John Carpenter's The Fog
July 31st 2007 01:07
In the small Californian coastal town of Antonio Bay the townsfolk are preparing for their centenary. But a dark secret has been harboured, and on the anniversary of the town’s founding revenge will unfold during the witching hour.
One hundred years earlier, on April 21st, a wealthy leper Blake bought a vessel, Elizabeth Dane, and sailed toward Antonio Bay to build a colony. But while crossing a fog in Spivey Point they were misguided by a campfire onshore, the ship crashed on the rocks drowning all six onboard and Blake’s gold was stolen by the township’s conspirators.
Father Robert Malone (Hal Holbrook) finds the hidden journal of his grandfather in the wall of his church, and discloses that not only was Antonio Bay built with Blake's gold, but furthermore, one of the conspirators was his grandfather. It seems the planned festivities will be a travesty.
It is midnight and a fog bank is rolling into Antonio Bay. Disc jockey Stevie Wayne (Adrienne Barbeau), alone in her lighthouse radio studio, has got the fear. And so has Nick Castle (Tom Atkins) and Elizabeth Solley (Jamie Lee Curtis) who have become involved after checking out an abandoned fishing trawler. Kathy Williams (Janet Leigh, Jamie's real-life mother), the town mayor, and her assistant Sandy (Nancy Loomis) fill out the ensemble cast.
Co-writer and director John Carpenter, along with co-writer and producer Debra Hill were riding high on the unprecedented success of Halloween (1978). They were given a million bucks to make The Fog (1980), and the result is one of the more curious horror movies of its time.
Carpenter and Hill set out to make an old fashioned ghost story, harking back to the movies of the 40s and 50s, an inspired by such magazines as the trashy Tales from the Crypt series, which often featured the undead rising from some putrid existence to seek vengeance on the unsuspecting.
The problem was horror audiences at the time were being bombarded by splatter movies. Stalk’n’slash flicks were becoming a dime a dozen (ironically, they’d been spearheaded by Halloween). The Fog, however, wasn’t all that violent, and certainly wasn’t gory. It relied more on a persistent atmosphere of dread and foreboding and the creeping unknown. In fact Carpenter was forced to re-shoot many scenes and add in more shock effects to up the ante prior to its release, simply because it just wasn’t that scary.
And unfortunately The Fog isn’t that scary. Certainly not if you compare it to the movies Carpenter made either side of it (Halloween and The Thing). But The Fog works it's own salty charm in other ways. As a subtle ghost ride, playing on those more child-like fears of shadows and silhouettes, a sense of isolation and, or course, the superbly effective tendrils of the fog itself, literally a “character” in its own right.
Watching the movie again for the first time in over twenty years I expected it to be as tame and underwhelming as a television Sunday Playhouse. I was pleasantly surprised. The Fog has aged rather well, if you take on board that it was never intended to be the uber-dark adult scare-fest which many had anticipated after being so brutally assaulted with fear and menace by Halloween. The Fog is more character-driven and its key element is the supernatural. To set this theme in stone Carpenter quotes Edgar Allen Poe at film’s start, probably one of my favourite quotations of all time (and one I use on my homepage); “Is all that we seem or seem but a dream within a dream?”
The DVD sports a beautiful transfer, and the glowing fog effects look sensational. There are two excellent featurettes definitely worth checking out; one made in 1980 with Carpenter, Hill, Jamie Lee Curtis and Janet Leigh, and the other made in 2002 with Carpenter, Hill, Leigh, cinematographer Dean Cundey (terrific work from him), and production designer and editor Tommy Wallace. The comparative comments are fascinating.
A very young Rob Bottin (pre-The Howling and The Thing) plays lead pirate ghost Blake, and young Carpenter himself has a brief cameo in the movie’s opening scene with Father Malone.
The Fog quietly reverberates. It doesn’t grab you by the throat and throttle the living daylights out of you, but many of its vivid images linger in the mind, like the dense fog creeping up into the mainland, bringing its vengeful cargo closer and closer. The whole movie reminded me of the kinds of moody, supernatural undead tales of the late great Italian shlockmeister Lucio Fulci, especially with Carpenter’s excellent electronic score, which was definitely a highlight.
Here is the original theatrical trailer:
One hundred years earlier, on April 21st, a wealthy leper Blake bought a vessel, Elizabeth Dane, and sailed toward Antonio Bay to build a colony. But while crossing a fog in Spivey Point they were misguided by a campfire onshore, the ship crashed on the rocks drowning all six onboard and Blake’s gold was stolen by the township’s conspirators.
Father Robert Malone (Hal Holbrook) finds the hidden journal of his grandfather in the wall of his church, and discloses that not only was Antonio Bay built with Blake's gold, but furthermore, one of the conspirators was his grandfather. It seems the planned festivities will be a travesty.
It is midnight and a fog bank is rolling into Antonio Bay. Disc jockey Stevie Wayne (Adrienne Barbeau), alone in her lighthouse radio studio, has got the fear. And so has Nick Castle (Tom Atkins) and Elizabeth Solley (Jamie Lee Curtis) who have become involved after checking out an abandoned fishing trawler. Kathy Williams (Janet Leigh, Jamie's real-life mother), the town mayor, and her assistant Sandy (Nancy Loomis) fill out the ensemble cast.
Co-writer and director John Carpenter, along with co-writer and producer Debra Hill were riding high on the unprecedented success of Halloween (1978). They were given a million bucks to make The Fog (1980), and the result is one of the more curious horror movies of its time.
Carpenter and Hill set out to make an old fashioned ghost story, harking back to the movies of the 40s and 50s, an inspired by such magazines as the trashy Tales from the Crypt series, which often featured the undead rising from some putrid existence to seek vengeance on the unsuspecting.
The problem was horror audiences at the time were being bombarded by splatter movies. Stalk’n’slash flicks were becoming a dime a dozen (ironically, they’d been spearheaded by Halloween). The Fog, however, wasn’t all that violent, and certainly wasn’t gory. It relied more on a persistent atmosphere of dread and foreboding and the creeping unknown. In fact Carpenter was forced to re-shoot many scenes and add in more shock effects to up the ante prior to its release, simply because it just wasn’t that scary.
And unfortunately The Fog isn’t that scary. Certainly not if you compare it to the movies Carpenter made either side of it (Halloween and The Thing). But The Fog works it's own salty charm in other ways. As a subtle ghost ride, playing on those more child-like fears of shadows and silhouettes, a sense of isolation and, or course, the superbly effective tendrils of the fog itself, literally a “character” in its own right.
Watching the movie again for the first time in over twenty years I expected it to be as tame and underwhelming as a television Sunday Playhouse. I was pleasantly surprised. The Fog has aged rather well, if you take on board that it was never intended to be the uber-dark adult scare-fest which many had anticipated after being so brutally assaulted with fear and menace by Halloween. The Fog is more character-driven and its key element is the supernatural. To set this theme in stone Carpenter quotes Edgar Allen Poe at film’s start, probably one of my favourite quotations of all time (and one I use on my homepage); “Is all that we seem or seem but a dream within a dream?”
The DVD sports a beautiful transfer, and the glowing fog effects look sensational. There are two excellent featurettes definitely worth checking out; one made in 1980 with Carpenter, Hill, Jamie Lee Curtis and Janet Leigh, and the other made in 2002 with Carpenter, Hill, Leigh, cinematographer Dean Cundey (terrific work from him), and production designer and editor Tommy Wallace. The comparative comments are fascinating.
A very young Rob Bottin (pre-The Howling and The Thing) plays lead pirate ghost Blake, and young Carpenter himself has a brief cameo in the movie’s opening scene with Father Malone.
The Fog quietly reverberates. It doesn’t grab you by the throat and throttle the living daylights out of you, but many of its vivid images linger in the mind, like the dense fog creeping up into the mainland, bringing its vengeful cargo closer and closer. The whole movie reminded me of the kinds of moody, supernatural undead tales of the late great Italian shlockmeister Lucio Fulci, especially with Carpenter’s excellent electronic score, which was definitely a highlight.
Here is the original theatrical trailer:
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Comment by Nickoftime's Sanity Corner
I liked this movie, mainly because I love Carpenters stuff...He can get pretty creepy with his films, but they are well worth the price of admission...
They are always white knuckle movies that make you jump in your seat...
The Fog wasn't as in your face scary as some of his other stuff, but it did leave you with a creepy kind I hate the fog coming in from the ocean kinda feeling...
Great review for a pretty good flick!
Take care,
Nick
Comment by Bryn
Horrorphile
Comment by KylieW
Celebrity Obsession
I can only vaguely recall this film. I remember it being a bit creepy rather than scary, as you say. The fog is very well done. Perhaps I'll check it out one day when I'm feeling a bit nostalgic.
As always a great review
Kylie
Comment by Terry
MysTerry's Mansion
Theatre of the mind
Hurdy Gur
Terry
Comment by Bryn
Horrorphile
Terry, yes, well don't get me started on sequels!!
Comment by JohnDoe
Film & TV on DVD
Comment by Bryn
Horrorphile
Comment by Miswanderlust
Killer Beats
Ramble On
Hipnotherapy
I love this movie. I remember when Adrienne Barbeau was hot and Jamie Lee was still considered womanly. I like the creepy aspect of this movie. I did not consider it horror at the time. I have not seen it in years. I guess I had better give it a re-look!
Mis
Comment by D. Armenta
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Comment by Cibbuano
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Also, Adrienne Barbeau and Jamie Lee Curtis in one movie? Sounds delicious!
Comment by Bryn
Horrorphile
Adrienne was John Carpenter's girlfriend at the time, and don't forget there's Jamie Lee's mom Janet Leigh in the pic too!