El Orfanato (The Orphanage)
April 18th 2008 00:53
A well-made ghost story is a hard movie to come by. Sure, there are more of them than you can shake a broomstick at, but the ones that are genuinely enthralling, frightening, atmospheric are a rare breed of supernature. Haunted house stories are even harder to ply, but when they’re done well, they can be utterly chilling. The Abandoned was one such movie.
El Orfanato is another, and even stronger. Not only is it a superbly told drama; it’s a haunted house and ghost story par excellence. It does have some holes, but then don’t all haunted houses have cracks in the ceiling?
Presented by Guillermo del Toro, who it seems these days has become the Tarantino of Spain (his official title is executive producer), the movie does exude the same strong fluid visual style and iconographic imagery, but credit must be paid to the director for Juan Antonio Bayona, for this is his debut feature, and it’s superbly handled. As talented as del Toro is, I think El Orfanato is a better movie than the phantasmogorical Pan’s Labyrinth, a film I found to be uneven and somewhat overrated by critics and audiences.
El Orfanato might not be the most original story (apparently it is very similar to a low-rent French movie called Saint Ange made a few years ago), but it feels fresh and invigorating. This is partly due to the terrific performances from the leads, especially Belén Rueda as Laura (even if she doesn’t quite look as young as the age she is playing) and Roger Príncep as young Simón. Also of note in small, but crucial roles are Geraldine Chaplin as Aurora, a supernatural medium, and Montserrat Carulla as creepy Benigna.
Laura and her doctor husband Carlos (Fernando Cayo) have moved back into her childhood home, which was an orphanage for disabled children. Their son, seven-year-old Simón, is lonely and has seemingly conjured several invisible friends to keep him entertained. The parents wish to care for a small number of handicapped children within the large home in an effort to restore the household to its former facility, but strange and disturbing events begin to occur and Laura becomes obsessed with finding the truth.
El Orfanato is intelligent and controlled, yet always manages to tease and taunt and go “Boo!” at just the right moments. The production values are top-notch; everything from the location shooting to the art direction to the editing to the sound design and score. The movie has the slick stamp of a Hollywood melodrama, but glides and stings like a great Euro horror.
One of the key elements which lifts El Orfanato above other ghost stories is how emotionally involving the movie is. I was significantly moved during the film’s final scenes, and found it refreshingly to be manipulated in such a way by a movie of this kind. Not only is the movie haunting, but it is genuinely sad. Of course, I’ll eat my boots if Hollywood doesn’t come up with a remake (betcha they’re closing the deal as I write this), or worse still, they lure the original director to America to re-direct another version in English (the movie has Hollywood appeal written all over it, the question is to what extent will they change the screenplay, especially the ending …?)
I find it perturbing when I think of Hollywood getting its grubby mitts all over this fabulous film, but it’s inevitable in this day and age when a foreign movie of above-average calibre isn’t re-packaged for the lowest-common dominator in America. But enough griping, just make sure you go see El Orfanato on the big screen when it opens theatrically, you won’t be disappointed.
El Orfanato is released in Australia on May 29th.
Here's an effective "international" trailer:
And the typical Hollywood-styled trailer:
El Orfanato is another, and even stronger. Not only is it a superbly told drama; it’s a haunted house and ghost story par excellence. It does have some holes, but then don’t all haunted houses have cracks in the ceiling?
Presented by Guillermo del Toro, who it seems these days has become the Tarantino of Spain (his official title is executive producer), the movie does exude the same strong fluid visual style and iconographic imagery, but credit must be paid to the director for Juan Antonio Bayona, for this is his debut feature, and it’s superbly handled. As talented as del Toro is, I think El Orfanato is a better movie than the phantasmogorical Pan’s Labyrinth, a film I found to be uneven and somewhat overrated by critics and audiences.
El Orfanato might not be the most original story (apparently it is very similar to a low-rent French movie called Saint Ange made a few years ago), but it feels fresh and invigorating. This is partly due to the terrific performances from the leads, especially Belén Rueda as Laura (even if she doesn’t quite look as young as the age she is playing) and Roger Príncep as young Simón. Also of note in small, but crucial roles are Geraldine Chaplin as Aurora, a supernatural medium, and Montserrat Carulla as creepy Benigna.
Laura and her doctor husband Carlos (Fernando Cayo) have moved back into her childhood home, which was an orphanage for disabled children. Their son, seven-year-old Simón, is lonely and has seemingly conjured several invisible friends to keep him entertained. The parents wish to care for a small number of handicapped children within the large home in an effort to restore the household to its former facility, but strange and disturbing events begin to occur and Laura becomes obsessed with finding the truth.
El Orfanato is intelligent and controlled, yet always manages to tease and taunt and go “Boo!” at just the right moments. The production values are top-notch; everything from the location shooting to the art direction to the editing to the sound design and score. The movie has the slick stamp of a Hollywood melodrama, but glides and stings like a great Euro horror.
One of the key elements which lifts El Orfanato above other ghost stories is how emotionally involving the movie is. I was significantly moved during the film’s final scenes, and found it refreshingly to be manipulated in such a way by a movie of this kind. Not only is the movie haunting, but it is genuinely sad. Of course, I’ll eat my boots if Hollywood doesn’t come up with a remake (betcha they’re closing the deal as I write this), or worse still, they lure the original director to America to re-direct another version in English (the movie has Hollywood appeal written all over it, the question is to what extent will they change the screenplay, especially the ending …?)
I find it perturbing when I think of Hollywood getting its grubby mitts all over this fabulous film, but it’s inevitable in this day and age when a foreign movie of above-average calibre isn’t re-packaged for the lowest-common dominator in America. But enough griping, just make sure you go see El Orfanato on the big screen when it opens theatrically, you won’t be disappointed.
El Orfanato is released in Australia on May 29th.
Here's an effective "international" trailer:
And the typical Hollywood-styled trailer:
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Comment by Damo
I have to concur I did find Pan Labyrinth overrated and bordering on propaganda in some parts. (but that is a separate story)
I look out for this. I have seen another ghost story from Spain about kids in an orphanage and it was also great. So I look forward to catching this one.
Comment by Irene
Grammar Matters
Cooking Monkey
I completely agree with that statement. I liked that movie, but I didn't think it was quite the masterpiece that everyone made it out to be.
I enjoyed The Devil's Backbone a great deal (wonder if Damo is talking about that one too?), and I'm looking forward to seeing The Orphanage. I'll have to wait for DVD though. It's already come and gone out of theatres here in Canada.
Comment by Bryn
Horrorphile
Irene, I saw some of The Devil's Backbone on SBS late one night, but fell asleep during it ...
Pity you missed El Orfanato on the big screen, make sure you see the DVD then.
Comment by Damo
Yes I think that was the film.
Young kids, ghosts and unexploded bomb sitting in the middle of the yard. I found it to be a an excellent character driven ghost story.
Comment by Maryam DiMauro
Wingy's Youtube
ThirtyInMotion
although in the end it really isn't a horror movie but rather an amalgm of our fear of the unknown
Comment by tlcorbin
Coffee Quip
Raven
Comment by Bryn
Horrorphile
which film did you review? The Devil's Backbone or The Orphanage?
Comment by JohnDoe
Film & TV on DVD
You have me excited to see this one, (even if I dig Pan's Labyrinth but I thought Devils Backbone and Cronos are Del Torro's finest)
Sounds very rich in ideas and dense atmosphere.....good to hear
Comment by Maryam DiMauro
Wingy's Youtube
ThirtyInMotion
Really Long Link
i liked it, but scary ghost kids always creeps me out. I think i need to go back and watch it more closely to see some clues about the whole thing
Comment by Maryam DiMauro
Wingy's Youtube
ThirtyInMotion
Gahhh
And I did think the actress who played Laura was a bit too old to play 34, but she was really good in it. Samuel was so cute you could eat him up and the psychic woman stole the show...the seance scene was really eerie
Comment by Bryn
Horrorphile
actually she was playing 37, but yeah, she so obviously looks in her 40s (which the actor is) ...
The medium was played by the legendary Geraldine Chaplin, daughter of Charlie Chaplin ... and yeah, the her hypnotised scene was creepy alright!
Comment by Cibbuano
Hunt Famous
Orble Post of the Day
Fat Cult
Techbreak
man, kids are easily the most terrifying figures around. Who would let them get masks?
Except for those tiny old people in Mullholland Drive. Man, they were creepy.
Comment by Jason King
Sydney Table
Salty Popcorn
Total Randomness
Thanks for dropping in on my review.
Universal has brought the rights - I refuse to watch a US remake of this.
Comment by Bryn
Horrorphile
Comment by Journeywoman
Great Hair Style Tips
I Dream of Hollywood
Fashion Peach
This is probably the best haunted house movie I've ever seen, and I agree, an English-speaking Hollywood remake would ruin it. Apparently it's happening anyway though... last I heard they were looking for a "high profile female lead." Grrrr.
Comment by Bryn
Horrorphile
This is great movie indeed, but it has its own contrivances as well (and one huge continuity flaw).
Comment by Journeywoman
Great Hair Style Tips
I Dream of Hollywood
Fashion Peach
Although, there was a part in The Orphanage that also unintentionally made me laugh, when Carlos and Laura are trying to find their son on the beach and both keep stacking it in the water
Which continuity flaw was the major one? I only spotted two or three forgivable plotholes. Must have missed something....
Comment by Bryn
Horrorphile
Comment by Journeywoman
Great Hair Style Tips
I Dream of Hollywood
Fashion Peach
Thanks for that Bryn
Comment by Bryn
Horrorphile