Black Water
November 11th 2009 23:31
Nominated seven times in three categories (Best Editing, Best Actress and Best Director) at the three major Australian film awards (AFI, IF, FCCA), and eventually winning Best Director and Best Cinematography at Melbourne Underground Film Festival, Black Water (2007) is a superbly made low-budget horror-thriller that opts for suspense rather than gore, and brilliantly integrates real croc footage instead of using CGI or animatronic crocodiles (which most other croc movies in the past have done).
Co-writers and co-directors David Nerlich and Andrew Traucki have fashioned a lean, mean fighting machine; a massive Northern Territorial rogue crocodile and pitted three (make that four) pitiful humans against it in the swampy mangroves where the water is as black and murky as the devil’s backside. It’s a essentially a three-hander (there’s only five speaking parts in the whole movie); Grace (Diana Glen), her fiancé Adam (Andy Rodoreda), and her younger sister Lee (Maeve Dermody) head off on a much-needed holiday, but end up spending most of their time up a tree with a hungry croc snapping at their heels.
Based on a combination of two true events; one describes three men being forced up a tree, with one eventually becoming crocodile lunch as the massive amphibian reptile paraded the dead man between its jaws in front of the other two. Yes, apparently crocodiles are not only fiercely and ferociously territorial (like hippos), but they are also capable of truly astonishing displays of vindictiveness. Black Water is not too dissimilar.
The biological experts have picked up that the crocodile used in the movie is in fact an alligator (there’s a difference in skin texture; crocs have rough skin, alligators are much smoother), but for poetic visual licence crocodiles look much scarier, with their longer, more prehistoric-looking snouts, and those gnarly teeth. Personally I don’t mind the filmmakers little white lie. I’m sure I’d be just as hysterical with an alligator peering up at me from the dark swampy waters, as I would with a crocodile.
The performances are solid, but Dermody stands head and shoulders above her two support leads, especially in the movie’s second half. Having only done television before (primetime soap) Dermody is a face and talent to watch. But it’s the excellent editing and compositing work that is the real stand out in Black Water. Shunning the use of digital imagery, yet using the computer to layer in real footage of crocodiles (well, alligators actually) which were shot in secure compounds against the footage of the actors in a controlled environment (for example the crocodile’s tiny muddy island-larder was barely a tarp-covered mound with surrounding water shot against green screen). Supposedly co-director David Nerlich supervised all the post-production special effects on his laptop!
I have a couple of bones to pick though: the odd behaviour of the crocodile during a crucial confrontation scene, and the subsequent injuries sustained by two of the leads. There’s no way a croc that big wouldn’t have caused more severe damage, and also, the washing of a pistol and its bullets in order to make the already waterlogged gun work. Um, where’s the logic there? I’m nitpicking because most of the movie relies on naturalism and realism, and then suddenly plausibility is thrown out the window.
The movie cost $AUS700, 000. It barely made a ripple at the Australian box office, but has since created a much stronger wake on DVD, especially overseas. Finally it surfaces on DVD down under (I badgered my local Blockbuster until they tracked the fledgling DVD company down who were distributing it.) While Rogue (2007) is a superbly mounted and realised monster flick (and another Aussie croca too), with fabulous cinematography and a great cast, it relies on a CGI-created crocodile (albeit the most convincing fake one ever!), and a more dynamic, Hollywood-style narrative.
I think I prefer Rogue over Black Water, but Black Water is a close second, with Alligator (1980) chomping furiously in third place. Go in with low expectations and Black Water delivers in spades. I can’t wait for Andrew Traucki’s next monster feature, The Reef (2010), which he’s currently filming, ‘cos it deals with a 15-foot Great White hunting the crew of a capsized sailboat near Great Barrier Reef. Bring it on!
Here's the trailer to Black Water:
Co-writers and co-directors David Nerlich and Andrew Traucki have fashioned a lean, mean fighting machine; a massive Northern Territorial rogue crocodile and pitted three (make that four) pitiful humans against it in the swampy mangroves where the water is as black and murky as the devil’s backside. It’s a essentially a three-hander (there’s only five speaking parts in the whole movie); Grace (Diana Glen), her fiancé Adam (Andy Rodoreda), and her younger sister Lee (Maeve Dermody) head off on a much-needed holiday, but end up spending most of their time up a tree with a hungry croc snapping at their heels.
Based on a combination of two true events; one describes three men being forced up a tree, with one eventually becoming crocodile lunch as the massive amphibian reptile paraded the dead man between its jaws in front of the other two. Yes, apparently crocodiles are not only fiercely and ferociously territorial (like hippos), but they are also capable of truly astonishing displays of vindictiveness. Black Water is not too dissimilar.
The biological experts have picked up that the crocodile used in the movie is in fact an alligator (there’s a difference in skin texture; crocs have rough skin, alligators are much smoother), but for poetic visual licence crocodiles look much scarier, with their longer, more prehistoric-looking snouts, and those gnarly teeth. Personally I don’t mind the filmmakers little white lie. I’m sure I’d be just as hysterical with an alligator peering up at me from the dark swampy waters, as I would with a crocodile.
The performances are solid, but Dermody stands head and shoulders above her two support leads, especially in the movie’s second half. Having only done television before (primetime soap) Dermody is a face and talent to watch. But it’s the excellent editing and compositing work that is the real stand out in Black Water. Shunning the use of digital imagery, yet using the computer to layer in real footage of crocodiles (well, alligators actually) which were shot in secure compounds against the footage of the actors in a controlled environment (for example the crocodile’s tiny muddy island-larder was barely a tarp-covered mound with surrounding water shot against green screen). Supposedly co-director David Nerlich supervised all the post-production special effects on his laptop!
I have a couple of bones to pick though: the odd behaviour of the crocodile during a crucial confrontation scene, and the subsequent injuries sustained by two of the leads. There’s no way a croc that big wouldn’t have caused more severe damage, and also, the washing of a pistol and its bullets in order to make the already waterlogged gun work. Um, where’s the logic there? I’m nitpicking because most of the movie relies on naturalism and realism, and then suddenly plausibility is thrown out the window.
The movie cost $AUS700, 000. It barely made a ripple at the Australian box office, but has since created a much stronger wake on DVD, especially overseas. Finally it surfaces on DVD down under (I badgered my local Blockbuster until they tracked the fledgling DVD company down who were distributing it.) While Rogue (2007) is a superbly mounted and realised monster flick (and another Aussie croca too), with fabulous cinematography and a great cast, it relies on a CGI-created crocodile (albeit the most convincing fake one ever!), and a more dynamic, Hollywood-style narrative.
I think I prefer Rogue over Black Water, but Black Water is a close second, with Alligator (1980) chomping furiously in third place. Go in with low expectations and Black Water delivers in spades. I can’t wait for Andrew Traucki’s next monster feature, The Reef (2010), which he’s currently filming, ‘cos it deals with a 15-foot Great White hunting the crew of a capsized sailboat near Great Barrier Reef. Bring it on!
Here's the trailer to Black Water:
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Comment by JohnDoe
Film & TV on DVD
The Reef could be a blast of tension, lets hope so.
Comment by Bryn
Horrorphile
Apparently he plans not to use any CGI or animatronic shark, and only real Great White footage which he'll integrate in the same way he did with the crocs in Black Water. I reckon The Reef will eat Open Water for breakfast.
Comment by JohnDoe
Film & TV on DVD
Comment by Bryn
Horrorphile
Comment by Anonymous
Also how do you 'waterlog' a mechanical device made entirely of metal?
It cost $1.2M not 700k. What else.. oh yeah it did ok at the AU box office in the few cinemas brave enough to screen it. It was was basically hopelessly fumbled by its distributors here in oz.
Comment by Bryn
Horrorphile
Not sure where I read about so-called experts challenging the supposed crocodile in the movie ... I must have thought it was a legitimate challenge, otherwise I wouldn't have included it in my review. I'd be curious if anyone else has any support for or against this "expert" argument.
Perhaps I made a bad choice of words, but I was under the impression that you can't submerge a gun in water and then expect it to operate properly.
As for the production costs, I sourced my information from imdb.com, so if they're wrong, then you've got beef with them, not me. Actually, the 700k is probably in US dollars, so you're probably right. And as for box office, well, according to imdb, the Oz receipts were pretty slim, but hey, apparently their stats are wrong.