Otesánek (Little Otik)
June 30th 2009 07:00
Another strange, grotesque and disturbing tale of domesticity gone horribly wrong from inspired Czech Republic filmmaker Jan Svankmajer, Little Otik (2000) is based on a Eastern European fairytale, albeit one of the darker, grimmer ones, and although mostly live action it does utilise Svankmajer’s penchant for stop-motion weirdness when it comes to depicting the monstrous eponymous child.
When a couple, Karel (Jan Hartl) and Bozena (Veronika Zilková), learn that they cannot bear any children it causes the wife great distress and in denial she pretends she is pregnant. The husband tries to ease his wife’s suffering by presenting her with a pretend infant which he’s fashioned from a large tree root. She takes to it like a suckling to mother’s milk, which only aggravates the problem.
A supernatural turn of events sees the wooden baby come to life and swiftly starts to eat the couple out of house and home. No amount of milk and baby food is sufficient. Then the poor cat is consumed, and little Otik, or Otesánek, as Karel sarcastically calls it (referring to the dark tale), has grown substantially. Soon enough Bozena is making frequent trips to the local butcher and boiling up large hunks of meat to satisfy their insatiable little ‘un.
Events take a turn for the worse when the postman and a social worker go missing, and the couple’s neighbour’s become suspicious, especially grumpy veggie caretaker (Dagmar Stríbrná), and precocious young Alzbetka (Kristina Adamcová), who after hearing Karel referring to his child as little Otik, and observing him make a fake phone call to the hospital, makes a connection after reading the ghastly tale of the couple whose conjured baby, Otesánek, eats everything in its path, from its parents, to horses and shepherds, and herds of pigs and sheep. The baby grows to enormous size, and then arrives at a cabbage patch and its fearless grower.
Svankmajer’s movies are curious productions. On one hand they’re brilliantly accomplished on what seems like very modest budgets. On the other they often come across as only semi-professional, shot in standard 1:1.33 ratio, with clunky mise-en-scene (curiously he loves close-ups of mouths) and overdubbing. All his movies use post-synch sound, which does provide a heightened sense of the surreal, making the overall atmosphere feel like a dream, or nightmare to be precise.
His casting is spot on, and Little Otik features great performances from the female leads; Zilková, Adamcová and Stríbrná. I’d like to say that the actor playing little Otik steals the show, but he’s simply an animated character, but with spindly roots for fingers and toes, a branch knot for a mouth, with a hideous slavering tongue, crooked teeth and single eye that occasionally pops into the mouth to have a gander. The whole visual concept of little Otik is creepy as hell.
Svankmajer, who also penned the screenplay, adapted the tale from the work of a popular 19th Century Czech author called Karel Jaromír Erben. I’m curious if all his so-called fairytales were as twisted and horrible as Little Otik. Certainly Svankmajer was impressed, and it makes sense since his previous movies have been adaptations of the myth of Faust and Lewis Carroll’s Alice in Wonderland.
Speaking of Carroll's Alice, I’ve been excited about Tim Burton’s latest project, although I’ve only just discovered he’s not sticking to the original story. He’s calling it Tim Burton’s Alice in Wonderland, which doesn’t sit well with me, since he screwed around with Planet of the Apes and it turned out miserably. But more on Burton’s version of Wonderland further down the track.
Here's the trailer (American, but don't let it bother you):
Little Otik DVD is courtesy of Siren Visual, many thanks!
When a couple, Karel (Jan Hartl) and Bozena (Veronika Zilková), learn that they cannot bear any children it causes the wife great distress and in denial she pretends she is pregnant. The husband tries to ease his wife’s suffering by presenting her with a pretend infant which he’s fashioned from a large tree root. She takes to it like a suckling to mother’s milk, which only aggravates the problem.
A supernatural turn of events sees the wooden baby come to life and swiftly starts to eat the couple out of house and home. No amount of milk and baby food is sufficient. Then the poor cat is consumed, and little Otik, or Otesánek, as Karel sarcastically calls it (referring to the dark tale), has grown substantially. Soon enough Bozena is making frequent trips to the local butcher and boiling up large hunks of meat to satisfy their insatiable little ‘un.
Events take a turn for the worse when the postman and a social worker go missing, and the couple’s neighbour’s become suspicious, especially grumpy veggie caretaker (Dagmar Stríbrná), and precocious young Alzbetka (Kristina Adamcová), who after hearing Karel referring to his child as little Otik, and observing him make a fake phone call to the hospital, makes a connection after reading the ghastly tale of the couple whose conjured baby, Otesánek, eats everything in its path, from its parents, to horses and shepherds, and herds of pigs and sheep. The baby grows to enormous size, and then arrives at a cabbage patch and its fearless grower.
Svankmajer’s movies are curious productions. On one hand they’re brilliantly accomplished on what seems like very modest budgets. On the other they often come across as only semi-professional, shot in standard 1:1.33 ratio, with clunky mise-en-scene (curiously he loves close-ups of mouths) and overdubbing. All his movies use post-synch sound, which does provide a heightened sense of the surreal, making the overall atmosphere feel like a dream, or nightmare to be precise.
His casting is spot on, and Little Otik features great performances from the female leads; Zilková, Adamcová and Stríbrná. I’d like to say that the actor playing little Otik steals the show, but he’s simply an animated character, but with spindly roots for fingers and toes, a branch knot for a mouth, with a hideous slavering tongue, crooked teeth and single eye that occasionally pops into the mouth to have a gander. The whole visual concept of little Otik is creepy as hell.
Svankmajer, who also penned the screenplay, adapted the tale from the work of a popular 19th Century Czech author called Karel Jaromír Erben. I’m curious if all his so-called fairytales were as twisted and horrible as Little Otik. Certainly Svankmajer was impressed, and it makes sense since his previous movies have been adaptations of the myth of Faust and Lewis Carroll’s Alice in Wonderland.
Speaking of Carroll's Alice, I’ve been excited about Tim Burton’s latest project, although I’ve only just discovered he’s not sticking to the original story. He’s calling it Tim Burton’s Alice in Wonderland, which doesn’t sit well with me, since he screwed around with Planet of the Apes and it turned out miserably. But more on Burton’s version of Wonderland further down the track.
Here's the trailer (American, but don't let it bother you):
Little Otik DVD is courtesy of Siren Visual, many thanks!
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Comment by Damo
I caught this on SBS some time back.
It was certainly a trip. I missed seeing the end for some reason. I think I was going out or something.
Very stop motion styled and off the wall.
Comment by Natalina
My Life My Muse
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Comment by Damo
Have you ever followed any of the links after the You Tube trailer stopped.
This seriously freaked me out.
Talk about scaring children
Holy Crap.
Comment by Bryn
Horrorphile
Natalina, not quite as surreal as his other films, but just as creepy.
Comment by Bryn
Horrorphile
Okay. Stop that. Right now.
Comment by Natalina
My Life My Muse
Beta Girl Blog
Comment by Tracy
Movies and Life
Love those pics.
Comment by Bryn
Horrorphile
Comment by Tracy
Movies and Life
Comment by Damo
It was either that clip or another sheep joke.
Comment by Tracy
Movies and Life
Comment by Bryn
Horrorphile
Comment by Someone
Evil Pleasures
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Let's Get Down To Business
I am gonna get stoned, watch that... and then probably kill myself. I don't know what to think.
Comment by Bryn
Horrorphile