Feast
January 16th 2008 03:37
“They’re hungry. You’re dinner.” The tagline to Feast (2005) pretty much sums up the tone of this unabashedly over-the-top gore-fest black comedy. It’s a bloody treat too; low-budget, but wildly inventive, and sporting some of the best non-CGI special effects since The Evil Dead (1982).
A severed tongue-in-cheek screenplay by Marcus Dunstan and Patrick Melton that plays with both the monster and slasher sub-genres, while twisting clichés and convention and tearing them up. Feast is a rip-roaring extravaganza similar to the lurid horror excesses of From Dusk Till Dawn (1996), but none of the slapstick. It also sports one of the best B-list and up-and-coming ensemble casts I’ve seen in a while.
The Bear Tavern in the middle of desert nowhere with a motley crew of smart alecs and losers including Bozo (Balthazar Getty), Coach (Henry Rollins), Hot Wheels (Josh Zuckerman), Edgy Cat (Jason Mewes), Tuffy (Krista Allen), Honey Pie (Jenny Wade), Grandma (Eileen Ryan – Sean Penn’s mother), a bartender (Clu Gulager) and a beer guy (Judah Freidlander). In bursts a tough guy hero covered in blood toting a rifle. He announces that unless they want to get eaten alive they’d better listen to him and do what he says.
A bunch of terrifying and ravenous beasts from God knows where (apparently according to one of the trailers they're a military experiment) are about to descend on the tavern. They do and they rip the hero’s head off. Oops, no more hero. So now it’s every person for themselves. Thankfully a heroine arrives, the hero’s wife. She seems to possess more longevity.
The rest of the 80 odd minutes has the bar under siege from this hideous bloodthirsty family of monsters with more teeth than a zipper. It’s hell for leather and there ain’t nothin’ a sure thing.
This is director John (son of Clu) Gulager’s debut feature, having previously worked as an actor and cinematographer. He got the film funded by winning Project Greenlight, set up by actors Ben Affleck and Matt Damon to get talented filmmakers up and running with a low-budget feature. Wes Craven was also involved, although this film is much more hardcore than anything Craven has done of late.
Gulager’s got a great eye and cleverly shoots all the monster action and special effects make-up sequences with concise editing and fast-frame photography which prevents the audience from seeing the strings, so to speak. Sometimes it’s a blink and you’ll miss it, but it still packs an effective punch, and there is enough blood spilled to make Peter Jackson grin.
Some witty dialogue and solidly etched characterizations lift the movie severed head and shoulders above most of the straight-to-dvd horror dross. Feast is easily the best 80 minutes bang for your buck I’ve seen in awhile. There’s some serious eye candy too for the red-blooded male viewers, and Henry Rollins, who can’t act his way out of a paper bag, actually delivers a wooden performance that works, and he made me laugh too.
It’s great to see such inventive and excellent special effects make-up that isn’t from the KNB EFX Group (as brilliant as they are). Gary Tunnicliffe, a Brit known for countless straight-to-dvd releases the less said the better, has achieved some sensational prosthetic and monster effects work.
Director Gulager is currently filming and in post-production on two sequels, whether they’ll have the energy and potency of Feast we’ll have to wait and see, but for now, sink your teeth into Feast and gnaw hard on those horror bones, dem be damn juicy!
Here's one trailer:
And here's another:
A severed tongue-in-cheek screenplay by Marcus Dunstan and Patrick Melton that plays with both the monster and slasher sub-genres, while twisting clichés and convention and tearing them up. Feast is a rip-roaring extravaganza similar to the lurid horror excesses of From Dusk Till Dawn (1996), but none of the slapstick. It also sports one of the best B-list and up-and-coming ensemble casts I’ve seen in a while.
The Bear Tavern in the middle of desert nowhere with a motley crew of smart alecs and losers including Bozo (Balthazar Getty), Coach (Henry Rollins), Hot Wheels (Josh Zuckerman), Edgy Cat (Jason Mewes), Tuffy (Krista Allen), Honey Pie (Jenny Wade), Grandma (Eileen Ryan – Sean Penn’s mother), a bartender (Clu Gulager) and a beer guy (Judah Freidlander). In bursts a tough guy hero covered in blood toting a rifle. He announces that unless they want to get eaten alive they’d better listen to him and do what he says.
A bunch of terrifying and ravenous beasts from God knows where (apparently according to one of the trailers they're a military experiment) are about to descend on the tavern. They do and they rip the hero’s head off. Oops, no more hero. So now it’s every person for themselves. Thankfully a heroine arrives, the hero’s wife. She seems to possess more longevity.
The rest of the 80 odd minutes has the bar under siege from this hideous bloodthirsty family of monsters with more teeth than a zipper. It’s hell for leather and there ain’t nothin’ a sure thing.
This is director John (son of Clu) Gulager’s debut feature, having previously worked as an actor and cinematographer. He got the film funded by winning Project Greenlight, set up by actors Ben Affleck and Matt Damon to get talented filmmakers up and running with a low-budget feature. Wes Craven was also involved, although this film is much more hardcore than anything Craven has done of late.
Gulager’s got a great eye and cleverly shoots all the monster action and special effects make-up sequences with concise editing and fast-frame photography which prevents the audience from seeing the strings, so to speak. Sometimes it’s a blink and you’ll miss it, but it still packs an effective punch, and there is enough blood spilled to make Peter Jackson grin.
Some witty dialogue and solidly etched characterizations lift the movie severed head and shoulders above most of the straight-to-dvd horror dross. Feast is easily the best 80 minutes bang for your buck I’ve seen in awhile. There’s some serious eye candy too for the red-blooded male viewers, and Henry Rollins, who can’t act his way out of a paper bag, actually delivers a wooden performance that works, and he made me laugh too.
It’s great to see such inventive and excellent special effects make-up that isn’t from the KNB EFX Group (as brilliant as they are). Gary Tunnicliffe, a Brit known for countless straight-to-dvd releases the less said the better, has achieved some sensational prosthetic and monster effects work.
Director Gulager is currently filming and in post-production on two sequels, whether they’ll have the energy and potency of Feast we’ll have to wait and see, but for now, sink your teeth into Feast and gnaw hard on those horror bones, dem be damn juicy!
Here's one trailer:
And here's another:
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Comment by Damo
For the Sake of Argument
My Apologetics
I love the lamprey with legs look on the beasts.
Comment by Bryn
Horrorphile
Comment by Cibbuano
20/20 Filmsight
Science News
Hunt Famous
Orble Post of the Day
Fat Cult
Techbreak
Sounds interesting, but I have to admit that I'd watch it solely based on that picture of Krista Allen.
Comment by Bryn
Horrorphile
Comment by D. Armenta
The Florida Keys and Everglades
The Black Sheep Chronicles
What constitutes bad manners?
The male mystique
Debate Fan
**Anything** without bloody CGI in it gets my vote!
Comment by Bryn
Horrorphile
And yeah, Viva Old Skool FX!!!