floor, although this was also provoked an unintentional moment of comedy as the scene reminded me of Ash’s severed hand running amok in Evil Dead 2 (1986). This spider-like extremity also reminded me of the face-huggers from Aliens (1986).
Splinter infection
Some splinter infections are worse than others
These overt references don’t hinder the movie though. The screenplay by Kai Barry and Ian Shorr wisely doesn’t try and explain what this monstrous beast is, it simply lets it exist and create havoc and carnage. Even more wisely director Toby Wilkins, a special effects whiz on his feature debut, skillfully directs the camera (along with the terrific editing) so that you never get to linger on the creature long enough. It’s a rapid-moving, limb-failing, splinter-spewing, blood-pissing piece of nightmare flesh and bone. Imagine a xenomorphic parasitic zombie, and you’re close.
Splinter Shea Wigham and Jill Wagner
Dennis and Polly seek shelter in the cool store ... at least there's beer
How Seth, Polly and Dennis manage to fend themselves against this fiendish species is inventive. There’s also a nice touch (prick?) with Dennis receiving a splinter early on (from the roadkill on the tyre of the Toyota), letting the audience in on some bad news that is bound to erupt into worse news later on, as it does, which results in a particularly horrendous amputation (my only gripe being no one would be holding a lucid conversation after that kind of makeshift surgery!)

It’s a shame director Wilkins has gone on to directing a straight-to-DVD production of The Grudge 3 (2009), his talents deserve better than that. I wish I’d seen Splinter on the big screen, I’m pretty sure it will end up on shelves down under. It’s been given an Australian rating (MA), so keep your eyes peeled.
Splinter DVD artwork


Here's the (very average) trailer:

73
Vote
   


Martyrs

June 23rd 2009 02:13
Martyrs movie poster
Supposedly the word “martyr” is derived from the Latin word for “witness”. They are those rare humans that suffer agonizing pain, but will not be broken, finally seeing beyond death into the mysterious void. Does it exist? Only the martyrs know, but none have ever survived to actually relate their experience, their vision.

Until now


[ Click here to read more ]
65
Vote
   


Shadow Of The Vampire

June 18th 2009 00:59
Shadow of the Vampire movie poster
Legend has it that German Expressionist director F.W. Murnau made a Faustian pact with his star Max Schreck whilst filming one of the greatest vampire tales of all-time: Nosferatu: A Symphony of Horror (1922). If we’re to believe the events of Shadow of the Vampire (2000), Schreck was a real vampire whom Murnau believed would infuse his motion picture with an unprecedented level of authenticity and provide its silver (nitrate) lining with a supernatural kudos. In return Schreck would get the neck of his female star Greta … for real.

Director E. Elias Merhige, who made the extraordinary and otherworldly avant garde Begotten (1990) dispatches any overt surrealist touches, in favour of a more conventional style of narrative. However he elicits superbly stylized performances from the entire cast; John Malkovich revels in his usual histrionics, but brings to megalomaniacal life the role of Murnau, a tortured and driven cineaste artiste, but it is Willem Dafoe as Schreck who not only captures the role of Graf Orlock with effortlessness, but as Schreck he brings the man (rather ironically) creepily and passionately alive


[ Click here to read more ]
65
Vote
   


El Rey de la Montaña

June 16th 2009 02:38
King of the Hill movie poster
The international title for this relentless, violent Spanish thriller is King Of The Hill, but I much prefer the literal translation: The King Of The Mountain, as it reminds me less of the U.S. animated comedy series which I was never a fan of. The King of the Mountain commands a darker edge and tone. Mind you I quite like the French title, which translates roughly as The Prey.

Quim (Leonardo Sbaraglia) - yes an odd name for a man - is intending to rendezvous with his girlfriend, although the relationship is strained while h econverses with her from a service station payphone. A beautiful stranger nearby, Bea (Maria Valverde) pricks up her ears, and follows him into the unisex toilets where they have urgent sex. She leaves as quickly as she arrives, stealing his wallet, and drives away. He pursues her, and makes the fateful decision to follow her car up a mountain road


[ Click here to read more ]
67
Vote
   


Død Snø (Dead Snow)

June 15th 2009 04:34
Dead Snow movie poster
Dead Snow (2009) is Norway’s answer to The Evil Dead (1982), although it’s played mostly for laughs, so it’s closer to Evil Dead 2 (1986). Watching it with a packed Sydney Film Festival audience I admit I was caught up in the grotesque hilarity of this zombie spoof, but overall it wasn’t nearly as impressive as I hoped it would be.

A group of young university medical students are on an Easter vacation. They arrive at the cabin belonging to Sara’s folks. In the movie’s prologue we had witnessed a terrified Sara (Ane Dahl Torp) being chased by menacing figures in dark attire and helmets through the snow. Now Sara’s boyfriend Vegard (Lasse Valdal) is sure she’s just been delayed in her alpine trek to rendezvous with the others. A dodgy wanderer (Bjørn Sundquist) bursts upon the hapless students and demands coffee (as you do). He spills forth the local legend harking back to WWII when Nazi soldiers were chased into the mountains by villagers for raping, murdering and pillaging. Evil permeates the region


[ Click here to read more ]
94
Vote
   


Pontypool

June 9th 2009 00:47
Pontypool movie poster
An intellectual zombie flick?! Well, not quite, but Pontypool (2008), which I saw yesterday as part of the Sydney Film Festival, is far more academic in its satirical approach than anything George Romero has made. But it also gets bogged down in its own literate mire, to the detriment of any sustained horror viscera, which an audience demands of a movie that features viral infected flesh-eaters.

Pontypool is a weird little movie indeed, directed by Canadian Bruce McDonald, who has dabbled in the arthouse throughout his career, whilst directing television in order to finance those independent cinematic desires. I remember seeing his early feature, the quirky road movie Highway 61, years ago at a film festival. I couldn’t process his recent experiment The Tracey Fragments, finding it too self-indulgent and avant-garde to work as compelling drama, coming across more as a kind of curious “cinematic installation


[ Click here to read more ]
76
Vote
   


Van Diemen's Land

June 5th 2009 04:51
Van Diemen's Land movie poster
It’s curious that two movies about Alexander Pearce should be made so close to each other. Not a strange thing in Hollywood, but the Pearce movies are not products of Tinseltown, they’re products of Australia, where Alexander Pearce was a penal colony convict in the first half of the 19th Century.

The Last Confession of Alexander Pearce (2009) was a more elaborate telling of the events of Pearce’s incarceration, escape, journey through the dense Tasmanian wilderness with seven other convicts, their demise to cannibalism, Pearce’s re-capture, his second escape (after his story of cannibalism was dismissed as cover-up for the other at large convicts), his capture again, the discovery of a mutilated body close by, and his confession and subsequent execution


[ Click here to read more ]
56
Vote
   


Paranormal Activity

June 4th 2009 00:15
Paranormal Activity movie poster
Holy shit, er, ghost! I haven’t been this spooked for a long, long time. Paranormal Activity (2007) is genuinely frightening, and this is coming from a man who has seen a lot of so-called scary movies. As a hardened terrorfreak I yearn for horror movies that are able to palpably scare the bejesus out of me, it’s an essential part of the exhilaration, but unfortunately it’s also a rare thing for me. There aren’t that many horror movies I’ve seen since being an impressionable teenager that have actually scared me. I can’t use the word terrify, that’s just too strong a word to use in relation to the fabrication of movies, but spook, frighten, scare. Yeah, there have been a few.

When I was much younger Poltergeist (1982) and Alien (1979) did it for me. Later Halloween (1978) and Suspiria (1977) were added to the list. Then there was a long hiatus on the genuine scare front, one that lasted for nearly fifteen years. It wasn’t until I saw an advance DVD copy of The Blair Witch Project (1999) (it had yet to be released in cinemas down under, so the only information I knew about it was the convincing website purporting it to be genuine “found footage”), that I watched a movie that gave me serious heebie-jeebies (I’ll come back to this movie soon


[ Click here to read more ]
67
Vote
   


The Island

June 3rd 2009 00:27
The Island movie poster
Not to be confused with the Michael Bay supertrash sci-fi Scarlett Johansson/Ewan McGregor vehicle of the same name, The Island (1980), directed by Michael Ritchie, is a turgid little shocker screen-written by the late Peter (Jaws) Benchley based on his own novel. When I say "shocker" it may have raised a few eyebrows nearly thirty years ago, but I'm actually referring it as lame as a dead duck in the water.

The Island Jeffrey Frank and Michael Caine
Jeffrey Frank as Justin and Michael Caine as his father Blair
One of the countless pieces of trash Michael Caine has on his resume (whether he likes it or not). Caine is a man with a very strong work ethic. He has some fabulous quotes to justify it: “First of all, I choose the great roles, and if none of these come, I choose the mediocre ones, and if they don't come, I choose the ones that pay the rent.” Then there’s this doozy: “I’ve made an awful lot of films. In fact, I’ve made a lot of awful films.” But he reminds us that, “You get paid the same for a bad film as you do for a good one.” And that’s why Michael Caine is fabulously rich. He doesn’t care that he has more turkeys gobbling around the video store than most A-list actors, he’s a professional, he enjoys his craft, and he likes the money. Still, he’s made a shit load of crappy movies, and The Island is one of many (Anthony Hopkins was first offered the lead, then Caine, who is known to make jokes about the amount of times he’s been second choice


[ Click here to read more ]
85
Vote
   


Bully

June 2nd 2009 05:39
Bully movie poster
Director Larry Clark started his cinematic career as a photographer focusing on the raw sensuality of young pretty wastrels and lost soul nubiles. It garnered him both artistic acclaim and notoriety. He took it to the next level and directed a feature, Kids (1995), made to look and feel like a documentary using mostly non-professional actors and capturing a disturbing urgency and apathy amongst NYC street kids. It featured the debut performances of Chloe Sevigny and Rosario Dawson.

He followed up Kids with an even more controversial expose, Ken Park (1999), which was considered too offensive and too subversive for Australian audiences and was subsequently banned (one of only a handful of contemporary mainstream movies). Even after a concerted effort to have the ruling overturned by respected film critic Margaret Pomeranz, it still remains on the Australian censor’s black list. I haven’t seen the movie, but would like to. Apparently it features scenes of adolescent auto-eroticism that were deemed too dangerous for discerning adults


[ Click here to read more ]
40
Vote
   


Wolf Creek

May 29th 2009 02:23
Wolf Creek movie poster
Arguably the cruelest Australian horror movie of all time, Wolf Creek (2005),Greg Mclean’s stunning debut feature (which he wrote, produced and directed) set a new benchmark for low-budget genre filmmaking down under. Shot on digital HD on a budget of just one million bucks, it made close to five million in the States on opening weekend alone.

It’s 1999, Western Australia, and Ben Mitchell (Nathan Phillips) buys a dirt cheap used car and hooks up with his two British backpacker mates Liz Hunter (Cassandra Magrath) and Kristy Earl (Kestie Morassi). The plan is to travel on the smell of an oily rag through the outback of Australia before the girls fly back home. They party hard the night before and next morning hit the road with hangovers, but in good spirits. These three have fun together, and it even seems Liz has a crush on Ben


[ Click here to read more ]
58
Vote
   


Acolytes

May 28th 2009 01:07
Acolytes movie poster
A seriously good Australian horror-thriller with a seriously nasty edge, Acolytes (2008) is the work of director Jon Hewitt collaborating with screenwriters Shane Krause and Shayne Armstrong on their first feature. It’s a tale of blackmail and revenge, corruption and tragedy all rolled into a tight little serial killer, teen-romance package.

Mark (Sebastian Gregory) and James (Joshua Payne) are at the end of high school. They like a bit of mischief. They share a haunting secret. When Mark discovers a burial spot in the forest, he gets James and his girlfriend Chasely (Hannah Mangan-Lawrence) involved. It turns out to be a makeshift grave with a girl’s body buried. They think they know who the killer is as Mark had spotted the car leaving the scene, so he and James concoct a plan to blackmail the suspected killer (Joel Edgerton) into murdering the pervert bully, Gary Parker (Michael Dorman), who scarred their lives as young adolescents. If only it were that simple


[ Click here to read more ]
83
Vote
   


Dying Breed

May 27th 2009 03:46
Dying Breed movie poster
It might not be the most original premise in the realm of horror, but Dying Breed (2008) is well-made and provides a few tasty morsels of nightmarish grotesquerie that perches it above similar dross. It’s an Australian production set in Tasmania and it plunders those reliable elements: inbreds and cannibalism. It also features the legendary Tasmanian Tiger, an extinct native cat which supposedly might still exist prowling the dense undergrowth of what was once called Van Dieman’s Land.

Directed by newcomer Jody Dwyer, with two other newcomers in acting roles; Mirrah Foulkes and Melanie Vellajo, it also co-stars Leigh Whannell (Saw) and Nathan Phillips (Wolf Creek). The plot has Irish zoologist Nina (Aussie Foulkes doing an impressive accent) traveling to Tasmania to complete her dead sister’s work in hopefully proving the existence of the supposedly extinct Tassie Tiger. Joining her are her boyfriend Matt (Whannell), his obnoxious mate Jack (Phillips) and his girlfriend Rebecca (Vallejo


[ Click here to read more ]
71
Vote
   


Death Race

May 26th 2009 00:21
Death Race movie poster
Probably the trashiest movie of director Paul W.S. Anderson’s illustrious career (I use the word “illustrious” in the loosest possible sense). Death Race (2008) is a remake, or should I say a re-modeling, of cult B movie Death Race 2000 (1975), one of producer Roger Corman’s more entertaining indulgences which co-starred a young Sly Stone as Machine-Gun Joe and David Carradine as hot-shot on a mission, Frankenstein.

In the re-boot-up-the-ass the “2000” has been dropped for obvious dated reasons (the movie had the working title of Death Race 3000, but that was probably considered just a little far-fetched), and many other liberties have been taken with the plot, to the point where only the basic premise remains; a televised race where drivers are encouraged to kill their competition


[ Click here to read more ]
113
Vote
   


Ginger Snaps Back: The Beginning

May 20th 2009 02:35
Ginger Snaps Back movie poster
I'll try to keep this brief. You might feel little pain. I have to be cruel to be kind. Ginger Snaps is a great little werewolf flick; a distinctly feminine edge with a smart sense of humour, and brutal to boot. Ginger Snaps II: Unleashed was a solid sequel; a little more wayward, more introspective, more perverse, but it wasn’t as savage, or as frightening, or as clever, as the first movie.

Ginger Snaps Back: The Beginning (2004) was shot back-to-back with Unleashed (and was released straight-to-DVD), but it pales in comparison. In fact it’s down right anemic, which is a shame, since Katherine Isabelle’s character of Ginger Fitzgerald returns from the sidelines, and she’s a delightfully cynical and feisty wench


[ Click here to read more ]
77
Vote
   


Ginger Snaps II: Unleashed

May 18th 2009 23:19
Ginger Snaps II: Unleashed movie poster
“We can't fight what's in us, B.”
“I'm not like you, Ginger... I'm stronger.”
“Oh really? That's not how I remember you the first fifteen years of your life.

[ Click here to read more ]
88
Vote
   


Poltergeist

May 15th 2009 05:58
Poltergeist movie poster
Two movies that transformed me into a horrorphile; Poltergeist (1982) and Alien (1979), but I can’t remember which movie I saw first. Poltergeist was at the movies, while Alien I saw on VHS (as I was only 11 when the movie was first released, and it was restricted to 16 years and over). Those two movie experiences had a profound effect on me: I was young and impressionable and they were convincing enough to scare me shitless. They’re still very convincing.

Poltergeist, although credited to director Tobe Hooper, who gave us the seminal The Texas Chain Saw Massacre (1974), is actually very much a Steven Speilberg production. In fact Speilberg’s presence was so strong on set that he apparently called many of the shots himself, and was forced to keep only producer’s credit due to union rules. There are definitely Hooper moments, but the technical slickness, some of the geeky humour, and the love conquering evil is very Speilbergian


[ Click here to read more ]
70
Vote
   


The Fly (1986)

May 14th 2009 01:30
The Fly (1986) movie poster
"I'm saying I'm an insect who dreamt he was a man and loved it, but now that dream is over and the insect is awake."

It’s a known fact that I’m a big fan of David Cronenberg. His embrace and melding of sf concepts and visceral horror are unique and brilliant. His remake of The Fly (1950) is no exception. While some critics would accuse Cronenberg of trying to turn something truly base and repulsive into high art, the movie turned out to be the most financially successful and critically-acclaimed movie of his career (it won an Oscar for Best Special Effects), and it also features Jeff Goldblum’s best ever performance


[ Click here to read more ]
80
Vote
   


Moderated by Bryn
Copyright © 2006 2007 2008 On Topic Media PTY LTD. All Rights Reserved. Design by Vimu.com.
On Topic Media ZPages: Sydney |  Melbourne |  Brisbane |  London |  Birmingham |  Leeds     [ Advertise ] [ Contact Us ] [ Privacy Policy ]