Grimm Love
February 23rd 2007 05:04
It was inevitable that a movie would be made based on the bizarre and altogether nightmarish events that surrounded the life and times of German native Armin Meiwes.
Grimm Love, a German co-production, originally titled Butterfly: A Grimm Love Story, then re-titled Rohtenburg (after Rothenburg, the township Meiwes lived in) has been banned in Germany after courts found that Meiwes individual rights outweighed artistic freedom (he felt his deeds had been wrongly portrayed in the film).
Directed by Martin Weisz, a music clip director of more than 350 promos who has currently helmed The Hills Have Eyes II (released next month) has carved an impressive looking film. The overall, visual tone and atmosphere is dark and oppressive, eerie and dank. The cinematography looks to have been shot on HD video with the colours so muted the film looks to be in a grey-hued black and white.
The story is told in non-linear fashion with a dual narrative; student Katie (Keri Russell) is in Germany working on a thesis about the tryst between two men, Oliver Hartmin (read: Meiwes) played by Thomas Kretschmann and Simon Grombeck (read: Bernd Brandes) played by Thomas Huber, who harboured extreme desires which culminated in a mutual agreement: Grombeck would be eaten by Hartmin.
The truth of the matter is they followed through with their secret agenda. Hartmin (aka Meiwes) was eventually caught and imprisoned. Now fictional character Katie wants to learn the dark truth behind what drove these men to this most outlandish arrangement.
Katie visits the abandoned home of Hartmin (read: Meiwes), breaking, entering and delving into the shadowy depths of the home of the convicted cannibal. Katie’s quest is juxtaposed with Hartmin searching the Internet cannibal sites for a willing and serious victim. Katie learns of the video which Hartmin made of the slaughter. She is compelled to find a copy.
The screenplay by first-timer T.S. Faull is the most disappointing aspect of the movie. While it follows the actual case quite closely at times, it also strays, and it lacks any dramatic climax. The sub-plot of the student doing her own pseudo-investigation is pointless. In fact it’s a sheer waste of time and says very little.
The only interesting element to the student narrative is the pursuit of the snuff footage (Hartin/Meiwes videotaped the entire incident from penis severing through to the butchering of Grombeck’s carcass) which is fuelled by Katie’s morbid curiosity. When she finally views the tape (conveniently - and utterly implausibly – a stranger she contacts through email drops off a bootleg free of charge to her doorstep) she is appalled and distressed, so what does she do? She destroys the videotape. End of story.
It’s as if the filmmakers become shy during the course of the filmmaking. On one level the movie works as a character study of a disturbed childhood and a lonely and psychologically unhinged adulthood. But on another level it fails as a horror movie. The dramatic impact required for subject matter this extreme is simply not there.
Grimm Love played as part of the 2007 Sydney Gay & Lesbian Mardi Gras Film Festival, yet the homosexual subtext of the relationship between Hartmin and Grombeck is barely upon. In reality the two men had sex several times before they finally embarked on their baser odyssey. To be truthful the sex was never that important to either man, however, the inclusion of the movie in this particular festival was altogether very tenuous (just a passing side comment).
The acting is good, especially Kretschmann as Hartmin, while all-American Keri Russell is better than I anticipated (amusingly she’s given lots of black mascara to make her visage more Gothic).
Although the subject matter is macabre and not for the squeamish, the movie itself doesn’t feature any real gore or ultra-violence, the director even shies away from showing the severed penis – surely the movie’s most potent image! More people are likely to have their sensibilities challenged by the film’s verging on monochromatic look and insidiously morose atmosphere.
And as for the title – Grimm Love – another tenuous subtext referring to a young Oliver being read The Brothers Grimm (dark Germanic fairytale authors), which does hold some truth as Armin Meiwes did have a long-standing fondness for Hansel & Gretel and how the witch was fattening them up for her own fiendish culinary exploits.
* the movie poster image was taken from the following wikipedia page:
Rohtenburg
It is licensed under the GNU Free Document License
The other images are courtesy of www.moviereporter.net
Grimm Love, a German co-production, originally titled Butterfly: A Grimm Love Story, then re-titled Rohtenburg (after Rothenburg, the township Meiwes lived in) has been banned in Germany after courts found that Meiwes individual rights outweighed artistic freedom (he felt his deeds had been wrongly portrayed in the film).
Directed by Martin Weisz, a music clip director of more than 350 promos who has currently helmed The Hills Have Eyes II (released next month) has carved an impressive looking film. The overall, visual tone and atmosphere is dark and oppressive, eerie and dank. The cinematography looks to have been shot on HD video with the colours so muted the film looks to be in a grey-hued black and white.
The story is told in non-linear fashion with a dual narrative; student Katie (Keri Russell) is in Germany working on a thesis about the tryst between two men, Oliver Hartmin (read: Meiwes) played by Thomas Kretschmann and Simon Grombeck (read: Bernd Brandes) played by Thomas Huber, who harboured extreme desires which culminated in a mutual agreement: Grombeck would be eaten by Hartmin.
The truth of the matter is they followed through with their secret agenda. Hartmin (aka Meiwes) was eventually caught and imprisoned. Now fictional character Katie wants to learn the dark truth behind what drove these men to this most outlandish arrangement.
Katie visits the abandoned home of Hartmin (read: Meiwes), breaking, entering and delving into the shadowy depths of the home of the convicted cannibal. Katie’s quest is juxtaposed with Hartmin searching the Internet cannibal sites for a willing and serious victim. Katie learns of the video which Hartmin made of the slaughter. She is compelled to find a copy.
The screenplay by first-timer T.S. Faull is the most disappointing aspect of the movie. While it follows the actual case quite closely at times, it also strays, and it lacks any dramatic climax. The sub-plot of the student doing her own pseudo-investigation is pointless. In fact it’s a sheer waste of time and says very little.
The only interesting element to the student narrative is the pursuit of the snuff footage (Hartin/Meiwes videotaped the entire incident from penis severing through to the butchering of Grombeck’s carcass) which is fuelled by Katie’s morbid curiosity. When she finally views the tape (conveniently - and utterly implausibly – a stranger she contacts through email drops off a bootleg free of charge to her doorstep) she is appalled and distressed, so what does she do? She destroys the videotape. End of story.
It’s as if the filmmakers become shy during the course of the filmmaking. On one level the movie works as a character study of a disturbed childhood and a lonely and psychologically unhinged adulthood. But on another level it fails as a horror movie. The dramatic impact required for subject matter this extreme is simply not there.
Grimm Love played as part of the 2007 Sydney Gay & Lesbian Mardi Gras Film Festival, yet the homosexual subtext of the relationship between Hartmin and Grombeck is barely upon. In reality the two men had sex several times before they finally embarked on their baser odyssey. To be truthful the sex was never that important to either man, however, the inclusion of the movie in this particular festival was altogether very tenuous (just a passing side comment).
The acting is good, especially Kretschmann as Hartmin, while all-American Keri Russell is better than I anticipated (amusingly she’s given lots of black mascara to make her visage more Gothic).
Although the subject matter is macabre and not for the squeamish, the movie itself doesn’t feature any real gore or ultra-violence, the director even shies away from showing the severed penis – surely the movie’s most potent image! More people are likely to have their sensibilities challenged by the film’s verging on monochromatic look and insidiously morose atmosphere.
And as for the title – Grimm Love – another tenuous subtext referring to a young Oliver being read The Brothers Grimm (dark Germanic fairytale authors), which does hold some truth as Armin Meiwes did have a long-standing fondness for Hansel & Gretel and how the witch was fattening them up for her own fiendish culinary exploits.
* the movie poster image was taken from the following wikipedia page:
Rohtenburg
It is licensed under the GNU Free Document License
The other images are courtesy of www.moviereporter.net
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