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“Night brings terror. Strange, alien forms move restlessly across the face of the earth. Fear, horror and death follow in their wake. The sky is dark; the moon has not yet risen; the stars seem too frightened to shine ..." --- Drake Douglas (introduction to Horrors)

Horrorphile - August 2007

Ringu (Ring)

August 31st 2007 03:35
Ringu movie poster
Ringu (1998) is the highest-grossing movie in Japanese history. It’s based on a novel by Kôji Suzuki and has a sequel and a prequel, and a Hollywood remake (and sequel). Curiously, it originated as a made-for-television movie which aired in 1995 called Ring: Kanzen-ban (but this bawdy low-fi version is generally considered risible, sexploitative trash).

Ringu Nanako Matsushima
Nanako Matsushima as Reiko
Reiko Asakawa (Nanako Matsushima) is a journalist researching a story on a 'cursed video' and interviewing teenagers about it. When her niece Tomoko (Yuko Takeuchi) dies of apparent sudden heart failure Reiko investigates. She finds out that some of Tomoko's friends who had been on a holiday with Tomoko the week before had died on exactly the same night, same time, in the same exact way. Reiko checks out the cabin where the teens had stayed and borrows a curious unlabelled video tape from reception. Much to Reiko’s dismay it is the cursed videotape.

Ringu Hiroyuki Sanada
Hiroyuki Sanada as Ryuji
Her ex-husband Ryuji (Hiroyuki Sanada) helps Reiko try and solve the mystery. Reiko makes a copy for him. The investigation takes them to a volcanic island where they discover that the video has a connection to a psychic, who died 30 years earlier, and her child Sadako (Rie Inou).

Ringu cursed kids photo
The cursed teenagers
Director Hideo Nakata achieved a genuinely outlandish and frightening movie. Yet it’s surrealism and inherent silliness somehow never capsizes the movie, and it features one of modern horror’s creepiest sequences: the grainy black and white video footage of Sadako emerging from the well, her long lanky black hair obscuring her face as she slowly, jerkily approaches the camera, and then steps through the lens and climbs out of the television! Yikes!

Ringu Reiko in the well
Reiko embracing death in the well
Apparently the novelist was inspired by Poltergeist (1982), which was one of the scariest movies I saw as a young lad, so I can relate. The premise of an urban myth: a sequence of images cursing whomever watches them, but pronouncing a length of time (a week) before a phone call and subsequent death strikes, is a little tenuous, but when dealing when the Japanese supernatural, all bets are off.

Ringu Reiko and the cursed videotape
The cursed videotape
Ringu is a richly atmospheric film that lingers on images, yet its contrivances solidify its cumulative effect. What makes Ringu so unnerving is what the audience don’t get to see as much as what they do. There is as much darkness is there is light. The fabric of a dream stretched into reality and inverted into a nightmare; Ringu is a plague of visual doom.

It was Ringu that spearheaded the Western fascination and admiration for Japanese horror movies and it was Takashi Shimizu’s Ju-On: The Grudge (2003) which cemented the respect. The Hollywood remake, The Ring (2002), starring Naomi Watts, certainly doesn’t possess the same dark other-wordly vibe which permeates Ringu so succinctly, but it does garner some scary moments.
Ringu Sadako
Rie Inou as Sadako

If you’ve never seen any foreign horror movies Ringu is a great place to start … because it never ends.
Ringu eye

Ringu fingernails

Ringu Sadako's eye


Here is the cursed video footage ... beware!
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What's your DEMON NAME?

August 30th 2007 01:23
Night of the Demon
It’s my fiancé’s birthday today … we’ve been up most of the night already. Cooked up a feast, drank loads of wine, listened to my i-river playing through its songs alphabetically. I have hundreds loaded. We only got up to the “c”s …

My fiancé is on a three week holiday, having just finished a major project at work. We’re about to head off to brunch with her folks. This afternoon will be a boozy affair. Tonight I’ll be taking her to dinner at La Grande Bouffe, a fabulous modern French restaurant in Balmain, where we can be really indulgent and naughty. No rest for the wicked.

demon
I’m in a playful, mischievous mood, and so in keeping I’m posting a link to a Demon Name Generator. It’s actually from the same site as the Werewolf Name Generator. That Rum and Monkey lot. I tried to find a fresh one, but I couldn’t find one that used your existing name as a base. They all were designed for role-playing games, and could generated numerous ones without the aid of your own name.

“Ever wondered what name you'd be given if you ever turned in to an evil demon and tried to destroy the earth? Thought not but this is here so you don't have to worry …”

You can choose “male”, “female” or “something inbetween”.

My demon name is Badhorn Flamefoot.

My fiance’s name is Forktongue Heartguzzeler.

Hmmmm. Very silly. I sound like a character out of Badjelly the Witch, or The Hobbit. The name doesn’t sound particularly scary or menacing. Oh well, I’m not too fussed. My partner’s name is misspelt and sounds like something out of Harry bloody Potter! Oh dear!

Well, enough pontificating, we’ve got all manner of things to devour and chaos to create. Perhaps we’ll see you at the demon shindig tonight? Getting’ doooooowwwwwwwwn!
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Rogue

August 29th 2007 00:57
Rogue movie poster
I snuck into an advance Sydney screening yesterday of Greg Mclean’s second feature, Rogue, his follow-up to the excellent Wolf Creek (2006). The advance screenings are to enable it to be nominated for the AFI awards, however it's not being widely released in down under waters until November, its release pushed back apparently so as not to compete with The Bourne Ultimatum, another big-budget, destructive blood-lusting beast, but with a more handsome profile, and a more sophisticated vocabulary.

But enough of the jokes, Rogue is no comedy. It growls, lurches like a locomotive, and chomps down with the most impressive biting power I’ve seen in a while. This is a monster flick for the discerning horror fan. Rogue rocks.
Rogue boat cruise
Kakadu National Park boat cruise at your service
The basic premise has Kate (Radha Mitchell), a tour captain working the waters of Kakadu National Park in the Northern Territory on a wildlife cruise. On board are your typical cross-range of tourists; Pete McKell (Michael Vartan), a slightly cynical American travel writer, a wealthy, arrogant American couple, an uptight English family, an overweight, amusing Irish lass, a handful of Asians, and a couple of fair dinkum Aussies (which includes a very different John Jarrett performance).

Rogue Michael Vartan and Barry Otto
Michael Vartan as Pete and Barry Otto in a cameo as a publican
As the day’s rather uneventful tour is drawing to a close Kate is reluctantly persuaded to steer their boat into unexplored territory to investigate a flare. Suddenly disaster strikes, as the boat is struck a powerful blow from beneath the murky waters and promptly starts to sink. With little choice, Kate is forced to beach the vessel on the closest dry land; a tiny mud island.

Rogue Radha Mitchell
Radha Mitchell as tour captain Kate
The tide is rising quickly, fear has gripped the group, and there is a massive ‘rogue’ crocodile that has ‘tagged’ the group, surrounding them, relying on a finely tuned hunting instinct.

Rogue American couple
Your standard American croc burger
When I first heard of this project I was somewhat disappointed, feeling like Mclean was going to attempt well-trodden ground (or to be more precise well-treaded water). There was a movie called Alligator (1980) about a huge, well, alligator, that breaks free from the New York sewers and goes on a rampage, and then there’s the poster art which reminds one of both Jaws (1975) and Piranha (1978). Another giant reptilian horror movie also comes to mind too; the deep trash Anaconda (1997).

However writer/director Mclean has made a punchy, entertaining horror that pushes most of the right panic buttons. Like Wolf Creek the movie looks terrific, Will Gibson’s stunning aerial photography of the Northern Territory; the place simply commands awe, and it looks so … prehistoric! All the technical aspects of the film are top-notch; especially the main creature effects, a skillful combination of animatronic (John Cox’s Robotechnology) and CGI (WETA and Fuel International), but also the music, a superbly atmospheric, instantly classic score from Wolf Creek composer François Tétaz.

Rogue Stephen Curry and dog
Stephen Curry as one of the Aussie tourists
The charismatic cast work well, Michael Vartan and Radha Mitchell play well off each other, a little tension, and then burgeoning attraction. Sam Worthington plays an asshole, a spanner in the works, and does it well. John Jarrett’s turn as a fuddy-duddy tourist is good, as is Stephen Curry as a no-nonsense young Ocker. The characterisations are on the slender side (which is probably why the croc keeps coming back for more), but that’s not wholly surprising, we’re not talking about a psychological drama with a few teething problems, this is a 30-odd-foot-of-grunt, territorial killing machine, stalking and chomping with extreme prejudice.

I did have a couple of qualms during the movie’s last quarter, but they’re your standard “There’s no way that person would survive that kind of injury!” scoff, and you get them all the time in horror movies, you just take them with a grain of salt (water).
Rogue tourists in the water
Croc's favourite food: tourist soup!
Cleverly, director Mclean holds back on the body count, maintaining an impressive sense of danger and suspense, especially during the extended jeopardy scene which has the group trying to make there way across a tight rope from the mud island to dry land. The gradual build-up of tension works similarly in Wolf Creek, and audiences who felt this bogged down the movie will probably feel disappointed with Rogue.

Rogue English housewife
Oh my God! That was my husband!
The violence in Rogue is restrained, well, as restrained as a hungry crocodile can get. These beasts move and attack very swiftly, and Mclean uses this behavioural technique to great cinematic effect. When I say “restrained” I mean not as blood-drenched as some might hope for, but the close contact with the rogue croc in the movie’s final quarter is as frightening and intense as a horrorphile would want it to be. There's also a couple of impressive wounds on display though for the gorehounds.
Rogue Radha in the water
One should always see the leading lady squirm
Rogue is much better than Placid Lake, the other big rogue croc flick from several years back (and there’s another two soon to be released: the American utter trash, Primeval, and another Aussie one that doesn’t look nearly as good, Black Water). I’m sure this Rogue will slap those bony, scaly rogue arses into the middle of next week!

Here's the trailer:
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What's your WEREWOLF NAME?

August 27th 2007 23:41
full harvest moon
OOOOOWWWWWWWWWWWW!!!!! It’s the full moon tonight!! And it’s a lunar eclipse as well!! Yiiiiiiiikes, all the freaks and lunatics will be out tonight! You’d better run, run, run, run …. Run like Hell!!! Cos I’m comin’ … comin’ … comin’ to getcha!!!!

Tis a pity I don’t live up in the Blue Mountains, cos that’s where you get to see the full effect of the blood red moon! Here in Sydney city the ever increasing “light pollution” dampens the effect, and the ghostly shadow across the surface of the moon is lost to earthly city eyes


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Angel Heart

August 27th 2007 01:00
Angel Heart movie poster
A mystery thriller that looks like a 50s noir, but is wrapped in the macabre funk of the occult. Alan Parker’s Angel Heart (1987) is one of several exceptional films he directed (along with Midnight Express, Pink Floyd The Wall and Birdy) in a diverse career, and a personal favourite. It’s also my favourite performance of Mickey Rourke, an actor at the peak of his career (even if his guise as Marv in Sin City is a knockout).
Angel Heart Brooklyn
The backstreets of 1950s Brooklyn, NYC
It’s New York City, 1955. Private Investigator Harry Angel (Mickey Rourke) prefers the easy jobs, ones where his cream-coloured, crumpled linen suit won’t get torn. Then he gets hired for a what seems like a fairly straight forward seek and ye shall find job, by a man who calls himself Louis Cyphre (Robert De Niro). Track down a popular young crooner called Johnny Favorite who vanished around the time the boys came home from the war.
Angel Heart Robert De Niro and Mickey Rourke
Robert De Niro as Louis Cyphre and Mickey Rourke as Harry Angel
Angel’s investigation takes an unexpected and sombre turn after he discovers the doctor who discharged Favourite from a hospital ends up with a bullet through the eye and his brains splattered over his morphine-tinged pillow. Angel digs deeper and finds himself becoming embroiled in the voodoo-cloaked atmosphere of New Orleans, especially after he meets the teenaged voodoo priestess Epiphany Proudfoot (Lisa Bonet), who happens to be Favourite’s daughter


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HOME INVASION!

August 24th 2007 01:56
The Strangers movie poster
Tyronne over at Hunt Famous gave me a heads up on this movie, which is apparently still in post-production, although there’s a teaser trailer out (and a doozy too!) The Strangers is about a suburban home invasion. Home invasions scare the bejesus out of me. In the city I live in, Sydney, home invasions have increased over the last few years.

The Strangers is written and directed by Bryan Bertino, an actor turned first time writer/director. The premise is not new, let’s face it, psycho-killers terrorising strangers is not a new idea. In fact several movies come to mind; House on the Edge of the Park (1980), Funny Games (1997), Ils (2006), Panic Room (2002), Haute Tension (2003


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Maléfique

August 23rd 2007 02:07
Malefique movie poster
Maléfique (2002) is a French supernatural horror directed by Eric Valette from a screenplay by Alexandre Charlot and Franck Magnier. It’s a clever, compelling, and at times horrific, tale of incarceration, obsession and escape, and one of the best modern Euro horrors in quite a while, much better than the over-rated, silly Haute Tension (2003).

Four prisoners occupy a small cell; there’s Carrère (Gérald Laroche), who used his company to commit a fraud and was betrayed by his wife, there’s the transexual hulk Marcus (Clovis Cornillac) and his beloved “Daisy”, the retarded Pâquerette (Dimitri Rataud), who ate his six months sister, and finally the quiet intellectual, Lassalle (Philippe Laudenbach) who claims reading drove him mad and thus he killed his wife


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Horror QUIZ #16: Mastermind Series I

August 22nd 2007 01:12
I’m upping the ante with this one, the first in a series where you must identify a movie from a still. However this quiz is designed for the serious horrorphile. No multiple choice here folks. This will sort out the men from the boys, the women from the girls. Sure, some of you will find a couple of the stills easy-peasy, but then the next two will stump you cold. Ha!

Definitely a quiz for the geeks and completists: you need to name the movie’s original title (if it was in a foreign language then its foreign title), if it has an alternate title you need to name that too, and you need to state the year it was produced and/or released (these sometimes differ, either will do


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POSTER GALLERY 4

August 20th 2007 23:55
Another monthly cycle has come full circle; it’s time to unleash another thirteen movie posters which represent what I love about the horror genre, graphic design and the imaginative interplay between words and imagery.

I feature predominantly posters from the scarlet age of horror (70s and 80s), but I like to throw a few modern posters into the witches' cauldron for have a little context. On the whole the retro posters always seem to command so much more chutzpah than the contemporary ones. I guess I’m old fashioned at (dark) heart


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Les Yeux Sans Visage movie poster
Near Paris, an older woman dumps a young woman’s body into the waters of a lake. It is revealed she is the assistant to a brilliant surgeon, Dr. Génessier. His own daughter Christiane is house-bound, as a result of the facial injuries suffered in an horrific car crash. As Génessier was the driver he feels responsible for ruining his pretty daughter’s life and so is obsessed with rectifying the situation.

With the help of his dedicated assistant Louise, the doctor has attractive young women kidnapped, then surgically he removes their faces, and with his newfangled grafting procedure he attempts to fit his beloved daughter Christiane with a beautiful new face. Each time the operation fails, the victims die, and Christiane falls back into despair … but Génessier is determined


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Begotten

August 17th 2007 00:42
Begotten DVD cover art
"Here lives the incantation of matter
A language forever.

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HAPPY 'BLOODY' BIRTHDAY HORRORPHILE!

August 16th 2007 01:04
Bloody Birthday
That’s right, it’s been exactly one year since I delivered my first Pleasure of Nightmares post on Orble. Wow, how time flies when you’re having fun!

I must say it’s been an intriguing ride so far … I’ve been elated and depressed at different times. However I’ve very much appreciated the opportunity Orble has provided me. The five days a week writing discipline has been immeasurable for me as a freelance writer, and I trust it will be another stepping stone to my inevitable Great Success


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Ab-normal Beauty

August 15th 2007 00:21
Ab-normal Beauty poster art
The Pang twin brothers, Oxide and Danny, are Hong Kong based filmmakers at the cutting edge of horror. Shame then that their blades are not as sharp as they’d like to think they are. The came to prominence with a series of low-budget, hyper-stylised movies, including The Eye (2002), an adaptation of Alex Garland’s novel The Tesseract (2003), a couple of sequels to The Eye, and this movie Ab-normal Beauty (2004). Currently The Eye is being remade by the French duo behind the ghost story Ils (2006) and will star Jessica Alba.

The twin brothers share all the main duties of writing, producing and directing, while Danny is also an established editor who cut the hugely successful Infernal Affairs films. With Ab-normal Beauty however Oxide enlisted his other brother Thomas to co-write the screenplay


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FEAR of the FATAL JOYRIDE

August 13th 2007 23:56
I live joyrides, but I haven’t been on one in years. I’m not talking about hooning around in a stolen car. I’m talking about sideshow thrill rides in an amusement park, yknow, the Ferris Wheel, Ghost Train, Round-Up, The Octopus, or my favourite, the rollercoaster.
Steel Dragon 2000 rollercoaster
Steel Dragon 2000
The thing is, I’ve actually never been on a proper rollercoaster. It’s kinda embarassing, but true. Well, that’s not entirely true. I have been on a couple of rollercoasters; a small one in my hometown, but it hardly counts, as it wasn’t very high at all, probably ten metres at its highest point. I did go on Space Mountain in Disneyland, but that’s enclosed and in the dark. It was pretty thrilling nevertheless, but not your traditional rollercoaster.

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Mo' news on ZOMBIES and VAMPIRES

August 12th 2007 23:16
Day of the Dead (2007) zombie
As I’ve mentioned in a couple of previous posts George Romero’s zombie masterpiece Day of the Dead (1985) has been remade. However it is a very tenuous sequel, more in “names” than anything else. The remake has four characters who share the same name as characters from Romero’s original: Sarah, Miguel Salazar, Captain Rhodes and Dr. Logan. The title is really more of a cash-in than a legitimate sequel to Zack Snyder’s remake Dawn of the Dead (2004).

Day of the Dead (2007) cast members
A Day of the Dead (2007) cast member in post-wrap catatonia
In itself Romero’s Dawn of the Dead (1978) wasn’t a direct sequel to Night of the Living Dead (1968), but a continuation of the overall premise (an ever increasing zombie to human ratio). Day of the Dead (1985) and Land of the Dead (2006) were a further continuation. Synder’s remake of Dawn was a “re-envisioning”, thus taking the premise and basic plot and adding new elements (zombies running) and plot devices (zombie birth


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What's your VAMPIRE NAME?

August 10th 2007 00:19
Vampire illustration by George Patsouras
I was searching through my “favourites” list and came across a curious link. I can’t remember who sent it to me, but the word “vampire” re-piqued my interest, so I opened it up and explored a little further.

It’s a homepage belonging to a 31-year-old English writer called Emma Davies who lives in a cottage in Derbyshire and hopes to be a successful writer one day. In the meantime she is a computer programmer by day and a poet and short story writer by night


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Day of the Dead (2007) teaser movie poster
The future looks grim. Hollywood is running out of ideas. They’ve been behind the 8-ball for a couple of decades but the situation is reaching critical mass. Now the rest of world is falling into the same filthy, muddy ditch. Europe and elsewhere are deciding remakes are the way to go.

Many of the following films are bona fide cult classics and should not be touched with a damn bargepole! Some are trashier and perhaps, perhaps, a remake might inject some blood’n’guts juice that the original lacked, although often that trashy element is what makes the movie so much fun in the first place


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Blood for Dracula

August 8th 2007 01:26
Blood for Dracula soundtrack cover art
“The blood of these whores is killing me!” whines Count Dracula to his man servant Anton. Yes indeed, in probably the sickliest version of the ever-lasting vampire myth of the Romanian lord of darkness, Count Dracula can only survive if he drinks the blood of “wurgens”.

The hilarious original title of this Italian/French co-production translated roughly as Dracula Wants to Live: He Seeks Virgin Blood … and Dies of Thirst!!! To the rest of the world it was known more commonly, and somewhat less hysterically, as Blood for Dracula (1974), the Andy Warhol presented follow-up to Flesh for Frankenstein (1973


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Flesh for Frankenstein

August 7th 2007 00:23
Flesh for Frankenstein movie poster
“To know death Otto, you have to fuck life in the gall bladder!” spurts Baron Frankenstein nonchalantly to his assistant Otto. And in a single line writer/director Paul Morrissey encapsulated the perverse and grotesque comedy of manners that is Flesh for Frankenstein (1973).

Co-produced and presented by Andy Warhol, Flesh for Frankenstein – and its depraved sibling Blood for Dracula (1974) – was ostensibly a vehicle for the director and Factory warm prop Joe Dallesandro who plays stables boy Nicholas. The real star of the movie was Udo Kier as Baron Frankenstein, who hams it to the hilt and then some


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Of all the movie genres horror movies are the ones most likely to sport an absurd movie title. Some over the top, outrageously contrived title designed to lure its audience through the use of lurid, shlocky, or shocking words and themes. Personally I prefer the simpler titles, like Halloween or Alien, but the crazy ones are amusing.

Can you guess which of the following titles are real and which ones I’ve made up? Very straight forward this quiz: true or false, you decide


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Vampire's Kiss

August 3rd 2007 02:11
Vampire's Kiss movie poster
Peter Loew (Nicolas Cage), a Manhattanite publishing executive, is visited and bitten by an apparent vampire and starts to exhibit erratic and obnoxious behavior. As he tries to come to terms with his strange affliction he begins to alienate those around him, in particular his secretary Alva (Maria Conchita Alonso), whom he constantly harasses. The vampire, Rachel (Jennifer Beals), continues to hound and seduce him and drink his blood, and as his madness deepens, it becomes apparent some of the events he is experiencing may be hallucinations.

Vampire’s Kiss (1989) is a weird little movie and brilliant. The screenplay was written by Joseph Minion, who also penned another exceptionally clever tale of urban paranoia: Martin Scorsese’s After Hours. Directed by Robert Bierman, it is the blackest of comedies (any comedy that deals with schizophrenia, sexual assault, and murder, is most definitely of a darker hue!) It also features one of the most mannered performances in Nicolas Cage’s career, and one which has polarized viewers


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Strange Behaviour (Dead Kids)

August 2nd 2007 04:17
Strange Behaviour movie poster
Sometimes one must take the bad medicine. It’s medicine, ‘cos it keeps things in perspective, but I can’t swallow it too often, ‘cos it tastes real bad. But this is bad as in utterly bland. It’s the worst kind of bad.

Strange Behaviour (1981), originally titled Shadowlands, then Dead Kids – the latter title obviously considered a little too macabre perhaps (it was also known in Europe and the UK as Human Experiments and Small Town Massacre), was an unusual co-production between America, Australia and New Zealand. Shot in Remuera (part of greater Auckland, NZ), but doubling as Galesburg, Illinois, it’s the tenuous mad scientist in small town America turning teenagers into conditioned killers yawn, er, yarn


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The Abandoned

August 1st 2007 00:45
The Abandoned movie poster
This would’ve been a sensational film to have seen on the big screen, but unfortunately, down under in Australia director Nacho Cerdà’s The Abandoned (2006) has been relegated straight to the DVD shelves, alongside so much dross and dreck.

It’s a Spanish/UK/Bulgarian ghost story which enjoyed a brief theatrical screening in the States as part of the After Dark Horrorfest: 8 Films To Die For, which screened late last year. I’ve seen three of those festival flicks; Zombies (aka Wicked Little Things), The Hamiltons and now The Abandoned. The first two blew chunks. The Abandoned raised the bar considerably


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