LOVECRAFTIAN SHORTS incl. AM1200
March 30th 2009 00:32
I caught up with the short films adapted from or inspired by the stories of H.P. Lovecraft at A Night of Horror's third mini-programme of short movies. There’s nothing like a bit of primordial slime and phantasmagorical menace on a Sunday afternoon.
Three films stood out ghoulish head and slithering tentacles above the rest; a French-Canadian production called À Mère et Marées (2008, aka Of Mothers And Tides) directed by Alain Fournier, which detailed in a rather languid narrative the return of a man (Pierre Luc-Brillant) from the waves to his home where he is nurtured and hidden by his mother (Martine Beaulne) and adolescent sister (Marianne Fortier) while he slowly transforms into a scaly creature from the depths of the sea and is eventually returned there, much to his sister’s dismay. The film had a distinctly moody atmosphere with striking use of composition.
The second film that stuck with me was an Italian film called Langliena - Una Storia Macabra (2008) directed by Emiliano Ranzani about a ghoul that dwells in a derelict forest cottage and the man who must feed the beast. This sported excellent special effects make-up and solid direction and pacing.
But it was the final – and longest film - of the programme which received the biggest applause from the audience. Clocking in at 40 minutes, David Prior’s AM1200 (2008) started out as a corporate thriller as a white collar suit (Eric Lange) is on the run having stolen a lot of money, the movie appeared to stall in the middle at a bar where colleague Ray Wise (forever infamous as Laura Palmer’s killer dad) waxed obsessively lyrical about screwing over the big guys, but then the fugitive is back on the road and pretty soon is lost on a lonely stretch of highway. It’s pitch black, and he takes a wrong turn, ending up at a seemingly abandoned lone radio station; the eponymous evangelical AM 1200. It is here that he discovers a genuine horror far greater than being captured by police.
If David Prior doesn’t get a green light from Hollywood to make a feature, I’ll eat my boots. AM1200 was palpably unnerving, with excellent command of the elements in order to conjure a seething nightmare. The entire second half of the movie was superbly crafted. The performances are strong, especially that of delusional predecessor John Billingsley. Also of note was the brilliant use of sound and the lighting, the title's clever play on words, and the poster tagline “Get ready for the live feed” is gold.
This is David Prior’s first foray into fiction, having made numerous DVD featurettes for big-budget features, including Zodiac, Transformers, and Blade (1997). Revered directors David Fincher and Guillermo Del Toro have been very impressed with his short, which is definitely a calling card saying “Lemme make a feature!” And if AM1200 is anything to go by, something wicked this way will come.
Three films stood out ghoulish head and slithering tentacles above the rest; a French-Canadian production called À Mère et Marées (2008, aka Of Mothers And Tides) directed by Alain Fournier, which detailed in a rather languid narrative the return of a man (Pierre Luc-Brillant) from the waves to his home where he is nurtured and hidden by his mother (Martine Beaulne) and adolescent sister (Marianne Fortier) while he slowly transforms into a scaly creature from the depths of the sea and is eventually returned there, much to his sister’s dismay. The film had a distinctly moody atmosphere with striking use of composition.
The second film that stuck with me was an Italian film called Langliena - Una Storia Macabra (2008) directed by Emiliano Ranzani about a ghoul that dwells in a derelict forest cottage and the man who must feed the beast. This sported excellent special effects make-up and solid direction and pacing.
But it was the final – and longest film - of the programme which received the biggest applause from the audience. Clocking in at 40 minutes, David Prior’s AM1200 (2008) started out as a corporate thriller as a white collar suit (Eric Lange) is on the run having stolen a lot of money, the movie appeared to stall in the middle at a bar where colleague Ray Wise (forever infamous as Laura Palmer’s killer dad) waxed obsessively lyrical about screwing over the big guys, but then the fugitive is back on the road and pretty soon is lost on a lonely stretch of highway. It’s pitch black, and he takes a wrong turn, ending up at a seemingly abandoned lone radio station; the eponymous evangelical AM 1200. It is here that he discovers a genuine horror far greater than being captured by police.
If David Prior doesn’t get a green light from Hollywood to make a feature, I’ll eat my boots. AM1200 was palpably unnerving, with excellent command of the elements in order to conjure a seething nightmare. The entire second half of the movie was superbly crafted. The performances are strong, especially that of delusional predecessor John Billingsley. Also of note was the brilliant use of sound and the lighting, the title's clever play on words, and the poster tagline “Get ready for the live feed” is gold.
This is David Prior’s first foray into fiction, having made numerous DVD featurettes for big-budget features, including Zodiac, Transformers, and Blade (1997). Revered directors David Fincher and Guillermo Del Toro have been very impressed with his short, which is definitely a calling card saying “Lemme make a feature!” And if AM1200 is anything to go by, something wicked this way will come.
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