Kitchen Sink
June 20th 2007 06:45
One of my favourite short films is a New Zealand horror movie written and directed by Alison McLean called Kitchen Sink (1989). McLean would go on to direct the intriguing slow burn thriller Crush (1992, no, not the Alicia Silverstone one), and later the Billy Crudup hippie flick Jesus’ Son.
Kitchen Sink owes much in look and feel to David Lynch’s Eraserhead (1976), yet still manages to be completely original. Probably because what it takes from Eraserhead is the atmosphere and mood, rather than any narrative or plot ideas, and there’s the feel of several other culty sf-horror movies lurking in the background.
The stunning monochromatic cinematography is by my favourite ex-pat Kiwi, Stuart Dryburgh (he went on to shoot Jane Campion’s superb period drama The Piano), while the pulsating, original thematic score is by cult Kiwi band The Headless Chickens. The art direction is exceptional, as is the use of sound (there’s no real dialogue).
The premise has a lonely, but attractive young woman (Theresa Healey) cleaning her kitchen when she discovers a hair coming from the kitchen sink plughole. She pulls on it and the hair gets thicker and more hirsute the more she pulls it from the drain. Suddenly she pulls an entire person from the drainpipe. It appears the hair is an umbilical cord attached to a male being of some sort; tiny, baby-like, yet completely covered in hair. The woman is simultaneously repulsed and intrigued by it.
She throws it in the rubbish bin at first, but curiosity gets the better of her, so she puts it in the bath and fills the tub with warm water. This of course causes the tiny man to enlarge until he is the size of a full grown man, albeit still covered in hair. The woman is compelled. She shaves the unusual looking man (Peter Tait) from head to toe.
And that’s as much as I’m prepared to tell you.
It’s only 14 minutes long, but it’s a tour-de-force of creepiness, weirdness, and an entrenched tone of unique horror. It pulls together the potent elements of attraction and repulsion, sex and death, and binds them in a nightmare embrace of dark and troubling things. It won Best Short Film in the NZ Film & Television Awards and Audience Award at the Sydney film Festival in 1989.
Kitchen Sink is available on DVD on the Australian Director’s Suite release of Crush, released by Madman Cinema.
I managed to find the movie on youtube, broken into two parts. Enjoy the Darkness from the Land of the Long White Cloud!
Kitchen Sink owes much in look and feel to David Lynch’s Eraserhead (1976), yet still manages to be completely original. Probably because what it takes from Eraserhead is the atmosphere and mood, rather than any narrative or plot ideas, and there’s the feel of several other culty sf-horror movies lurking in the background.
The stunning monochromatic cinematography is by my favourite ex-pat Kiwi, Stuart Dryburgh (he went on to shoot Jane Campion’s superb period drama The Piano), while the pulsating, original thematic score is by cult Kiwi band The Headless Chickens. The art direction is exceptional, as is the use of sound (there’s no real dialogue).
The premise has a lonely, but attractive young woman (Theresa Healey) cleaning her kitchen when she discovers a hair coming from the kitchen sink plughole. She pulls on it and the hair gets thicker and more hirsute the more she pulls it from the drain. Suddenly she pulls an entire person from the drainpipe. It appears the hair is an umbilical cord attached to a male being of some sort; tiny, baby-like, yet completely covered in hair. The woman is simultaneously repulsed and intrigued by it.
She throws it in the rubbish bin at first, but curiosity gets the better of her, so she puts it in the bath and fills the tub with warm water. This of course causes the tiny man to enlarge until he is the size of a full grown man, albeit still covered in hair. The woman is compelled. She shaves the unusual looking man (Peter Tait) from head to toe.
And that’s as much as I’m prepared to tell you.
It’s only 14 minutes long, but it’s a tour-de-force of creepiness, weirdness, and an entrenched tone of unique horror. It pulls together the potent elements of attraction and repulsion, sex and death, and binds them in a nightmare embrace of dark and troubling things. It won Best Short Film in the NZ Film & Television Awards and Audience Award at the Sydney film Festival in 1989.
Kitchen Sink is available on DVD on the Australian Director’s Suite release of Crush, released by Madman Cinema.
I managed to find the movie on youtube, broken into two parts. Enjoy the Darkness from the Land of the Long White Cloud!
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Comment by KylieW
Celebrity Obsession
But sounds very creepy and weird. Can't wait to watch it
Comment by JohnDoe
Film & TV on DVD
Great write up...
I never saw this one...will be watching it a little later, when I'm alone at night.
Comment by JohnDoe
Film & TV on DVD
Comment by Bryn
Horrorphile
JD, yeah, I'd plumb forgotten that little doozy! Cheers!
Comment by backgammon
Comment by Bryn
Horrorphile
It is available as an extra on a DVD release of the director's feature movie Crush available through Madman Cinema
Comment by Bryn
Horrorphile
Firstly Kitchen Sink is not a Hollywood movie, but actually a low-budget first film by a New Zealand woman, Alison McLean. It's certainly not mainstream fodder, with its dark, almost dialogue-free narrative and cinematography. However, like you said it is very haunting, and its imagery, tone and mood linger in the mind long after viewing the short film. And, I certainly agree that horror movies that work best are manifestations of one's fear of the unknown. Have you read or seen much of the work of HP Lovecraft?
Comment by Anonymous
Argh I wonder how they even came up with this twisted idea *shudders*
Watched it in a class full if teenage girls. You can just imagine the sounds if horror!
Comment by Bryn
Horrorphile
Check out Eel Girl too, also by a Kiwi director. Greta stuff!