THEY BAN TORTURE PORN, DON'T THEY?
October 15th 2009 23:18
A curious, belated piece of news came to my attention yesterday as I was searching for a clip on youtube. Someone had uploaded a short New Zealand television news piece from 2007 that addressed how the Office of Film and Literature Classification in NZ had made the decision to ban the theatrical release of Eli Roth’s Hostel: Part II (2007), but probably would allow the movie to be released on DVD later, however minus a scene they felt to be too offensive for the common good.
The scene they found to so objectionable was, perhaps a little contentiously, one of the movie’s highlights; the “Elizabeth Bathory” sequence where a client gets to slice open a young girl who’s hanging upside down like a pig on its way to be slaughtered. It’s a potent nightmare moment that juxtaposes the extreme dark pleasure of the older woman and the abject terror of the innocent younger girl; Mrs Bathory (Monica Malacova) paying top dollar to indulge her wildest, darkest desire, and the poor young tourist (Heather Matarazzo) who’s been abducted and ended up as a disposable horror toy. But hang on, there’s another scene in the movie which involves gleeful castration,now isn’t that just as morally volatile? Seems a double standard rears its ugly head.
Hostel: Part II was better than Hostel (2006). Others will disagree, but I found the sequel to be more disturbing, more intelligent and intriguing (even though the conceit of the original is laid bare, and even though the whole idea is far-fetched), far more atmospheric (in that sumptuous, elusive Euro fashion), and much more convincing with its special effects (most of the first movie’s prosthetic work looked too rubbery). All these elements were integral for the movie to work well. It’s a hardcore horror movie; it takes no prisoners.
I remember when Hellbound: Hellraiser II (1988) came out I read that it had been banned in Queensland. My friend and I shook our heads, pitying the poor Australians who were being denied such a fabulously imaginative and indulgent nightmare. It’s always the wicked and tenebrous ones that are deemed “problematic”. More to the point, it’s the beef of the chief censor that’s gone rotten. They’ve got a bone to pick, ‘cos a raw nerve was hit, and they want a scapegoat.
Kiwi Chief Censor Bill Hastings (who looks like a right tosser) made the final decision that the scene in Hostel: Part II had taken things too far, and so he was denying the discerning public the right to make up their own minds. According to Hastings; “The sadistic violence was combined with the protagonist taking sexual pleasure from the torture and killing of the victim.”
Oh, so it’s fine to screen the Saw series that delights and wallows deeply in graphic sadism, yet one scene in another “torture porn” movie that depicts behaviour tenuously linked to sexual pleasure is deemed beyond the pale. Apparently if sexual arousal is involved its taboo. Society has such strange moral codes.
Fuck, I loathe censorship! Pardon my French. I mean, for the most part I abhor how a small, supposedly intelligent-minded protectorate, has the power to tell us what we can and cannot see in the world of art. Censorship is a can o’ worms, I know, but before I get too carried away, I will say that there is some material released to the public that is reprehensible, but not Hostel: Part II. I Spit on Your Grave (1978) and Last House on the Left (1972) are far more dodgy movies in they way their content is presented. But more so, these movies have little to no artistic merit to them whatsoever, and that’s the real crime! Movies made that scrap the bottom of the aesthetic barrel should be banned, or at least have a big sticker on the poster or the DVD cover that warns any potential viewer that there are virtually no production values, intelligence, style, or atmosphere to be found in the following 90-odd minutes.
For the record, Hostel: Part II was released uncut in USA, UK and Australia. Two other countries joined NZ’s precedent; Malaysia it was banned outright, and in Germany a slightly cut version was allowed as an “Unrated” theatrical release (the uncut was banned).
Here’s the news piece:
The scene they found to so objectionable was, perhaps a little contentiously, one of the movie’s highlights; the “Elizabeth Bathory” sequence where a client gets to slice open a young girl who’s hanging upside down like a pig on its way to be slaughtered. It’s a potent nightmare moment that juxtaposes the extreme dark pleasure of the older woman and the abject terror of the innocent younger girl; Mrs Bathory (Monica Malacova) paying top dollar to indulge her wildest, darkest desire, and the poor young tourist (Heather Matarazzo) who’s been abducted and ended up as a disposable horror toy. But hang on, there’s another scene in the movie which involves gleeful castration,now isn’t that just as morally volatile? Seems a double standard rears its ugly head.
Hostel: Part II was better than Hostel (2006). Others will disagree, but I found the sequel to be more disturbing, more intelligent and intriguing (even though the conceit of the original is laid bare, and even though the whole idea is far-fetched), far more atmospheric (in that sumptuous, elusive Euro fashion), and much more convincing with its special effects (most of the first movie’s prosthetic work looked too rubbery). All these elements were integral for the movie to work well. It’s a hardcore horror movie; it takes no prisoners.
I remember when Hellbound: Hellraiser II (1988) came out I read that it had been banned in Queensland. My friend and I shook our heads, pitying the poor Australians who were being denied such a fabulously imaginative and indulgent nightmare. It’s always the wicked and tenebrous ones that are deemed “problematic”. More to the point, it’s the beef of the chief censor that’s gone rotten. They’ve got a bone to pick, ‘cos a raw nerve was hit, and they want a scapegoat.
Kiwi Chief Censor Bill Hastings (who looks like a right tosser) made the final decision that the scene in Hostel: Part II had taken things too far, and so he was denying the discerning public the right to make up their own minds. According to Hastings; “The sadistic violence was combined with the protagonist taking sexual pleasure from the torture and killing of the victim.”
Oh, so it’s fine to screen the Saw series that delights and wallows deeply in graphic sadism, yet one scene in another “torture porn” movie that depicts behaviour tenuously linked to sexual pleasure is deemed beyond the pale. Apparently if sexual arousal is involved its taboo. Society has such strange moral codes.
Fuck, I loathe censorship! Pardon my French. I mean, for the most part I abhor how a small, supposedly intelligent-minded protectorate, has the power to tell us what we can and cannot see in the world of art. Censorship is a can o’ worms, I know, but before I get too carried away, I will say that there is some material released to the public that is reprehensible, but not Hostel: Part II. I Spit on Your Grave (1978) and Last House on the Left (1972) are far more dodgy movies in they way their content is presented. But more so, these movies have little to no artistic merit to them whatsoever, and that’s the real crime! Movies made that scrap the bottom of the aesthetic barrel should be banned, or at least have a big sticker on the poster or the DVD cover that warns any potential viewer that there are virtually no production values, intelligence, style, or atmosphere to be found in the following 90-odd minutes.
For the record, Hostel: Part II was released uncut in USA, UK and Australia. Two other countries joined NZ’s precedent; Malaysia it was banned outright, and in Germany a slightly cut version was allowed as an “Unrated” theatrical release (the uncut was banned).
Here’s the news piece:
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Comment by JohnDoe
Film & TV on DVD
As i say if a gun is to my head and I have to choose something to censor then make it fantasy violence. things taht make violence look fun. Guns that shoot people with no blood..movies that make violence look heroic...wrestling.....damn you got me going
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Love it! Problem is, that would account for more than 50% of movies being released these days.
I'm anti-censorship myself, although I sit on the fence when it comes to genuine extremes. That's not to say I would watch this film - I personally don't have the stomach for it - but as free-thinking adults we should be given the right to make our own choices.
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