District 9
August 6th 2009 01:37
In two words? Bloody awesome. In another three? Instant cult classic. Yup, this debut feature kicks some serious butt. I’ve not been as exhilarated as I was coming out of this movie for a long time. I would argue it’s the best sf movie in years. WALL-E was amazing, and Primer was incredibly impressive, but they operate in such different ways, District 9 (2009) ticks pretty much all my darker science fiction boxes; it’s a hardcore actioner for the sf movie geeks.
Produced by Peter Jackson, directed by Neill Blomkamp, and co-written between Blomkamp and Terri Tatchel, District 9 eats all the competition for breakfast and spits out the bones. Transformers: Revenge of the Fallen cost $US200 million, and is a piece of crap (I haven’t even seen it, I don’t want to, and I don’t need to). District 9 cost roughly $NZ30m and looks like it cost $100m. It’s a tour-de-force of “guerrilla filmmaking”; shooting most of the movie like a kind of mockumentary, using unknown actors in a South African shanty-town, and proving once again how spectacular Peter Jackson is at making movies at a fraction of the cost of what Hollywood would spend.
I only heard about this movie a couple of weeks ago. I’m so glad I made the decision to resist watching any of the trailers. I wanted to go into the screening as “cold” as possible (in fact I'm now thinking I should avoid trailers altogether). All I knew of District 9 was Jackson had produced, a protégé was directing, and that the premise was chaos in a refugee camp for aliens in Johannesburg. Publicity requested to media not to divulge any spoilers in our reviews. I’ll do my best.
The logline is thus: An extraterrestrial race forced to live in slum-like conditions on Earth suddenly find a kindred spirit in a government agent that is exposed to their biotechnology. District 9 is the name given to the camp where the insectoid aliens are housed. It’s squalid conditions, not too dissimilar to real-life Soweto (and much has been made already of the movie as metaphor). The massive derelict alien mothership hovers above the city and has done for nearly thirty years, but now the South African government has had enough and wants District 9 moved out of the city as the aliens have become a serious social problem.
A private company, MNU (Multi-National United) initiates a relocation program, but they have a secret agenda; they are desperate to take full advantage of the incredibly powerful alien biotechnological weaponry, which can only be operated by alien hands. There is increasing tension between the “prawns” (the derogatory human term for the aliens, as they have a crustacean appearance) and the MNU and military facilitating the relocation. Wikus Van Der Merwe (Sharlto Copley) is an MNU field operative, and it is his valiant story that is the crux of the movie.
Director Blomkamp is an ex-pat South African based in Canada and comes from a background in visual effects and cutting-edge commercials. He made one of the nifty Citroen ads, “Alive with Technology”, where the car has transformed into a dancing robot. More significantly Blomkamp was going to direct Peter Jackson’s hugely anticipated live action feature based on the futuristic combat video game Halo, but funding fell through (?!). Jackson saw a short, “Alive in Joburg” Blomkamp had made and green-lit the project to expand it into a feature. The result is District 9.
The amazing technical savvy both Blomkamp and Jackson possess has ensured District 9 looks extraordinary. They’ve taken CGI to a photo-realism level. Michael Bay’s Transformers paved the way, but that movie was simply too slick and cheesy to make a real impact with the techno boffin audiences. Blomkamp adds a cinema verite style, utilising surveillance cameras, archival source material and news-reel footage to heighten the sense of realism. The production design is stunning, from the overwhelming mothership to the kick-ass bio-suit; the alien design concepts are very cool.
District 9 is raw and unbridled, and its contrivances work brilliantly. It’s violent and gory and full of expletives, has moments of nicely-tuned black comedy, and sports a subtext of social commentary that supposedly was unintentional, but can’t be ignored, but what works so well is the unexpected directions the narrative takes during the second half. With Sharlto Coplet’s compelling central performance, and the movie’s sf concepts, it makes for a sensational cinematic experience.
I’m championing District 9 as the best movie of the year so far. Budgetary costs aside, Neill Blomkamp has raised the bar very high, so let’s see what cinematic tricks you can pull out of your uber-expensive hat Mr. James Cameron.
To watch the trailer click here (embedding has been denied)
For the gameheads here's Blompkamp’s excellent Halo 3 short made for funding exhibition, which captures a very similar atmosphere to District 9:
Produced by Peter Jackson, directed by Neill Blomkamp, and co-written between Blomkamp and Terri Tatchel, District 9 eats all the competition for breakfast and spits out the bones. Transformers: Revenge of the Fallen cost $US200 million, and is a piece of crap (I haven’t even seen it, I don’t want to, and I don’t need to). District 9 cost roughly $NZ30m and looks like it cost $100m. It’s a tour-de-force of “guerrilla filmmaking”; shooting most of the movie like a kind of mockumentary, using unknown actors in a South African shanty-town, and proving once again how spectacular Peter Jackson is at making movies at a fraction of the cost of what Hollywood would spend.
I only heard about this movie a couple of weeks ago. I’m so glad I made the decision to resist watching any of the trailers. I wanted to go into the screening as “cold” as possible (in fact I'm now thinking I should avoid trailers altogether). All I knew of District 9 was Jackson had produced, a protégé was directing, and that the premise was chaos in a refugee camp for aliens in Johannesburg. Publicity requested to media not to divulge any spoilers in our reviews. I’ll do my best.
The logline is thus: An extraterrestrial race forced to live in slum-like conditions on Earth suddenly find a kindred spirit in a government agent that is exposed to their biotechnology. District 9 is the name given to the camp where the insectoid aliens are housed. It’s squalid conditions, not too dissimilar to real-life Soweto (and much has been made already of the movie as metaphor). The massive derelict alien mothership hovers above the city and has done for nearly thirty years, but now the South African government has had enough and wants District 9 moved out of the city as the aliens have become a serious social problem.
A private company, MNU (Multi-National United) initiates a relocation program, but they have a secret agenda; they are desperate to take full advantage of the incredibly powerful alien biotechnological weaponry, which can only be operated by alien hands. There is increasing tension between the “prawns” (the derogatory human term for the aliens, as they have a crustacean appearance) and the MNU and military facilitating the relocation. Wikus Van Der Merwe (Sharlto Copley) is an MNU field operative, and it is his valiant story that is the crux of the movie.
Director Blomkamp is an ex-pat South African based in Canada and comes from a background in visual effects and cutting-edge commercials. He made one of the nifty Citroen ads, “Alive with Technology”, where the car has transformed into a dancing robot. More significantly Blomkamp was going to direct Peter Jackson’s hugely anticipated live action feature based on the futuristic combat video game Halo, but funding fell through (?!). Jackson saw a short, “Alive in Joburg” Blomkamp had made and green-lit the project to expand it into a feature. The result is District 9.
The amazing technical savvy both Blomkamp and Jackson possess has ensured District 9 looks extraordinary. They’ve taken CGI to a photo-realism level. Michael Bay’s Transformers paved the way, but that movie was simply too slick and cheesy to make a real impact with the techno boffin audiences. Blomkamp adds a cinema verite style, utilising surveillance cameras, archival source material and news-reel footage to heighten the sense of realism. The production design is stunning, from the overwhelming mothership to the kick-ass bio-suit; the alien design concepts are very cool.
District 9 is raw and unbridled, and its contrivances work brilliantly. It’s violent and gory and full of expletives, has moments of nicely-tuned black comedy, and sports a subtext of social commentary that supposedly was unintentional, but can’t be ignored, but what works so well is the unexpected directions the narrative takes during the second half. With Sharlto Coplet’s compelling central performance, and the movie’s sf concepts, it makes for a sensational cinematic experience.
I’m championing District 9 as the best movie of the year so far. Budgetary costs aside, Neill Blomkamp has raised the bar very high, so let’s see what cinematic tricks you can pull out of your uber-expensive hat Mr. James Cameron.
To watch the trailer click here (embedding has been denied)
For the gameheads here's Blompkamp’s excellent Halo 3 short made for funding exhibition, which captures a very similar atmosphere to District 9:
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Comment by Michaelie
Flick Wit
Peter Jackson does a lot for hairy, unkept men everywhere.
Laughed at this:
Looks goooood. Seems strange whenever I see blue skies and alien motherships.
Michaelie
Comment by Bryn
Horrorphile
haven't seen your laughing gear around here for awhile.
Well, Peter's looking very different from the fat, unkempt man who made Lord of the Kings, he's lot a lot of weight, got laser treatment on his eyes, and I think he might have even shaved his beard off.
Yes, this movie is very very good.
Comment by stu-kicks
stu kicks
i hav a new review up of the PUBLIC ENEMIES movie i think you should check it out it mite save you the hassle of seein the movie for urself.
peace from stu
Comment by JohnDoe
Film & TV on DVD
As if I needed more reasons to make District 9 my most anticipated film of the year, now your review has me counting the seconds till August 14th when it opens here.
Can't wait!!
Comment by Bryn
Horrorphile
jd, hope i haven't over-hyped it
Comment by Amy Wang
Films, Films And More FIlms
Comment by Christopher Waldeck
Dunk Films
My only question is that if it's Jackson's studio why can't he choose what movies he wants to make. If Lord of the Rings why such a hit why wouldn't they take a chance on halo. Oh well this weekend the studio executives will realize what morons they were.
Just as moronic as whoever green lit Bandslam for the same release date as District 9.
Comment by Bryn
Horrorphile
Comment by Drinksmith
Comment by Bryn
Horrorphile
Comment by Natalina
My Life My Muse
Beta Girl Blog
Comment by Bryn
Horrorphile
Comment by JohnDoe
Film & TV on DVD
Finally got my review for this bad boy up...naturally i enjoyed its carnage.
Comment by Bryn
Horrorphile