The Final Conflict
May 2nd 2007 03:15
“And God shall wipe away all tears from their eyes; and there will be no more death, neither sorrow, nor crying, neither shall there be any more pain: for the former things are passed away.” (Revelation XXI : 4)
In the third Omen film, The Final Conflict (1981), we have Damien in his early thirties now controlling his uncle’s massive multi-national corporation Thorn Industries. Damien is played by Kiwi actor Sam Neill, but the performance lacks any menace whatsoever. Harvey Stephens in The Omen movie commanded a more chilling presence!
This is one of the primary reasons why The Final Conflict doesn’t work. Damien should came across most wicked, cunning and invincible, yet there is no real substance to his master plan. From the get go you know he’s going down. It’s not to say Sam Neill couldn’t have done it better, but he hasn’t got a lot to work with. The absurd screenplay by Andrew Birkin has seven monks from Italy (the same monastery Thorn and Jennings visited in The Omen) each armed with one of the seven stiletto daggers from Megiddo, each dead set on ‘aving a go at killing the Antichrist.
The first monk to attempt an assassination makes a fine mess of things. He manages to sneak into the television studio where Damien is being interviewed by wide-eyed, well-spoken presenter Kate Reynolds (Lisa Harrow), then climbs the rafters above the stage and proceeds to trip, fall and ends up wrapped in burning plastic swinging and screaming back and forth in front of a bemused Damien who spots the prone dagger.
So now Damien must act fast. The Holy Trinity of stars is about to align, signaling the birth of the Nazarene: the Second Coming. Damien’s power will weaken with every day the Christ is alive on Earth, so he commands his apostles and disciples to kill every first born male born between the hours of midnight and 6am on the morning of March 24th (the day of Christ’s return).
Rather oddly the movie was known in Hungary and Germany as Omen III: Barbara’s Baby (perhaps partly as a vague reference to Polanksi’s Satanist horror flick Rosemary’s Baby). Yes, the character of Barbara (Leueen Willoughby), wife of Damien’s personal secretary Dean (Don Gordon) does have an important scene involving their baby who Dean has insisted to a suspicious Damien was born the night of the 23rd and not the morning of the 24th. But to have the movie sub-titled Barbara’s Baby is incredibly tenuous.
WARNING! CONTAINS SPOILERS!
Damien’s plans misfire. The work of the wicked always seems to when you’re up against God, even if your dad is The Desolate One, even if you’re diabolically handsome with the hair parting from Hell. I must say for “the final conflict” Damien put up a damn poor fight. He gets stabbed in the back by only one – not all seven – of the holy daggers by his earnest lover whose kid, Peter (Barnaby Holm), he’s turned … how wrong is that?! God may work in mysterious ways, but he’s conventional at best and downright inconsistent. It seems suffer the children is par for the course when killing the Antichrist.
Director Graham Baker injects absolutely none of the eerie allure of The Omen or the effective callousness of Damien: Omen II. No, there is little style or atmosphere at work in The Final Conflict, instead it’s a hollow and holy, er, wholly unremarkable movie, a shame considering how potent the premise was for this horror trilogy (yes, notice how I completely disregard the fourth tele-movie). At least composer Jerry Goldsmith returned one final time to provide us with familiarly ominous relief.
Of the movie’s actual horror; one death scene – the US ambassador - during the movie’s first 15 minutes is effectively constructed, but the film quickly descends into tedium, with no real suspense. There’s an unintentionally hilarious prayer Damien delivers to his dearest papa in his private sanctuary-cum-“chapel”; “… I want to show man instead the raptures of thy Kingdom, infusing him the grandeur of melancholy, the divinity of loneliness, the purity of evil, the paradise of pain.” Damien clutches the wreath of thorns upon Christ’s head causing his blood to trickle down, thus a red tear upon Christ’s cheek. Ahhh, such clever symbolism!
Damien informs Kate emphatically that he hasn’t the time or inclination for a relationship (apart from owning the same Rottweiler who protected him during the first movie), yet he ends up bedding her with little reason. During this brief “love” scene Damien and Kate are doing it missionary position and Damien pauses. “Keep going, don’t stop!” whispers Kate, at which point Damien promptly turns Kate onto her stomach and starts aggressively taking her from behind, causing her to gasp.
I guess it makes sense the Devil’s son would prefer copulating jackal-style, and copulation is the operative word here, not simply fornication, because the screenplay needs to provide a seed for another movie, of course. Or was it sodomy? The Antichrist would most certainly engage in “unnatural coupling” when he was to do it, so perhaps that look of discomfort on Kate’s face is due to anal penetration? Curiously on imdb.com’s message board this scene has pages and pages of comments and opinions.
There are too many incongruities and holes in the movie’s shroud for The Final Conflict to be taken as a serious End of Times contender. Still, it gave me a few ideas and a title for one of my own horror screenplays, so not all is lost. When they come round to remaking Omen III: The Final Conflict (as it has been re-titled for the current DVD release), it won’t be too difficult to improve upon.
“Behold, the Lion of Judah! The Messiah, who came first as a child, but returns not as a child, but now as King of Kings, to rule in power and glory forever!” … or until a new Antichrist movie is concocted; a biopic of George W. Bush, perhaps?
Here's the original theatrical trailer:
In the third Omen film, The Final Conflict (1981), we have Damien in his early thirties now controlling his uncle’s massive multi-national corporation Thorn Industries. Damien is played by Kiwi actor Sam Neill, but the performance lacks any menace whatsoever. Harvey Stephens in The Omen movie commanded a more chilling presence!
This is one of the primary reasons why The Final Conflict doesn’t work. Damien should came across most wicked, cunning and invincible, yet there is no real substance to his master plan. From the get go you know he’s going down. It’s not to say Sam Neill couldn’t have done it better, but he hasn’t got a lot to work with. The absurd screenplay by Andrew Birkin has seven monks from Italy (the same monastery Thorn and Jennings visited in The Omen) each armed with one of the seven stiletto daggers from Megiddo, each dead set on ‘aving a go at killing the Antichrist.
The first monk to attempt an assassination makes a fine mess of things. He manages to sneak into the television studio where Damien is being interviewed by wide-eyed, well-spoken presenter Kate Reynolds (Lisa Harrow), then climbs the rafters above the stage and proceeds to trip, fall and ends up wrapped in burning plastic swinging and screaming back and forth in front of a bemused Damien who spots the prone dagger.
So now Damien must act fast. The Holy Trinity of stars is about to align, signaling the birth of the Nazarene: the Second Coming. Damien’s power will weaken with every day the Christ is alive on Earth, so he commands his apostles and disciples to kill every first born male born between the hours of midnight and 6am on the morning of March 24th (the day of Christ’s return).
Rather oddly the movie was known in Hungary and Germany as Omen III: Barbara’s Baby (perhaps partly as a vague reference to Polanksi’s Satanist horror flick Rosemary’s Baby). Yes, the character of Barbara (Leueen Willoughby), wife of Damien’s personal secretary Dean (Don Gordon) does have an important scene involving their baby who Dean has insisted to a suspicious Damien was born the night of the 23rd and not the morning of the 24th. But to have the movie sub-titled Barbara’s Baby is incredibly tenuous.
WARNING! CONTAINS SPOILERS!
Damien’s plans misfire. The work of the wicked always seems to when you’re up against God, even if your dad is The Desolate One, even if you’re diabolically handsome with the hair parting from Hell. I must say for “the final conflict” Damien put up a damn poor fight. He gets stabbed in the back by only one – not all seven – of the holy daggers by his earnest lover whose kid, Peter (Barnaby Holm), he’s turned … how wrong is that?! God may work in mysterious ways, but he’s conventional at best and downright inconsistent. It seems suffer the children is par for the course when killing the Antichrist.
Director Graham Baker injects absolutely none of the eerie allure of The Omen or the effective callousness of Damien: Omen II. No, there is little style or atmosphere at work in The Final Conflict, instead it’s a hollow and holy, er, wholly unremarkable movie, a shame considering how potent the premise was for this horror trilogy (yes, notice how I completely disregard the fourth tele-movie). At least composer Jerry Goldsmith returned one final time to provide us with familiarly ominous relief.
Of the movie’s actual horror; one death scene – the US ambassador - during the movie’s first 15 minutes is effectively constructed, but the film quickly descends into tedium, with no real suspense. There’s an unintentionally hilarious prayer Damien delivers to his dearest papa in his private sanctuary-cum-“chapel”; “… I want to show man instead the raptures of thy Kingdom, infusing him the grandeur of melancholy, the divinity of loneliness, the purity of evil, the paradise of pain.” Damien clutches the wreath of thorns upon Christ’s head causing his blood to trickle down, thus a red tear upon Christ’s cheek. Ahhh, such clever symbolism!
Damien informs Kate emphatically that he hasn’t the time or inclination for a relationship (apart from owning the same Rottweiler who protected him during the first movie), yet he ends up bedding her with little reason. During this brief “love” scene Damien and Kate are doing it missionary position and Damien pauses. “Keep going, don’t stop!” whispers Kate, at which point Damien promptly turns Kate onto her stomach and starts aggressively taking her from behind, causing her to gasp.
I guess it makes sense the Devil’s son would prefer copulating jackal-style, and copulation is the operative word here, not simply fornication, because the screenplay needs to provide a seed for another movie, of course. Or was it sodomy? The Antichrist would most certainly engage in “unnatural coupling” when he was to do it, so perhaps that look of discomfort on Kate’s face is due to anal penetration? Curiously on imdb.com’s message board this scene has pages and pages of comments and opinions.
There are too many incongruities and holes in the movie’s shroud for The Final Conflict to be taken as a serious End of Times contender. Still, it gave me a few ideas and a title for one of my own horror screenplays, so not all is lost. When they come round to remaking Omen III: The Final Conflict (as it has been re-titled for the current DVD release), it won’t be too difficult to improve upon.
“Behold, the Lion of Judah! The Messiah, who came first as a child, but returns not as a child, but now as King of Kings, to rule in power and glory forever!” … or until a new Antichrist movie is concocted; a biopic of George W. Bush, perhaps?
Here's the original theatrical trailer:
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Comment by katyzzz
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Comment by Bryn
Horrorphile
Comment by KylieW
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Comment by Bryn
Horrorphile
Yeah, Sam not good in Final Conflict, Sam still wooden, but Possession much much better. I'll review it soon methinks ....
Comment by Damo
For the Sake of Argument
My Apologetics
The concept of the sporn of Satan taking over the world by boring people to death is a terrible concept.
I sw a bit of it on Television years later and said 'Change the channel". Came back to watch the last 5 minutes and spent the rest of the night sleeping soundly knowing that if satans sporn did attack he can be defeated with sharp stick. Too easy.
Just like Godfather 3, I wish they never made it.
Comment by Nickoftime's Sanity Corner
I agree, Sam in Possession was a far better role for him...and far scarier...The final Conflict left much to be desired...
Great review though, as usual!
Take care,
Nick
Comment by Bryn
Horrorphile
Comment by Bryn
Horrorphile
cheers mate, good to hear you've seen Possession, a lot of fans of horror haven't heard of it ... I'll be posting a review in the coming fortnight ...