Shivers
May 22nd 2007 05:06
“Everything is erotic … everything is sexual. You know what I mean? Even old flesh is erotic flesh. Disease is the love of two alien kinds of creatures for each other. Even dying is an act of eroticism. Talking is sexual, breathing is sexual. To even physically exist is sexual.”
Writer/director David Cronenberg’s first commercial feature, Shivers (1975), set the unique tone of many of his films to come: rampant body horror. And despite its production value shortcomings, it’s a remarkably intense and resonant film; a pseudo-intellectual shocker for psycho-sexual deviants.
In the stylish, but sterile, new apartment building Starliner, on an island compound near Montreal, a crazed man (Fred Doederlin) attacks a high school student (Kathy Graham), in what appears to be a sexual assault. He strangles her and then administers crude surgery upon her, slicing her open and pouring acid into her stomach region. It’s a shocking scene in many ways, and was particularly confronting back when the movie was first released!
It turns out the man was a scientist experimenting with a kind of parasite designed to enter the body and replace faulty or diseased organs; however the creation has turned into a monster, and that monster has multiplied ten fold, and while the libidinous chaos riegns the entire apartment complex becomes infected, with the parasites turning the hosts into deranged, homicidal sex-fiends!
Cronenberg wrote and filmed the movie under the B-movie title Orgy of the Blood Parasites. It was first released in Canada as The Parasite Murders, but did much better business under the Canadian-French title Frissons. The film’s executive producers decided to re-title the movie Shivers (the English language translation). In the U.S. the movie was called They Came from Within (tying back in with the B-movie reference).
Shivers was produced for $179,000 (Canadian dollars), and it shows, but Cronenberg was always used his budgets shrewdly, and despite the movie’s low budget constraints, Cronenberg instills a strong intelligence into the movie’s overall themes and conceptual ideas. The tone is serious, despite the absurdity of some of the situations. And the movie’s frenzied finale is a most unsettling and apocalyptic denouement.
The acting is wildly uneven; one of the leads Paul Hampton, who plays Dr. Roger St Luc, is utterly terrible, mumbling his lines and smirking at the most inappropriate moments (was Cronenberg not watching the monitor??), however four of the other support actors manage to cover his performance atrocities; Allan Kolman (billed as Alan Migicovsky) as Nicolas Tudor, whom spends the majority of the film in a parasitic-induced stupor, yet still out-performs Hampton!
Lyn Lowry plays nurse Forsythe (recognisable from her role as a hooker victim in the 1982 remake of Cat People) who manages to survive for much longer than one anticipates. Joe Silver has one of those craggy faces and voices you can’t help but empathise with. He plays Rollo Linsky, who understands the situation better than anyone else (doesn’t help the poor bastard though, he suffers terribly for his savvy), and Barbara Steele, famous from Mario Bava’s Black Sunday (1961) plays resident lush Betts.
Joe Blasco’s use of the bladder prosthetic effect pioneered by Dick Smith in The Exorcist (1973) is used to great effect in Shivers with convincing shots of Nicolos Tudor’s pulsating naked hairy torso, apparently Smith was genuinely alarmed when he first saw the movie, as it become obvious that Blasco had invented the same procedure almost at the same time as he.
Shivers is a most interesting movie in that it has spawned numerous similar-themed movies; that of an alien-like infection transporting itself from body to body via human orifices (sexually-charged symbolism) and resulting in a plague of corrupt flesh. At one festival Cronenberg was accused of ripping off Alien (1979), until he bluntly stated that Shivers has filmed five years earlier. Even Martin Scorsese has expressed how impressed, yet utterly disturbed he was by the film’s suggested cataclysmic end (28 Days Later anyone …?)
In a recent Fangoria article it was mentioned that an upcoming film production company has secured the rights for a remake. Now, you know how uptight I get about remaking cult classics, yet I can appreciate the possibility of remaking Shivers, mostly because the performances could be much stronger, and with special effects where they’re at these days, the slug-turd parasites and general bloodletting could be engineered a lot more convincingly. But whoever directs the remake must throw caution to the wind, as Shivers is not for the easily offended, its subversive vampire-like shenanigans must employ a bite bigger than its bark.
Here's an original teaser trailer:
Writer/director David Cronenberg’s first commercial feature, Shivers (1975), set the unique tone of many of his films to come: rampant body horror. And despite its production value shortcomings, it’s a remarkably intense and resonant film; a pseudo-intellectual shocker for psycho-sexual deviants.
In the stylish, but sterile, new apartment building Starliner, on an island compound near Montreal, a crazed man (Fred Doederlin) attacks a high school student (Kathy Graham), in what appears to be a sexual assault. He strangles her and then administers crude surgery upon her, slicing her open and pouring acid into her stomach region. It’s a shocking scene in many ways, and was particularly confronting back when the movie was first released!
It turns out the man was a scientist experimenting with a kind of parasite designed to enter the body and replace faulty or diseased organs; however the creation has turned into a monster, and that monster has multiplied ten fold, and while the libidinous chaos riegns the entire apartment complex becomes infected, with the parasites turning the hosts into deranged, homicidal sex-fiends!
Cronenberg wrote and filmed the movie under the B-movie title Orgy of the Blood Parasites. It was first released in Canada as The Parasite Murders, but did much better business under the Canadian-French title Frissons. The film’s executive producers decided to re-title the movie Shivers (the English language translation). In the U.S. the movie was called They Came from Within (tying back in with the B-movie reference).
Shivers was produced for $179,000 (Canadian dollars), and it shows, but Cronenberg was always used his budgets shrewdly, and despite the movie’s low budget constraints, Cronenberg instills a strong intelligence into the movie’s overall themes and conceptual ideas. The tone is serious, despite the absurdity of some of the situations. And the movie’s frenzied finale is a most unsettling and apocalyptic denouement.
The acting is wildly uneven; one of the leads Paul Hampton, who plays Dr. Roger St Luc, is utterly terrible, mumbling his lines and smirking at the most inappropriate moments (was Cronenberg not watching the monitor??), however four of the other support actors manage to cover his performance atrocities; Allan Kolman (billed as Alan Migicovsky) as Nicolas Tudor, whom spends the majority of the film in a parasitic-induced stupor, yet still out-performs Hampton!
Lyn Lowry plays nurse Forsythe (recognisable from her role as a hooker victim in the 1982 remake of Cat People) who manages to survive for much longer than one anticipates. Joe Silver has one of those craggy faces and voices you can’t help but empathise with. He plays Rollo Linsky, who understands the situation better than anyone else (doesn’t help the poor bastard though, he suffers terribly for his savvy), and Barbara Steele, famous from Mario Bava’s Black Sunday (1961) plays resident lush Betts.
Joe Blasco’s use of the bladder prosthetic effect pioneered by Dick Smith in The Exorcist (1973) is used to great effect in Shivers with convincing shots of Nicolos Tudor’s pulsating naked hairy torso, apparently Smith was genuinely alarmed when he first saw the movie, as it become obvious that Blasco had invented the same procedure almost at the same time as he.
Shivers is a most interesting movie in that it has spawned numerous similar-themed movies; that of an alien-like infection transporting itself from body to body via human orifices (sexually-charged symbolism) and resulting in a plague of corrupt flesh. At one festival Cronenberg was accused of ripping off Alien (1979), until he bluntly stated that Shivers has filmed five years earlier. Even Martin Scorsese has expressed how impressed, yet utterly disturbed he was by the film’s suggested cataclysmic end (28 Days Later anyone …?)
In a recent Fangoria article it was mentioned that an upcoming film production company has secured the rights for a remake. Now, you know how uptight I get about remaking cult classics, yet I can appreciate the possibility of remaking Shivers, mostly because the performances could be much stronger, and with special effects where they’re at these days, the slug-turd parasites and general bloodletting could be engineered a lot more convincingly. But whoever directs the remake must throw caution to the wind, as Shivers is not for the easily offended, its subversive vampire-like shenanigans must employ a bite bigger than its bark.
Here's an original teaser trailer:
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Comment by Damo
For the Sake of Argument
My Apologetics
Comment by KylieW
Celebrity Obsession
Great review by the way
Comment by Bryn
Horrorphile
Kylie, Shivers and Rabid (1977) would make a great Cronenberg double bill! Scope 'em out!
Comment by Damo
For the Sake of Argument
My Apologetics
I stand corrected
Comment by charliesgirl_992000
Histeries, Mysteries and what not
Lifes little slices
Mystical Creativity
Tammy
Comment by Ruby
The Rubik's Cube
Comment by Competitionqueen.com
Comment by Bryn
Horrorphile
Comment by Bryn
Horrorphile
Comment by Miswanderlust
Killer Beats
Ramble On
Hipnotherapy
To me this movie... was a compulsive watch... so much gore, zombie like sexual deviants, but compelling...could not look away or turn it off... An OCD nightmare.
Mis
Comment by Nickoftime's Sanity Corner
really liked this movie even though I thought it was sorta "B" grade gore and perversion...
Just my type of entertainment!
LOL
Great review!
Take care,
Nick
Comment by JohnDoe
Film & TV on DVD
Shivers is Unnerving, moody and unforgettable, I love its more complex concepts.
Comment by Bryn
Horrorphile
Comment by Ruby
The Rubik's Cube
Comment by Bryn
Horrorphile