Hell Night
April 10th 2007 00:35
The title of this early 80s slasher flick refers to the party night that American college students partake in as part of their pledge to the fraternity and sorority campus life. Generally it involves a lot of drinking, practical joking, making out, and all round mischief.
Hell Night (1981)’s premise has four pledges having to spend six hours (until dawn) in spooky Garth Manor, where supposedly the youngest mongoloid son of the ill-fated Garth family still hides out. Twelve years earlier Raymond Garth murdered his wife and two kids, except for young Andrew - who was forced to watch - and then supposedly offed himself.
Marti (Linda Blair), Jeff (Peter Barton), Seth (Vincent Van Patten) and Denise (Suki Goodwin) are the game pledges. And a-hunting we will go. But frat president Peter (Kevin Brophy), the practical joker has some elaborate shenanigans aimed at scaring the bejesus out of the pledges, and he’s helped by Scott (Jimmy Stutevent) and May (Jenny Nuemann). Ghostly lighting apparitions have been rigged throughout the house, despite no internal electricity. It’s all frightfully silly.
This is most definitely a guilty pleasure of mine. The “acting” is uniformly dreadful, the dialogue not much better. There is precious little in the way of bloodletting (although there’s a neat and swift decapitation), and despite the lusty antics going on between Seth and Denise, there is no nudity whatsoever (rather absurdly they cavort about with boxers, bras, panties and suspenders on). Just who was the intended audience director Tom DeSimone had for this movie? But what Hell Night lacks in graphic detail it compensates with some genuinely tense stalking scenes and several well-executed frights.
I hadn’t seen this film since I was about 14 or so, my memory of it being that it was pretty darn scary. Well, the “Boo!”s still worked a treat, much better than most of this period. The scenes in the tunnels under the mansion and in the garden maze around the manor are directed with deft skill, creating a truly palpable atmosphere of fear. This works especially since the audience doesn’t really see the killer until well into the movie’s second half. When hulking Andrew looms over Denise sleeping in the bed (Seth is having a slash), it makes for a superbly ghoulish and nightmarish image.
But the best sequence in the whole film has Jeff sitting by the bed with Marti lying close, the two of them conversing, while in the background the carpet slowly rises into a humanoid shape. I distinctly remember the first time I saw it, everyone in the cinema gasping at that moment (ahhh, the Sunday horror double features at the now demolished Plaza Cinema in Wellington, New Zealand, those were the days …)
Young Linda Blair was Regan in The Exorcist (1973) and The Exorcist II: The Heretic (1977). In Hell Night she’s all grown up, all heaving chest and pudgy-faced and can barely act her way out of a paper bag. Mind you her talent comes across as positively thespian compared to the cardboard performance of Peter Barton (inexplicably he’d have his own television show the following year; The Powers of Matthew Star, while Kevin Brophy played a teenager raised by wolves in the show Lucan). Vincent Van Patten was the son of Dick Van Patten (TV’s Eight is Enough). Sexy unknown pom Suki Goodwin did sweet little else. But I’m not surprised any of these actors had an illustrious career.
Hell Night isn’t in the big league of slashers, but it’s by no means awful. It makes for good Sunday evening popcorn fodder. A few dull moments scattered about, but it’s livened up and given a handful of sharp shock injections with some neat horror grabs. And at least it wasn’t completely ruined by an even cheesier and dire sequel.
Hell Night (1981)’s premise has four pledges having to spend six hours (until dawn) in spooky Garth Manor, where supposedly the youngest mongoloid son of the ill-fated Garth family still hides out. Twelve years earlier Raymond Garth murdered his wife and two kids, except for young Andrew - who was forced to watch - and then supposedly offed himself.
Marti (Linda Blair), Jeff (Peter Barton), Seth (Vincent Van Patten) and Denise (Suki Goodwin) are the game pledges. And a-hunting we will go. But frat president Peter (Kevin Brophy), the practical joker has some elaborate shenanigans aimed at scaring the bejesus out of the pledges, and he’s helped by Scott (Jimmy Stutevent) and May (Jenny Nuemann). Ghostly lighting apparitions have been rigged throughout the house, despite no internal electricity. It’s all frightfully silly.
This is most definitely a guilty pleasure of mine. The “acting” is uniformly dreadful, the dialogue not much better. There is precious little in the way of bloodletting (although there’s a neat and swift decapitation), and despite the lusty antics going on between Seth and Denise, there is no nudity whatsoever (rather absurdly they cavort about with boxers, bras, panties and suspenders on). Just who was the intended audience director Tom DeSimone had for this movie? But what Hell Night lacks in graphic detail it compensates with some genuinely tense stalking scenes and several well-executed frights.
I hadn’t seen this film since I was about 14 or so, my memory of it being that it was pretty darn scary. Well, the “Boo!”s still worked a treat, much better than most of this period. The scenes in the tunnels under the mansion and in the garden maze around the manor are directed with deft skill, creating a truly palpable atmosphere of fear. This works especially since the audience doesn’t really see the killer until well into the movie’s second half. When hulking Andrew looms over Denise sleeping in the bed (Seth is having a slash), it makes for a superbly ghoulish and nightmarish image.
But the best sequence in the whole film has Jeff sitting by the bed with Marti lying close, the two of them conversing, while in the background the carpet slowly rises into a humanoid shape. I distinctly remember the first time I saw it, everyone in the cinema gasping at that moment (ahhh, the Sunday horror double features at the now demolished Plaza Cinema in Wellington, New Zealand, those were the days …)
Young Linda Blair was Regan in The Exorcist (1973) and The Exorcist II: The Heretic (1977). In Hell Night she’s all grown up, all heaving chest and pudgy-faced and can barely act her way out of a paper bag. Mind you her talent comes across as positively thespian compared to the cardboard performance of Peter Barton (inexplicably he’d have his own television show the following year; The Powers of Matthew Star, while Kevin Brophy played a teenager raised by wolves in the show Lucan). Vincent Van Patten was the son of Dick Van Patten (TV’s Eight is Enough). Sexy unknown pom Suki Goodwin did sweet little else. But I’m not surprised any of these actors had an illustrious career.
Hell Night isn’t in the big league of slashers, but it’s by no means awful. It makes for good Sunday evening popcorn fodder. A few dull moments scattered about, but it’s livened up and given a handful of sharp shock injections with some neat horror grabs. And at least it wasn’t completely ruined by an even cheesier and dire sequel.
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Comment by JohnDoe
Film & TV on DVD
Linda Blair really had no choice but to become a horror icon did she?
Comment by Cibbuano
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Comment by yoda76
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;o)
Comment by KylieW
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But it looks like it could be worth revisiting. I love a horror movie that makes me laugh at how bad it is.....while also scaring me.
Comment by Bryn
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