I Spit on Your Grave (2010)
March 10th 2011 04:58
WARNING! CONTAINS SPOILERS!
Another cult movie gets the Tinseltown remake treatment; I Spit on Your Grave (2010) returns to the scene of the crime of Meir Zarchi’s notorious rape-revenge flick released in 1978 as Day of the Woman, but re-titled and re-released a year later as the far more exploitatively alluring I Spit on Your Grave (with equally more alluring new poster art, which has been mimicked for the remake, but remains visually misleading). It was later after its VHS release that the original movie gained its cult following when it became one of the UK’s biggest scapegoat examples in their successful “video nasty” campaign where dozens of horror and exploitation titles were removed from video stores and subsequently banned.
Many of those video nasties were genuinely nasty, not so much in that they were affectively disturbing, but more so that they were ineptly made and darn dreadful. Zarchi’s I Spit on Your Grave garnered much of its infamy because it went further than many of its contemporaries; it was an authentic ordeal to sit through, but worse than its content – in particular a protracted twenty minute gang-rape sequence – was director Zarchi’s ineptness as a cinematic storyteller. I Spit on Your Grave is not a well-made movie; the acting is mediocre at best, the second act drags interminably, and the third act, which features the much-anticipated acts of revenge, pales in comparison to the horror poor Jennifer Hills (Carmilla Keaton) is subjected to in the first half of the movie. Dramatically the movie fails miserably and visually the movie is weak … But enough about the original.
Director Steven R. Monroe’s background is primarily as a cameraman, with numerous TV movies and the like as a director. I haven’t seen anything else he’s directed or shot, but I think I can safely say his remake of I Spit on Your Grave is his best work. This is a very rare example of a remake that knocks the original out of the park. As much as I loathe unnecessary remakes, this is a remake that I felt excited about; a chance to take the raw material and make a movie more powerful, both visually and dramatically. And Monroe achieves this, but it's the excellent screenplay full of tension and strong characterisation from Stuart Morse which aids him considerably. Curiously an end credit (apart from the title card – which mirrors the original – all credits are at movie’s end) states that the remake is “Based on Meir Zarchi’s Motion Picture Day of the Woman”, which, rather amusingly, attempts in its wording to give the remake – and more significantly, the original – a lot of artistic kudos, which is bullshit.
Stuart Morse’s screenplay is where the real dark heart of the remake lies; it takes the base storyline; a pretty young writer from the city rents a cabin in remote woodlands (probably Louisiana) to work on her new novel, but falls foul of three small-minded thugs; Johnny (Jeff Branson), Andy (Rodney Eastman), Stanley (Daniel Franzese), their simpleton buddy Matthew (Chad Lindberg), and a very corrupt sheriff (Andrew Howard). Morse's script makes some notable changes from the original; especially the initial gas station scene at the beginning, but much more significantly with the introduction of the Sheriff Storch character. After the four young thugs invade her house, they taunt and physically abuse her, but she manages to escape into the arms of the local law, only to find, much to abject horror, that he’s just as nasty a monster as the small town boys, only he wears a badge and is married with a daughter!
Jennifer is gang-raped and in a stupor she lets herself fall from a bridge into a fast-moving river, and is swept away under the current. The sexual perpetrators leave her for dead … but it ain’t over to the slim lady sings, “It’s date night.”
I may find myself in hot water with some more sensitive readers, but I defend rape-revenge flicks as a legitimate sub-genre of horror, and accordingly, if they’re made well they’re as powerful a nightmare as any, and just because these movies involve an explicit sexual assault doesn’t make them any more horrific, or offensive, than a torture porn flick like the Hostel or Saw movies. They all deal with the destruction of the mind, body and soul.
This version of I Spit on Your Grave is a much better movie than Meir Zarchi’s original because the writing, acting and direction is more interesting. However Jennifer Hills’ revenge methods are questionable, and to a lesser degree, her state of mind. In the original Jennifer’s acts of revenge are relatively simple (hanging, castration, and death by motorboat blades), but in the remake she goes to inordinate lengths to torture and kill her attackers. The truth of the matter is there’s no way she’d have had the physical strength to do what she did.
In reality the shock and inherent terror of her trauma would most likely have rendered her incapable of carrying out that level of revenge so soon after. But the same can be said of any rape-revenge flick I suppose. And therein lies The Rub. That’s not to say Jennifer’s methods aren’t a hardened horrorphile’s delight! She may have survived her appalling ordeal, but her attackers she as hell aren’t gonna be given that saving grace; they get their just desserts, and then some!
Sarah Butler is excellent in the brave, vulnerable role of Jennifer (I hope she gets more leading roles and doesn’t suffer from what some critics would deem as an instant career suicide), but all the performances are very good indeed; especially Jeff Branson as Johnny, the thug leader, and even more so, Andrew Howard, as Sheriff Storch, these two radiate pure evil.
I Spit on Your Grave remake is a savage movie, the rapes sequences are genuinely nightmarish, without being gratuitous. But good on Monroe for not bending over for the MPAA; the movie was released Stateside unrated (the producers and Monroe turned down a proposed “hard R” cut). The same can’t be said for the UK, where the original still remains available only in cut form, as does the remake. Australia has received the American unrated version. It’s a tough movie to recommend, but for those wanting a slick rape-revenge experience, it’s definitely worth it. My only gripe is that director Monroe pretty much shied away from any female or male full-frontal nudity, which is odd considering the nature of what goes down. Call me old–fashioned, but when you’re gonna stomp down this kind of dark alley, you need to kick the garbage cans over too.
Had I seen I Spit on Your Grave remake when it was first released last year it would have made it into my year's bloody best of 2010, so now because of its straight-to-DVD Australian release it becomes a contender for one of this year's most nightmarish movies, and now has the dubious Horrorphile honour bestowed upon it as one of the top five most memorable rape-revenge movies of all-time.
Here’s the trailer:
Another cult movie gets the Tinseltown remake treatment; I Spit on Your Grave (2010) returns to the scene of the crime of Meir Zarchi’s notorious rape-revenge flick released in 1978 as Day of the Woman, but re-titled and re-released a year later as the far more exploitatively alluring I Spit on Your Grave (with equally more alluring new poster art, which has been mimicked for the remake, but remains visually misleading). It was later after its VHS release that the original movie gained its cult following when it became one of the UK’s biggest scapegoat examples in their successful “video nasty” campaign where dozens of horror and exploitation titles were removed from video stores and subsequently banned.
Many of those video nasties were genuinely nasty, not so much in that they were affectively disturbing, but more so that they were ineptly made and darn dreadful. Zarchi’s I Spit on Your Grave garnered much of its infamy because it went further than many of its contemporaries; it was an authentic ordeal to sit through, but worse than its content – in particular a protracted twenty minute gang-rape sequence – was director Zarchi’s ineptness as a cinematic storyteller. I Spit on Your Grave is not a well-made movie; the acting is mediocre at best, the second act drags interminably, and the third act, which features the much-anticipated acts of revenge, pales in comparison to the horror poor Jennifer Hills (Carmilla Keaton) is subjected to in the first half of the movie. Dramatically the movie fails miserably and visually the movie is weak … But enough about the original.
Director Steven R. Monroe’s background is primarily as a cameraman, with numerous TV movies and the like as a director. I haven’t seen anything else he’s directed or shot, but I think I can safely say his remake of I Spit on Your Grave is his best work. This is a very rare example of a remake that knocks the original out of the park. As much as I loathe unnecessary remakes, this is a remake that I felt excited about; a chance to take the raw material and make a movie more powerful, both visually and dramatically. And Monroe achieves this, but it's the excellent screenplay full of tension and strong characterisation from Stuart Morse which aids him considerably. Curiously an end credit (apart from the title card – which mirrors the original – all credits are at movie’s end) states that the remake is “Based on Meir Zarchi’s Motion Picture Day of the Woman”, which, rather amusingly, attempts in its wording to give the remake – and more significantly, the original – a lot of artistic kudos, which is bullshit.
Stuart Morse’s screenplay is where the real dark heart of the remake lies; it takes the base storyline; a pretty young writer from the city rents a cabin in remote woodlands (probably Louisiana) to work on her new novel, but falls foul of three small-minded thugs; Johnny (Jeff Branson), Andy (Rodney Eastman), Stanley (Daniel Franzese), their simpleton buddy Matthew (Chad Lindberg), and a very corrupt sheriff (Andrew Howard). Morse's script makes some notable changes from the original; especially the initial gas station scene at the beginning, but much more significantly with the introduction of the Sheriff Storch character. After the four young thugs invade her house, they taunt and physically abuse her, but she manages to escape into the arms of the local law, only to find, much to abject horror, that he’s just as nasty a monster as the small town boys, only he wears a badge and is married with a daughter!
Sherif Storch, Stanley (Daniel Franzsese), Johnny, Andy (Rodney Eastman), and Matthew (Chad Lindberg)
I may find myself in hot water with some more sensitive readers, but I defend rape-revenge flicks as a legitimate sub-genre of horror, and accordingly, if they’re made well they’re as powerful a nightmare as any, and just because these movies involve an explicit sexual assault doesn’t make them any more horrific, or offensive, than a torture porn flick like the Hostel or Saw movies. They all deal with the destruction of the mind, body and soul.
This version of I Spit on Your Grave is a much better movie than Meir Zarchi’s original because the writing, acting and direction is more interesting. However Jennifer Hills’ revenge methods are questionable, and to a lesser degree, her state of mind. In the original Jennifer’s acts of revenge are relatively simple (hanging, castration, and death by motorboat blades), but in the remake she goes to inordinate lengths to torture and kill her attackers. The truth of the matter is there’s no way she’d have had the physical strength to do what she did.
In reality the shock and inherent terror of her trauma would most likely have rendered her incapable of carrying out that level of revenge so soon after. But the same can be said of any rape-revenge flick I suppose. And therein lies The Rub. That’s not to say Jennifer’s methods aren’t a hardened horrorphile’s delight! She may have survived her appalling ordeal, but her attackers she as hell aren’t gonna be given that saving grace; they get their just desserts, and then some!
Sarah Butler is excellent in the brave, vulnerable role of Jennifer (I hope she gets more leading roles and doesn’t suffer from what some critics would deem as an instant career suicide), but all the performances are very good indeed; especially Jeff Branson as Johnny, the thug leader, and even more so, Andrew Howard, as Sheriff Storch, these two radiate pure evil.
I Spit on Your Grave remake is a savage movie, the rapes sequences are genuinely nightmarish, without being gratuitous. But good on Monroe for not bending over for the MPAA; the movie was released Stateside unrated (the producers and Monroe turned down a proposed “hard R” cut). The same can’t be said for the UK, where the original still remains available only in cut form, as does the remake. Australia has received the American unrated version. It’s a tough movie to recommend, but for those wanting a slick rape-revenge experience, it’s definitely worth it. My only gripe is that director Monroe pretty much shied away from any female or male full-frontal nudity, which is odd considering the nature of what goes down. Call me old–fashioned, but when you’re gonna stomp down this kind of dark alley, you need to kick the garbage cans over too.
Had I seen I Spit on Your Grave remake when it was first released last year it would have made it into my year's bloody best of 2010, so now because of its straight-to-DVD Australian release it becomes a contender for one of this year's most nightmarish movies, and now has the dubious Horrorphile honour bestowed upon it as one of the top five most memorable rape-revenge movies of all-time.
Here’s the trailer:
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Comment by David O'Connell
20/20 Filmsight
Screen Fanatic
Yet to see it, but the notorious Bobbitt moment from the original left a very young mind severely damaged and has stayed with me to this day - even if it was nothing more than cheap tomato sauce and soap bubbles!
Comment by anish
FILMENATOR
Write a Review
Glitterati
Virtual Informer
Not my kind of movie.
BTW when are they planning to make a remake of Caligula?? Talk about grotesque!
Comment by Bryn
Horrorphile
I'll agree, when I first saw I Spit on Your Grave on VHS, many moons ago, with a mate, we were both pretty impressed (disturbed) by the bathtub scene, especially that geyser of dark blood. It was pretty convincing back then.
Comment by Bryn
Horrorphile
A Caligula remake?! Never.
Comment by Matt Shea
Comment by JMD
I would hope some of these studios would take notice on how to do a remake that surpasses the original. But it's cash first, quality whenever.
Comment by Bryn
Horrorphile
JMD, not sure of your opinion on the original ... Did taking three nights to watch it mean you struggled?
Comment by TheThingTheCar1991
My friend let me borrow the copy, and I started watching.
It was at school we were in the library of my school, and it was during lunch, so it was hard for me to try not to get noticed by some people.
Man I was kind of disgusted a bit, it sent shivers down my spine. But as it went on, I started to appreciate how well the villain roles were played, I did feel that the acting of the victim was not as great, but it would be hard for anyone to take on a role like that, I give Butler kudos for that. My favourite villain was the officer played by Andrew Howard, he comes out as a nice officer with a family, and then reveals the corruption. In all I liked how creative the revenge tactics were, but I still think they went a bit far with how they handled the role of the mentally disabled person near the end. I myself have ADHD, and I can somewhat relate, and I have seen others with worse disabilities.
I general I would have given this a 7/10, it was great in creativity, but it did a good job of hiding some of the acting flaws.
But yet again, I am still a lightweight in the genre.
Comment by Bryn
Horrorphile
Comment by TheThingTheCar1991
I have partially seen Race with the Devil, so I am curious about it. I do own The Car, Christine, and The Thing,
Thanks for creating such a wonderful site and such greatly thought out reviews.
Comment by Bryn
Horrorphile
I saw Hybrid recently. Trashy demon car fun.
Comment by Vinodh S
must see movie fellas....
luv ya sarah..... 10/10
Comment by Kleonaptra
Kalikapsychosis
General consensus of the web says first one is better. Yet here you are disagreeing....Whats a girl to do?
BTW, I adore the revenge flick, ESPECIALLY if its rape revenge. No need to defend the genre to me!
Comment by Bryn
Horrorphile
I realise the original has a cult following, but that doesn't mean it's a well-made movie. Which it isn't.
This is rare example of a remake eating the original for breakfast. Almost everything about this remake is better, but most importantly, the performances and the screenplay.
Start with the original, I guess, then watch the remake. I'm curious to know your opinion.
And make note of another rape-revenge flick that is very atmospheric and effective, I'll Never Die Alone.
Comment by Kleonaptra
Kalikapsychosis
I have to say my biggest problem was how GULLIBLE the guys were! No one is that unbelievably stupid!
I'll let you know what I think of the later one when I get a chance to watch it.
Comment by Bryn
Horrorphile
Keep in mind the remake is a much slicker production and the revenge methods are OTT ...