London to Brighton
January 4th 2009 23:23
Paul Andrew Williams’ debut feature is a very dark, yet powerful movie. It punches below the belt and hits hard and leaves you reeling, but at the same time you can’t help but marvel at how well made it is; how uncompromisingly it deals with incredibly heavy issues.
London to Brighton (2006) tells the sordid tale of a pimp, a prostitute, and a runaway girl, and all the dreadful shite they find themselves up to their necks in. It’s filmed with the kind of dark and gritty realism that made Gary Oldman’s Nil By Mouth (1997) and Eric Roth’s The War Zone (1999) so affecting.
Kelly (Lorraine Stanley), is a London streetwalker, who is coerced into finding a young girl for the vile pleasures of her pimp Derek (Johnny Harris)’s most notorious client, the millionaire Duncan Allen (Alexander Morton). Kelly desperately needs the money and Derek is loathe to disappoint Allen, so Kelly scours the Embankment looking for a feral nubile.
Kelly finds Joanne (Georgia Groome) begging for money and befriends her. Joanne has runaway from her abusive home. She smokes and swears and is 11-years-old. Kelly introduces her to Derek who, after plying her with ice-cream and assuming Joanne is sexually active, persuades her to go with Kelly to visit Duncan Allen. Joanne will get one-hundred quid.
Duncan Allen is a monster and Kelly and Joanne escape. But now they’re on the run from Derek who has been instructed under pain of death by Allen’s gangster son Stuart (Sam Spruell) to find and deliver both Joanne and Kelly. It seems Stuart’s father may have been compromised.
Told in non-linear fashion London to Brighton is a fast-paced dramatic thriller with brilliant performances that grips from start to finish. It’s only 80-minutes long and it cracks the brutal whip. Not since Nil by Mouth has a movie sported such coarse – but realistic – language. Cleverly, writer/director Paul Andrew Williams (who made last year's The Cottage) starts the movie after the horrendous event in Duncan Allen’s home, and then returns to the moments leading up to it with a series of flashbacks.
Georgia Groome is a revelation; her performance as young Joanne is amazing. The actor was thirteen and apparently rather well-adjusted, but still a very brave undertaking (Lord knows how open-minded her parents were in letting their daughter be involved in such a traumatizing movie!) The co-lead performances from Johnny Harris and Lorraine Stanley are just as good (both of whom reprise their characters’ roles from a short Williams made several years earlier). Also of note is Sam Spruell’s disquieting presence as the bad apple son who hasn’t fallen far from his father’s poisoned tree.
The directorial style of London to Brighton reminded me of Mike Leigh and Ken Loach; all hand-held cinema verite camerawork and raw in your face portrayals of the underbelly of society. The movie cost only £80,000 to shoot, yet director Williams was determined for the movie not to be prejudiced against for its low-budget so rather than use digital video he shot it on 16mm (blown up to 35mm) to instill a genuine cinematic feel.
It’s a harrowing movie to watch, and there are several scenes that will test fragile sensibilities, but it’s intelligently-handled and as a thriller it is excellent. I had one major qualm about why Joanne would stay with Kelly following the dire situation that Kelly was instrumental in putting Joanne in, but perhaps Joanne was savvy-enough to see that Kelly herself was a desperate pawn.
London to Brighton is a disturbing, emotionally-wrenching urban nightmare dealing with distressing social disease, but it's astonishing filmmaking and one of the most genuinely affecting British movies in years.
Here's the trailer:
London to Brighton DVD is courtesy of Siren Visual, many thanks!
London to Brighton (2006) tells the sordid tale of a pimp, a prostitute, and a runaway girl, and all the dreadful shite they find themselves up to their necks in. It’s filmed with the kind of dark and gritty realism that made Gary Oldman’s Nil By Mouth (1997) and Eric Roth’s The War Zone (1999) so affecting.
Kelly (Lorraine Stanley), is a London streetwalker, who is coerced into finding a young girl for the vile pleasures of her pimp Derek (Johnny Harris)’s most notorious client, the millionaire Duncan Allen (Alexander Morton). Kelly desperately needs the money and Derek is loathe to disappoint Allen, so Kelly scours the Embankment looking for a feral nubile.
Kelly finds Joanne (Georgia Groome) begging for money and befriends her. Joanne has runaway from her abusive home. She smokes and swears and is 11-years-old. Kelly introduces her to Derek who, after plying her with ice-cream and assuming Joanne is sexually active, persuades her to go with Kelly to visit Duncan Allen. Joanne will get one-hundred quid.
Duncan Allen is a monster and Kelly and Joanne escape. But now they’re on the run from Derek who has been instructed under pain of death by Allen’s gangster son Stuart (Sam Spruell) to find and deliver both Joanne and Kelly. It seems Stuart’s father may have been compromised.
Told in non-linear fashion London to Brighton is a fast-paced dramatic thriller with brilliant performances that grips from start to finish. It’s only 80-minutes long and it cracks the brutal whip. Not since Nil by Mouth has a movie sported such coarse – but realistic – language. Cleverly, writer/director Paul Andrew Williams (who made last year's The Cottage) starts the movie after the horrendous event in Duncan Allen’s home, and then returns to the moments leading up to it with a series of flashbacks.
Georgia Groome is a revelation; her performance as young Joanne is amazing. The actor was thirteen and apparently rather well-adjusted, but still a very brave undertaking (Lord knows how open-minded her parents were in letting their daughter be involved in such a traumatizing movie!) The co-lead performances from Johnny Harris and Lorraine Stanley are just as good (both of whom reprise their characters’ roles from a short Williams made several years earlier). Also of note is Sam Spruell’s disquieting presence as the bad apple son who hasn’t fallen far from his father’s poisoned tree.
The directorial style of London to Brighton reminded me of Mike Leigh and Ken Loach; all hand-held cinema verite camerawork and raw in your face portrayals of the underbelly of society. The movie cost only £80,000 to shoot, yet director Williams was determined for the movie not to be prejudiced against for its low-budget so rather than use digital video he shot it on 16mm (blown up to 35mm) to instill a genuine cinematic feel.
It’s a harrowing movie to watch, and there are several scenes that will test fragile sensibilities, but it’s intelligently-handled and as a thriller it is excellent. I had one major qualm about why Joanne would stay with Kelly following the dire situation that Kelly was instrumental in putting Joanne in, but perhaps Joanne was savvy-enough to see that Kelly herself was a desperate pawn.
London to Brighton is a disturbing, emotionally-wrenching urban nightmare dealing with distressing social disease, but it's astonishing filmmaking and one of the most genuinely affecting British movies in years.
Here's the trailer:
London to Brighton DVD is courtesy of Siren Visual, many thanks!
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Comment by Chris Champion
LettersToNorm
Vyoos
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Comment by Damo
However I will probably watch it when SBS put it on in the future. By that time I should desensitized enough to cope.
BTW
Did you manage to catch the doco last night about Dr Freeman: The Father of the Ice Pick Lobotomy. Now that was a horror story.
Comment by skoop
Comment by Tracy
Movies and Life
Great review, Bryn.
Comment by Bryn
Horrorphile
Chris, the real world will always be scarier than the supernatural one
Damo, I missed that, was it on SBS?
skoop, you said it.
Tracy, you'll appreciate this fer sure. Cheers!
Comment by Tracy
Movies and Life
Comment by Bryn
Horrorphile
Comment by Tracy
Movies and Life