Drag Me to Hell
July 9th 2009 00:34
I don’t like a lot of what Sam Raimi has made. I’ll certainly acknowledge his contribution to the modern horror movie, and I’ll even champion The Evil Dead (1981) as one of the best of its kind (a low-budget visceral shocker par excellence), but I have to keep in mind that Raimi also fell prey to the Hollywood machine Big Time with all the excessive trappings.
I’m not a fan of the Spider-Man movies; they’re overblown and too glossy for my tastes. But this was evident with Dark Man (1990), a vivid mess of a movie. I’m not a fan of the Evil Dead sequels, and it disheartens me greatly that Raimi is writing, producing and directing a remake of The Evil Dead to be released next year. Why?! Are his kids that demanding??
Raimi, however, is one of Hollywood’s most in-demand filmmakers with over twenty movies currently in development (!), including The Evil Dead IV (2011) and a remake of 20,000 Leagues Under the Sea (2012). But enough of Raimi’s fingers in pies, let’s talk about his current production: Drag Me to Hell (2009), made for his Ghost House Pictures company that he set up to produce modestly-budgeted horror flicks aimed for the mainstream, but returning in style and fervour to his low-budget roots.
Christine (Alison Lohman) is a loan officer with almost everything going for her; she’s pretty, has a lovely boyfriend Clay (Justin Long), her own pad, and a solid job. However she desperately wants a promotion and smarmy, butt-kissing colleague Stu (Reggie Lee) seems to have the edge over her. When a crusty old woman seeks her assistance in extending a loan to save her being kicked out of her home Christine realizes that to prove to her boss she’s tough enough she’ll have to show this rather repulsive codger the hard line: no more loan extensions for Mrs. Ganush (Lorna Raver). Mrs. Ganush takes it hard alright; she loses her gypsy composure and throws a curse upon Christine.
Christine visits a fortune teller Rham Jas (Dileep Rao) with skeptical Clay and is told a dark spirit has visited her. Another visit to Rham (after some nasty stuff goes down) reveals to Christine that a powerful demon called a Lamia will torment her for three days and then claim her body to Hell to burn for all eternity. An animal sacrifice might appease the Lamia though.
Raimi’s love of traditional horror tricks is on impressive display here, he’s throwing all the knives at the audience, pulling all the black rabbits out of his hat. Drag Me to Hell is a rollercoaster ride, or to be more precise, it’s like the rackety old ghost train ride at the carnival; noisy and fun. It’s not an amazing movie, but it’s the best thing Raimi’s done in years. In fact I think it’s the best thing he’d done since The Evil Dead. Curiously he wrote the screenplay with his older brother Ivan soon after The Evil Dead, but it languished in a drawer for nearly twenty-five years.
Swiftly-paced, bristling with nervous tension, full of special effects and references, yet never seeming too showy-offy, the mix of CGI work is expertly integrated, with some truly fantastic moments, for example the fly that crawls around on sleeping Christine’s face eventually burrowing its way between her lips. Yes, Raimi is enjoying pushing the yurgh! factor in this movie; there’s plenty of disgusting moments, but the tone of the movie prevents them from ever being truly repulsive.
Alison Lohman is perfect as Christine; slightly naïve, anxious, but driven. As the title says, the demon will have to drag her to hell, ‘cos she ain’t goin’ without a fight. Justin Long is also well-cast as her boyfriend. There’s an hilarious scene where Clay takes Christine to meet his rich, conservative parents who are none too pleased he’s dating a simple farm girl, and the Lamia plays havoc on poor Christine’s reality.
Also of note is unknown Lorna Raver, who threatens to steal the show as the ghastly gypsy woman, rapping her corpse-like fingernails, her dead eye gazing with deadly intent, her toad-like mouth slobbering, as she flails after Christine. She becomes her nemesis; the poor-good-elderly-woman-turne d-horrendously-evil-instigato r. The confrontation scene between them in the underground car park is one of the movie’s many highlights.
It must be noted however that Drag Me to Hell is rated PG-13 in America. I normally take a grain of salt along to a horror movie with that rating. Raimi is obviously wanting his movie to rake in some serious money (as if he needs it), so there’s no real gore (one scene of bloodletting, but it’s more comic than anything), there’s no real swearing (“shit” is mentioned a few times), and no nudity whatsoever. Still, the movie packs punch and serves up some serious horror elements (the shadow of the demon’s hoofed legs under the crack of the door becoming arms and talons that creep across the floor toward Christine is inspired horror brilliance).
The story has a solid, but predictable arc, yet it’s unusually satisfying. I went into the screening as “cold” as I could, not sure what I’d make of it. As the lights went up I had a smile on my face, and I turned to my discerning cinephile mate saying “Well, that was a horror hoot’n’half!” He agreed. The touches Raimi bookends the movie are notable; the old Universal logo (from the early 80s when he was first starting out as a filmmaker) and the title credit in black and white slamming the audience in huge letters. Drag Me to Hell is pure carnival popcorn, salted liberally and dripping with butter. Stuff yer face!
Rather than the trailer here's the excellent fly scene:
I’m not a fan of the Spider-Man movies; they’re overblown and too glossy for my tastes. But this was evident with Dark Man (1990), a vivid mess of a movie. I’m not a fan of the Evil Dead sequels, and it disheartens me greatly that Raimi is writing, producing and directing a remake of The Evil Dead to be released next year. Why?! Are his kids that demanding??
Raimi, however, is one of Hollywood’s most in-demand filmmakers with over twenty movies currently in development (!), including The Evil Dead IV (2011) and a remake of 20,000 Leagues Under the Sea (2012). But enough of Raimi’s fingers in pies, let’s talk about his current production: Drag Me to Hell (2009), made for his Ghost House Pictures company that he set up to produce modestly-budgeted horror flicks aimed for the mainstream, but returning in style and fervour to his low-budget roots.
Christine (Alison Lohman) is a loan officer with almost everything going for her; she’s pretty, has a lovely boyfriend Clay (Justin Long), her own pad, and a solid job. However she desperately wants a promotion and smarmy, butt-kissing colleague Stu (Reggie Lee) seems to have the edge over her. When a crusty old woman seeks her assistance in extending a loan to save her being kicked out of her home Christine realizes that to prove to her boss she’s tough enough she’ll have to show this rather repulsive codger the hard line: no more loan extensions for Mrs. Ganush (Lorna Raver). Mrs. Ganush takes it hard alright; she loses her gypsy composure and throws a curse upon Christine.
Christine visits a fortune teller Rham Jas (Dileep Rao) with skeptical Clay and is told a dark spirit has visited her. Another visit to Rham (after some nasty stuff goes down) reveals to Christine that a powerful demon called a Lamia will torment her for three days and then claim her body to Hell to burn for all eternity. An animal sacrifice might appease the Lamia though.
Raimi’s love of traditional horror tricks is on impressive display here, he’s throwing all the knives at the audience, pulling all the black rabbits out of his hat. Drag Me to Hell is a rollercoaster ride, or to be more precise, it’s like the rackety old ghost train ride at the carnival; noisy and fun. It’s not an amazing movie, but it’s the best thing Raimi’s done in years. In fact I think it’s the best thing he’d done since The Evil Dead. Curiously he wrote the screenplay with his older brother Ivan soon after The Evil Dead, but it languished in a drawer for nearly twenty-five years.
Swiftly-paced, bristling with nervous tension, full of special effects and references, yet never seeming too showy-offy, the mix of CGI work is expertly integrated, with some truly fantastic moments, for example the fly that crawls around on sleeping Christine’s face eventually burrowing its way between her lips. Yes, Raimi is enjoying pushing the yurgh! factor in this movie; there’s plenty of disgusting moments, but the tone of the movie prevents them from ever being truly repulsive.
Alison Lohman is perfect as Christine; slightly naïve, anxious, but driven. As the title says, the demon will have to drag her to hell, ‘cos she ain’t goin’ without a fight. Justin Long is also well-cast as her boyfriend. There’s an hilarious scene where Clay takes Christine to meet his rich, conservative parents who are none too pleased he’s dating a simple farm girl, and the Lamia plays havoc on poor Christine’s reality.
Also of note is unknown Lorna Raver, who threatens to steal the show as the ghastly gypsy woman, rapping her corpse-like fingernails, her dead eye gazing with deadly intent, her toad-like mouth slobbering, as she flails after Christine. She becomes her nemesis; the poor-good-elderly-woman-turne d-horrendously-evil-instigato r. The confrontation scene between them in the underground car park is one of the movie’s many highlights.
It must be noted however that Drag Me to Hell is rated PG-13 in America. I normally take a grain of salt along to a horror movie with that rating. Raimi is obviously wanting his movie to rake in some serious money (as if he needs it), so there’s no real gore (one scene of bloodletting, but it’s more comic than anything), there’s no real swearing (“shit” is mentioned a few times), and no nudity whatsoever. Still, the movie packs punch and serves up some serious horror elements (the shadow of the demon’s hoofed legs under the crack of the door becoming arms and talons that creep across the floor toward Christine is inspired horror brilliance).
The story has a solid, but predictable arc, yet it’s unusually satisfying. I went into the screening as “cold” as I could, not sure what I’d make of it. As the lights went up I had a smile on my face, and I turned to my discerning cinephile mate saying “Well, that was a horror hoot’n’half!” He agreed. The touches Raimi bookends the movie are notable; the old Universal logo (from the early 80s when he was first starting out as a filmmaker) and the title credit in black and white slamming the audience in huge letters. Drag Me to Hell is pure carnival popcorn, salted liberally and dripping with butter. Stuff yer face!
Rather than the trailer here's the excellent fly scene:
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Comment by Natalina
My Life My Muse
Beta Girl Blog
I think perhaps I'll go this weekend, before it leaves the theater. Or maybe tonight. Looks like a good time!
Comment by Bryn
Horrorphile
Comment by Jason King
Sydney Table
Salty Popcorn
Total Randomness
Your text still cuts off on the right hand side for me - I had to guess a few words but get the point.
Comment by Bryn
Horrorphile
Comment by Matt Shea
20/20 Filmsight
It's funny that you mention it's from an old script because as soon as I started reading your review I thought it sounded like something he would have written 20 years ago.
Comment by The wonderful Peter Yang
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The film does look a bit scary so I think I'll enjoy this movie when it's released
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peace out
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Comment by JESUS
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finally saw this last night, IT WAS SO AWESOME, hilarious and may me jump so many times, wat a clever and odd film, loved it awesomely!