Dead Birds
July 8th 2009 00:28
Not sure how I come across this straight-to-DVD movie because it certainly wasn’t the dreadful cover art that caught my eye. Dead Birds (2004) is the debut feature for director Alex Turner, a horror-western (not too many in that particular sub-genre, and even less that are actually any good) that sports an unusually strong cast and, for the most part, a genuinely creepy atmosphere. The movie smacks of Euro-Asian elements despite being set in Alabama, 1863.
Shot in the blink of an eye, and relying a little too heavily on CGI effects, but also sporting some decent prosthetics too. Now that I think about it, it was the Michael Shannon’s name that drew my attention to this very modestly budgeted flick. Shannon is only a supporting player, but he commands every scene he’s in. Henry Thomas (the boy from E.T., very much an adult now) is William, and it’s his ragtag posse of crooked confederate soldiers that end up holed-up in a haunted plantation mansion after robbing a bank and murdering almost everyone in it (including a little boy outside who gets hit by a stray bullet).
In front of the cornfield which separates the five men and one woman from the mansion Todd (Isaiah Washington) shoots dead a strange and hideous-looking beast, which looks like some kind of skinned boar or dog. It doesn’t seem to faze the posse, and they continue on through the maize and into the huge abandoned house. Clyde (Michael Shannon) and Joseph (Mark Boone Junior) want to split the stolen gold coins between two, not six. William’s brother Sam (Patrick Fugit) has a bullet wound and Annabelle (Nicki Aycox) treats him. A storm is brewing.
Demons and racism, the dark forces of black magic, greed and distrust, all collide at the plantation house in the dead of night as William’s gang fall apart, and the ghosts of the murdered linger and toil with those who’ve dared to seek shelter in that doomed place. It seems the father (Muse Watson) had done some bad things in that house, and there was hell to pay.
Dead Birds is well above average for such a modestly-mounted movie, and considering the content and material it plays with, many other attempts would probably fall flat on their face in the dust. It’s the cast and assured direction that lifts this movie’s game. The screenplay is okay, but it’s patchy and leaves many leaves unturned, and the ending, while trying to be cleverly cyclical, only creates a sense of unsatisfied curiosity.
None of the characters are that likeable, so trying to feel any sympathy for the plight of these cold-blooded killers is tough going, especially after we’ve witnessed them right at the start of the movie blowing people’s heads off and killing kids. In one of the deleted scenes they add an elderly banker to the list of the murdered. The movie seems to work like a mutant slasher flick, except there’s no Final Girl. There’s no Final Guy either; yup, they’as all been taken out, chewed up, spat out; dead as the mangy crows lying amidst the rotten ears o’ corn. Oops, sorry ‘bout that spoiler there folks. But hey, you knew it was a-coming.
The horses are butchered by demons:
Shot in the blink of an eye, and relying a little too heavily on CGI effects, but also sporting some decent prosthetics too. Now that I think about it, it was the Michael Shannon’s name that drew my attention to this very modestly budgeted flick. Shannon is only a supporting player, but he commands every scene he’s in. Henry Thomas (the boy from E.T., very much an adult now) is William, and it’s his ragtag posse of crooked confederate soldiers that end up holed-up in a haunted plantation mansion after robbing a bank and murdering almost everyone in it (including a little boy outside who gets hit by a stray bullet).
In front of the cornfield which separates the five men and one woman from the mansion Todd (Isaiah Washington) shoots dead a strange and hideous-looking beast, which looks like some kind of skinned boar or dog. It doesn’t seem to faze the posse, and they continue on through the maize and into the huge abandoned house. Clyde (Michael Shannon) and Joseph (Mark Boone Junior) want to split the stolen gold coins between two, not six. William’s brother Sam (Patrick Fugit) has a bullet wound and Annabelle (Nicki Aycox) treats him. A storm is brewing.
Demons and racism, the dark forces of black magic, greed and distrust, all collide at the plantation house in the dead of night as William’s gang fall apart, and the ghosts of the murdered linger and toil with those who’ve dared to seek shelter in that doomed place. It seems the father (Muse Watson) had done some bad things in that house, and there was hell to pay.
Dead Birds is well above average for such a modestly-mounted movie, and considering the content and material it plays with, many other attempts would probably fall flat on their face in the dust. It’s the cast and assured direction that lifts this movie’s game. The screenplay is okay, but it’s patchy and leaves many leaves unturned, and the ending, while trying to be cleverly cyclical, only creates a sense of unsatisfied curiosity.
None of the characters are that likeable, so trying to feel any sympathy for the plight of these cold-blooded killers is tough going, especially after we’ve witnessed them right at the start of the movie blowing people’s heads off and killing kids. In one of the deleted scenes they add an elderly banker to the list of the murdered. The movie seems to work like a mutant slasher flick, except there’s no Final Girl. There’s no Final Guy either; yup, they’as all been taken out, chewed up, spat out; dead as the mangy crows lying amidst the rotten ears o’ corn. Oops, sorry ‘bout that spoiler there folks. But hey, you knew it was a-coming.
The horses are butchered by demons:
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Comment by Natalina
My Life My Muse
Beta Girl Blog
Comment by Bryn
Horrorphile
Comment by Damo
I have also seen the DVD for rent and never once became tempted to bring it home.
Comment by James Rickard
unlucky_ fishermen.com
Angling Fish
Check this out...
Comment by Bryn
Horrorphile
James, it got dealt a bad distribution deal.
Comment by http://www.orble.com/adrian-2/
Jesus Would Not Approve
Comment by Bryn
Horrorphile
Comment by Anonymous
Kemi~
Comment by Someone
Evil Pleasures
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Let's Get Down To Business
Comment by Someone
Evil Pleasures
Random Musings on Life, Love and Everything
Let's Get Down To Business
Can you name any that are good, other than this one? I am trying to think of some, and failing miserably. From memory The Quick and the Undead was crap, and Dead Noon is one of the very rare movies that I couldn't sit through (and I've sat through some shockers!). I've heard Ravenous is o.k. but haven't seen it...
Hopefully Tarantino's Death Keeps Coming should be a good addition to the genre.
Comment by Christopher Waldeck
Dunk Films
Comment by Someone
Evil Pleasures
Random Musings on Life, Love and Everything
Let's Get Down To Business
And just because they have the same director doesn't make it a sequel
Comment by Bryn
Horrorphile
Y'know, the more I think about it, there aren't any horror westerns worth mentioning ... sorry about that. Westworld is a curio with a sci-fi lean, Near Dark has western elements ... as does Dust Devil ... that's about it.
What has Tarantino got to do with Death Keeps Coming? He hasn't written or directed it, so if he's producing, I'll take that with a serious grain of salt.
Comment by Natalina
My Life My Muse
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Comment by Bryn
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Comment by The Rusty Can
Everything
I second what Natalina said about Blueberry - pretty cool flick.
What's wrong with The Fifth Element? I think it's hilarious.
Comment by Natalina
My Life My Muse
Beta Girl Blog
The best thing for me about The 5th Element was the blue Diva singing. I love that scene. The whole movie was eye candy, but mostly forgettable. Too bad. I have a love hate relationship with Luc Besson.
Comment by Bryn
Horrorphile
Comment by Natalina
My Life My Muse
Beta Girl Blog
I said I thought The Fifth Element was forgettable!
I would be too embarrassed to tell you my favorite Luc Besson movie. So I won't. Hint: Not a Transporter movie
Comment by Bryn
Horrorphile
Comment by Natalina
My Life My Muse
Beta Girl Blog
It's ok, though. I sensed you smiling through gritted teeth!
Comment by Bryn
Horrorphile
Comment by Natalina
My Life My Muse
Beta Girl Blog
Ok, I confess... one of my favorite movies of all time is The Messenger. And I realize I'm a lone voice in the wilderness for that fact, but I love it, and have seen it a bazillion times. I just love how it turns the story of Joan of Arc on it's head, and presents the story with the implication that Joan was schizophrenic, and the voice of God was all in her own head, and that she was actually arrogant and proud. It's a different take on the story.
Don't watch it... It will make you think less of me. lol
Comment by Bryn
Horrorphile
Comment by Natalina
My Life My Muse
Beta Girl Blog
That said, it is shot beautifully, there are some incredible and breathtaking scenes, some unforgettable dialogue, and a new take on an old story... all in all, I loved it.
Comment by The Rusty Can
Everything
I haven't seen a lot of the Luc Besson films you guys have mentioned. Transporter was... meh... and I always remember how impressive the young Natalie Portman was in the restroom scene. I have to watch it again for Gary Oldman now.
The Fifth Element is great because it's visually spectacular and really easy to watch. Speaking of the blue diva - her makeup was fabulous and her singing pretty impressive considering how Besson (her then boyfriend) had asked her to take up the role after the original actor pulled out. I'll stop going on about this movie now...
Comment by Bryn
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Comment by Christopher Waldeck
Dunk Films
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Film & TV on DVD
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