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“Monsters do exist; in us and among us. They walk in our shadow. They can prey on us more as we fear them less. We should know. We created them.” --- George A. Romero

Horrorphile - October 2006

What's the DUMBEST horror movie ever?

October 30th 2006 22:40
An interesting question, as many people would simply say every horror movie is the dumbest. In this troublesome age who wants and needs to be scared? But I’m not talking about horror films that actually work, I’m talking about horror flicks that fail dismally, that are so silly and cheesy and dumb that you guffaw for all the wrong reasons.

This is an area of deep trash that I try not to dwell too near. Watching horror movies that are really dumb – especially the ones that are actually trying to take themselves somewhat seriously – is like watching the cable adult channel for some decent sex. It’s bloody pointless. The horror movies are anemic and spineless, just as those cable soft-porn movies are prudish and flaccid.
Godzilla 1998

There are some movies that may have looked okay on paper at the time, but when finally realised and let loose on the public have turned into gigantic turkeys. Try the Hollywood remake of Godzilla (1998) on for size. It worked for Japan during the 50s and 60s, but late 20th Century America? Nope.

The numerous sequels - The Marsupials (?!) - to the cult classic The Howling (1981), but in particular The Howling II: Stirba – Werewolf Bitch (1985, aka Your Sister is a Werewolf) is now considered to be amongst the most prized of horror turkeys, especially with end credits repeat shot of Sybil Danning’s ample bosom being bared 17 times!!

Renee Zellweger and Matthew McConaughey in The Texas Chainsaw Massacre: The Next Generation (1994, aka The Return of the Texas Chainsaw Massacre) is a landmark low point, and one film both Hollywood A-listers have requested removal from their resumes. Boy, oh boy, that film gobble-gobbles, glub-glubs, munch, munch, munch!

There are movies so downright stupid that they kinda work; Attack of the Killer Tomatoes! (1978). Okay, so the title alone gives it a kudos of sorts, as it’s a bit of a musical send-up. Eeek!! Then the squishy sequel, The Return of the Killer Tomatoes! (1988), a slicker production that was genuinely sillier, but funnier than the original (production on the film ceases at one point while producers and director stand around trying to work out how to get more money, some bright spark suggests product placement. You can guess the results).

Killer tomatoes beware!!!
Attack of the killer tomatoes!
Attack of the killer tomatoes!
They'll beat you, bash you,
Squish you, mash you,
Chew you up for brunch,
And finish you off, for dinner and lunch!
They're marching down the halls
They're crawling up the walls
They're gooey, gushy, squishy, mushy,
Rotten to the core
They're standing outside your door!


So what ranks as the dumbest horror movie ever made then? The criteria are simple. If the filmmakers are trying to be serious and it’s unintentionally a hoot, then it’s dumb. If the movie is a spoof and you remain stony-faced throughout the film, then it’s pretty damn dumb. If the movie has acting, production values, or logic that make Keanu Reeves and Ed Wood look like Oscar contenders, then it’s dumb, real dumb.

For me, I can’t stand the low-rent Troma production line. Street Trash (1987) is the one exception. The Toxic Avenger (1985) is over-rated, and the rest (Redneck Zombies, Surf Nazis Must Die, Tromeo & Juliet, ad nauseam) are just pitiful, pitiful, pitiful. Intentionally bad, yes. But sooo bloody stoooooopid!!!!

alien sperm bath in Breeders (1986)
One movie, however, that has sticky-stuck-stack in my head for sheer brain-numbing rotten tomato dumbness is a sleazy, tits-and-ass alien horror cringe called Breeders (1986). Whew, now that one was stupendous in the dumb stakes. The alien sperm bath finale is a nadir in horror-titillation concepts. Trust me.


* images on this page were taken from the following wikipedia pages:
Godzilla and Attack of the Killer Tomatoes!
The are licensed from the GNU Free Document License
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I watched the remake of The Omen (2006) last night. Why do they bother? Honestly; when almost everything about the original is superior. Reminded me of Gus Van Sant’s pointless remake of Psycho (1998).

Seamus Davey-Fitzpatrick as Damien in The Omen
The filmmakers chose to stick very closely to the original. Liev Schreiber and Julia Stiles were okay as the troubled parents, but I couldn’t stop thinking of Gregory Peck and Lee Remick. The casting of the boy playing Damien, Seamus Davey-Fitzpatrick was wrong; he's simply not unsettling enough. And Mia Farrow wasn’t insidious enough as Mrs Baylock.

Pete Postlethwaite played the doomed priest and was suitably paranoid. David Thewlis played the doomed photographer (but looked as disinterested as he has done with everything since Naked). Intriguingly all the deaths were filmed in exactly the same way as the original except for the most infamous; the decapitation, which was given a bit of a twist.

As a glutton for punishment I’m now intrigued as to how Damien: Omen II (1978) will be re-made with all its elaborate deaths. They’d better get the casting right.

Papal cross
In God On My Side, Australian interviewer Andrew Denton has made a startling and compelling documentary on the fundamentalism that is born again Christianity; organized religion in America. I see it as a modern horror film. It’s strange and unsettling, worrisome, even frightening. The evangelists talk about the end of days, the second coming, the Four Horsemen of the Apocalypse. Armageddon is looming.

Of course, it’s not made as a sensationalist piece of propaganda, far from it. Andrew Denton in his usual sly and savvy way has made a thoroughly enlightening and wryly amusing document on the current state of the business of Christianity, the enormity of it, the motivations behind the practitioners; their driven, obsessive souls.

The entire doco takes place over a long weekend at the 63rd NRB (National Religious Broadcasters) Convention in Texas in February 2006, with Denton interviewing many folk at their respective booths on the exhibition floor and privately. The admissions and revelations Denton elicits, due to his own empathic interviewing technique, makes for some hard-hitting (often unintentionally funny) truths.

I don’t mean seeing the Way, the Truth and the Light. I mean understanding just how powerful the voices of the NRB are. They provide more the 40% of President Bush’s vote. They have an estimated audience of over 140 million Americans, and growing rapidly.

What does this mean? What’s the bigger picture? With access to clips from many of the NRB’s 350 television shows, it becomes clear that most Christian’s believe we are fast approaching the end of days. The planet is in strife; politically, socially, geographically, and of course, morally. Soon Christ will return and all the Christians will join him in the kingdom of heaven. The rest, as three Christian brothers answer Denton with a wigged-out smile, will miss heaven.

Perhaps then we should take a little heed – with a grain of salt - from the words of John 15:12 which Denton puts up on the screen at doco’s end: “This is my commandment: that ye love one another as I have loved you.”

As an atheist I interpret that as a call for world peace.


* the images on this page were taken from the following wikipedia pages:
The Omen (2006, screen shot) and Christian cross
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Six sick flicks for HALLOWEEN

October 27th 2006 00:25
It falls on a Tuesday this year which is pretty ordinary. So perhaps you’ll choose to plant tricks and pull treats over the weekend instead. In any case, if you’re having a night in with friends and an enjoyable horror romp feels like the way to go, get everyone crammed together on the sofa and surrounding cushions, throw together a couple of big bowls of salted popcorn, plenty of cold beer and pretzels, turn the lights down low, and perhaps even pass the odd dutchie around to give everyone a bit of the Fear.

A Halloween party flick needs to be loud and lurid, with generous helpings of silly, but likeable characters, lots of cheesy, hilarious dialogue, some decent set-pieces and a clutch of decent scares, or at the very least some well-worn extended jeopardy. The odd flash of bare breasts and male/female buttocks always goes down well too. And of course large splashes of the red stuff, which is horror de rigueur.
Linda Blair prays for day!

1. Hell Night (1981)
Four college graduates are forced to spend the night in a supposedly deserted mansion. They are terrorized by monstrous members of a family whom survived a massacre many years earlier. This is a cult classic slasher flick with oodles of atmosphere, silly pranks, dodgy behaviour, lusty pratfalls, and plenty of unintentional hoots.

2. Halloween III: Season of the Witch (1982)
I resisted suggesting the original, ‘cos let’s face it, you’ve probably seen it a dozen times already. And if you haven’t even seen it at least once what the Hell(oween) are you doing reading this blog?! So instead I offer you the flawed second sequel, which actually has nothing to do with the series. In this troublesome tale a crazed toymaker has plans to ruin everyone’s Halloween once and for all (“The Night No One Comes Home”).

3. Demons (1985)
This is one wild ride! Italian gorefest time! Lamberto Bava, son of maestro Mario, has several attractive slappers going to a special movie screening in the new Metropol cinema in West Berlin. The movie, Demons, is supernaturally hinged and as the violence on the screen escalates, it comes alive within the theatre. Outrageous, over-the-top, and pure Italian ham.
Brandon Lee is Eric Draven
4. The Crow (1994)
Any Gothic flick where the lead character died during the making from a stunt gone wrong is deserving of Halloween fodder. Directed by Aussie Alex Proyas, and featuring Bruce Lee’s son, the late, could’ve been great, Brandon Lee as Eric Draven (geddit?) the undead avenger. This is pure comic book silliness with a sensational villain played to the hilt by Michael Wincott. Other Halloweeny character names include Skank, T-Bird, and Funboy. Squawk madly and get yourself into a flap!

A little female lycanthropy

5. Ginger Snaps (2000)
One for the lads, now one for the ladies; lycanthropy of the feminine persuasion. It’s a loose disguise for puberty (“They don’t call it the Curse for nothing!”) and is directed and acted with much hirsute panache and snarling gusto. If you like your werewolves with a little talon polish Ginger snaps well hard!

6. Donnie Darko (2001)
This is the spanner in the works. A hybrid sf-horror-thriller with enough macabre weirdness and otherworldly twists to satisfy the most jaded occultist. Jake Gyllenhaal is brilliant as the disturbed protagonist-cum-antagonist. Also of note is young Jena Malone as his love interest. Hmmm, I wonder how many large psychotic bunny rabbits will be hopping around this Halloween … ?
scary bunny rabbit!

I’ve got my own Halloween feature I hope to make one day. It’s a very dark, violent and apocalyptic tale; a supernatural plague upon your families. Entitled All Hallow’s Eve it takes place in the near future (end of days) over the course of October 31st and into the wee hours of the next morning. We see rich suburban households preparing the kids for trick or treating, wayward adolescents descending upon parties, streetwalkers soliciting business men in expensive cars, adults committing adultery, the toil and trouble, trials and tribulations of modern urban life under stress and duress. The controlled chaos begins to focus during the witching hour on the release of all evil spirits from the scorched earth, to make way for All Saints Day (November 1st). However following this particular Halloween (an abbreviation of Hallowed evening in case you didn’t know), there will be no All Saints Day, because the Devil will reign supreme. Every single living person on earth indulging in sin at the moment of release; whether it is of the flesh or in the mind, becomes possessed by the dark forces of Lucifer and is transformed into a demon. These demons then proceed to terrorise and devour all the remaining pure and innocent humans without mercy and with extreme prejudice. The world is cast into a perpetual darkness where angels fear to tread. Satan scratches his leathery crimson buttocks and laughs long, deep and hard. The witches cackle, the vampires leer, the werewolves howl, and the ghouls grimace in supplication.

It’s a pretty grim premise, huh? Hell on earth I fear. Armageddon inverted. I’m not a Satanist, I just like the idea of a really, really dark horror film.

“Black Cats and Goblins and Broomsticks and Ghosts
Covens of Witches with All of Their Hopes,
You May Think They Scare Me, You're Probably Right,
Black Cats and Goblins on Halloween Night . . .
Trick or Treat!”

--- children’s chant, Halloween (1978)

deadly Halloween masks



* images on this page were taken from the following wikipedia pages:
Hell Night (movie poster), The Crow (screen shot), Ginger Snaps (movie poster), Donnie Darko (movie poster), and Halloween III: Season of the Witch (screen shot).
They are licensed from the GNU Free Document License.
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The trashy art of CREATIVE KILLING

October 26th 2006 01:47
In horror movies there’s nothing as pedestrian as a straight no-frills kill. Sure, sometimes the plot dictates that a character should die an ordinary death, but more often than not the more spectacular the demise, the more memorable the movie, in a trashy kind of way.

Take the Final Destination series. Very hip and self-aware in its characterisations and dialogue, and well above average in the horror stakes (perhaps it’s the Canadian/American co-pro approach), but with the third installment of the Grim Reaper’s playful exploits, one hopes the screenwriters don’t edge too far into that dangerous territory known as parody


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It’s a potent, twisted heading isn’t it, one for the hardened horrorphiles perhaps? A few of these aren’t quite death scenes, but the violent intent is so horrific it may as well have been.

What makes a particular sequence of on-screen violence so disturbing? I’ve seen many horror movies with elaborate and convincing SFX makeup that haven’t actually disturbed me per se. Repulsed me perhaps, but not given my psyche the trauma which resonates for weeks, months, even years


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How do you like to be FRIGHTENED?

October 24th 2006 03:34
Good afternoon sir, good day madam, and how would you like your cinematic scares perpared? Would you care to have them delivered at periodic intervals? Or to be sudden and forceful instead? Maybe you’d like to wait until you’re almost done, and then have an almighty shock to the system? Or perhaps you’d prefer to have a few “Boo!”s from time to time, just enough to keep you on the edge …?

Horror films have all manner of different ways to scare an audience. There can be the simple black cat darting out of an alleyway, to the heroine in extended jeopardy with the audience on the edge of their seat, gripping their partner’s arm in antici …… pation, then everything settles, audience relaxes, and suddenly a dark figure lurches out from the shadows and all hell screeches out


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What's TOO CLOSE for comfort?

October 23rd 2006 01:57
When is particular subject matter considered taboo for horror movies? One person’s degradation could be another’s escapism? What one person finds deeply disturbing might barely make another person blink.

There is certain areas that are generally considered very thin ice. Child abuse is one of them. An example of this is the Spanish film In a Glass Cage (1987), which was refused classification and banned in Australia last year when distributors tried for a belated theatrical release down under


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Celebrity SLAUGHTER!

October 20th 2006 02:46
Have you had the itch to make your own horror flick? Y’know that annoying scab you wanna pick? Well, now’s your opportunity. I’ve concocted a production line – a kind of equation – that enables you to choose the variables within a horror movie scenario and then describe the horrific climax. Best of all, you get to choose which celebrities get offed, and just how nastily.

Simply select from the multiple choice options, steadily building your production equation, then you provide a short paragraph, and finally an epilogue


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What GHOUL are you?

October 19th 2006 02:17
Are you the UNDEAD or the LIVING DEAD …?

Here’s a silly little test to find out if you lie more in a putrid rot with zombies or in the fetid nocturne of vampires. Simply check which of the movies in the two lists you’ve seen (which include remakes and select sequels) and add up the corresponding points (higher points go to cult and/or rare films, lesser points go to highly commercial or cheesy flicks). The column which gives you the highest total score is your ghoulish family calling you


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Gorehound OR Terrorfreak?

October 17th 2006 23:54
There are two distinct types of modern horror film; the violent and gory and the creepy and suspenseful. And never the twain shall meet? On the contrary they meet often, but frequently critics and audiences prefer one kind to another.

The real fuddy-duddies will claim that the only good horror movies were made in black and white back in the 30s, 40s and 50s. Other, slightly less stick-in-the-mud types will argue the horror film was good up until the misogynistic stalk’n’slash genre hit its stride in the late 70s. While the deeply conservative will state emphatically that there is no place in society for the consumption of such mindless, puerile trash as horror movies


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Is there too much BLOOD?

October 17th 2006 00:25
In America it is optional whether to submit your film to the MPAA (Motion Picture Association of America), where a board of censors will decide what rating the film should receive and where the cuts should be in order to receive this particular classification. Most horror movies end up rated R (persons under 17 have to be accompanied by an parent or adult guardian).

The classification up from R is NC-17 (no one under 17 admitted). This is more or less the equivalent of the Australian rating R, the New Zealand rating of R18 and the British rating of 18. Originally the NC-17 rating was known as the infamous X rating, and was dished out to films with sexually explicit content. Any movie with an X rating had a lot of difficulty with distribution as cinemas generally refused to advertise an X rated film assuming it was a porn flick


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… otherwise I’m gonna have to kill ya!

But seriously, these are in my opinion fifty of the most powerful, creepy, and gut-churning horror films ever made, and if you consider yourself a fan of horror then you should have seen at least half of these. If you’ve seen 45 or more then you’re a die-hard, gore-houndin’, terror-freakin’, True Believin’ horrorphile, and I salute you.
My criteria were movies that still hold potency in today’s viewing realm of overt cynicism and jaded sensibilities. But I had to be ruthless in my selection, as there were plenty more I could recommend


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So who's got the horror SPUNK?

October 11th 2006 02:19
I’m taking a red-blooded, male-centric point of view; I’m talking feminine spunk. The main reason for this is more often than not guys don’t survive horror movies, or if they do, it’s because of the gung-ho spirited assistance of some spunky chick. This is why there are whole chapters in horror film books about what has been affectionately coined as The Final Girl.

It’s a rule of thumb, and rules are broken from time to time. But in today’s post I wanna talk about the girls. It’s kinda like DJing; you play for the ladies, ‘cos if you get the girls on the dance floor the guys will follow, simple as that. So, by applying this formula to the horror movie genre, you can double your audience. You get the girls in because they like to root for a no-bullshit-leading-lady-with-spunk-to-burn, and of course the guys will be there in droves, ‘nuff said


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It might seem like an easy question to answer, but in truth, sometimes it’s the opposite of what you think which can affect you the most.

Horror movies which rely on a cinema verite approach; all handheld camera work, raw editing, “naturalistic” performances, available light, etc, can sometimes have less of an effect than they intend, simply because the “reality” of it starts to become tedious, and the manipulative intent has been unintentionally subverted by its own cleverness


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Dead Man's Shoes

October 8th 2006 23:44
With the year’s most provocative drama English director Shane Meadows, who usually delivers more comedic fare (albeit in that wry English vein) has unleashed a film with a dark heart indeed. It’s also one of the most unusual horror films in years.

Dead Man’s Shoes is a tale of revenge and the slippery slope it clings to. It is also a story of morals and redemption, but seen through the dark clouded eyes of a deeply scarred soul, that of returned serviceman Richard (Paddy Considine


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How SQUEAMISH are you?

October 6th 2006 02:06
I’m a gorehound. I’m not ashamed to say. I love the tearing asunder of flesh, blood and bone within the context of a horror movie. But I’m embarrassed to say I’m rather squeamish in real life. Like my father I don’t like hypodermic needles, especially when they’re being used on me!

I had an accident early this morning, klutz that I am. Walked straight into the open door of the bar cabinet of which the sharp wooden corner was directly at forehead level. OW! I was half asleep, y’see, and didn’t have my contact lenses in. Blood pissing out, my girlfriend in the shower heard me crying out in extreme pain


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KING of horror

October 5th 2006 06:39
Like millions of others the world over I’m a fan of Stephen King’s novels. But I stopped reading them after It and Misery. It was a thousand pages or so and I decided I’d had enough of his rather self-indulgent, long-winded novels (exceptional as It is). Looking at the size of his publications over the past decade I’ll stick to my guns; he’s never really been able to write a novel of much brevity. His first novel Carrie is one of his five or so best (others being 'Salem’s Lot, The Shining, The Stand, Christine). But I digress … I’m here to write about the King movie adaptations.

Pretty much every single book of Stephen King’s prolific career has been made into either a feature film, a TV mini-series, a TV episode, or a student short film. We’re talking more than a hundred productions (with several in production right now; From a Buick 8, Cell, The Talisman). But quantity does not necessarily mean quality, and let’s be honest here; not many of his books have been turned into good movies. Only a clutch or so are truly impressive. I’m sure the diehard King fans would agree with me that there are only perhaps five or so adaptations of King’s works that stand the test of time. The rest have failed to do the source material justice in one way or another


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What's your WORST FEAR?

October 3rd 2006 23:22
I love asking people this question! I combine it with the concept George Orwell used in his novel Nineteen Eighty-Four; Room 101 (your worst fear a reality).

So, for example, my Room 101 would be being forced to enter the room to find the entire floor is made of glass or Perspex. The door locks behind me. Through the floor I can see a ten or so metre drop to the ocean, a very ominous looking swell (I have a mild phobia of deep ocean water). My heart begins to thud in my chest, moving slowly up into my throat. It gets worse. I can see the dark silhouettes of several huge Great White sharks swimming back and forth a metre or so below the surface, their dorsal fins occasionally breaching. A cold sweat has broken out over my body; I’m finding it hard to breathe. It gets worse. The transparent floor splits in the middle and swings open like a trapdoor, and I plummet toward the sea. I think I’d probably black out at that point from the sheer petrifying horror of the violent and appalling death that is about to engulf me


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Who's your favourite MONSTER?

October 2nd 2006 22:57
In the dark realm of nightmares and scary bad dreams, in the primal zone of the horror movie, which villainous, psychopathic, bloodcurdling, hideously deformed creature from the bowels of our deepest fears gives us the most cinematic gratification?

It sounds like a contradiction in terms, but you know what I mean. Which “monster” from the world of horror provides us with the most entertaining chills, maintains a deep-rooted morbid fascination. Y’know, the guilty pleasures like which weapons we’d love to brandish, or the mask we’d love to wear, or the supernatural powers we’d love to weld, or the dumb co-eds we’d love to terrorise, or the cheesy lines or guttural noises we’d love to utter


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