Ai No Corrida (In The Realm Of The Senses)
April 6th 2009 00:46
Still one of the most controversial “mainstream” movies ever made, Nagisa Oshima’s In The Realm Of The Senses (1976) is a powerful and disturbing tale of sexual obsession set in Tokyo in 1936. It’s based on a true incident.
I first saw the movie in a much scratched print at the old Encore (Third Eye) Cinema in Sydney which doesn’t exist anymore. I’d known of the movie for years, but had never seen it as it had been banned in Australasia. In fact it was banned in many countries for a long time, including Japan. Even after it was filmed the undeveloped footage had to be snuck out of the country to France (who helped finance the movie) to be processed due to Japan’s strict censorship laws.
The movie was the first major motion picture outside of the hardcore porn industry to feature actual sex between the actors: vaginal penetration, fellatio and ejaculation. Actual sex is featuring more and more in mainstream movies, but in 1976 this was unheard of. And it didn’t happen again for more than a decade.
Kichizo Ishida (Tatsuya Fuji) is married to Toku (Aoi Nakajima) and runs a hotel. He has several servants, but a new maid, Sada Abe (Eiko Matsudo) catches his eye. A former geisha, she is mischievous and highly strung and she is equally attracted to Kichizo-san. Before you can say “bullfight of love” (the literal English translation of the Japanese title), they have embarked on a torrid affair. But what starts as a passionate display of forbidden lust quickly becomes obsessive behaviour, as Sada exhibits an unruly fixation on Kichizo’s penis.
She becomes a nymphomaniac, and he can barely keep up with her sexual demands. Her strangely intense desire excites him however and he encourages her. The other maids are forced to turn a blind eye. But when Kichizo indulges in sex with his wife Sada becomes jealous and threatens to kill him. Kichizo takes it all in his stride, but he knows Sada provides him with a level of passion that surpasses anything, so he surrenders to her carnal pleas.
The intensity of the bond increases and soon enough the boundaries are pushed to involve strangulation during sexual intercourse. At first Sada asks Kichizo to strangle her, but he can’t bear to see her in discomfort, so the tables are turned, and she strangles Kichizo in order to intensify Kichizo’s erection. Things can only go pear-shaped.
WARNING! CONTAINS SPOILERS!
Sexual obsession is nothing knew under the sun, and certainly nothing new in cinema, but it had never been portrayed with such ferocious authenticity as it is in this film. While the S&M element was simulated, the sex was performed a la "Method", adding a heightened sense of realism. Director Oshima, who also wrote the screenplay, took the realism perhaps too far in a scene involving Sada and a young boy and girl, both of whom are under ten years old. Sada is cleaning and the children are running and laughing around Sada, and in a moment of perverse authority she grabs the boy and tweaks his tiny penis, as if to punish him for his cheekiness, yet the sub-text suggests sexual frustration has made her act in such an aberrant way. The boy complains that it hurts and Sada releases him.
Due to the controversial nature of the scene (genital interference involving minors) it was optically altered by the BBFC for the UK DVD release (the left side of the frame enhanced in order to crop the composition, thus removing the sight of Sada touching the boys genitals), but it only draws attention to the scene because it is obvious something strange is going on i.e. the image has become pixelated and oddly-framed. It is this censored version which has been released in Australia (I might be mistaken, but I believe at least one other scene has been cut involving a wooden bird-shaped dildo used by several of the maids in a sexual assault on another maid).
The movie plays as a kind of chamber piece. It is cinematic, yet feels like a piece of adult theatre. The visual narrative is precise, but the narrative at times feels somewhat turgid, dragging in a mire of sexual repetition. It’s a curious mélange of eroticism and repulsion. The lead performances are excellent; brave and unfettered.
The denouement isn’t entirely surprising, considering the fragility of Sada’s pysche and the nature of their sexual relationship. Her obsession can only lead to an act of extreme possession, and this is fueled by Kichizo’s own journey from dominance to subservience. Here lies a platitude of irony; in order to be sublimely happy, all happiness must be consumed. So Kichizo (resigning himself) allows Sada to bind his hands, then she tightens the handkerchief around his throat, and feels him throb harder, deep within her, as her desire spins beyond control …
In the Realm of the Senses is by no means to everyone's tastes; its transcendent and destructive qualities make it an uncompromising and difficult affair, but it resonates and lingers in a strangely sensual way similar to those dark and troubling dreams you try to shake after a turbulent, feverish sleep.
Here's the trailer (made for the Criterion Collection release):
In The Realm Of The Senses DVD is courtesy of Umbrella Entertainment, many thanks!
I first saw the movie in a much scratched print at the old Encore (Third Eye) Cinema in Sydney which doesn’t exist anymore. I’d known of the movie for years, but had never seen it as it had been banned in Australasia. In fact it was banned in many countries for a long time, including Japan. Even after it was filmed the undeveloped footage had to be snuck out of the country to France (who helped finance the movie) to be processed due to Japan’s strict censorship laws.
The movie was the first major motion picture outside of the hardcore porn industry to feature actual sex between the actors: vaginal penetration, fellatio and ejaculation. Actual sex is featuring more and more in mainstream movies, but in 1976 this was unheard of. And it didn’t happen again for more than a decade.
Kichizo Ishida (Tatsuya Fuji) is married to Toku (Aoi Nakajima) and runs a hotel. He has several servants, but a new maid, Sada Abe (Eiko Matsudo) catches his eye. A former geisha, she is mischievous and highly strung and she is equally attracted to Kichizo-san. Before you can say “bullfight of love” (the literal English translation of the Japanese title), they have embarked on a torrid affair. But what starts as a passionate display of forbidden lust quickly becomes obsessive behaviour, as Sada exhibits an unruly fixation on Kichizo’s penis.
She becomes a nymphomaniac, and he can barely keep up with her sexual demands. Her strangely intense desire excites him however and he encourages her. The other maids are forced to turn a blind eye. But when Kichizo indulges in sex with his wife Sada becomes jealous and threatens to kill him. Kichizo takes it all in his stride, but he knows Sada provides him with a level of passion that surpasses anything, so he surrenders to her carnal pleas.
The intensity of the bond increases and soon enough the boundaries are pushed to involve strangulation during sexual intercourse. At first Sada asks Kichizo to strangle her, but he can’t bear to see her in discomfort, so the tables are turned, and she strangles Kichizo in order to intensify Kichizo’s erection. Things can only go pear-shaped.
WARNING! CONTAINS SPOILERS!
Sexual obsession is nothing knew under the sun, and certainly nothing new in cinema, but it had never been portrayed with such ferocious authenticity as it is in this film. While the S&M element was simulated, the sex was performed a la "Method", adding a heightened sense of realism. Director Oshima, who also wrote the screenplay, took the realism perhaps too far in a scene involving Sada and a young boy and girl, both of whom are under ten years old. Sada is cleaning and the children are running and laughing around Sada, and in a moment of perverse authority she grabs the boy and tweaks his tiny penis, as if to punish him for his cheekiness, yet the sub-text suggests sexual frustration has made her act in such an aberrant way. The boy complains that it hurts and Sada releases him.
Due to the controversial nature of the scene (genital interference involving minors) it was optically altered by the BBFC for the UK DVD release (the left side of the frame enhanced in order to crop the composition, thus removing the sight of Sada touching the boys genitals), but it only draws attention to the scene because it is obvious something strange is going on i.e. the image has become pixelated and oddly-framed. It is this censored version which has been released in Australia (I might be mistaken, but I believe at least one other scene has been cut involving a wooden bird-shaped dildo used by several of the maids in a sexual assault on another maid).
The movie plays as a kind of chamber piece. It is cinematic, yet feels like a piece of adult theatre. The visual narrative is precise, but the narrative at times feels somewhat turgid, dragging in a mire of sexual repetition. It’s a curious mélange of eroticism and repulsion. The lead performances are excellent; brave and unfettered.
The denouement isn’t entirely surprising, considering the fragility of Sada’s pysche and the nature of their sexual relationship. Her obsession can only lead to an act of extreme possession, and this is fueled by Kichizo’s own journey from dominance to subservience. Here lies a platitude of irony; in order to be sublimely happy, all happiness must be consumed. So Kichizo (resigning himself) allows Sada to bind his hands, then she tightens the handkerchief around his throat, and feels him throb harder, deep within her, as her desire spins beyond control …
In the Realm of the Senses is by no means to everyone's tastes; its transcendent and destructive qualities make it an uncompromising and difficult affair, but it resonates and lingers in a strangely sensual way similar to those dark and troubling dreams you try to shake after a turbulent, feverish sleep.
Here's the trailer (made for the Criterion Collection release):
In The Realm Of The Senses DVD is courtesy of Umbrella Entertainment, many thanks!
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Comment by Lady Henrietta Muddling
Potter in a Harry
Comment by Mr Nice Guy
Pop Culturist
Pop Rock Factory
Let me guess - you're local is unlikely to have it on the shelves - or is it a re-release and likely to be in the foreign films section?
Cheers
Comment by Damo
I seem to recall the controversy over this film some years ago.
Comment by Bryn
Horrorphile
MNG, any decent video store with a good foreign or arthouse section should have this as it was been given a Region 4 release (by Umbrella).
Damo, this movie gives tough love a run for its money. The movie is still banned in several countries, including Japan.
Comment by Spike 2
Qwerk
Peanut Butter
Have you seen Ai No Borei, in a similar (less overtly pornographic) vein?
Comment by Cibbuano
Hunt Famous
Orble Post of the Day
Fat Cult
Techbreak
Fantastic film, though! I highly recommend it, if you've got the patience for a languid pace, but brilliant visual filmmaking. You'll definitely get the feeling that Oshima replicated the style of those old traditional Japanese woodcarvings that depicted erotic scenes.
There's also something free and tantalizing at the freedom of filming the sexual act... compared to most movies, which require innuendo or sex with the clothes on, this film bares it all, and it's surprisingly reassuring.
Comment by Bryn
Horrorphile
Comment by SpikeTheLobster
Qwerk
Peanut Butter
Comment by Big Fan
Comment by Bryn
Horrorphile