Martyrs
June 23rd 2009 02:13
Supposedly the word “martyr” is derived from the Latin word for “witness”. They are those rare humans that suffer agonizing pain, but will not be broken, finally seeing beyond death into the mysterious void. Does it exist? Only the martyrs know, but none have ever survived to actually relate their experience, their vision.
Until now.
Pascal Laugier’s Martyrs (2008), a French/French-Canadian co-production, is a brutal assault on the senses that presents a very dark quest for the perverted uber-wealthy. In some ways the movie is similar to elements of Eli Roth’s Hostel: Part II (2007), both portray a terrible underworld where money and power can let you indulge in your most depraved desires, where victims become pieces of ragged art to an agenda of a truly dark design.
A young adolescent Lucie (Jessie Pham) has managed to escape some kind of dreadful incarceration (a derelict industrial warehouse), where she has been held prisoner and tortured for Gods knows how long. At the rehabilitation centre she is befriended by young Anna (Erika Scott), another victim of child abuse. Neither of them were sexually abused, but Lucie’s captors have remained a mystery. In the room she shares with Anna Lucie is visited upon by a silhouetted female demon figure …
Fifteen years later after Lucie (Mylène Jampanoï) has been released she immediately sets about on her mission of revenge. Anna (Morjana Alaoui) has accompanied her, but doesn’t realise just how intent the psychologically unstable Lucie really is. Lucie arrives at the home of a husband and wife and their teenage son and daughter. Within minutes she has murdered them all with a shotgun. The house is a bloodied mess. Anna, in shock, attempts to dispose of the bodies, not believing that the adult couple was responsible for the crimes Lucie claims.
Lucie is visited again by her demon spectre; a screeching, mutilated, skeletal female that causes Lucie to commit grievous bodily harm on herself with a blade. Anna tries to intervene and save Lucie. Later Lucie discovers a secret passageway in the house leading to an elaborate underground dungeon. It is here that she discovers a female prisoner victim and realises Lucie was telling the truth. But Anna’s nightmare hasn’t even begun.
Martyrs is extremely well-made, which makes the movie incredibly compelling. The acting from the two leads is excellent, especially Jampanoï, the direction and editing are tight, and the production design is impressive. The special effects make-up are okay, but much of the violence is actually far-fetched. It is intensely brutal at times and the execution of it is powerful, but the consequences aren’t realistic. It’s a bone of contention I have when movies portray horrendous ultra-violence, but there's inconsistency. Some victims die plausibly while others manage to escape the kind of serious injuries or bloodletting that would realistically follow. For example, there is no way that such a tiny amount of blood would be released after Lucie slices her arms and throat open with a straight razor. There is no way Anna could survive the kind of facial beating she receives without her jaw being completely shattered.
These irritating elements aside, Martyrs still packs an extraordinary punch, with a real doozy near the end, just when you wonder how on earth the movie can wrap things up. That’s when the ugly truth rears its head and presents you with a startling and rather novel explanation. It’s far-fetched, but in a kind of “theological fantasy” mode it works. Hell, I’m an atheist, what do I know?
Martyrs has been polarising audiences since it was first released last year. It’s been called one of the most ferocious horror movie ever made. I’ve seen more disturbing movies, and I’ve seen far more graphic movies, but Martyrs does capture a very grim realm. There’s a section in the movie’s second half which deals with systematic physical abuse which is arguably the toughest part of the movie to deal with. The extreme horror revelation right near the end, while shocking, isn’t quite as outrageous as I thought it might be, but perhaps that’s because much of what’s come before was pummeling.
I’m making Martyrs sound like an altogether desperately grueling experience, and parts of it are very intense, but the detached presentation of the movie’s second half is masterfully constructed, while the movie’s first half is brilliantly ferocious and at times utterly harrowing. And the movie’s final scene is really rather satisfying, if I may be so bold.
Martyrs proves quite solidly that in the last few years the best horror cinema is coming out of Europe and Scandinavia. Hollywood eats their bloody dust.
NB: The movie is dedicated to Dario Argento. Nice touch.
Here's the French teaser trailer:
Here's the French trailer (no subs, but it's more affecting that way):
Until now.
Pascal Laugier’s Martyrs (2008), a French/French-Canadian co-production, is a brutal assault on the senses that presents a very dark quest for the perverted uber-wealthy. In some ways the movie is similar to elements of Eli Roth’s Hostel: Part II (2007), both portray a terrible underworld where money and power can let you indulge in your most depraved desires, where victims become pieces of ragged art to an agenda of a truly dark design.
A young adolescent Lucie (Jessie Pham) has managed to escape some kind of dreadful incarceration (a derelict industrial warehouse), where she has been held prisoner and tortured for Gods knows how long. At the rehabilitation centre she is befriended by young Anna (Erika Scott), another victim of child abuse. Neither of them were sexually abused, but Lucie’s captors have remained a mystery. In the room she shares with Anna Lucie is visited upon by a silhouetted female demon figure …
Fifteen years later after Lucie (Mylène Jampanoï) has been released she immediately sets about on her mission of revenge. Anna (Morjana Alaoui) has accompanied her, but doesn’t realise just how intent the psychologically unstable Lucie really is. Lucie arrives at the home of a husband and wife and their teenage son and daughter. Within minutes she has murdered them all with a shotgun. The house is a bloodied mess. Anna, in shock, attempts to dispose of the bodies, not believing that the adult couple was responsible for the crimes Lucie claims.
Lucie is visited again by her demon spectre; a screeching, mutilated, skeletal female that causes Lucie to commit grievous bodily harm on herself with a blade. Anna tries to intervene and save Lucie. Later Lucie discovers a secret passageway in the house leading to an elaborate underground dungeon. It is here that she discovers a female prisoner victim and realises Lucie was telling the truth. But Anna’s nightmare hasn’t even begun.
Martyrs is extremely well-made, which makes the movie incredibly compelling. The acting from the two leads is excellent, especially Jampanoï, the direction and editing are tight, and the production design is impressive. The special effects make-up are okay, but much of the violence is actually far-fetched. It is intensely brutal at times and the execution of it is powerful, but the consequences aren’t realistic. It’s a bone of contention I have when movies portray horrendous ultra-violence, but there's inconsistency. Some victims die plausibly while others manage to escape the kind of serious injuries or bloodletting that would realistically follow. For example, there is no way that such a tiny amount of blood would be released after Lucie slices her arms and throat open with a straight razor. There is no way Anna could survive the kind of facial beating she receives without her jaw being completely shattered.
These irritating elements aside, Martyrs still packs an extraordinary punch, with a real doozy near the end, just when you wonder how on earth the movie can wrap things up. That’s when the ugly truth rears its head and presents you with a startling and rather novel explanation. It’s far-fetched, but in a kind of “theological fantasy” mode it works. Hell, I’m an atheist, what do I know?
Martyrs has been polarising audiences since it was first released last year. It’s been called one of the most ferocious horror movie ever made. I’ve seen more disturbing movies, and I’ve seen far more graphic movies, but Martyrs does capture a very grim realm. There’s a section in the movie’s second half which deals with systematic physical abuse which is arguably the toughest part of the movie to deal with. The extreme horror revelation right near the end, while shocking, isn’t quite as outrageous as I thought it might be, but perhaps that’s because much of what’s come before was pummeling.
I’m making Martyrs sound like an altogether desperately grueling experience, and parts of it are very intense, but the detached presentation of the movie’s second half is masterfully constructed, while the movie’s first half is brilliantly ferocious and at times utterly harrowing. And the movie’s final scene is really rather satisfying, if I may be so bold.
Martyrs proves quite solidly that in the last few years the best horror cinema is coming out of Europe and Scandinavia. Hollywood eats their bloody dust.
NB: The movie is dedicated to Dario Argento. Nice touch.
Here's the French teaser trailer:
Here's the French trailer (no subs, but it's more affecting that way):
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Comment by Natalina
My Life My Muse
Beta Girl Blog
Have you seen the film Girl Next Door based on the book by Jack Ketchum? To me, that was a grueling and brutal movie that made me feel really icky, but I couldn't look away. If this movie is anything like that, I might think twice about it. That movie had some very great acting and intensely violent scenes that I can't even repeat here because they were so shocking to me.
Comment by Bryn
Horrorphile
Comment by Natalina
My Life My Muse
Beta Girl Blog
I just saw online that my local DVD Blockbuster has a copy of Martyrs. Perhaps I'll pick it up tomorrow and give it a whirl.
Comment by Bryn
Horrorphile
I know what you mean about a movie experience making you feel very unclean. Have you ever seen Maniac or The New York Ripper?
Comment by Bryn
Horrorphile
cheers for the props ... did you purchase a DVD copy from online? I believe there's a theatrical screening scheduled for the MIFF ... I'm envious.
Also curious when you say you stumbled across my site, can you be more specific? I'm interested in knowing how readers find my site.
Cheers!
Comment by Natalina
My Life My Muse
Beta Girl Blog
Really Long Link
I'll let you know what I think. Looks like there are a few horror movies I've never heard of releasing tomorrow (or later today, Tuesday) here, so it should be a fun movie watching day tomorrow!
Comment by Bryn
Horrorphile
Comment by Damo
Comment by Natalina
My Life My Muse
Beta Girl Blog
Comment by Bryn
Horrorphile
Comment by Natalina
My Life My Muse
Beta Girl Blog
When the movie started, for perhaps the first half hour, I was like, Oh big whoopdiddlydoo. Then all of a sudden I felt like someone was standing on my chest for the rest of the movie. I felt like I was literally panicking as I watched. It's been a while since I've had a film grip me that way.
I particularly liked the aspects where it made you question religious and philosophical views, and I didn't expect it to be quite so...deep, I guess. It's a sickening film in some ways, but it was satisfying.
Comment by Bryn
Horrorphile
Comment by Natalina
My Life My Muse
Beta Girl Blog
I can't seem to shake this movie. I guess it got under my skin more than I thought it did. I can't even sleep! Maybe I'm having trouble figuring it out.
Like, was justification implied here? I don't want to spoil it for your other readers, but I guess...I don't really know how to feel coming away from it. Man! And while I was initially satisfied by the end...the more I mull it over...hmmm. Is it a commentary on zealotry or enlightenment? Jeez, I think I need to go watch some cartoons
Comment by Bryn
Horrorphile
Comment by Natalina
My Life My Muse
Beta Girl Blog
Comment by Bryn
Horrorphile
Comment by Natalina
My Life My Muse
Beta Girl Blog
Comment by Bryn
Horrorphile
Comment by Natalina
My Life My Muse
Beta Girl Blog
Comment by JohnDoe
Film & TV on DVD
They are remaking Hellraiser? Thought that fell through....I did read that American Werewolf is about to get the same sodomy and mutilation.
Comment by Bryn
Horrorphile
JD, yes, Landis sold out. I wonder how much he got for the rights? Fucker.
Comment by Natalina
My Life My Muse
Beta Girl Blog
Taunt....taunt...taunt...
Comment by Bryn
Horrorphile
Comment by Natalina
My Life My Muse
Beta Girl Blog
Comment by Jason King
Sydney Table
Salty Popcorn
Total Randomness
Comment by Bryn
Horrorphile
Comment by Jason King
Sydney Table
Salty Popcorn
Total Randomness
Comment by JohnDoe
Film & TV on DVD
Just saw Martyrs and was as impressed as you with how an outlandish premise is made plausible through deft cinema techniques. Even when you know whats going to happen its delivered with such commitment that it still has impact.
may review this one myself if i can find something new to say about it without spoilers.
Comment by Bryn
Horrorphile