28 Weeks Later
October 10th 2007 00:12
I was disappointed by 28 Days Later (2002). I had looked forward to it immensely, there being a massive billboard ad for the movie across the train tracks of my local station which never failed to hold my attention. I had thoroughly enjoyed Alex Garland’s novel The Beach, (although didn’t think the movie adaptation was anywhere near as powerful), and so eagerly anticipated an original screenplay about an end of the world scenario.
The result was very much a mixed bag. The first half rocked. The second half sucked. I loved experiencing the shock and horror of Jim (Cillian Murphy) as he discovered a deserted London and the Rage virus pandemic which had created a plague of ferocious human carnivores. When the military entered the movie around the half way mark, events took a turn for the silly and rather annoying. And the whole film copped out at the end.
Paradoxically, the dominant presence of the military in the sequel 28 Weeks Later (2007) didn’t bother me as much. But then, perhaps it had something to do with the screenplay itself; streamlined and ultimately more effective. Written by Rowan Joffe, director Juan Carlos Fresnadillo, Jesús Olmo and producer Enrique López Lavigne, 28 Weeks Later is an altogether more intense and frantic movie.
It may not have the same haunted feel of 28 Days Later's first half, but it doesn’t become bogged down in socio-politics like the original’s second half. Overall, the sequel is a superior movie, and that is a rare breed of horror beast. I can only think of a precious few horror sequels that have bettered the original: Hellraiser II: Hellbound (1988) and Day of the Dead (1985) come to mind. Some would argue Aliens (1986), but I don’t just go there.
Spanish director Fresndadillo knows his stuff and technically 28 Weeks Later is superbly handled. At times it felt familiar to the driving, gritty intensity of another Spanish-speaking director’s work; Alfonso Cuarón’s Children of Men. The use of multiple format cinematography (both 16mm and 35mm and digital) enables a sense of grainy, visual urgency, which was used in the original, but not to the same frightening degree or effect.
28 Weeks Later starts six-and-a-half months after the Rage virus has spread throughout greater London, decimating the population. There appears to be few survivors. The infected have died of starvation. The United States Army (NATO) has managed to restore order, and is re-populating the quarantined city.
In a prologue sequence Donald Harris (Robert Carlyle) manages to escape the large country cottage he’s been hiding in with his wife and a few others when a barrage of the infected attack the blacked-out home. Cowardly he abandons his cornered wife and flees for his life pursued by dozens of the Rage-infected.
A fortnight or so later Don is reunited with his two kids, teenaged Tammy (Imogen Poots) and young Andy (Mackintosh Muggleton) – where do these actors get their names?! – who had been camping abroad. Tearfully he informs them of their mother's (supposed) death. The three meet Major Scarlett (Rose Byrne), who is part of the U.S. military medical team and somewhat anxious the virus has not been wholly contained. Scarlett's fears are realised when a carrier of the Rage virus is brought back from a neglected area of London and subsequently re-ignites the spread of the deadly infection. Utter chaos ensues.
28 Weeks Later is actually more of a horror movie than the original, and a damn impressive one too. The special effects are excellent, the editing and camerawork top notch, and the performances uniformly strong, especially Catherine MacCormack as Alice Harris and the two Harris kids. Robert Carlyle puts his psychotic Trainspotting character Begbie to shame. However I’m still not convinced of Rose Byrne’s range. Perhaps it’s that perpetual forlorn expression of hers.
28 Weeks Later is required viewing for all modern horror fans; one of a handful over the past few years that actually delivers the dark goods in spades, although, I must say the scene where the helicopter rotary blades plough through the infected was a little far-fetched. But it looked fantastically FUBAR!
I'm already anticipating 28 Months Later ...
Here's the theatrical trailer:
The result was very much a mixed bag. The first half rocked. The second half sucked. I loved experiencing the shock and horror of Jim (Cillian Murphy) as he discovered a deserted London and the Rage virus pandemic which had created a plague of ferocious human carnivores. When the military entered the movie around the half way mark, events took a turn for the silly and rather annoying. And the whole film copped out at the end.
Paradoxically, the dominant presence of the military in the sequel 28 Weeks Later (2007) didn’t bother me as much. But then, perhaps it had something to do with the screenplay itself; streamlined and ultimately more effective. Written by Rowan Joffe, director Juan Carlos Fresnadillo, Jesús Olmo and producer Enrique López Lavigne, 28 Weeks Later is an altogether more intense and frantic movie.
It may not have the same haunted feel of 28 Days Later's first half, but it doesn’t become bogged down in socio-politics like the original’s second half. Overall, the sequel is a superior movie, and that is a rare breed of horror beast. I can only think of a precious few horror sequels that have bettered the original: Hellraiser II: Hellbound (1988) and Day of the Dead (1985) come to mind. Some would argue Aliens (1986), but I don’t just go there.
Spanish director Fresndadillo knows his stuff and technically 28 Weeks Later is superbly handled. At times it felt familiar to the driving, gritty intensity of another Spanish-speaking director’s work; Alfonso Cuarón’s Children of Men. The use of multiple format cinematography (both 16mm and 35mm and digital) enables a sense of grainy, visual urgency, which was used in the original, but not to the same frightening degree or effect.
28 Weeks Later starts six-and-a-half months after the Rage virus has spread throughout greater London, decimating the population. There appears to be few survivors. The infected have died of starvation. The United States Army (NATO) has managed to restore order, and is re-populating the quarantined city.
In a prologue sequence Donald Harris (Robert Carlyle) manages to escape the large country cottage he’s been hiding in with his wife and a few others when a barrage of the infected attack the blacked-out home. Cowardly he abandons his cornered wife and flees for his life pursued by dozens of the Rage-infected.
A fortnight or so later Don is reunited with his two kids, teenaged Tammy (Imogen Poots) and young Andy (Mackintosh Muggleton) – where do these actors get their names?! – who had been camping abroad. Tearfully he informs them of their mother's (supposed) death. The three meet Major Scarlett (Rose Byrne), who is part of the U.S. military medical team and somewhat anxious the virus has not been wholly contained. Scarlett's fears are realised when a carrier of the Rage virus is brought back from a neglected area of London and subsequently re-ignites the spread of the deadly infection. Utter chaos ensues.
28 Weeks Later is actually more of a horror movie than the original, and a damn impressive one too. The special effects are excellent, the editing and camerawork top notch, and the performances uniformly strong, especially Catherine MacCormack as Alice Harris and the two Harris kids. Robert Carlyle puts his psychotic Trainspotting character Begbie to shame. However I’m still not convinced of Rose Byrne’s range. Perhaps it’s that perpetual forlorn expression of hers.
28 Weeks Later is required viewing for all modern horror fans; one of a handful over the past few years that actually delivers the dark goods in spades, although, I must say the scene where the helicopter rotary blades plough through the infected was a little far-fetched. But it looked fantastically FUBAR!
I'm already anticipating 28 Months Later ...
Here's the theatrical trailer:
| 107 |
| Vote |
subscribe to this blog

























Comment by JohnDoe
Film & TV on DVD
A cracker of an opening 15 minutes wasn't it?
Comment by Anonymous
Anyway, I'm psyched to see this and that's partly due to your review. Excellent.
-lilith
Comment by Damo
Some people have compared the first movie to The Omega Man.
So one day I will sit back and absorb the thill ride.
Good review.
Comment by Bryn
Horrorphile
JD, yes, superb opening, and not what I expected would happen (even better)!
lilith, great to see you here! curious to know what you think of it ...
Damo, The first does have an Omega Man feel, but it's scuttled in the second half. Speaking of which, I'm loathe to see Will Smith in I Am Legend.
Comment by Miswanderlust
Killer Beats
Ramble On
Hipnotherapy
I agree with you 100%. This movie...disappointing at best! Great review!
Mis
Comment by KylieW
Celebrity Obsession
I'm always wary of sequels, but I shall watch this one!
Comment by Bryn
Horrorphile
Kylie, it's less chilling perhaps, but more ferocious. Ultimately a scarier film, I thought.
Comment by Miswanderlust
Killer Beats
Ramble On
Hipnotherapy
Sorry about that..... I was disappointed....So I disagree with your adoration of this movie.
But we can agree to disagree. That will teach me to multi-task! :0)
Mis
LYW
Comment by Bryn
Horrorphile
LYW ..??
Comment by Cibbuano
Hunt Famous
Orble Post of the Day
Fat Cult
Techbreak
I did like some of the plot twists, especially how the virus gets back in business. I didn't find the characters very deep though, so it was hard to sympathize.
Comment by Bryn
Horrorphile
Comment by Harry
Sydney Diary
Personals
Brisbane Diarystar
Zoo Parent
The rest of the world is FUBAR.
America is the last bastion of civilization.
Plague comes to America. etc etc.
What would be much better:
Predator vs Plague zombies!!
or Predator vs super fast Plague zombie Aliens! now there's a movie.
Comment by Bryn
Horrorphile
I think 28 Months Later is a chamber piece, set entirely in a small 50s style nuclear bunker, and is about the tension between a man and a woman. They eventually have sex and a further eight months later she gives birth prematurely to a baby who seems to be a mutant. The baby devours the parents and breaks out of the bunker, and at movie's end is shuffling off into the horizon ... alone and tiny ... and stil.l hungry.