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“Monsters do exist; in us and among us. They walk in our shadow. They can prey on us more as we fear them less. We should know. We created them.” --- George A. Romero

Kitchen Sink

June 20th 2007 06:45
Kitchen Sink
One of my favourite short films is a New Zealand horror movie written and directed by Alison McLean called Kitchen Sink (1989). McLean would go on to direct the intriguing slow burn thriller Crush (1992, no, not the Alicia Silverstone one), and later the Billy Crudup hippie flick Jesus’ Son.

Kitchen Sink owes much in look and feel to David Lynch’s Eraserhead (1976), yet still manages to be completely original. Probably because what it takes from Eraserhead is the atmosphere and mood, rather than any narrative or plot ideas, and there’s the feel of several other culty sf-horror movies lurking in the background.

Theresa Healey in Kitchen Sink
The stunning monochromatic cinematography is by my favourite ex-pat Kiwi, Stuart Dryburgh (he went on to shoot Jane Campion’s superb period drama The Piano), while the pulsating, original thematic score is by cult Kiwi band The Headless Chickens. The art direction is exceptional, as is the use of sound (there’s no real dialogue).

Kitchen Sink plug hole
The premise has a lonely, but attractive young woman (Theresa Healey) cleaning her kitchen when she discovers a hair coming from the kitchen sink plughole. She pulls on it and the hair gets thicker and more hirsute the more she pulls it from the drain. Suddenly she pulls an entire person from the drainpipe. It appears the hair is an umbilical cord attached to a male being of some sort; tiny, baby-like, yet completely covered in hair. The woman is simultaneously repulsed and intrigued by it.

Theresa Healey in Kitchen Sink
She throws it in the rubbish bin at first, but curiosity gets the better of her, so she puts it in the bath and fills the tub with warm water. This of course causes the tiny man to enlarge until he is the size of a full grown man, albeit still covered in hair. The woman is compelled. She shaves the unusual looking man (Peter Tait) from head to toe.

And that’s as much as I’m prepared to tell you.

Theresa Healey and Peter Tait in Kitchen Sink
It’s only 14 minutes long, but it’s a tour-de-force of creepiness, weirdness, and an entrenched tone of unique horror. It pulls together the potent elements of attraction and repulsion, sex and death, and binds them in a nightmare embrace of dark and troubling things. It won Best Short Film in the NZ Film & Television Awards and Audience Award at the Sydney film Festival in 1989.

Kitchen Sink is available on DVD on the Australian Director’s Suite release of Crush, released by Madman Cinema.

I managed to find the movie on youtube, broken into two parts. Enjoy the Darkness from the Land of the Long White Cloud!




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Comments
4 Comments. [ Add A Comment ]

Comment by KylieW

June 20th 2007 07:13
Haven't watched the clips yet, will come back to do that. I'll wait until I'm home to watch it.

But sounds very creepy and weird. Can't wait to watch it

Comment by JohnDoe

June 20th 2007 09:08
Awesome find Bryn,
Great write up...

I never saw this one...will be watching it a little later, when I'm alone at night.


Comment by JohnDoe

June 20th 2007 09:16
Jesus Son is a dominant effort too.

Comment by Bryn

June 21st 2007 08:04
Kylie, yes watch with the lights down low and blow up to full screen, as long as it doesn't lose too much visual clarity.

JD, yeah, I'd plumb forgotten that little doozy! Cheers!

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