Death Race
May 26th 2009 00:21
Probably the trashiest movie of director Paul W.S. Anderson’s illustrious career (I use the word “illustrious” in the loosest possible sense). Death Race (2008) is a remake, or should I say a re-modeling, of cult B movie Death Race 2000 (1975), one of producer Roger Corman’s more entertaining indulgences which co-starred a young Sly Stone as Machine-Gun Joe and David Carradine as hot-shot on a mission, Frankenstein.
In the re-boot-up-the-ass the “2000” has been dropped for obvious dated reasons (the movie had the working title of Death Race 3000, but that was probably considered just a little far-fetched), and many other liberties have been taken with the plot, to the point where only the basic premise remains; a televised race where drivers are encouraged to kill their competition.
The year is 2012 and the American economy has collapsed. Terminal Island, an industrial-styled penitentiary for murders, rapists and the like, is controlled by the ruthless profiteer Warden Hennessey (Joan Allen). Jensen (like the car) Ames (Jason Statham), a skilled driver, is framed for the murder of his wife and imprisoned, his baby daughter now fatherless. Hennessey propositions Ames to assume the masked role of Frankenstein, the viewer favourite, who only needs to win one more race to earn his freedom. Ames accepts, and Hennessey’s killer baby, Death Race, kicks off to a record 70 million paying viewers. Of course the new Frankenstein isn’t about to play by the rules, that just wouldn’t be fair.
I noticed the movie is co-produced (it’s actually an American-German-UK co-pro) by Tom Cruise’s producing partner-in-crime, Paula Wagner. I wonder if Cruise was attached to the role of Frankenstein early on, but decided the role wasn’t sympathetic enough? Jason Statham has enough muscle for the part, but his cardboard-style acting delivers less performance than his souped-up monster Mustang. Special note must go to Ian McShane as Coach, one of the most embarrassing slum jobs I’ve seen in a while. Comparing the richly textured dialogue McShane was used to speaking in Deadwood to his throwaway drivel in this is like relishing proscuito and then being force-fed spam. The other notable is newcomer Natalie Martinez, a buxom uber-babe straight from the strut school of J-Lo, as Frankenstein's navigator Case.
Apparently each car used in the movie cost between $US200,000-300,000 to detail! Thirty-four of them; Mustangs, Trans-Ams, Jauguars, Porsches, BMWs, Doge Rams, and Buicks, were fitted to play the eleven main cars. The movie was shot in less than two months mostly in Montreal, Canada (the island was created digitally).
Whereas Death Race 2000 was very tongue-in-cheek and incredibly stylized, Death Race is played less for laughs (although it can’t realistically be taken that seriously) and more as a boxing match between cars and muscle. It’s ultra-violent, yet lacks any impact. There’s more machine-gun action than a WWII epic (much of it unrealistic, e.g. the Gatling gun sounds more like a Tommy), and much of director/screenwriter Anderson’s dialogue is so ripe it squelches. If the movie had been played more directly to the hilt with its black humour, it might’ve ended up with more cult appeal. Watching the racing footage I couldn’t help but be reminded at how much better the first two Mad Max movies were, both in style and execution.
Death Race is noisy trash indeed. It’s customized, motor-oil-flavoured bubblegum for the six-pack petrolheads. Okay, that's stretching it. But to be as grindhouse-memorable as the original it needed more of the hot sex injection, not just the sex appeal of Martinez in combat fatigues (although gives her boss Jenny from the Block a strut for her money) and Statham's sculpted chin-ups. I wonder if Fast & Furious is any better or worse? I can’t call Death Race super-trash ‘cos it simply wasn’t spectacular enough, I’ll leave that for the upcoming Transformers 2: Revenge of the Fallen.
No trailer I'm afraid.
In the re-boot-up-the-ass the “2000” has been dropped for obvious dated reasons (the movie had the working title of Death Race 3000, but that was probably considered just a little far-fetched), and many other liberties have been taken with the plot, to the point where only the basic premise remains; a televised race where drivers are encouraged to kill their competition.
The year is 2012 and the American economy has collapsed. Terminal Island, an industrial-styled penitentiary for murders, rapists and the like, is controlled by the ruthless profiteer Warden Hennessey (Joan Allen). Jensen (like the car) Ames (Jason Statham), a skilled driver, is framed for the murder of his wife and imprisoned, his baby daughter now fatherless. Hennessey propositions Ames to assume the masked role of Frankenstein, the viewer favourite, who only needs to win one more race to earn his freedom. Ames accepts, and Hennessey’s killer baby, Death Race, kicks off to a record 70 million paying viewers. Of course the new Frankenstein isn’t about to play by the rules, that just wouldn’t be fair.
I noticed the movie is co-produced (it’s actually an American-German-UK co-pro) by Tom Cruise’s producing partner-in-crime, Paula Wagner. I wonder if Cruise was attached to the role of Frankenstein early on, but decided the role wasn’t sympathetic enough? Jason Statham has enough muscle for the part, but his cardboard-style acting delivers less performance than his souped-up monster Mustang. Special note must go to Ian McShane as Coach, one of the most embarrassing slum jobs I’ve seen in a while. Comparing the richly textured dialogue McShane was used to speaking in Deadwood to his throwaway drivel in this is like relishing proscuito and then being force-fed spam. The other notable is newcomer Natalie Martinez, a buxom uber-babe straight from the strut school of J-Lo, as Frankenstein's navigator Case.
Apparently each car used in the movie cost between $US200,000-300,000 to detail! Thirty-four of them; Mustangs, Trans-Ams, Jauguars, Porsches, BMWs, Doge Rams, and Buicks, were fitted to play the eleven main cars. The movie was shot in less than two months mostly in Montreal, Canada (the island was created digitally).
Whereas Death Race 2000 was very tongue-in-cheek and incredibly stylized, Death Race is played less for laughs (although it can’t realistically be taken that seriously) and more as a boxing match between cars and muscle. It’s ultra-violent, yet lacks any impact. There’s more machine-gun action than a WWII epic (much of it unrealistic, e.g. the Gatling gun sounds more like a Tommy), and much of director/screenwriter Anderson’s dialogue is so ripe it squelches. If the movie had been played more directly to the hilt with its black humour, it might’ve ended up with more cult appeal. Watching the racing footage I couldn’t help but be reminded at how much better the first two Mad Max movies were, both in style and execution.
Death Race is noisy trash indeed. It’s customized, motor-oil-flavoured bubblegum for the six-pack petrolheads. Okay, that's stretching it. But to be as grindhouse-memorable as the original it needed more of the hot sex injection, not just the sex appeal of Martinez in combat fatigues (although gives her boss Jenny from the Block a strut for her money) and Statham's sculpted chin-ups. I wonder if Fast & Furious is any better or worse? I can’t call Death Race super-trash ‘cos it simply wasn’t spectacular enough, I’ll leave that for the upcoming Transformers 2: Revenge of the Fallen.
No trailer I'm afraid.
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Comment by Natalina
My Life My Muse
Beta Girl Blog
Perhaps it is possible that I was too distracted by Statham doing pull-ups in his cell to notice how much the film sucked.
Comment by Bryn
Horrorphile
Comment by Damo
I never did bother finishing it.
Perhaps one day I might.
Comment by Someone
Evil Pleasures
Random Musings on Life, Love and Everything
Let's Get Down To Business
That being said, I just like seeing things go boom. It's hard to be disappointed when you're easily amused
Comment by JohnDoe
Film & TV on DVD
This one looked so boring on the trailer I skipped it. So I assume all the anti media/fascist government subtext has been removed along with humour???
Comment by Cibbuano
Hunt Famous
Orble Post of the Day
Fat Cult
Techbreak
"Death Race 2000" was funny, surprisingly interesting and had gratuitous nudity! Any 'remake' that ignores those important aspects is going to go down in flames!
Comment by The Nameless One
Muse Politics
What Has The World Come To?
TOP 10 INFORMER
~TNO
Comment by Bryn
Horrorphile
Someone, the truck flip was impressive, I'll agree there.
JD, yeah, subtext & satire = nil.
Cibby, this one crashes and burns.
Nameless, if you're easily entertained, then yes a free view once will no doubt tickle your fancy.
Comment by Michelle Sweeney
Competition Queen
Always Learning
Cinema Voyage
Admittedly I did see this one and didn't think much of it. I thought it was an odd casting choice to see Joan Allen!
Comment by Natalina
My Life My Muse
Beta Girl Blog
Comment by Bryn
Horrorphile
Comment by Cliff Daigle
Midnight Movie Screenings
Horror Movie News
Typical dumb Statham film. Just fun enough to hold my attention for 90 minutes.
What I don't understand with many of these remakes is how they can totally miss the social satire of the originals. Rollerball has to be the biggest offender here - not only missing the point of the original - but actually becoming exactly the kind of junk "entertainment" that the Jewison version was warning against. Sad.
Comment by Bryn
Horrorphile
Exactly.
And while we're talking about not trash not quite hitting the mark, much as I thoroughly enjoy Planet Terror, not so much Death Proof, both movies lacked the grindhouse nudity element.