Bug
February 5th 2008 02:54
Based on an off-Broadway stage production of the same name by actor-cum-writer Tracy Letts (who also did the screenplay), Bug (2006) is an intense character study dealing with the deep haunt of prolonged loneliness and the crippling and too often tragic consequences of delusional paranoia. Bug is a unique descent into fear and madness.
Bug is directed by legendary Hollywood helmsman William Friedkin (The French Connection, The Exorcist, Sorcerer, To Live and Die in L.A.). It tells the story of lonely Agnes White (Ashley Judd), who lives on her own in a rundown Oklahoma motel room. She works at a lesbian bar and drinks and smokes illicit substances in her spare time. She means well, but is plagued by her past; namely her abusive ex-husband Goss (Harry Connick Jr.), whom has just been paroled and seeks to re-unite with her, if only to harass her.
Late one night Agnes’s colleague and, probably, only real friend R.C. (Lynn Collins) joins her in her motel room. She’s brought a stranger, a drifter who’d been at the bar earlier that night. His name is Peter Evans (Michael Shannon), and he’s shy and a little eccentric to say the least. But Agnes and Peter share an odd affinity, lost souls whose ships have scraped by each other in the uneasy night.
Agnes and Peter begin a tentative relationship, even with Peter reluctant to be intimate. After they have sex, in the middle of the night, Peter discovers he’s been bitten by an insect of some kind; a bed-bug no doubt. Agnes is confused, she can’t see any bugs, but Peter is adamant. This in turn triggers his heightened wariness, and inevitably several truths (or are they?) emerge about his and her past. They are indeed, damaged goods. And with the bug infestation that Peter is convinced about, the damage is only going to escalate.
Bug deals with the mask of sanity, about the struggle between good and evil, and about the irrationality of fear and dread. It’s also about conspiracy and addiction, substance abuse, and schizophrenia; all very dark, troubling themes.
What makes the film so interesting is the way the narrative unfolds, with the viewer never wholly knowing what is cold reality and what is lucid nightmare. Is Peter’s military infirmary tales true? Is his take on machines and government control convincing? Seems Agnes is convinced ... or perhaps it’s the drug-induced psychosis that’s turning the tables on everyone?
Being based on a play nearly all of the movie takes place in the motel room, but director Friedkin never lets you feel like you’re watching a play adapted for the big screen, even though that’s exactly what it is. The mise-en-scene is very cinematic, and Friedkin is constantly evoking a strong atmosphere and visual style.
The acting is top notch, especially Michael Shannon, so creepily good, having performed it on stage through most of its original theatrical run. But props must go to Ashley Judd, an actor I’ve always admired, who is put through the emotional wringer on this one, not to mention going through the de-glamour gauntlet, while Harry Connick Jr is surprisingly effective as the buffed-up prick of an ex (who'd have thought a crooner would make such a convincing asshole?)
Bug is flawed; the second half never manages to match the intrigue and inherent tension of the first half, instead the two leads descending into fully-fledged paranoid psychosis and all-round hysteria. However the narrative arc is still powerful, even if it does border on the insanely absurd. Some viewers will no doubt guffaw in a couple of scenes, just as many will be appalled and horrified when Peter starts to act in extreme measures.
Bug is by no means easy consumption, it’s demanding, thought-provoking, disturbing and quite definitely unhinged. But it also makes crazy sense … especially if you’re into conspiracy theories and hooked on crystal methamphetamine. Itching, scratching, open wounds, anyone? Arghh! The bugs, the bugs, the BUGS!
You don't believe me?! I dare you to watch this clip ... and crawl with abject horror!
And here's the theatrical trailer, just to rub it in:
Bug is directed by legendary Hollywood helmsman William Friedkin (The French Connection, The Exorcist, Sorcerer, To Live and Die in L.A.). It tells the story of lonely Agnes White (Ashley Judd), who lives on her own in a rundown Oklahoma motel room. She works at a lesbian bar and drinks and smokes illicit substances in her spare time. She means well, but is plagued by her past; namely her abusive ex-husband Goss (Harry Connick Jr.), whom has just been paroled and seeks to re-unite with her, if only to harass her.
Late one night Agnes’s colleague and, probably, only real friend R.C. (Lynn Collins) joins her in her motel room. She’s brought a stranger, a drifter who’d been at the bar earlier that night. His name is Peter Evans (Michael Shannon), and he’s shy and a little eccentric to say the least. But Agnes and Peter share an odd affinity, lost souls whose ships have scraped by each other in the uneasy night.
Agnes and Peter begin a tentative relationship, even with Peter reluctant to be intimate. After they have sex, in the middle of the night, Peter discovers he’s been bitten by an insect of some kind; a bed-bug no doubt. Agnes is confused, she can’t see any bugs, but Peter is adamant. This in turn triggers his heightened wariness, and inevitably several truths (or are they?) emerge about his and her past. They are indeed, damaged goods. And with the bug infestation that Peter is convinced about, the damage is only going to escalate.
Bug deals with the mask of sanity, about the struggle between good and evil, and about the irrationality of fear and dread. It’s also about conspiracy and addiction, substance abuse, and schizophrenia; all very dark, troubling themes.
What makes the film so interesting is the way the narrative unfolds, with the viewer never wholly knowing what is cold reality and what is lucid nightmare. Is Peter’s military infirmary tales true? Is his take on machines and government control convincing? Seems Agnes is convinced ... or perhaps it’s the drug-induced psychosis that’s turning the tables on everyone?
Being based on a play nearly all of the movie takes place in the motel room, but director Friedkin never lets you feel like you’re watching a play adapted for the big screen, even though that’s exactly what it is. The mise-en-scene is very cinematic, and Friedkin is constantly evoking a strong atmosphere and visual style.
The acting is top notch, especially Michael Shannon, so creepily good, having performed it on stage through most of its original theatrical run. But props must go to Ashley Judd, an actor I’ve always admired, who is put through the emotional wringer on this one, not to mention going through the de-glamour gauntlet, while Harry Connick Jr is surprisingly effective as the buffed-up prick of an ex (who'd have thought a crooner would make such a convincing asshole?)
Bug is flawed; the second half never manages to match the intrigue and inherent tension of the first half, instead the two leads descending into fully-fledged paranoid psychosis and all-round hysteria. However the narrative arc is still powerful, even if it does border on the insanely absurd. Some viewers will no doubt guffaw in a couple of scenes, just as many will be appalled and horrified when Peter starts to act in extreme measures.
Bug is by no means easy consumption, it’s demanding, thought-provoking, disturbing and quite definitely unhinged. But it also makes crazy sense … especially if you’re into conspiracy theories and hooked on crystal methamphetamine. Itching, scratching, open wounds, anyone? Arghh! The bugs, the bugs, the BUGS!
You don't believe me?! I dare you to watch this clip ... and crawl with abject horror!
And here's the theatrical trailer, just to rub it in:
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Comment by Damo
For the Sake of Argument
My Apologetics
The army dude is seriously taking too much.
Comment by D. Armenta
The Florida Keys and Everglades
The Black Sheep Chronicles
What constitutes bad manners?
The male mystique
Debate Fan
That guy reminds me of my ex-husband. Seriously, no kidding around.
I saw Harry Connick, Jr. in a T.V. movie as a stalker/rapist; I was very impressed with his performance then, so not surprised when you say he did well in this one.
Ugh, still shuddering....
Comment by Tracy
Movies and Life
Comment by Bryn
Horrorphile
Armenta, your ex was like Harry Connick's character, or Michael Shannon's? One's a bastard, the other's psychotic.
Tracy ... do it! doooo it! just dooooo iiiiit!!!!
Comment by Tracy
Movies and Life
Comment by Bryn
Horrorphile
Comment by Tracy
Movies and Life
Comment by Bryn
Horrorphile
Comment by Tracy
Movies and Life
Ah well
Comment by Bryn
Horrorphile
Comment by Tracy
Movies and Life