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“Monsters do exist; in us and among us. They walk in our shadow. They can prey on us more as we fear them less. We should know. We created them.” --- George A. Romero

13 bloody BRILLIANT movie TITLES

April 17th 2007 04:34
Cannibal Holocaust
As a rule horror movie titles state the bleeding obvious. However sometimes spelling out exactly what the film’s premise is in the title or indicating by the use of a single evocative word can be incredibly effective. With horror the sound of a word in the title, or even the look, can be almost more powerful than the movie itself.

To screenwriters the power of the movie title is paramount, although producers will always fancy exerting their own two cents worth of creative control (often at the expense of credible merit). I like both movie titles where the title hints obscurely at what the movie is about, yet the words alone conjure up all manner of nightmarish images, as well as the here-I-bloody-am-now-prepare- to-be-shit-shock-scared title.
The Texas Chainsaw Massacre
When Tobe Hooper’s 1974 southern buzzin’ cult classic had a re-release during the 90s I remember staring at the marquee from across the street in my hometown of Wellington (New Zealand), those four words emblazoned in the simple dark red lettering across a white background so commonly used on cinema banner facades. How frightening and disturbing the title appeared. I even thought of taking a photo for posterity.

Here are my picks of movie titles which have been so firmly etched in my mind because of their raw intensity, atmospheric mystique, or the sheer power of a single word.

Suspiria
Suspiria (1977)
The title of Dario Argento’s tale of a coven of witches at an exclusive German ballet academy means “sighs” or “whispers” in Italian. It’s onomatopoeic as if the witches themselves are calling from the darkness.

Halloween
Halloween (1978)
John Carpenter’s seminal slasher has arguably one of the most brilliantly effective titles in modern horror history. The events happen over one night: Halloween, which in itself is the night when all evil spirits are released in lieu of All Saints Day (November 1st)

Phantasm (1978)
Don Coscarelli’s mélange of otherworldly weirdness is fully captured in the title which refers to an apparition or spectre. Whenever the letters “ph” are used to pronounce the “f” sound they conjure something a little twisted.
Phantasm

Alien (1979)
Ridley Scott’s space shocker title plays so effortlessly, referring obviously mainly to the extra-terrestrial menace, but also to the entire atmosphere (especially in the planet exploration scenes of the other alien beings’ craft) which is so foreign to these unfortunate space miners.

Here's the ominous slow burn title sequence from that seminal space shocker:


Tenebre
Tenebre (1982)
Another of Dario Argento’s creepy titles, this time translating as “darkness” or “shadows”, it also hints at the mind, the psyche (it’s a perverse psycho-thriller), even sounding bio-scientific in nature, albeit obscurely. The heavily cut American version sported a great title too: Unsane.

Cannibal Holocaust (1980)
Can you put together two more intensely evocative words for a horror movie? I doubt it.

The Howling
The Howling (1981)
Any of the “ing” horror movies sound pretty darn effective (The Changeling, The Shining, The Burning, etc). I particularly like this one as it describes both the sound of the creature menace (werewolves) and a cry of either intense pain or paranoid fear.
Wolf Creek
Wolf Creek (2005)
The word “wolf” is a particularly scary looking and sounding word. Put it with the lonely word “creek” and you have one ominous, creepy and doom-laden title indeed.

Invasion of the Body Snatchers

Invasion of the Body Snatchers (1958)
These next three are three of the finest let’s-spell-it-all-out-in-a-r aw-intense-way. Invasion means violent calculated confrontation and body snatchers just sounds damn scary.

Night of the Living Dead

Night of the Living Dead (1968)
Any title with the word “night” suggests fear or subversion. As for “living dead” … say no more.

The Texas Chainsaw Massacre (1974)
This is probably the most horrifically effective title in modern horror history.

Your Vice is a Locked Room ...
Your Vice is a Locked Room and Only I Have the Key (1972)
This is more of a mischievous, lurid title than the others (a guilty pleasure title you could say), but undeniably effective in conjuring an air of dread and dangerous mystique, and provocatively memorable in a sex-death fashion.

I Spit on Your Grave
This is a nasty sounding title if ever there was one (and a very nasty film it is too). The two words “spit” and “grave” are potent little buggers and combined as a first person statement of intent, the phrase leaves an indelible mark.
I Spit on Your Grave

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Comments
10 Comments. [ Add A Comment ]

Comment by Damo

April 17th 2007 04:45
What about.
Flesh for Frankenstein

Comment by KylieW

April 17th 2007 05:25
Cannibal Holocaust....I love that title!!

Another simple title I've always thought very effective was The Exorcist. When you've got anything related to exorcisms in the title, you know you're usually in for some good fun.


Comment by yoda76

April 17th 2007 09:07
All very good, Bryn. Argento sure is fond of his short titles... and as an Italian speaker, I can assure you that the titles work just as effectively in both languages, albeit in different ways.

Hows about:

Bloodthirsty Butchers...?

;o)

Comment by DuskDevi

April 17th 2007 09:38
...ha ha...excellent!


I remember feeling a chill with 'The Lost Boys'... these guys sure as hell weren't from NeverLand... well, I suppose they were...

And movies titles that are just incongruous .....like 'Pumpkinhead'...I mean come on...not that I'd watch it...


I don't know....anything Wolf is...sexy....
I use Wolf to describe what a GammaMan is

Comment by JohnDoe

April 17th 2007 10:06
Fun post, and what you say is true, a good tuitle goes a long way...

Cronenburg had some quality ones like: Shivers, Rabid, Videodrome, Existenz etc.

The Thing always stuck with me too and Jaws etched itself into the psyche the second it was first uttered..


The title Bloodsucking Freaks always made me smile, as did the film.

The Omen and The Exorcist work well too.



Comment by Cibbuano

April 17th 2007 22:17
Cannibal Holocaust - the title is so compelling, it's perfect.

Actually, I thought The Hills Have Eyes was a good title...

Comment by Vixter

April 17th 2007 23:20
oooo - never heard of I Spit On your Grave before - i don't even like writing it!
Makes you think of the lowest common denominator of being...
Besieds spitting - ewwwwww!

One Titile that always freaks me right out - Children of the corn...I think even if I didn't know what the film was about - it would still be creepy.

Comment by Bryn

April 18th 2007 01:58
Wonderful comments people! And all great additions!
I'd strangely forgotten The Exorcist .. which as a young boy unnerved me as a title ... perhaps it was that "x" in the word ... and the fact that I didn't actually know what an exorcist was ... but it sounded like some kind of nasty creature!
yes, Jaws is superb. And Cronenberg's The Brood is probably my fave of his titles ...
Flesh for Frankenstein is pretty visceral indeed.

Keep 'em comin!

Comment by Anonymous

April 18th 2007 16:18
For some reason, the kind of obscure Don't Play With Dead Things, hits me on two levels. 1) Because it's very similar to many a childhood admonition and 2) it gives a literal conveyance of what's truly Not A Good Idea. Add to all that the concept and well, I'm freaked even before having seen it. Which ultimately has nothing to do with just how effect the title was.

Out of those you mentioned, Halloween and the Americanized Unsane pack the most wallop.

-lilith

Comment by Bryn

April 19th 2007 03:01
lilith, darklovely to see you! yes, Children Shouldn't Play With Dead Things is a fantastic title!!! (I haven't seen the flick either, but know of it, 1972 I think ...)
Daria consistently has great titles ... Inferno, Deep Red, Four Flies on Grey Velvet, and of course Suspiria and Tenebre (aka Unsane).
I like Cat People as a title too ... it conjures both the sensualism and the danger ....

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