Read + Write + Report
Home | Start a blog | About Orble | FAQ | Sites | Writers | Advertise | My Orble | Login
 
“Monsters do exist; in us and among us. They walk in our shadow. They can prey on us more as we fear them less. We should know. We created them.” --- George A. Romero

Horrorphile - June 2008

Basket Case

June 30th 2008 06:06
Basket Case movie poster
There’s dreadful, and then there’s real bad. There’s the cheap and nasty, and then there’s the deep trash. Frank Henelotter’s cult “classic” Basket Case (1982) is a movie unto itself. Exploitation horror pushed beyond the realms of good taste into a dark alley of unadulterated rubbish. It is done with such glee and conviction you can’t help but watch the movie slide across the floor leaving a slimy trail of God knows what.

Duane Bradley (Kevin Van Hentenryck) arrives in Manhattan with a wad of cash and a big wicker basket. He immediately finds the cheapest hotel on the lower blocks. Inside his basket is Belial, his Siamese twin removed when he was an adolescent, now a very hungry, very twisted and very mad little freakazoid. Duane, with the help of Belial, has an agenda of revenge against the surgeons who dumped his brother in the garbage. Yes, Basket Case is full of ripe irony.

Basket Case Kevin Van Hentenryck
Kevin Van Hentenryck is Duane
I remember seeing Basket Case on VHS at some point during the 80s, and it was memorably bad. Watching it again after all these years, it’s as bad as I remember, and worse still. Director Henenlotter must have taught himself how to direct, because he breaks more rules of cinema narrative than you can throw a stick at. But to be brutally honest, everything about Basket Case is low rent. The acting is dire, the production values bottom of the barrel, the special effects are, well, to call them “special” would only be hinting at the movie’s demented intent. But curiously the special effects were created by John Caglione Jr, who'd go on to a illustrious Hollywood career.

Basket Case Diana Browne
Diana Brown as Dr. Cutter
But it is because Basket Case is so outrageously bad that it transcends its limitations and smugly resides in that rare league known as deep trash: movies that are irredeemably trashy, but make no stake on trying to be anything more than what they are. The saying “So bad they’re good” suggests something akin to the deformed freak that is Basket Case. If you've seen Attack of the Killer Tomatoes! (1978) you'll get my drift.

Basket Case Belial and victim
Another of Belial's victims
When Basket Case was first released the distributor cut all the blood and gore in a botched attempt at trying to sell it more as a comedy. It got ignored, until a reviewer Joe Bobby Briggs championed it (he’d seen the uncut version at a festival), and the distributor surreptitiously re-edited the violence back into the existing prints. The movie went on to a very popular run on the midnight movie circuit and drive-ins.

Of course the movie isn’t really that violent, not in any realistic way, but it does have a rather unpleasant scene of violation where Belial, the murderous mutant twin of Duane, forces himself (or to be more precise; itself) upon sleeping Sharon (Terri Susan Smith), Duane’s love interest (complete with dirty blonde wig), until Duane prises the grinding mound off her lifeless body. Belial is one dangerous piece of rubber, er, flesh.

Basket Case Kevin Van Hentenryck
Duane and Belial have a poignant fraternal moment
Director Henenlotter adds some hilarious sound effects in places, especially the flashback surgery scene when Belial and Duane are separated. There's also numerous - and very obvious - scenes where all the dialogue has been post-synch. But of course this only adds sweet mustard to the hot dog. Henelotter also throws in some claymation sequences to show Belial rummaging around the hotel room hell-bent on destruction. Then it’s back to the rubber puppet. Belial is one of cinema’s rare villain treats. He’s so small he can hide in the toilet. And when he gets really, really angry, his eyes glow red, like he’s possessed.

There are some odd touches to the movie as well, like Beverly Bonner as Casey, the hooker whom Duane befriends. One could swear she’s a he on female hormones, until she takes her clothes off and displays child rearing hips, you can’t get those by taking pills. Another moment of oddity is a dream scene where Duane imagines himself running starkers down down the sidewalk in the middle of the night. There’s no real need for the scene, except to add an exploitative element of full frontal male nudity.
Basket Case Belial
Belial, ready to take on the world
Basket Case is an "acquired taste". If you love the outrageous, but not too serious, if you’re fond of a twisted monster movie, if you can stomach atrocious acting and ill-conceived camera direction, then Basket Case is the late night chedder cheese and sour gherkin sandwich for you. Pull the scab off a tinnie, smoke up large with some scoobie-snacks beside you; it’s best to wrap your laughing gear around this one, ‘cos it’s not going to go down easy accompanied by gourmet cuisine, you’ll only suffer indigestion. Basket Case is the ultimate ugly picnic. Bring enough to spill some.

Here's the original trailer:


Basket Case DVD courtesy of Umbrella Entertainment, many thanks!
88
Vote
   


Deadly Blessing

June 26th 2008 01:07
Deadly Blessing movie poster
Director Wes Craven - a wildly uneven filmmaker if ever there was one – had made two notorious low-budget shockers (both of them over-rated in my books, despite their cult followings), Last House on the Left (1972) and The Hills Have Eyes (1977), before he made Deadly Blessing (1981), a creepy tale of nasty rural religious shenanigans.

Striking young Martha Schmidt (Maren Jensen) is married to farmer Jim, who has become untangled from a neighbouring religious cult, the Hittites (an Amish-like sect). But there is bad blood between Jim and his father Isaiah (Ernest Borgnine), the strict leader of the cult. Unfortunately early in the piece Jim becomes victim to a tractor “accident” and poor Martha is left to fend for her own.

Old friends of Martha’s travel from the city to stay with her; Lana (Sharon Stone) and Vicky (Susan Bruckner), while neighbours middle-aged Louisa (Lois Nettleton) and her tomboy daughter Faith (Lisa Hartman) ingratiate themselves to the three young women. Earnest John Schmidt (Jeff East), Jim’s younger brother, finds himself attracted to Vicky, despite his father’s heavy disdain, and that he’s betrothed to fragile young Melissa (Coleen Riley).
Deadly Blessing Maren Jensen
Maren Jensen as Martha
Ominous things start to happen which appear to be the work of an incubus (demon), and Isaiah believes the demon is living with the sinners (Martha and her friends). After the mysterious death of cult member, the freaky William (Michael Berryman, the tall, bald weird-looking dude from The Hills Have Eyes), Isaiah is dead-set on doing God’s work of cleansing the land from those that sully its purity.
Deadly Blessing Sharon Stone
Sharon Stone as Lana
Deadly Blessing is a curious affair. Nowhere near as violent or disturbing as Craven’s first two features, yet there is something far more accomplished about Deadly Blessing, even if it does look and feel like an unusually dark Sunday Movie. Other horror movies cast shadows over the narrative and atmosphere, in particular The Omen (1976) and Friday the 13th (1980), but the movie also pre-dates Children of the Corn (1984), and one stand-out scene - Martha in the bath with a curious serpent - is the obvious inspiration for Craven’s famous Freddy’s bladed-glove in the bath with Nancy in A Nightmare on Elm Street (1984).
Deadly Blessing Ernest Borgnine
Ernest Borgnine as Isaiah Schmidt
There are few major special effects, instead Craven relies on suspense and tone, but it doesn’t entirely work. Characters are a little too naïve and shallow in their characterizations for any real empathy, however the performances are, for the most part, better than anything in Craven’s earlier movies (and arguably better than a lot of the movies he made after), especially Lois Nettleman. But a spade is a spade: Ernest Borgnine spouts a staggeringly bad performance (with dreadful fake beard to boot), all wide-eyes and ham-fisted delivery. In fact he was nominated for the worst supporting actor award in the 1982 Razzies!
Deadly Blessing Jeff East
Jeff East as John Schmidt
Of course the most curious element of the whole movie is a very young Sharon Stone in her first substantial role (she’d made a fleeting appearance in Woody Allen’s Stardust Memories the year before). She looks very pretty, but it’s a rounder-faced and less bosomy Sharon Stone than the one who become super-famous overnight after Basic Instinct. What ever happened to exotic beauty Maren Jensen (she’d started as a model, became known as Athena on Battlestar Galactica - where I formed my adolescent crush - and dated Eagles drummer Don Henley). Apparently she was the first Hollywood actor to suffer the dilapidating effects of Chronic Fatigue Syndrome, and Deadly Blessing was her last movie. Curiously, Susan Bruckner never made another feature after Deadly Blessing either. A Craven Curse, perhaps?
Deadly Blessing Coleen Riley, Ernest Borgnine and Jeff East
Melissa (Coleen Riley) watches as Isaiah banishes his son John from the community
The other stand-out of Deadly Blessing is the movie poster; a truly captivating use of sensual, yet elusively dangerous imagery. The corresponding scene in the movie features a large spider falling from the ceiling. Ugh! Further curiosity lies in that the poster features what appears to be a fusion of Sharon Stone and Maren Jensen, neither one nor the other. But hell, I’m a trainspotter from way back …

Deadly Blessing is by no means a great movie; it survives as an okay movie, but it does possess a fascinating cast, a quietly menacing mood, a couple of memorable scenes, and it must be said: a bizarre revelation, followed a little later by an utterly absurd ending, which simply cries out “Carrie!” (wink, wink, nudge, nudge)

"The beast that thy sawest was, and is not, and shall ascend out of the bottomless pit and go into perdition, and they that dwell on the earth shall wonder ..."

Here's the clip which inspired the poster:


Deadly Blessing DVD is courtesy of Umbrella Entertainment, many thanks!
95
Vote
   


THE ART LAIR - VII

June 25th 2008 05:06
crocodile and victim
I’m not sure if the above photo is an artistic installation, but it looks like one, so I’ve included it as my window display. I’ve got a thing for crocodiles (or is that an alligator?) … and the derriere and long legs of the female kind. But I digress …

There’s a bit more colour in this selection of art, a bit more vibrancy in the macabre. But that’s all I’m going to say. I’m not an art critic; I just compile the “exhibition” and let my readers have an oogle. That’s the best way to present art, let it speak for itself.

Andrey Barkov

Bryan Peters

Cathy Wilkins

Christina DeLong

Dimitar Nikolov

Egypt Urnash

Jen Hudson

Jenny Crampton

Jon Zig

Martin McKenna

Miruza B.

Rafal Hrynkiewicz

Tommy Rot



57
Vote
   


I Love Sarah Jane

June 24th 2008 00:11
I Love Sarah Jane movie poster
I didn’t get to see many short films at the 55th Sydney Film Festival this year, partly because I ended up seeing a lot of screeners (DVDs for media use), and also most of the films I saw on the big screen weren’t accompanied by a short. Festivals are generally the only time you’ll get to see short films (it’s also the only time you’ll get to see those oddball documentaries that don’t run feature length), so I’m always hoping there’ll be a short before hand, because they can often be pure bloody gold.

Last year’s Spider (co-written and directed by Nash Edgerton) was a gem, or the year before Six Shooter (2004, written and directed by Martin McDonagh), which ended up winning an Oscar. This year a superb horror short played before Donkey Punch (2008). I completely forgot to mention it in my review, so I’ve decided on giving it its own post. Last year some time I did a post on the Kiwi zombie short Zombie Movie (2005), made by Ben Stenbeck and some special effects blokes who had been working on the Lord of the Rings trilogy


[ Click here to read more ]
69
Vote
   


Funny Games (2007)

June 23rd 2008 02:30
Funny Games 2007 movie poster
In a kneecap … er, I mean nutshell: wealthy middle-class family, Ann (Naomi Watts), husband George (Tim Roth) and young son Georgie (Devon Gearhart), arrive at their Long Island holiday home (which rather oddly doesn’t have a landline). Whilst George and son set up the small yacht Ann is surprised by the arrival of a young man, Peter (Brady Corbet) in white golf gloves, apparently staying with neighbours, who asks politely for eggs. Another young man, Paul (Michael Pitt) also in whites, arrives. The awkward situation quickly turns sour and Ann, sensing danger, demands the young men leave the premises. But it’s too late. Let the games begin.

German writer/director Michael Haneke made the original Funny Games eleven years ago. I saw it in 1998, didn’t like it at all and gave it a scathing review in Sydney street-press magazine Revolver (now called The Brag), spouting vitriolic statements such as “Haneke thinks he’s being very clever with his so-called art critique on the state of violence and bourgeois manners, but in reality all he’s created is a thoroughly intolerant and inexplicable film that fails to deliver whatever message he’s hidden under all the smugness and arrogance.” In the same review I described Haneke as a “self-styled executioner of convention” and I questioned why audiences should have to endure naturalistic and protracted ugliness so that we can question the attitude of cinema violence as entertainment


[ Click here to read more ]
89
Vote
   


A Complete History of My Sexual Failures Chris Waitt
As I come to the end of my Sydney Film Festival coverage for 2008 I’ve decided to end the week on an upbeat note, albeit desperately, achingly, wincingly, wrenchingly funny. If you’ve been following my blog you’ll notice I generally don’t gravitate toward horror-comedies, unless they’re of the black kind, or they’re a dark satire, there are the odd exceptions of course.

A Complete History of My Sexual Failures (2008) is not a horror movie. It’s an hilarious documentary about one man’s love-life-as-nightmare. In a way it’s his bleeding heart as horror movie turned into a very cleverly packaged therapy session and sold as a post-youtube, realityTV odyssey of the Id. Actually it’s not that pretentious at all, it’s actually very accessible, but for those who’d prefer not to see a lanky man having his cock and balls whipped full frontal by a dominatrix then I’d probably recommend something a little less, er … revealing


[ Click here to read more ]
72
Vote
   


Storm Warning

June 19th 2008 00:59
Storm Warning DVD cover
Melbourne director Jamie Blanks was the Aussie boy done good when he was catapulted into the American horror limelight with his debut feature Urban Legend (1998). But unfortunately the movie was no good, and neither was his follow up Valentine (2001). So, I when I saw he was behind this release from Dimension Films' straight-to-DVD Extreme division I wasn’t too surprised. I wasn't expecting great things, despite finding the cover image striking. Of course, the back cover also stated that the movie featured "some of the most intensely brutal scenes imaginable." Yeah, right, pull the other one, it’s got bloody bells on it.

Storm Warning (2006) is an Aussie production, was completed a couple of years ago, and has spent the last year doing the International festival circuit (but not down under!) Apparently, according to the DVD front cover, it won a Best Special Effects award at the L.A. Screamfest last year. My interest was piqued a little more


[ Click here to read more ]
36
Vote
   


STAN WINSTON (1946-2008) - R.I.P.

June 18th 2008 04:26
Stan Winston 1946-2008
"People who are afraid to go to horror movies are generally afraid their whole lives. People say to me, 'Do you have nightmares?' I never have nightmares! And I go to movies and see the most bizarre things in the world, and go... Wow that is really sick, how fun is that! And I don't have to carry it around. I think that's very healthy."
Stan Winston and Arnold Schwarzenegger
Stan with Arnie on the set of The Terminator
Legendary Hollywood special effects whiz Stan Winston died last Sunday at the age of 62 (from multiple myeloma). I’m not sure how widely known his illness was, but apparently he’d been suffering for seven years. It certainly came as a shock to me. He died peacefully at home surrounded by family.

[ Click here to read more ]
117
Vote
   


1972 Andes plane crash site and survivors as seen by rescue helicopters
I first read the non-fiction book Alive: The Story of the Andes Survivors by Piers Paul Read during high school holidays one summer. It was a powerful and chilling read and the book and its photos have remained etched in my mind ever since. Years later I saw the Hollywood movie Alive (1993), based on the book, and as effective as parts of it were, it didn’t come anywhere near the dark haunting profundity of the book (of note: there was a Mexican exploitation flick made in 1976 which was renamed Survive! for American audiences).

Now, more thirty-five years after the tragedy a definitive documentary has been produced, and it’s a tour-de-force of harrowing poetic imagery and raw immediate emotion. Stranded, conceived and directed by Gonzalo Arijon, screening as part of the 55th Sydney Film Festival who is a friend and neighbour of the survivors (all of whom have chosen to remain living in close proximity to each other in the Uruguayan community they were raised in), tells a terrible true tale of bone-numbing grief and utter depair, and of extraordinary courage and extreme bravery. It is a testament to faith in the human spirit


[ Click here to read more ]
119
Vote
   


The Square

June 17th 2008 00:55
The Square official site artwork
It follows more along the crooked lines of a modern noir than a horror, but it is most definitely a nightmare movie; it even features a couple of brief, but nerve-jangling actual nightmares for the central character. Sydney-based director Nash Edgerton’s debut feature, The Square (2008), is a highly accomplished genre-piece that smirks and slaps in all the right places. It’s one of only twelve features in the 55th Sydney Film Festival that are part of its new international competition. The Square ticks all my boxes!

The Square David Roberts and Claire van der Boom
David Roberts as Raymond and Claire van der Boom as Carla
Raymond Yale (David Roberts) is a middle-aged foreman on a construction site. He’s married, but he’s having an affair with his much younger neighbour, Carla Smith (Claire van de Boom), who’s married to criminal Greg. The adultery is adding anxiety to Raymond’s already stressful work load. Carla discovers Greg has stashed a duffle bag full of cash in the ceiling of the laundry, obviously stolen. Carla makes the decision to steal the loot and makes Raymond an ultimatum; they should run away together, but her house needs to burn to the ground in order to hide the theft of the money. Raymond baulks initially, but when Carla breaks off the affair, he realises he’s in too deep, and so the dominos start to fall


[ Click here to read more ]
87
Vote
   


A Very British Gangster

June 16th 2008 09:34
A Very British Gangster movie poster
Investigative undercover journalist and documentary filmmaker Donal MacIntyre has made a thoroughly compelling and rather intriguing portrait/case study of notorious Manchester criminal Dominic Noonan (an ex-pat Irishman who changed his name by deed poll to the anagram Lattlay Fottfoy, which stands for Look After Those That Look After You, Fuck Off Those That Fuck Off You). Yes, Noonan’s a charming fellow.

A Very British Gangster (2007) screening at the 55th Sydney Film Festival is ultimately less about Noonan and his extended clan and more about the dire situation that is the world we live in, or to be precise, the Madchester I’m glad I don’t live in! The poor part of Manchester where Noonan was born and raised is a rough and very dangerous place. There are even feral kids which has urged director MacIntyre to delve further into that particular social disease, but that’s another story


[ Click here to read more ]
50
Vote
   


Pleasure of Nightmares 1st Annual Hall of Infamy

The votes have been tallied. The results are in. Here’s the 1st Annual Pleasure of Nightmares Hall of Infamy!

[ Click here to read more ]
97
Vote
   


Kurôzu zero (Crows: Episode 0)

June 12th 2008 00:26
Crows: Episode 0 movie poster
I’m a big fan of Japanese lunatic director Takashi Miike. I’ve only seen a handful of the dozens of features he’s made, but I like what I’ve seen. In the 55th Sydney Film Festival there are two new Miike movies; the first which screened was Crows: Episode 0 (2007); what appears will be a series of movies about gangland - high school style. The second is Sukiyaki Western Django (his first English-language film which screens tonight).

Crows is not strictly a horror movie, but there is a dark, urban nightmarish, ultra-violent edge to the movie which makes it suitable material for my blog. Unfortunately I am unable to make the screening of Miike’s spaghetti-sushi western, but fellow movie Orble Cibbuano promises to tackle that one


[ Click here to read more ]
72
Vote
   


Halloween
It’s your last chance to vote for what you think are the best horror movies from my select list of 69 horrific contenders. On Friday the 13th of June I tally up the votes and compile the 1st Annual Pleasure of Nightmares Hall of Infamy!

The majority of movies on my list of contenders are from the last 30 or so years, since the modern horror/nightmare movie is what primarily piques my interest


[ Click here to read more ]
51
Vote
   


Pen Choo Kub Pee (The Unseeable)

June 11th 2008 00:33
The Unseeable movie poster
From respected Thai director Wisit Sasanatieng (Tears of the Black Tiger), and playing as part of the 55th Sydney Film Festival, comes a languid ghost story, The Unseeable (2006), set in a haunted house on the outskirts of 1930s Bangkok.

Young pregnant peasant woman, Nualjan (gorgeous Siraphun Warranajinda), arrives at a grand house, surrounded by lush green gardens, looking for work and shelter. Her husband had left on a mission and never returned. Although the housekeeper, the older Miss Somjit (Tassawan Senewong) is very strict and rather menacing, Nuan quickly finds an ally in sympathetic maid Choy (Visa Konska


[ Click here to read more ]
84
Vote
   


Donkey Punch

June 10th 2008 01:50
Donkey Punch movie poster
I do like a movie that skillfully works a low-budget. Donkey Punch (2008), which played at the 55th Sydney Film Festival, is fresh from Warp-X, set-up to produce cheap, but effective and commercially successful movies. It’s a horror-thriller that plays aggressively with numerous conventions. It’s not a wholly surprising movie, and it’s not that scary, but the production values and performances of its young, good-looking cast are solid, which lifts its game higher than a lot of the other flotsam and jetsam out there.

Three spunky girls from Leeds, England, are holidaying (read: partaying) in sun-bleached Mallorca, Spain. Lisa (Sian Breckin) and Kim (Jaime Winstone, daughter of Ray) are keen for their friend Tammi (Nicola Burley) to forget her recent break-up, so they can all let their hair down (and their bikinis to follow!). At a bar they meet three likely lads; matinee idol Josh (Julian Morris), sleazy DJ Bluey (Tom Burke), and newbie Marcus (Jay Taylor


[ Click here to read more ]
62
Vote
   


Fear(s) of the Dark movie poster
The monochromatic animated adult tales in the anthology feature Fear(s) of the Dark playing in the 55th Sydney Film Festival are some of the most inspired work I’ve seen in a long time. Numerous international animator/directors create their own stylistic nightmare realm, which are separated by simple, but striking geometric moving patterns which work as interludes between the stories.

Fear(s) of the Dark
The introductory tale created by Blutch is less a story and more an extended dialogue-free vignette which is broken up over the course of the whole movie. It features a creepy skeletal aristocrat walking his huge ferocious hounds across a landscape and through villages where each hound takes turns savaging some poor victim


[ Click here to read more ]
82
Vote
   


Let the Right One In movie poster
Like any True Believin’ horrorphile I’m always waiting for that vampire flick or that werewolf flick or that zombie flick. They don’t come along that often. One could even argue that those precious sub-genres are a dying breed. Sure, there are dozens of them released; it even seems zombie flicks are the dead du jour, but the movies that are actually any good are far and few between.

Last year 30 Days of Night (2007) proved to be the bite the vampire sub-genre needed, despite it polarising many critics, certainly the horrorphiles knew it had guts. Further back and Dog Soldiers (2003) was the werewolf movie that howled like a true lycanthrope. Now from Sweden comes a superb entry in the vampire stakes; Låt den rätte komma in (Let the Right One In), part of the 55th Sydney Film Festival programme, and based on a best-selling novel of the same name (and a curiously playful title too


[ Click here to read more ]
68
Vote
   


Los Cronocrímenes (Timecrimes)

June 5th 2008 08:55
Los Cronocrimenes movie poster
Time travel is a fascinating thing. But it can also be a can of worms. In Spanish writer/director Nacho Vigalondo’s science-fiction giallo-esque horror thriller Timecrimes(2007) – screening at the 55th Sydney Film Festival - time travel is presented in the classic predestination paradox aka casuality loop. It’s very Twilight Zone, but highly entertaining, if you can get your head round the absurdity of it all.

Héctor (Karra Elejalde) is a mild-mannered, middle-aged man married to Clara (Candela Fernández). They’re moving into a big new home. Héctor gets a funny phone call, but there’s no one there. He thinks nothing of it. Out in the garden in his lounge chair with his binoculars he spots what he thinks is a pretty woman (Bárbara Goenaga) undressing in the woods beyond the property


[ Click here to read more ]
71
Vote
   


MUTO

June 4th 2008 22:39
street artist Blu at work
My wife drew (pun intended) my attention to this extraordinary piece of moving street art: MUTO ... An Ambiguous Animation Painting on Public Walls created and realised by a very talented guy called Blu.

The credits read: “Made in Buenos Aires and Baden. Animation and editing by Blu. Music by Andrea Martignoni.” After watching the movie, all I could think of (apart from "Wow!") was "How long did that take to do?!" It has to be seen to be believed


[ Click here to read more ]
78
Vote
   


Sick: The Life & death of Bob Flanagan, Supermasochist movie poster
The final selection in my inaugural "Extremus Atrox" series, and also an appropriate bridge into the 55th Sydney Film Festival, is the documentary Sick: The Life & Death of Bob Flanagan, Supermasochist (1997), a powerful and profoundly moving portrait of a man obsessed with pain and his body.

I first saw this film when it screened at the Wellington Film Festival eleven years ago. The same year it won the Special Jury Prize at Sundance. At the time it was surrounded by controversy, mostly due to a short, but intensely graphic scene of self-mutilation which would make the staunchest of males weak at the knees. I was