Fright Night (2011)
September 11th 2011 22:30
Every now and again I must eat my words, chew a little humble pie, assess my cynical attitude, and embrace the here and now, regardless of how unoriginal so much of it is. I saw Tom Holland’s original Fright Night (1985) when it was first released and thoroughly enjoyed it, from what I remember, especially its special effects – in particular the transformation of Evil Ed from werewolf back into frightened mortally wounded adolescent. I liked Chris Sarandan’s menacingly seductive performance as Jerry, the matinee idol vamp with the keen interest on his teenager next door who happens to share a mutual fascination, albeit of the more morbid and wary variety.
As is the rule of thumb in this contemporary Hollywood climate, it’s not just the B-movies that are being re-booted, re-imagined, sequelised, and prequelised, now executive producers hungry for the Y-Gen dollar that shows no genuine concern for the purity of a bona fide classic, or the rustic charm of a cult favourite, an audience that thirsts for something that looks cool and wrangles something culturally poppy, something that is here and now, are turning to the movies that weren’t broke, that made a profit the first time round, that are regarded as successful and, in many cases, untouchable.
Fright Night wasn’t a brilliant movie, but it succeeded in what it was designed for, which was an old school horror full of campy horror fun, rich on self-depreciating humour, and sporting some fabulous special effects (for the time). There was really no need to remake it. But it has been. Like many before and so many more to come. So I went to the screening expecting dire things. I mean, Colin Farrell and his thick Irish brogue playing All-American Jerry? David Tennant mimicking Russell Brand playing Roddy McDowell’s flaky charlatan Vincent? Toni Collette playing Charlie Brewster’s mother? (I’m not the biggest Toni fan, I gotta be honest).
So herein lies the Rub. With my low expectations I didn’t pay attention to two interesting key players in the remake; director Craig Gillespie, who made the excellent Lars and the Real Girl, and screenwriter Marti Noxon, a television producer-writer who penned several episodes of Buffy the Vampire Slayer and more recently a couple of episodes of Mad Men. These two have managed to lift Fright Night (2011)’s game considerably. In fact, it wasn’t long into the movie (probably around the arrival of scene-stealing David Tennant) before I realised I was actually rather enjoying it, far more than I thought I would.
Noxon’s plot follows Holland’s quite faithfully (Holland receives a story credit as well as a credit for the original Fright Night itself), but makes a few key changes that add real colour and bounce. In this new version it is Charley’s geek-infested buddy Ed (Christopher Mintz-Plasse) who tries to warn Charley (Anton Yelchin) of his freakydeaky new neighbour, but Charley is too cool-for-school to pay heed. He’s doesn’t want to lose his spunky girlfriend Amy (Imogen Poots) because he’s returned to his nerd-sac days, even when Ed threatens to youtube some old videos of them playing silly buggers in superhero costumes.
The new neighbour, Jerry (Colin Farrell) is quite the eye candy for Charley’s lonesome mother, Jane (Toni Collette), even Amy nods her approval, much to Charley’s chagrin. It isn’t long before supernatural intrigue roots down firmly in the Vegas satellite township. Ed has gone missing (along with numerous other teenagers) and now Charley knows there’s something real dodgy in Jerry’s all-too-nice demeanour. He eventually seeks advice from the Cris Angel-esque Vegas illusionist Peter Vincent (David Tennant), a soak and a flake, with his bored, but oh so hot, assistant Ginger (Sandra Vergara, stealing scenes even from Tennant!). But Vincent does proclaim expertise on vampire hunting, and his collection is nothing too shake a blunt stake at. Together they must fight the undead evil!
Fright Night is well-paced with some memorable set-pieces (Jerry’s bold way of entering Charley’s house without invitation), a few moments of choice visceral horror, and a persuasive sense of humour. The cast performs very well, with Colin’s Jerry making a much stronger impression than I anticipated. David Tennant is absolutely hilarious (some truly magic dialogue) as the charlatan who redeems himself, and there are some genuinely suspenseful moments. The climactic confrontation under Jerry’s house hits all the right notes, and the 3D presentation adds bonus dynamics (Jerry’s grotesque vampire visage is a stunner!)
If you’re a fan of the original, go in to this remake with low expectations and you’ll have a great time. If you’ve never seen the original then you’ll probably have an even more entertaining ride. Taking my rating cue from fuddy-duddy critic Roger Ebert, Fright Night joins the ranks of that rare breed of creature; the remake that that gets two thumbs up. Curiously, Ebert has a thing to say about current audiences: “They fear taking a chance. They fear informing themselves about new films. They remember a good movie experience and desire to repeat it … It will grow harder to make a great original film and impossible to avoid remaking it time and again.”
Here’s the trailer:
As is the rule of thumb in this contemporary Hollywood climate, it’s not just the B-movies that are being re-booted, re-imagined, sequelised, and prequelised, now executive producers hungry for the Y-Gen dollar that shows no genuine concern for the purity of a bona fide classic, or the rustic charm of a cult favourite, an audience that thirsts for something that looks cool and wrangles something culturally poppy, something that is here and now, are turning to the movies that weren’t broke, that made a profit the first time round, that are regarded as successful and, in many cases, untouchable.
Fright Night wasn’t a brilliant movie, but it succeeded in what it was designed for, which was an old school horror full of campy horror fun, rich on self-depreciating humour, and sporting some fabulous special effects (for the time). There was really no need to remake it. But it has been. Like many before and so many more to come. So I went to the screening expecting dire things. I mean, Colin Farrell and his thick Irish brogue playing All-American Jerry? David Tennant mimicking Russell Brand playing Roddy McDowell’s flaky charlatan Vincent? Toni Collette playing Charlie Brewster’s mother? (I’m not the biggest Toni fan, I gotta be honest).
So herein lies the Rub. With my low expectations I didn’t pay attention to two interesting key players in the remake; director Craig Gillespie, who made the excellent Lars and the Real Girl, and screenwriter Marti Noxon, a television producer-writer who penned several episodes of Buffy the Vampire Slayer and more recently a couple of episodes of Mad Men. These two have managed to lift Fright Night (2011)’s game considerably. In fact, it wasn’t long into the movie (probably around the arrival of scene-stealing David Tennant) before I realised I was actually rather enjoying it, far more than I thought I would.
Noxon’s plot follows Holland’s quite faithfully (Holland receives a story credit as well as a credit for the original Fright Night itself), but makes a few key changes that add real colour and bounce. In this new version it is Charley’s geek-infested buddy Ed (Christopher Mintz-Plasse) who tries to warn Charley (Anton Yelchin) of his freakydeaky new neighbour, but Charley is too cool-for-school to pay heed. He’s doesn’t want to lose his spunky girlfriend Amy (Imogen Poots) because he’s returned to his nerd-sac days, even when Ed threatens to youtube some old videos of them playing silly buggers in superhero costumes.
The new neighbour, Jerry (Colin Farrell) is quite the eye candy for Charley’s lonesome mother, Jane (Toni Collette), even Amy nods her approval, much to Charley’s chagrin. It isn’t long before supernatural intrigue roots down firmly in the Vegas satellite township. Ed has gone missing (along with numerous other teenagers) and now Charley knows there’s something real dodgy in Jerry’s all-too-nice demeanour. He eventually seeks advice from the Cris Angel-esque Vegas illusionist Peter Vincent (David Tennant), a soak and a flake, with his bored, but oh so hot, assistant Ginger (Sandra Vergara, stealing scenes even from Tennant!). But Vincent does proclaim expertise on vampire hunting, and his collection is nothing too shake a blunt stake at. Together they must fight the undead evil!
Fright Night is well-paced with some memorable set-pieces (Jerry’s bold way of entering Charley’s house without invitation), a few moments of choice visceral horror, and a persuasive sense of humour. The cast performs very well, with Colin’s Jerry making a much stronger impression than I anticipated. David Tennant is absolutely hilarious (some truly magic dialogue) as the charlatan who redeems himself, and there are some genuinely suspenseful moments. The climactic confrontation under Jerry’s house hits all the right notes, and the 3D presentation adds bonus dynamics (Jerry’s grotesque vampire visage is a stunner!)
If you’re a fan of the original, go in to this remake with low expectations and you’ll have a great time. If you’ve never seen the original then you’ll probably have an even more entertaining ride. Taking my rating cue from fuddy-duddy critic Roger Ebert, Fright Night joins the ranks of that rare breed of creature; the remake that that gets two thumbs up. Curiously, Ebert has a thing to say about current audiences: “They fear taking a chance. They fear informing themselves about new films. They remember a good movie experience and desire to repeat it … It will grow harder to make a great original film and impossible to avoid remaking it time and again.”
Here’s the trailer:
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