It's Alive (2008)
September 15th 2010 23:52
It was a 70s B-movie shocker with a vague social commentary and dodgy special effects. Surely it would make for a great remake. Well, the DVD cover art looked great, and Bijou Phillips was in the lead. I’ve actually never seen the original It’s Alive (1974), written and directed by Larry Cohen, but I know enough about it, and I’ve seen enough stills to know that it’s a essentially a ludicrously far-fetched nightmare movie. So what was I thinking? I was kidding myself if I thought a remake would work. But hell, it worked for Piranha (2010). Only Alexandre Aja didn’t take himself too seriously, and he had a great team and cast working for him. It’s Alive (2008) takes itself way too seriously, and that’s the first fatal flaw.
The second flaw is the dodgy-as-hell special effects. I’ve not such appalling CGI work in a mainstream horror movie in awhile, but more on that later. The third flaw is the dreadful screenplay; vacuous and boring, despite Cohen being given a co-writing credit (is that because his original screenplay was used, or they hired him to help write the remake?) The fourth and final flawed straw that broke the baby’s back, so to speak, is the risible direction. Josef Rusnak has no idea about how to make a movie scary, or at least tense, and the death scenes were down right laughable. Except this wasn’t a comedy.
I’m not going to continue to make any more references to the original since I can’t make a genuinely informed comparison, apart from the curious fact that the original had a young Rick Baker on board to design the mutant baby (essentially a clawed hand and a baby mask his wife wore!) There is no cool animatronic work to be found in the remake. The mutant baby, the result of toxic miscarriage pills taken by young mother Lenore (Bijou Phillips) after being encouraged by her university roommate Marnie (Ty Glaser) who insists she lose the baby so she can finish her degree, is almost never seen in full for the entire picture. When it is shown it is a blurry CGIed baby, and not even in close-up; a truly abysmal effort. The only close-up shot is near the very end, and the fanged infant looks about as scary as a killer doll (‘cept Chucky was a lot more menacing).
In order to make a remake of It’s Alive the realisation and execution of the murderous, predatory baby is the most important part of the movie. And therein lies the Rub. You either use an animatronic baby, and that’s gonna look dodgy, or you use state-of-the-art CGI, and that will probably still look dodgy. The remake opts for the CGI, but doesn’t have the budget or expertise to even make it look half-convincing. Instead the baby is never seen, unless in shadow. The rest of the time it’s an empty basinet, an uninspired baby POV shot, or a little CGI-hand with claws. As for the gore effects, there’s virtually none; just lots of unconvincing CGI blood splashed around. Oh hang on, there’s an unintentionally amusing baby’s hand through the back of the head and out the mouth “gag”.
The sheer ridiculousness of the premise is brought to the fore because the movie takes itself seriously. Whilst the original also did this, at least it possessed an underlying grindhouse corniness that kept the movie buoyant (oops, sorry, another comparison). How on Earth is the audience meant to react when the mother casually accepts that her baby is a ravenous infantile beast, bringing ravaged rats, birds, and rabbits into the house? And when the baby inevitably starts to tear apart the unfortunate humans who wander into the household or who leave the car doors unlocked the mother has a brief moment of grief then stashes the bodies in the cellar, but refuses to tell her husband Frank (James Murray). Finally, right near movie’s end, she slips into a shocked catatonia, only to snap out of it when she realises her loved one (the baby, that is, not the husband) is no longer in the house because Frank has trapped it in a steel drum and is dragging it into the adjacent woods.
The Raspberry Award for worst acting of the year (well, 2008) has to go to Owen Teale as Lt. Perkins; the cop who suspects Lenore ain’t being straight up about her memories of the delivery room massacre (the first scene that indicated the movie was going to be a turkey). The rest of the cast get by with mediocre effort. The “New Mexico” setting and homestead was attractive, until I discovered the production was yet another of those Hollywood cheapies shot in Bulgaria with an entirely Bulgarian crew. I have yet to see an off-Hollywood production that is good. The best thing about the remake of It’s Alive is the DVD cover art, and it’s one of the most striking I’ve seen all year. More creative thought went into that than the movie, by a long shot. I was expecting a set-up for a sequel, since the original had two, but mercifully it all went up in a blaze, and with the box-office receipts deep in the red, I strongly doubt (and hope to hell) that there’ll be a remake of It Lives Again (1974). I’m waiting to see if Grace (2009) will be the saving killer baby grace.
Here’s the trailer:
The second flaw is the dodgy-as-hell special effects. I’ve not such appalling CGI work in a mainstream horror movie in awhile, but more on that later. The third flaw is the dreadful screenplay; vacuous and boring, despite Cohen being given a co-writing credit (is that because his original screenplay was used, or they hired him to help write the remake?) The fourth and final flawed straw that broke the baby’s back, so to speak, is the risible direction. Josef Rusnak has no idea about how to make a movie scary, or at least tense, and the death scenes were down right laughable. Except this wasn’t a comedy.
I’m not going to continue to make any more references to the original since I can’t make a genuinely informed comparison, apart from the curious fact that the original had a young Rick Baker on board to design the mutant baby (essentially a clawed hand and a baby mask his wife wore!) There is no cool animatronic work to be found in the remake. The mutant baby, the result of toxic miscarriage pills taken by young mother Lenore (Bijou Phillips) after being encouraged by her university roommate Marnie (Ty Glaser) who insists she lose the baby so she can finish her degree, is almost never seen in full for the entire picture. When it is shown it is a blurry CGIed baby, and not even in close-up; a truly abysmal effort. The only close-up shot is near the very end, and the fanged infant looks about as scary as a killer doll (‘cept Chucky was a lot more menacing).
In order to make a remake of It’s Alive the realisation and execution of the murderous, predatory baby is the most important part of the movie. And therein lies the Rub. You either use an animatronic baby, and that’s gonna look dodgy, or you use state-of-the-art CGI, and that will probably still look dodgy. The remake opts for the CGI, but doesn’t have the budget or expertise to even make it look half-convincing. Instead the baby is never seen, unless in shadow. The rest of the time it’s an empty basinet, an uninspired baby POV shot, or a little CGI-hand with claws. As for the gore effects, there’s virtually none; just lots of unconvincing CGI blood splashed around. Oh hang on, there’s an unintentionally amusing baby’s hand through the back of the head and out the mouth “gag”.
The sheer ridiculousness of the premise is brought to the fore because the movie takes itself seriously. Whilst the original also did this, at least it possessed an underlying grindhouse corniness that kept the movie buoyant (oops, sorry, another comparison). How on Earth is the audience meant to react when the mother casually accepts that her baby is a ravenous infantile beast, bringing ravaged rats, birds, and rabbits into the house? And when the baby inevitably starts to tear apart the unfortunate humans who wander into the household or who leave the car doors unlocked the mother has a brief moment of grief then stashes the bodies in the cellar, but refuses to tell her husband Frank (James Murray). Finally, right near movie’s end, she slips into a shocked catatonia, only to snap out of it when she realises her loved one (the baby, that is, not the husband) is no longer in the house because Frank has trapped it in a steel drum and is dragging it into the adjacent woods.
The Raspberry Award for worst acting of the year (well, 2008) has to go to Owen Teale as Lt. Perkins; the cop who suspects Lenore ain’t being straight up about her memories of the delivery room massacre (the first scene that indicated the movie was going to be a turkey). The rest of the cast get by with mediocre effort. The “New Mexico” setting and homestead was attractive, until I discovered the production was yet another of those Hollywood cheapies shot in Bulgaria with an entirely Bulgarian crew. I have yet to see an off-Hollywood production that is good. The best thing about the remake of It’s Alive is the DVD cover art, and it’s one of the most striking I’ve seen all year. More creative thought went into that than the movie, by a long shot. I was expecting a set-up for a sequel, since the original had two, but mercifully it all went up in a blaze, and with the box-office receipts deep in the red, I strongly doubt (and hope to hell) that there’ll be a remake of It Lives Again (1974). I’m waiting to see if Grace (2009) will be the saving killer baby grace.
Here’s the trailer:
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Comment by David O'Connell
20/20 Filmsight
Screen Fanatic
Was The Machinist an off-Hollywood film? Now that's one I need to fork out again.
For some strange reason whenever I hear the title It's Alive a certain image is conjured up in my mind - then I realise the film I'm thinking of is actually Basket Case which traumatised the hell out of me as a kid. (I think I had a fear of ending up with a brother like that!
Comment by Bryn
Horrorphile
Comment by ShaunK
Screen Adventure
looks like I can avoid this one after all....
Thanks for the tip
Comment by JohnDoe
Film & TV on DVD
Comment by JMD
Comment by Bryn
Horrorphile
Comment by Anonymous
When left to my own devices i scare myself more than any other move ever has. Maybe that is what they were going for with this movie, but failed miserably.
Although i think movie audiences have changed, they want instant gratification, they want everything now.
Used to be you sat through a movie to see the killer at the end, now they want it in the first 4 minutes of the movie.
Movies are not what they used to be, but then again neither are the audiences.
Comment by Bryn
Horrorphile