Ex Drummer
June 14th 2007 04:45
Featuring in the “provocateur” section of the 54th Sydney Film Festival is this outrageously provocative movie about all manner of bad behaviour. Ex Drummer (2007) has to be one of the strangest, most compelling and audacious movies I have seen in a long time; the kind of film that would have been either savagely butchered by censors, or banned outright, twenty years ago.
Directed by Koen Mortier, a commercials director helming his feature film debut, and what a startling and inventive film this is. Based on the eponymous cult novel by Dutch author Herman Brusselmans, it’s a co-production between Belgium, Netherlands and Italy (trust the Dutch and the Flemish to join hands in this kind of purely confrontational cinema). This is one dark and very twisted, virtually wretched piece of cinema designed to provoke and outrage, which of course it does in spades. But it’s also infused with a ferocious, volatile intelligence, a kind of socio-political savvy that it almost chokes on, as it delivers one diatribe after another.
Successful author Dries (Dries Venhegen) is approached by three utter misfits – handicapped low-life losers to be more precise – who need a drummer so they can compete at an upcoming battle of the bands. Skinhead singer Koen (Norman Baert) has a lisp and derives great pleasure from assaulting women, before screwing them until there’s blood on the walls, bass player Jan (Gunter Lamoot) has a permanently stiff arm following a traumatic adolescent incident when his mother walked in on him masturbating furiously, and guitarist Ivan (Sam Louwyk) is deaf. Koen and Ivan live in perpetual squalor and harbour bitterness and contempt for their women, while Jan is gay, but he loathes his obese, bald mother (while his father is tied to a bed in a straitjacket!)
After recruiting Dries, who smokes incessantly and announces his own “handicap”: he can’t play drums, the utterly un-fab four form The Feminists, and proceed to offend and upset everything and everyone around them, primarily their own psyches, but partners and family become collateral damage. Streaked with most filthy black humour (one of the competing bands are called Six Million Jews) and filmed in an anarchic and surreal fashion (one character’s home life is upside down … literally, he walks and sleeps on his apartment ceiling). The entire film operates like a crazed and demented intellectual-existential punk movie about anger and acceptance, sex and death (don’t the nihilists just love that combo!)
Ex Drummer is a socio-political horror movie. Not for the easily offended as it sports graphic violence, full frontal nudity (including a threesome scene of actual sex), and intensely politically incorrect humour. What appears to be rampant misogyny from this bunch of maladjusted males (although Dries frequently acts like an asshole, he is supposedly pretending, as we know his preferred existence is his pristine Ostend penthouse and a loyal, adventurous girlfriend) is more misanthropic behaviour than anything else.
The performances are astonishing, the art direction is brilliantly authentic and the camera work is inspired. Still, Ex Drummer might not sound like the most pleasant experience at the movies, but it’s precisely the kind of kick in the ass and balls a jaded cinephile needs in this schizophrenic modern society. Trainspotting eat yer heart out! Bluntly put, like a king-hit, Ex Drummer ROCKS!
Here's the Dutch trailer:
Ex Drummer plays the Sydney Film Festival, Saturday June 23rd 5:15pm at GU George St 1
Directed by Koen Mortier, a commercials director helming his feature film debut, and what a startling and inventive film this is. Based on the eponymous cult novel by Dutch author Herman Brusselmans, it’s a co-production between Belgium, Netherlands and Italy (trust the Dutch and the Flemish to join hands in this kind of purely confrontational cinema). This is one dark and very twisted, virtually wretched piece of cinema designed to provoke and outrage, which of course it does in spades. But it’s also infused with a ferocious, volatile intelligence, a kind of socio-political savvy that it almost chokes on, as it delivers one diatribe after another.
Successful author Dries (Dries Venhegen) is approached by three utter misfits – handicapped low-life losers to be more precise – who need a drummer so they can compete at an upcoming battle of the bands. Skinhead singer Koen (Norman Baert) has a lisp and derives great pleasure from assaulting women, before screwing them until there’s blood on the walls, bass player Jan (Gunter Lamoot) has a permanently stiff arm following a traumatic adolescent incident when his mother walked in on him masturbating furiously, and guitarist Ivan (Sam Louwyk) is deaf. Koen and Ivan live in perpetual squalor and harbour bitterness and contempt for their women, while Jan is gay, but he loathes his obese, bald mother (while his father is tied to a bed in a straitjacket!)
After recruiting Dries, who smokes incessantly and announces his own “handicap”: he can’t play drums, the utterly un-fab four form The Feminists, and proceed to offend and upset everything and everyone around them, primarily their own psyches, but partners and family become collateral damage. Streaked with most filthy black humour (one of the competing bands are called Six Million Jews) and filmed in an anarchic and surreal fashion (one character’s home life is upside down … literally, he walks and sleeps on his apartment ceiling). The entire film operates like a crazed and demented intellectual-existential punk movie about anger and acceptance, sex and death (don’t the nihilists just love that combo!)
Ex Drummer is a socio-political horror movie. Not for the easily offended as it sports graphic violence, full frontal nudity (including a threesome scene of actual sex), and intensely politically incorrect humour. What appears to be rampant misogyny from this bunch of maladjusted males (although Dries frequently acts like an asshole, he is supposedly pretending, as we know his preferred existence is his pristine Ostend penthouse and a loyal, adventurous girlfriend) is more misanthropic behaviour than anything else.
The performances are astonishing, the art direction is brilliantly authentic and the camera work is inspired. Still, Ex Drummer might not sound like the most pleasant experience at the movies, but it’s precisely the kind of kick in the ass and balls a jaded cinephile needs in this schizophrenic modern society. Trainspotting eat yer heart out! Bluntly put, like a king-hit, Ex Drummer ROCKS!
Here's the Dutch trailer:
Ex Drummer plays the Sydney Film Festival, Saturday June 23rd 5:15pm at GU George St 1
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Comment by David
I'm looking forward to the sequel already. Word has it they're going to call it Orble.
David ...
Comment by KylieW
Celebrity Obsession
Wow, that looks insane!! Very cool. I am definitely keeping an eye out for that. I want to see it.
Kylie
Comment by Damo
This sounds just like his life.
Good post
You get extra point for having the word of the week: eponymous.
Comment by Bryn
Horrorphile
David ... word.
Kylie ... yes, insane.
Damo ... fiction is truer than strange.
Comment by Cibbuano
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Comment by Nickoftime's Sanity Corner
sounds like something I'd watch and enjoy the hell out of...lol...talk about a misfit!
Great post!
Take care,
Nick
Comment by Bryn
Horrorphile
Comment by yoda76
The Tube Blog
Awesome.
Comment by JohnDoe
Film & TV on DVD
From what you've said i will really dig this kind of maelstrom of mind...on my list.
Comment by D. Armenta
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What constitutes bad manners?
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Debate Fan
L.A.M.P.
Sounds like my last band...
Comment by Bryn
Horrorphile